❄️PROJECT ÆSIR🔥

Cinematic sci-fi trailer song with high emotional tension and rising intensity, The intro features a short, desperate female voice delivering a broken distress signal over icy wind and static, Followed by deep humming from a low male choir, Verse 1 begins immediately with energy, avoiding slow buildup, Sung by a melodic baritone or alto, accompanied by cold synth layers, staccato strings, and deep rhythmic bass, Choruses are anthemic and catchy, with full harmonies (male and female), cinematic drums, and rising brass, Verse 2 increases tension with sharper rhythms and urgent vocals, The bridge is ethereal and vast, hinting at cosmic secrets, The final chorus becomes a cinematic crescendo with full choir, soaring instrumentation, and emotional delivery, Fades out into cold hum and static, Inspired by trailers from Dead Space, Interstellar, Mass Effect and Arrival, ‑EDM, ‑hip hop, ‑trap, ‑acoustic pop, ‑funk, ‑lo-fi, ‑reggae, ‑chiptune, ‑upbeat rock, ‑retro synthwave

Cinematic sci-fi trailer song with high emotional tension and rising intensity, The intro features a short, desperate female voice delivering a broken distress signal over icy wind and static, Followed by deep humming from a low male choir, Verse 1 begins immediately with energy, avoiding slow buildup, Sung by a melodic baritone or alto, accompanied by cold synth layers, staccato strings, and deep rhythmic bass, Choruses are anthemic and catchy, with full harmonies (male and female), cinematic drums, and rising brass, Verse 2 increases tension with sharper rhythms and urgent vocals, The bridge is ethereal and vast, hinting at cosmic secrets, The final chorus becomes a cinematic crescendo with full choir, soaring instrumentation, and emotional delivery, Fades out into cold hum and static, Inspired by trailers from Dead Space, Interstellar, Mass Effect and Arrival, ‑EDM, ‑hip hop, ‑trap, ‑acoustic pop, ‑funk, ‑lo-fi, ‑reggae, ‑chiptune, ‑upbeat rock, ‑retro synthwave

Epic cinematic sci-fi soundtrack with strong melodic presence and rich instrumental textures, The music should reflect a dramatic descent through a hostile alien atmosphere, combining deep orchestral strings, dark synthetic textures, rising tension motifs and emotional harmonic layers, Include dynamic percussion elements, rhythmic pulses, and a memorable main melody, The overall tone should feel like a mix of Star Trek, Transformers, and Dead Space – epic but ominous, At 0:30, a spoken baritone voice (Commander Wagner) delivers a cockpit log with radio static and filtered distortion, Then insert a powerful instrumental bridge (70–90 seconds) with rising intensity, melodic progression, and no vocals, Near 2:40, bring in the second spoken line: “Touchdown confirmed, Aurora has landed, ” Finish with a resolved chord or subtle impact tone, Target length: 3:00–3:30 min, No singing or melodic vocals – just immersive music and spoken voice, ‑lo-fi, ‑upbeat, ‑EDM, ‑funk-pop, ‑acoustic, ‑happy vocals, ‑hip-hop, ‑tropical, ‑minimal drones

Epic cinematic sci-fi instrumental with military and ambient hybrid structure, Begin with a dark orchestral intro inspired by Drop on Klendathu – low brass pulses, slow combat rhythm, and airlock pressure release, Include heavy footsteps on a metallic ramp followed by cold wind ambience, At ~0:30, insert a spoken log by a deep baritone voice (Lieutenant Taggert) with subtle static, Use cold synths, rhythmic string layers, and an evolving ambient melody, After 60 sec, insert a second spoken log from a calm contralto female voice (Lieutenant Cruz) with filtered, analytical tone, Between each voice part, include instrumental bridges with tension buildup, glitch effects, and cinematic progression, At ~3:10, insert final spoken line from Taggert with eerie calm: “Still no visual, Sensors are dead, But it feels like, we’re being watched, ” End with quiet fade or tonal collapse, Duration: 3:30, No singing, ‑upbeat, ‑lo-fi, ‑trap beat, ‑acoustic pop, ‑tropical, ‑funk, ‑happy vocals, ‑EDM drop

Military sci-fi track with spoken voice parts, Begin with cinematic percussion (snare + toms), low mechanical rumbles, and filtered sci-fi pads, Create a structured but restrained rhythm, No heroic brass, Main theme should be steady, focused, with a dark, forward-driving pulse like a deep-space combat march, Avoid cheerful tones – evoke tension and purpose, First audio log spoken by deep baritone (Taggert), clear, steady, Afterward, long instrumental segment (60–90s) in minor key, blending industrial sounds, synth textures, and distant ambient noise, In the second audio part, use two distinct voices: cautious female (Moretti) and composed male baritone (Taggert), Add subtle tracker ping FX, followed by a single realistic scream (not spoken), Final section transitions to slow, sorrowful outro: ambient synth pads, soft dissonant piano, and eerie textures, End with chilling silence, No chorus, No singing, ‑pop, ‑opera, ‑funk, ‑lo-fi, ‑ballad, ‑retro synth, ‑upbeat electronic

Spoken Sci-Fi track with cinematic tension and focused instrumentation, Begins with a calm baritone voice (Wagner) over subtle ambient music: icy synth pads, low brass, distant mechanical hum, Transitions into a melodic instrumental with a clear 5–6 note sci-fi theme, layered with cold textures, scanner pulses, soft martial drums and deep resonance, The music should be listenable and soundtrack-like – not pure ambience, After ~100 seconds, a second spoken log (Devereux) begins in a clear, slightly French-accented voice, Use subtle echo and emotional nuance as his report grows darker, End with a chilling outro: body sounds (tissue shifts, pulses), rising synthetic tones, a sharp system alert, then a shocked voice interruption and hard silence, Keep transitions fluid and cinematic, The music should feel clinical, tense, and emotionally restrained – but leave room for horror to seep through, ‑No upbeat, ‑soft, ‑orchestral swell, ‑lo-fi, ‑vaporwave, ‑fantasy, ‑happy, ‑rock, ‑guitar, ‑female vocals, ‑jazz, ‑piano ballads, ‑acoustic folk, ‑modern pop, ‑trap beats, ‑romantic, ‑tropical, ‑glitchcore, ‑chip music, ‑ambient-only, ‑experimental chaos, ‑retro synthwave

Hybrid sci-fi horror track with cinematic ambient structure, spoken audio logs, dark instrumental buildup, and a single alien-style chorus, Voices are clearly defined: filtered log speaker (baritone), urgent scientist (mezzo), commanding officer (female baritone), and distorted alien-hybrid voice for Roth, Chorus is sung once in a reverberated alien choir tone with unnatural harmonies, All spoken parts are underscored by rhythmic background music, Instruments include cold synthpads, reversed percussive FX, growling drones, glitch pulses, heartbeat motifs, and wet body mutation sounds, Combat section uses sharp riflefire FX, armor crashes, and distant screams (not generic), Tension rises through two instrumental bridges with distortion surges and cinematic synths, Final outro spoken only with fading drone and heartbeat stop, Total duration: ~3:00, Use cinematic pacing, alien voice FX, and heavy ambient textures, Avoid pop or vocal styling

Sci-fi cinematic hybrid between audio log and soundtrack, Spoken vocals only (no singing), performed by deep male and calm female voices, Each spoken section is separated by intense instrumental passages (30–60 sec): futuristic drums, pulsing bass, industrial synths, metallic echoes, Create a strong hunting atmosphere: tension builds with rhythmic patterns, mechanical droning, pressure pulses, and synth crescendos, Use effects clearly: laser fire, alarm sirens, hatch closure, blast sounds, heartbeat-like tones, Background music should always be active during spoken parts (not dry), Final instrumental part must release tension with cold, echoing ambiance, Spoken parts: Taggert (baritone, steady), Devereux (French accent, emotional), Wagner (calm, commanding), Vale (female, urgent), Track should sound like a dramatic sci-fi mission log with real musical arc, Add catchier synth motifs throughout

Military sci-fi soundtrack with disciplined rhythm, cinematic tension, and no vocals, Do not generate singing, melodies with lyrics, or interpret spoken lines musically, Start with a short ambient intro, then move into a structured 4/4 march rhythm with clear tempo and layered instrumentation, Percussion should be firm: military snares, low toms, and deep pulses, Melody must be present early and stay consistent – solemn, memorable, emotionally restrained, Use cold orchestral textures: low strings, synth brass, synthetic bass, Add subtle sci-fi elements: reactor hum, icy wind, snow impact, Instrumental sections must remain clear, compact, and cinematic – never floating, ambient, or mystical, Alternate precisely between spoken voice logs and music, All voices are spoken only – male and female must stay distinct and never blend, Total runtime should remain under control and follow narrative pacing, No vocals, no melody singing, no vocal blending

Baritone and mid male voices with cinematic sci-fi narration, Spoken lines alternate with ambient instrumental sections, Cold, eerie atmosphere with subtle futuristic textures: deep pulse rhythms, soft mechanical echoes, faint synthetic melodies, and distorted background signals, Instruments include low-tuned percussion, icy synth layers, distant sub-bass, and occasional faint choral elements, Music evolves throughout: the intro is cold and sparse, middle sections build tension through rhythmic pulses and abstract harmonies, the finale becomes emotionally heavier, with faint echoes of a signal repeating, No singing, only spoken lines, Sound design should evoke tension and looming presence – more Alien or Dead Space than Cyberpunk, Musical rhythm should remain steady and immersive, Maintain clear transitions between spoken and instrumental parts, ideally with audible pauses or sound shifts, No brass, no cyberpunk beats, no glitch FX, ‑hyperpop, ‑edm, ‑trance, ‑electro swing, ‑cyberpunk, ‑trap metal, ‑industrial dubstep, ‑glitchcore, ‑melodic techno, ‑autotune vocals, ‑female pop, ‑funky jazz, ‑synthwave disco, ‑happy hardcore, ‑chiptune, ‑upbeat dance, ‑soft piano ballads, ‑acoustic guitar folk

Melodic cinematic military sci-fi score with strong orchestral base: low strings, warm horns, deep timpani, accented by subtle sci-fi textures, Begins immediately under all [spoken] parts – calm, steady motif, slow tempo, Suspense through soft brass swells, faint metallic creaks, and distant echoes, Action moments break in with faster tempo: war drums, staccato strings, brass stabs, integrated pulse rifle bursts, short gunfire hits, armor impacts, alien roars, metallic crashes, Music lowers slightly for all voices, Voices: Taggert (baritone), MacLeod (young Scottish accent, curious), two male voices for reports/acknowledgments, combat shouts (mixed male military), Tone: tense and focused, brief action surges punctuating a grim, deliberate advance, ‑No synthwave, ‑no cyberpunk, ‑no ambient-only, ‑no soft piano-only score, ‑no fantasy folk, ‑no acoustic guitar, ‑no distorted industrial noise, ‑no purely electronic beats, ‑no overly chaotic FX layers

Military sci-fi ambient-horror track inspired by late-70s atmospheric science-fiction scores, Spoken text and music must start simultaneously with no long intro, Cold, minimalist tension with deep string drones, low mechanical hum, and a recurring 4–6 note cello leitmotif in minor, Leitmotif must repeat across the track in varied instrumentation (cello, horn, celesta) to unify scenes without monotony, Include metallic drips, distant echoes, faint steam vents, Scene 1: Cold Vault entry – Taggert speaks over background music with leitmotif already present, Scene 2: Archive computer – female synthetic clinical voice with slight echo, reveals CALTHERIS = Blood Guardians, elite liquidators confined in stasis, Scene 3: Taggert horrified, describing hundreds in stasis, Scene 4: Aurora distress call – urgent female voice, dramatic with static, alarms, gunfire, and interruptions, End with dissonant leitmotif variation, heartbeat percussion crescendo, abrupt silence

Cinematic sci-fi horror track with strong rhythm and a memorable recurring motif, Music starts immediately under the first spoken log – no silent intro, Use deep Taiko drums and heavy industrial percussion for pulse and drive, Layer metallic impacts, hydraulic hisses, and machine hums to create the feel of an ancient lab, Add dark orchestral elements: bass clarinet, viola, and low horns for melodic motifs, high strings for sharp tension, Occasional male drone choir as background texture, Keep rhythm steady and suspenseful, not too slow, driving the spoken parts forward, Instrumental bridges should build with layered percussion, rising horns, and echoes of distant drones transmitting static and faint battle sounds, Final bridge hymn-like but ominous, then music drops back for Nakamura’s broken voice, Outro purely instrumental, low bass heartbeat fading with metallic resonance, Maintain balance between industrial and orchestral

Dark, rhythmic sci-fi horror soundtrack with a clear melody and strong rhythmic drive, All spoken logs must always have background music, Start immediately with percussion, cold synth bass, and a haunting cello motif, layered with metallic echoes and distant reactor hum, Nakamura’s voice: injured male, slight Asian accent, broken and gasping, whispering urgency, glitching distortions, Taggert’s voice: deep baritone, commanding, filled with emotion, When the pulse rifle fires, create a sharp percussive musical spike: all instruments cut, one loud blast echoes through the metal corridor, then drop into a cold drone, Instrumental bridge: industrial percussion in 4/4, dark brass, high strings, low male choir, with a memorable cello-brass motif, no techno or upbeat, Drone report: monotone, synthetic, robotic, emotionless system voice, flat and computerized, no human tone, Accompanied by static, telemetry beeps, and mechanical buzzing, Drone destruction clearly audible with metallic screech, ‑No techno, ‑no disco, ‑no EDM, ‑no synthwave, ‑no upbeat, ‑no pop, ‑no rock, ‑no heroic score, ‑no fantasy, ‑no folk, ‑no metal, ‑no jazz, ‑no lo-fi, ‑no comedy, ‑no romance, ‑no silence-only ambient, ‑no cinematic epic trailer bombast

Spoken voices only – no singing, Each log must be spoken with distinct tone and timbre: Taggert deep baritone commanding and breathless, Braga rough male voice shouting in melee panic, Petrov young panicked male, Novak female mid terrified, all clearly separated, Music begins with storm ambience, deep electronic percussion like marching drums, metallic pulses, sustained cold strings, Leitmotiv must be steady and dark, not playful or folk-like, Add sharp high string stabs like ice cracking, low brass hits for weight, but no tuba or comedic brass, Background must always include storm ambience, faint alien roars, laser blasts, gunfire exchanges, explosions and marine screams layered subtly, Bridges escalate with chaotic percussion, distorted synth pulses, dissonant strings, Outro slows motif in minor, heartbeat percussion and storm fading with distant alien roar, Overall tone: military sci-fi battle, dark heroic pathos under constant threat, ‑synthwave, ‑EDM, ‑techno, ‑trance, ‑dance, ‑pop, ‑rock, ‑hip hop, ‑trap, ‑funk, ‑disco, ‑reggae, ‑folk, ‑country, ‑acoustic guitar, ‑mariachi, ‑latin, ‑bollywood, ‑medieval, ‑romantic, ‑happy fantasy, ‑heroic epic soundtrack, ‑gospel, ‑jazz, ‑swing, ‑blues, ‑comedic

Spoken dialogue only, no singing, no choir, Voices must sound clear, military, and human – clipped, calm, urgent, or strained depending on the situation, Each part should feel like a combat log or radio transmission, never melodic, Use male and female voices in natural ranges, avoiding operatic or growled tones, The overall atmosphere must shift between parts: first claustrophobic with low drones, pounding on steel, icy string stabs and alien echoes; second tense with muffled storm ambience, static comms, pulsing percussion and faint mechanical hum; third chaotic with layered martial drums, distorted pulses, sharp high strings, overlapping gunfire, grenade blasts, screams and alien roars; fourth tragic but heroic with deep drones, brass swells, engine ignition and metallic tearing as a section is jettisoned, Outro majestic but sorrowful with thunderous engines fading, slow percussion, brass in minor and faint alien echoes, Always emphasize storm ambience, metallic impacts, ‑synthwave, ‑EDM, ‑techno, ‑trance, ‑dance, ‑pop, ‑rock, ‑hip hop, ‑trap, ‑funk, ‑disco, ‑reggae, ‑folk, ‑country, ‑acoustic, ‑mariachi, ‑latin, ‑bollywood, ‑medieval, ‑romantic, ‑cheerful fantasy, ‑gospel, ‑jazz, ‑swing, ‑blues, ‑comedy

Create a cinematic SciFi epilogue with a deeply emotional and melodic structure, Use slow-building orchestral layers, ambient textures, and a steady, ceremonial rhythm reminiscent of a military farewell, The mood should evoke themes of loss, duty, and cosmic isolation, Include subtle horror undertones through dissonant drones and eerie atmospheres, The melody must be haunting, memorable, and carry a sense of finality, as if marking the end of a long journey through space

Cinematic sci-fi epilogue with emotional and melodic structure, Female melodic pop/rock vocal, clear and grounded, supported by mixed choir in refrains, Spoken parts by deep male voice, clipped and military, Music builds with slow orchestral layers, strings, brass, synth pads, and ceremonial percussion, evoking a military farewell, Atmosphere must be bittersweet and heroic, with a steady rhythm that is both hymn-like and memorable, Verses reflective and flowing, refrains uplifting and march-like, bridge more defiant and cosmic, Final refrain crescendos with full orchestra, choir, martial drums, and synth textures, marking the end of the journey, Outro fades into drones, static, beacon pings, and cosmic hum, Spoken outro: monotone beacon loop, then cold corporate male voice, antagonistic and calculating, overriding the message, Tone: loss, duty, survival, cosmic isolation