Biohazard

Trance-Rammstein-fusion, foreground sung bariton vocal in Till-Lindemann-Style, no growling, no shouting, no screaming, no commanding, pounding triple 4/4 drum sets, orchestral hits, deep keyboard pads, Mix: heavy guitars, sub-bass, mechanical sounds, NO folk instruments

music: brachial 4/4 stomping drums, slow trance - Neue Deutsche Härte - hybrid, linear rise in intensity - intro must be extremely quiet – no rhythm, no pulse, no sidechain, Only soft ambient pads, filtered static, and distant textures – like charged silence - First third stays ambient: no drums, no bass, no distorted elements, Build begins gently with arpeggios and electronic pulses, Distorted guitars and triple drumsets enter only after midpoint, Drums must lead strongly once active – not hidden, - Climax features full stereo fusion of guitars, synths, bass, and triple drums - Final chorus = emotional and sonic peak - Song ends with a long ambient decay: echo trails, filtered guitars, and shimmering synths voice: no shouting, no screaming, melodic bariton, no rap, not spoken within verses, chorusses or in bridge, clear bariton melodic rock but not metal voice, with rolling R but trance style with power and reverb but strong tone when needed

track: mid tempo, 7 minutes, whole lyrics, no truncations music: slow trance - Neue Deutsche Härte - hybrid, linear rise in intensity - intro must be extremely quiet – no rhythm, no pulse, no sidechain, Only soft ambient pads, filtered static, and distant textures – like charged silence - First third stays ambient: no drums, no bass, no distorted elements, Build begins gently with arpeggios and electronic pulses, Distorted guitars and triple drumsets enter only after midpoint, Drums must lead strongly once active – not hidden, - Climax features full stereo fusion of guitars, synths, bass, and triple drums - Final chorus = emotional and sonic peak - Song ends with a long ambient decay: echo trails, filtered guitars, and shimmering synths voice: no shouting, no screaming, melodic bariton, no rap, not spoken within verses, chorusses or in bridge clear bariton melodic rock but not metal voice with rolling R but trance style with power and reverb but strong tone when needed

dry, massive, thunderous and hard pounding 4/4 drums, chest-hitting and relentless, triple-layered with military precision, double-kick bursts, explosive tom fills, crashing cymbals like thunder, tight, distinct heavy drop-tuned guitars, crisp and cutting, not muddy, deep sub-bass frequencies you feel physically, sharp metallic percussion, hammer-like accents, orchestral stabs and dramatic hits for impact, bright and playful analogue synth layers, Flake Lorenz style keyboard leads, dark pads as atmospheric foundation, dynamic rise from silence to overwhelming power, stadium-scale energy, every note hits like a blow clear, smooth melodic baritone, no shouting, no screaming, no growl, no rasp, no husky or phlegmy voice, operatic clarity, strong resonance, rolling R, controlled reverb only on vocals, powerful tone when needed

music: melodic Industrial - Neue Deutsche Härte Fusion, linear rise in intensity, - intro must be extremely quiet – no rhythm, no pulse, no sidechain, Only soft ambient pads, filtered static, and distant textures – like charged silence - First third stays ambient: no drums, no bass, no distorted elements, Build begins gently with arpeggios and electronic pulses, Distorted guitars and triple drumsets enter only after midpoint, Drums must lead strongly once active – not hidden, - Climax features full stereo fusion of guitars, synths, bass, and triple drums - Final chorus = emotional and sonic peak - Song ends with a long ambient decay: echo trails, filtered guitars, and shimmering synths voice: no shouting, no screaming, melodic bariton, no rap, not spoken within verses, chorusses or in bridge clear bariton melodic rock but not metal voice with rolling R but trance style with power and reverb but strong tone when needed