AI-Uncanny Dirty Outsider Lofi 2027

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

A hip-hop track with a dark, atmospheric production, The primary instruments are a sampled upright bass providing a walking bassline, a sparse drum beat featuring a kick, snare, and closed hi-hat, and a melancholic piano melody, A vinyl scratch effect is used periodically, The male vocalist delivers a spoken word performance with a deep, resonant voice, maintaining a consistent rhythm, The tempo is slow, creating a suspenseful mood, The overall mix is dry with minimal reverb, emphasizing the raw, intimate vocal delivery, The song structure is linear, focusing on the narrative without a traditional chorus

A hip-hop track with a dark, atmospheric production, The primary instruments are a sampled upright bass providing a walking bassline, a sparse drum beat featuring a kick, snare, and closed hi-hat, and a melancholic piano melody, A vinyl scratch effect is used periodically, The male vocalist delivers a spoken word performance with a deep, resonant voice, maintaining a consistent rhythm, The tempo is slow, creating a suspenseful mood, The overall mix is dry with minimal reverb, emphasizing the raw, intimate vocal delivery, The song structure is linear, focusing on the narrative without a traditional chorus, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

A hip-hop track with a dark, atmospheric production, The primary instruments are a sampled upright bass providing a walking bassline, a sparse drum beat featuring a kick, snare, and closed hi-hat, and a melancholic piano melody, A vinyl scratch effect is used periodically, The male vocalist delivers a spoken word performance with a deep, resonant voice, maintaining a consistent rhythm, The tempo is slow, creating a suspenseful mood, The overall mix is dry with minimal reverb, emphasizing the raw, intimate vocal delivery, The song structure is linear, focusing on the narrative without a traditional chorus, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

A hip-hop track with a dark, atmospheric production, The primary instruments are a sampled upright bass providing a walking bassline, a sparse drum beat featuring a kick, snare, and closed hi-hat, and a melancholic piano melody, A vinyl scratch effect is used periodically, The male vocalist delivers a spoken word performance with a deep, resonant voice, maintaining a consistent rhythm, The tempo is slow, creating a suspenseful mood, The overall mix is dry with minimal reverb, emphasizing the raw, intimate vocal delivery, The song structure is linear, focusing on the narrative without a traditional chorus, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

A hip-hop track with a dark, atmospheric production, The primary instruments are a sampled upright bass providing a walking bassline, a sparse drum beat featuring a kick, snare, and closed hi-hat, and a melancholic piano melody, A vinyl scratch effect is used periodically, The male vocalist delivers a spoken word performance with a deep, resonant voice, maintaining a consistent rhythm, The tempo is slow, creating a suspenseful mood, The overall mix is dry with minimal reverb, emphasizing the raw, intimate vocal delivery, The song structure is linear, focusing on the narrative without a traditional chorus, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, metal, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, metal, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

AILLM_Image, [8/22/2025 2:01 AM] Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end no, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

A hip-hop track with a dark, atmospheric production, The primary instruments are a sampled upright bass providing a walking bassline, a sparse drum beat featuring a kick, snare, and closed hi-hat, and a melancholic piano melody, A vinyl scratch effect is used periodically, The male vocalist delivers a spoken word performance with a deep, resonant voice, maintaining a consistent rhythm, The tempo is slow, creating a suspenseful mood, The overall mix is dry with minimal reverb, emphasizing the raw, intimate vocal delivery, The song structure is linear, focusing on the narrative without a traditional chorus

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

sizzling Drum Loop Middle Eastern Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔️Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; end non-tonic, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop

Uncanny Dirty Outsider Lo-Fi, 66–74 BPM (±3), loose 4/4 with occasional short bars, Aeolian↔Phrygian (♭2); rare Locrian color; parallel fifths; avoid functional cadences; drones on i/♭II, Melody: naive, narrow (≤ m6), repeated cells; intonation ±15–25 cents, Sources: detuned nylon guitar, toy/tack piano, thrift-store drum box (56–60% swing, late flams), contact-mic percussion, melodica/harmonica bends, cassette hiss/hum, Sound: mono/narrow; 12-/8-bit; wow/flutter ≈1, 2%; clipped transients; band-limit 300–3, 8 kHz; short metallic spring; no correction, Form: through-composed 1:10–1:40; keep count-in/mistakes; abrupt non-cadential stop, Variant: boiler-room duo—parlor + malfunctioning drum box; ≈70 BPM drift; E♭ center; mono cassette hiss, clipped peaks, radiator clanks; keep count-in/false start; end mid-phrase, Tech: 70±3; scale dev ±20 cents; swing 58%; 12-bit/22, 05 kHz; EQ HPF120/LPF4k; erratic spring; structure A→A’(+1 bar)→fragment; no edits; end non-tonic, no fade, ‑pop, ‑electropop, ‑synthpop, ‑indie pop, ‑K-pop, ‑J-pop, ‑dance-pop, ‑art pop, ‑teen pop, ‑hyperpop, ‑bubblegum pop, ‑dream pop, ‑power pop, ‑pop rock, ‑alternative pop, ‑soft pop, ‑pop punk, ‑country pop, ‑chamber pop, ‑jazz pop