
The Inverse Bloom Verses: Bloodletting The Hollow Parables
An album exposing the suppression and corruption in the hierarchy of religious sects and the purge of knowledge from the common folk as if knowledge was heretic
·
14 songs
3:37

[genre: slam metalcore/Grindcore/Beatdown-metal]
[tempo: 126 BPM]
[instrumentation: extremely down-tuned 7-string guitars, crushing palm-muted chugs, jagged dissonant riffs, blast beats alternating with slow crushing slam sections, ultra-tight double bass drums, tectonic sub-bass drops every 2 bars]
[vocals: guttural slam growls, pig squeals, feral high fry screams, layered for maximum aggression, no clean or melodic vocals]
[mood: apocalyptic anti-corruption, pro-Gnostic wrath, suffocating, ceremonial decay]
[production style: thick abrasive distortion on guitars and bass, drums punishing and cavernous, layered vocal chaos, echo and chopped effects mid-breakdown, intro purely instrumental with crushing slam impact]
[no pop culture references, no clean singing, no melodic vocals]
2:42

[genre: slam metalcore]
[tempo: 124 BPM]
[instrumentation: extremely down-tuned 7-string guitars, crushing palm-muted chugs, jagged dissonant riffs, blast beats alternating with slow slam breakdowns, ultra-tight double bass drums, subharmonic bass drops every 2 bars]
[vocals: guttural slam growls, pig squeals, feral high fry screams, layered for maximum aggression, no clean or melodic vocals]
[mood: apocalyptic anti-corruption fury, pro-Gnostic wrath, suffocating and surreal]
[production style: thick abrasive distortion on guitars and bass, drums punishing and cavernous, vocal layers staggered with echo and chopped effects mid-breakdown, intro purely instrumental with crushing slam impact]
[no pop culture references, no clean singing, no melodic vocals]
3:35

[genre: slam metalcore/Grindcore]
[tempo: 122-128 BPM]
[instrumentation: extremely down-tuned 7-string guitars, crushing palm-muted chugs, chaotic dissonant riffs, blast beats mixed with slow crushing slam sections, ultra-tight double bass drums, subharmonic bass drops every 2 bars]
[vocals: guttural slam growls, pig squeals, feral high fry screams, layered for extreme texture and aggression, no clean or melodic vocals]
[mood: apocalyptic anti-corruption fury, pro-Gnostic enlightenment, predatory and suffocating]
[production style: abrasive distortion on guitars and bass, drum mix heavy and punishing, layered vocal chaos, echoing and chopped effects mid-breakdown]
[no pop culture references, no melody, no harmonic vocals, no clean singing]
3:14

Blistered Coronation
v4.5+
[genre: slam metalcore/Grindcore]
[tempo: 125 BPM]
[instrumentation: extremely down-tuned 7-string guitars, crushing palm-muted chugs, ultra-heavy slam riffs, dissonant squeals, double-bass bursts, abrupt tempo drops into breakdowns, tectonic bass drops every 4 bars]
[vocals: exclusively guttural slam growls, pig squeals, layered high fry screams, feral mid snarls, no clean or melodic vocals]
[mood: apocalyptic, venomous, ceremonial in a grotesque way, suffocating and regal decay]
[production style: dense and abrasive, guitars drenched in distortion, drums punishing and precise, vocal layers staggered for maximum impact, ritualistic reverb in select breaks]
[no pop culture references, no clean singing, no melody]
2:20

[genre: slam metalcore]
[tempo: 120-125 BPM]
[instrumentation: extremely down-tuned 7-string guitars, palm-muted chugs like collapsing structures, groove-laden breakdowns, dissonant pinch harmonics, chaotic tremolo sections, blast beats shifting to swamp-slow slam riffs, ultra-tight double bass drums, subharmonic bass drops every 2 bars]
[vocals: exclusively guttural slam growls, pig squeals, feral high fry screams, all layered for maximum brutality and depth, no clean or melodic vocals]
[mood: venomous, apocalyptic desecration, surreal religious blasphemy, brutal and unrelenting]
[production style: abrasive distortion on guitars and bass, punchy drum mix with chest-caving kicks, suffocating and claustrophobic mix, dynamic vocal layering with abrupt drop-outs before breakdown impacts]
[no pop culture references, no melody, no harmonic vocals, no clean singing]
2:49

Womb of Worms
v4.5+
[genre: slam metalcore]
[tempo: 120-130 BPM]
[instrumentation: extremely down-tuned 7-string guitars, crushing palm-muted chugs, groove-laden breakdowns that feel like collapsing architecture, dissonant pinch harmonics, blast beats shifting into swamp-slow slam sections, ultra-tight double bass drums, subharmonic bass drops every 2 bars]
[vocals: exclusively guttural slam growls, pig squeals, feral high fry screams, layered for maximal texture and aggression, no clean or melodic vocals]
[mood: apocalyptic rot, suffocating horror, surreal parasitic imagery, brutal and unrelenting]
[production style: abrasive distortion on guitars and bass, drums mixed to feel like sledgehammers in the skull, claustrophobic chaotic atmosphere, dynamic vocal layering with echo and abrupt cut-off effects during breakdowns]
[no pop culture references, no melody, no harmonic vocals, no clean singing]
3:46

Aggressive male vocals with intense emotion and raw articulation, blending extreme metal screams and snarled spoken word, Drop-tuned guitars with dissonant riffing, layered over glitched industrial textures and heavy hip-hop-inspired drum grooves, Cinematic breakdowns and atmospheric build-ups, Similar to a fusion of deathcore and 2000s-era groove metal, Absolutely visceral and unapologetically cathartic
3:14

[genre: slam/Metalcore/grindcore hybrid — raw, filthy, and violent]
[tempo: 120 BPM — drop into 85 BPM breakdowns with surgical precision]
[instrumentation: detuned 8-string guitars in drop E, chain-saw mids, bass distortion that sounds like teeth grinding through metal, drums hitting like wrecking balls, cymbals with zero sustain, sharp transient snare]
[vocals: inhuman gutturals, shrieked highs, gurgling pig squeals, layered exhale + inhale roars; no clean or melodic tones]
[mood: apocalyptic hatred, divine defilement, surreal carnage, pestilential atmosphere]
[forbidden: clean singing, harmonic vocals, pop culture references]
3:11

Regurgitory
v4.5+
[genre: slam Metalcore]
[tempo: 120-140-180BPM]
[instrumentation: extremely down-tuned 7-string guitars, crushing palm-muted chugs, heavy groove-laden breakdowns, dissonant pinch harmonics, blast beats mixed with slow slam sections, ultra-tight double bass drums, subharmonic bass drops every 2 bars]
[vocals: exclusively guttural slam growls, pig squeals, snarls, feral high fry screams, layered for maximal texture and aggression, no clean or melodic vocals allowed]
[mood: apocalyptic, venomous, psychotic rage, brutal and unrelenting]
[production style: thick abrasive distortion on guitars and bass, punchy aggressive drum mix, claustrophobic chaotic soundscape, dynamic vocal layering with echo and chopped regurgitation effects mid-section]
[no pop culture references, no melodic or harmonic vocals, no clean singing, no melody]
3:10

Culling of the Trite
v4.5+
[genre: slam Metalcore]
[tempo: 120-130 BPM]
[instrumentation: extremely down-tuned 7-string guitars, crushing palm-muted chugs, heavy groove-laden breakdowns, dissonant pinch harmonics, blast beats mixed with slow slam sections, ultra-tight double bass drums, subharmonic bass drops every 2 bars]
[vocals: exclusively guttural slam growls, pig squeals, snarls, feral high fry screams, layered for maximal texture and aggression, no clean or melodic vocals allowed]
[mood: apocalyptic, venomous, psychotic rage, brutal and unrelenting]
[production style: thick abrasive distortion on guitars and bass, punchy aggressive drum mix, claustrophobic chaotic soundscape, dynamic vocal layering with echo and chopped regurgitation effects mid-section]
[no pop culture references, no melodic or harmonic vocals, no clean singing, no melody]
3:52

Insanely unadulterated aggressively saturated hate, pain, suffering and misery, demonic shrieking terror screams fused with shifty muttering into intense inhuman gutteral Growls, Abrasive gutteral expressions of demonic pleasure, Rage meets insanity, super potent and tightly compressed and masterfully skilled drumming with frequent shifts in tempo with immaculate punctuation and masterfully articulated cymbal rolls incorporated with the frequent prodigal style tom rolls and fills, Nasty down low bass with exuberant skill in finger tapping, slapping and claw-hammering bass riffs and frequent aggressive octave-rich and playful fills, Prodigal Studio quality Mastering and layering with demonic expressions, chants and backdropped industrious hints of extremely heavy synths a bass booms added for dark and ominously abrasive taste of a dominating atomic flavor of annihilation, Absent completely of melodic harmonizing vocals whatsoever, Purely raw, rage filled hate, aggressed extermination
3:08

The Gash of Sophia
v4.5+
SLAM / BEATDOWN / METALCORE HYBRID —
Hyper-aggressive, skull-smashing production, Drums: insanely skillful, relentless double-kicks, rapid grind blasts, constant cymbal variation, intricate fills, ride and china accents cutting through, fills that dominate the transitions and keep momentum explosive, Bass: upfront, deep, well-rounded tone, heavy distortion with grinding clarity, dropping into twisted fills that drive breakdowns with earth-shaking weight, Guitars: chainsaw HM-2 distortion, chugging slam riffs, dissonant metalcore bends, chaotic grind bursts, switching between hyperspeed grind sections and tectonic slam sludges, Breakdowns: EXTREME face-smash bratdown breakdowns —
slow, hammer-heavy, sludgy, devastating, designed to hit like a collapsing cathedral of bone, Vocals: guttural roars, bratdown barks, snarled highs, gang shouts, Atmosphere: suffocating, raw, walls of feedback and dissonance, Energy: violent, unrelenting, pure chaos wit
3:09

SLAM / BEATDOWN / METALCORE HYBRID —
Final album closer energy: violent, chaotic, and crushing, Drums: hyper-technical and aggressive, nonstop cymbal variations, china/ride/bell accents on every fill, explosive grind blasts contrasted with slow-motion slam breakdowns, Bass: upfront and massive, distorted, rolling fills, punching through with low-end hammer weight, Guitars: HM-2 chainsaw distortion, switching between hyperspeed grind riffs, bratdown slams, and extreme sludge breakdowns that feel like a hammer smashing concrete, Breakdowns: catastrophic, sludgy, face-smashing bratdowns, designed as the most destructive parts of the record, Vocals: guttural roars, snarled highs, bratdown barks, gang shouts, Atmosphere: suffocating, catastrophic, feedback-soaked, Energy: illusion and collapse — the ultimate destruction of the Demiurge, with brutality that seals the album shut in annihilation
3:44

Aggressive male vocals with intense emotion and raw articulation, blending extreme metal screams and snarled spoken word, Drop-tuned guitars with dissonant riffing, layered over glitched industrial textures and heavy hip-hop-inspired drum grooves, Cinematic breakdowns and atmospheric build-ups, Similar to a fusion of deathcore and 2000s-era groove metal, Absolutely visceral and unapologetically cathartic




