Folk Works

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track only using classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track only using classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

track prominently featuring classical instruments in a traditional early clan hurdy-gurdy folk bands that were made no later than that of the 16th century: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

Dark folk, doom folk, eerie apothecary folk, low male vocals, slow ritual tempo, minor key, acoustic guitar, bowed cello drone and shruti box, frame drum pulse, medieval herbalist atmosphere, lyrics about bombs, poisons, toxins, tinctures, measured alchemy, grim practicality, candlelit workshop sound, raw organic recording, no modern instruments, tense and restrained, fatalistic tone, cinematic, dark, violin, slow, melancholic, atmospheric

2010s, folk, USA, male and female vocals, eclectic, quirky, reflective, 1970s influences, feel-good, communal

French house instrumental, Discovery-era Daft Punk, 123 BPM, Hypnotic, orchestral, cosmic disco, Female voice Spoken-Word Only (No Melodic Singing), Low And Slightly Raspy, Menacing Whisper/Sprechgesang, Structure: • 0:00-0:15: Solo cello arco swell + hi-hat ticks • 0:15-0:45: Filtered kick, funky bass riff, cello pizzicato counter-melody, vocoder “Veridis quo?” whispers • 0:45-1:15: Full drop: Moog bass, horn stabs, cello soaring legato lead, arpeggios • 1:15-1:30: Cello tremolo in ambient breakdown, theremin wail • 1:30-1:45: Cello final glissando fade on suspended chord Key: Analog warmth, phaser sweeps, cello front-and-center, light Latin vocal chop, 1:45 total

male vocals, female vocals, Traditional Slovak brass folk ceremonial waltz (3/4), 96 BPM, F major, family celebration anthem, flugelhorn lead melody, warm trumpets in harmony, clarinet ornaments, trombone pads, tuba oom-pah-pah waltz bass, very soft snare and gentle cymbal swells on cadences, live band feel, natural room ambience, elegant dynamics, emotional uplifting tone, clear Slovak vocals, singable chorus, timeless folk authenticity, polished modern mix without EDM drop, Tall Tunes signature, ‑EDM drop, ‑trap/hip-hop drums, ‑harsh autotune, ‑heavy distortion, ‑aggressive synth leads, ‑dark horror mood, ‑English vocals, ‑overly fast tempo, ‑glitch overload

track only prominently featuring classical instruments in a traditional early clan hurdy-gurdy band: Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms; and other wood wind, percussion, and string instruments for folk bands; each instrument can clearly be heard, production is clean and stereo image uses L/R panning

Introduce a secondary melodic instrument (violin or flute) that plays evolving counter-melodies between verses and sections, The instrument should add short melodic phrases and variations to break the repetitive rhythm, appearing selectively and not constantly

faroese folk-pop with heavy yodeling, playful bagpipes vibe, 6/8 at 96 bpm, key e minor, instruments: lead cello motif (tarja signature, warm and present), tagelharpa low drone bed, fiddle/violin folk lines, central bagpipes as main ostinato and hook (smallpipes or uilleann pipes), frame drum + soft shakers, foot stomps + handclaps, airy pad very low, natural room ambience, vocals: tarja female soprano lead, close-mic, clear diction, lots of yodel passages, call-and-response feel, uplifting ending, production: organic dynamics, wide but not glossy, no early fade

track is poetic; verse-chorus format; vocalists are male lead, female chorus, male and female choir chorus group combination; singing is clear especially with sixth notes lows and highs; yodeling is rapidly and evenly rhythmically paced; prominently featuring classical traditional instruments; bagpipes, Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard; hurdy-gurdy plays charismatic backbone; tabors and percussion add dynamic depth and padding; Lute, Shawms, and other instruments add melodic layering; production is clean; living, crystalline, psychedelic, emotionally happy, fun, loving wide stereo image; M/S left right stereo image splitting;

track is poetic; verse-chorus format; vocalists are male lead, female chorus, male and female choir chorus group combination; singing is clear especially with sixth notes lows and highs; yodeling is rapidly and evenly rhythmically paced; prominently featuring classical traditional instruments; bagpipes, Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard; hurdy-gurdy plays charismatic backbone; tabors and percussion add dynamic depth and padding; Lute, Shawms, and other instruments add melodic layering; production is clean; living, crystalline, psychedelic, emotionally happy, fun, loving wide stereo image; M/S left right stereo image splitting;

track is poetic; verse-chorus format; vocalists are male lead, female chorus, male and female choir chorus group combination; singing and yodeling is clear especially with sixth notes lows and highs; yodeling is rapidly and evenly rhythmically paced; prominently featuring classical traditional instruments; bagpipes, Symphonia hurdy-gurdy, Lute, Flat goatskin tabors, Shawms, and other wood wind, wood percussion, and wood string instruments; each instrument can clearly be heard; hurdy-gurdy plays charismatic backbone; tabors and percussion add dynamic depth and padding; Lute, Shawms, and other instruments add melodic layering; production is clean; living, crystalline, psychedelic, emotionally happy, fun, loving wide stereo image; M/S left right stereo image splitting;

Swashbuckling fantasy sea shanty fused with dramatic theatrical flair, charismatic male lead vocal with playful flirtatious tone, upbeat tempo, lively fiddle, light percussion snaps like chakram throws, layered harmonious backing for chorus, hints of pirate hornpipe rhythm, vibrant and adventurous 1980s-inspired adventure soundtrack feel, energetic and empowering

Medieval Viking chant • Tempo: Slow to mid, steady like marching boots, • Instruments: • Frame drum (heartbeat pulse) • bowed lyre carrying the melody • Lute open tuning • Low male backing voices on the chorus for a “hall chant” feel Duet Lead male rough and intimate baritone vocal Female, soprano, rough, and intimate background vocal

Medieval instrumental music inspired by a Norman-French wine-producing state, Mood: solemn, restrained, noble, with underlying tension, Blend Nordic roots (deep drones, low percussion, lyre or tagelharpa) with refined French medieval elements (harp, vielle, lute, soft flute), Add subtle symphonic support only in climactic moments: low strings, restrained brass, and soft female choirs used sparingly for atmosphere, not heroism, Slow to mid tempo, flowing like a river, Avoid epic, bombastic or repetitive motifs, no loud male choirs, No modern instruments, Evolving structure, minimal repetition, dark elegance over raw power

Vocal chorus, Create a dreamy Middle Eastern melody with medieval tones using harp, cello and tabla drums, dark and mysterious, Slow hypnotic rhythm evoking mystical Eastern nights under starry skies

rock, 1968 psychedelic rock with a dreamy feel, Medium tempo, light marching drums, melodic bass, chiming electric guitar, and warm, slightly wobbly organ, Slightly detuned cello accents, Layered harmonies, Female lead vocal is playful and wonder-struck, with stacked harmonies in the chorus, Vintage, warm, colorful, and hypnotic, vocal, hypnotic, light, warm, playful, psychedelic rock, cello, electric

rock, 1968 psychedelic rock, war protest song, heartfelt and earnest male vocals, stacked harmonies in the chorus, medium tempo, light marching drums, melodic bass, chiming electric guitar, warm, slightly wobbly fuzzed Hammond organ, slightly detuned cello accents, vintage, warm, colorful, and hypnotic, driving and relentless, heartfelt, lyrical, warm, light, psychedelic rock, hypnotic, cello, electric, vocal