Opera

A classic opera unfolds with a dramatic overture led by a full symphony—lush strings, powerful brass, and woodwinds, The arias showcase soaring vocals and intricate orchestration, shifting to dynamic ensembles and large choruses, highlighted by grand crescendos and orchestral depth, ‑Harmonies stripped of ornament, ‑rhythms reduced to modern propulsion, ‑vocals flattened into contemporary phrasing, ‑production leaning toward pop polish or cinematic bombast, ‑structures that abandon formal repetition, ‑textures dominated by electronics or percussion, ‑dynamics that peak too early, ‑and melodies that fade instead of returning with authority

Style: Satirical Neo-Classical Opera, high-fidelity studio recording, theatrical, Instruments: Dark, brooding solo cello and sharp staccato violins (verses), soaring orchestral strings, harpsichord, and bright piano (choruses), Mood: Verses are cynical, blameful, minor key, and sharp, Choruses are heroic, uplifting, major key, and anthemic, Vocals: Ultra-clear operatic Baritone male lead for verses; rich, powerful SATB choir for choruses, Production: Vocals upfront and dry in verses; lush, wide hall reverb in choruses, 90 bpm, 4/4 time, ‑Exclude: biblical language, ‑archaic words, ‑lofi, ‑muddy, ‑distortion, ‑whispering, ‑electronic, ‑synth, ‑rock, ‑pop, ‑drums, ‑percussion, ‑autotune, ‑mumble, ‑jazz, ‑metal, ‑background noise, ‑delays