Baha'i Songs Collection (Volume #2)

cinematic pop, orchestral ballad, gospel hymn, 92 BPM, 4/4 march feel, male lead vocals, female duet harmony, 200 voice SATB choir, grand piano chords, saxophone ad libs, flute countermelody, violin section, brass section stabs, acoustic guitar strumming, double bass walking line, electric rhythm guitar mutes, modern drum kit, drum roll fills, chorus lift, clean recording in a studio vibe, no audience or applauses

modern rock, grunge guitar, 105 BPM, D major, palm-muted power chords, fingerpicked acoustic guitar, punchy grooving bass, drum-forward groove, lead electric guitar adlibs, alto saxophone flourishes, 9 voice harmony choir, baritone male lead, layered choral pads, plate reverb, tape saturation, parallel compression, anthem chorus, devotional uplift

pop rock ballad, cinematic pop-orchestral, 112 BPM, C major, female alto lead, natural chest voice, electric lead guitar plucking and rifting, double bass walking line, grand piano chords, Persian percussion, orchestral string swells, gospel SATB choir, French horn countermelody, heavy drum fills, clean studio recording, stereo width, plate reverb, heartfelt tribute, communal uplift

pop rock, gospel hymn, 105 BPM, G major, baritone male lead, alto female lead, call and response, tom tom intro, hand claps, stomping feet, chest thumps, thigh slaps, keyboard pads, walking bass guitar, rhythm guitar stabs, piano chords, lead guitar hooks, cello countermelody, trombone lines, dry close-mic vocals, stacked chorus harmonies

Modern funk rock version for duet female alto and soprano voice, The performance features a rhythmic vocal percussion element consisting of a consistent chest-thumping beat on every quarter note, simulating a kick drum, The vocal delivery is soulful with frequent use of melisma and blues-inflected pitch slides, The melody utilizes a major pentatonic scale with occasional flattened sevenths, The tempo is 82 BPM in 4/4 time, The arrangement relies entirely on the lead vocal and the percussive chest hits, A full modern 9 piece band (keyboard, lead guitar, rhythm guitar, bass guitar, acoustic guitar, cello, drums) provides the full musical inspirational feel together with violin and grand piano, The duet is backed by a 200 SATB gospel choir harmonies

pop orchestral ballad, cinematic gospel-pop, 80 BPM, fingerstyle acoustic guitar, grand piano backbeat chords, plucky walking bass, modern pop drums, orchestral string swells, 500 voice SATB choir, tenor baritone duet, soprano harmony lines, natural chest voice, saxophone ad libs, dry intimate mix, minimal room ambience, cinematic opening, anthem chorus, half-volume peak, call-and-response chorus

Slow-rock ballade world fusion and full ensemble orchestra, 90 BPM, 4/4 syncopation, Dramatic intro, Female alto lead, Female Soprano duet, 300 member SATB choir, Rhythm guitar chops, punchy bass guitar, cello bass, grand piano ostinato, tom-tom percussion, syncopated drum groove, dry intimate mix, minimal plate reverb, 1990s analog warmth, tape saturation, bittersweet uplift, Clean studio recording, No audience, No applause

A cappella gospel hymn featuring a solo baritone male vocal, The performance is characterized by a slow, rubato tempo and a soulful, resonant delivery, The vocal style incorporates bluesy inflections, melismatic phrasing, and a wide vibrato, The recording has a natural room reverb, emphasizing the intimate and raw quality of the solo performance, The melody is diatonic with occasional chromatic passing tones, typical of traditional spirituals and devotional music, The phrasing is expressive, with dynamic swells and pauses that follow the lyrical narrative

Grand drums and percussion intro, Pop rock, devotional anthem, 115 BPM, tom-tom marching beat, finger snaps backbeat, chest thump kick, Persian percussion, grand piano ostinato, electric guitar arpeggios, cello counterline, harp filigree, baritone lead, female alto harmony, 50 voice choir, ooh ahh crowd vocals, dry close-mic mix, minimal room reverb, bathroom room tone, bittersweet majesty with cello solo adlibs together with modern drummer solo adlibs in parts

Tom tom and bass drum thumping intro layered with hand claps before a country-rock genre style weaves in, A male baritone lead vocal is supported by layered male vocal harmonies, There is also a female alto lead that duets, A strong 200 STAB choir backs and leads the final chorus, The rhythmic foundation consists of rhythmic bass guitar and grand piano chords thumping and hand claps on beats 2 and 4, The lead vocal maintains a steady, melodic delivery with occasional bluesy inflections, Harmonies enter in the chorus, providing a rich, choral texture, The tempo is 110 BPM in 4/4 time, likely in the key of D major, Pop band instruments backed song, Grand piano adlib and drum solo adlibs driven song

cinematic gospel, devotional hymn, 72 BPM, rubato intro, solo baritone lead, tenor duet harmonies, stacked SATB choir, grand piano ostinato, alto sax adlibs, lead guitar fills, punchy snare rolls, natural room reverb, tape saturation, live chapel ambience, dynamic pauses, call and response, somber triumph, sacred urgency

An uptempo funk pop genre feel with the tempo is approximately 108 BPM, The instruments comprises of a modern 9 piece band that includes grand piano, The electric bass provides the punchy groove, The drummer uses the tom toms to add depth and with befitting drum fill in, The electric acoustic guitar plucking is heard, The vocal delivery is earnest and straightforward, featuring occasional bluesy inflections and melismatic ad-libs towards the end of phrases, 100 member SATB choir, The recording has a natural, dry room acoustic with minimal processing

A cappella pop-orchestra devotional chant genre, A SATB choirperforms a repetitive melodic harmonising theme with a resonant, chest-heavy tone, The vocal delivery is characterized by slow, deliberate phrasing and sustained vowels, The arrangement features choral vocal track with backed by a strong 100 full orchestra ensemble, There is also an acoustic guitarist plucking away and a bass guitar plucking away a groovy baseline, The tempo is approximately 70 BPM in 4/4 time, The melody centers on a limited range, utilizing stepwise motion and occasional minor thirds, The recording has a natural room reverb with a slight emphasis on low-mid frequencies

gospel hymn, a cappella choir, 72 BPM, G major, baritone male lead, SATB choir swell, resonant chest voice, wide vibrato, legato phrasing, slight rubato, acoustic guitar melody, piano chord bed, natural room reverb, short decay, 4/4 march, stumbling then steady, devotional uplift, communal resolution

A sad, mellow yet heartfelt inspirational song that is divinely as well as angelic in its vocals, Male and female lead vocals interlude and harmony, backed by a 250 SATB choir at the chorus, Prayer like song at tempo of 65BPM, They all sing with vibrato and reverb, Only acoustic guitar, grand piano and flute accompany the entire song, Clean recording without any audiience or applause