Thinking Too Much

rock, Dry, offbeat alt-rock with a deadpan, talk-sung delivery and subtle swagger, Minimalist groove driven by muted guitar, bass with melodic movement, brushed or tight hand percussion, and plenty of rhythmic space, Vocals are conversational, slightly ironic but not jokey—matter-of-fact observations with bite underneath, Airy arrangement with grit in the tone, clean but unpolished, Tempo steady and confident, hooky without trying, Mood is wry, self-aware, lightly sardonic, steady, clean, rhythmic, tone

pop, art house pop, experimental, percussive, hand percussion, syncopation, rhythmic, mandolin, experimental, rhythmic

clean electric guitar arpeggios → fuzzy chorus • Straight 4/4, mid-tempo • Slightly nasal, earnest vocal • Simple drums, no flourish • Melody > cleverness, vocal, simple, electric, clean

rock, ironic, 90s-influenced, alt-rock, female vocals, raw

pop, mellow, sexy, bright, koto and xylophone and harp, major fifth and minor thirds, indie pop, bright, mellow, indie pop, harp

pop, seductive art-pop, sparse hand percussion, female vocals, female vocals, rhythmic, harmony, raw

lo-fi, smooth, atmospheric, low

Nostalgic, Minimal art-pop with restrained emotion and precise language, Intimate vocals, subtle rhythmic motion, and a calm, observational tone, Feels spatial and reflective rather than narrative, with quiet tension held in repetition

Lo-fi, orchestral, scratchy indie rock with a dry, ironic tone, Spoken-sung vocals, slightly off-kilter rhythm, fuzzy guitar, loose drums, and a casual, unfinished feel, slacker wit with modern bedroom-rock energy, Orchestral, self-aware, and deliberately unpolished — like someone having fun before realizing it might actually be good