
VOIDHOWL
Crushing metal, gothic shadows, and horror ambience that scream from the abyss.
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27 songs
4:57

PAWNIHILATION
v4.5+
Genre: Blackened Death × Blackgaze, Verse: 198 BPM (D minor), fast black metal riffs, Chorus: 64 BPM (Funeral Doom), slow and majestic, Breakdown: 76 BPM (Slam), heavy and crushing, Instrumentation:
Guitars: 7-string baritone (Drop A) with ceramic pickups, creating massive L/R walls, 6-string lead with an HM-2 pedal for a "chainsaw" tone, Bass: 5-string, DI plus fuzz, with thick, 130 roundwounds, Drums: Blasts, gravity blasts, and halftime slams on a birch/maple kit with B20 cymbals, Vocals (Female):
Main: Alt-rock belt with a light rasp, clear diction, Accents: Brief fry shouts and quiet low-growl doubles, Special: Gang vocals with a loud BORK on downbeats, Unusual Elements:
Bowed waterphone for shimmering textures in the chorus, SFX: Dog-tag jingle and leash-chain scrape before the breakdown, Theme: Overwhelming dog cuteness, Structure: Intro → Verse → Chorus → Breakdown → Solo → Final Chorus → Outro, 30s Cut: Chorus → Breakdown, ‑EDM, ‑House, ‑Techno, ‑Trance, ‑Pop, ‑Electropop, ‑Synth-pop, ‑Hip-hop, ‑Trap, ‑Drill, ‑R&B, ‑Funk, ‑Gospel, ‑Choir, ‑Orchestral, ‑Cinematic, ‑Acoustic, ‑Folk, ‑Country, ‑Reggae, ‑Ska, ‑Latin, ‑Lo-fi, ‑Chill, ‑Lounge
5:02

Hag's Hut
v4.5+
Genre: Gothic Metal + Minimalism + Enka, Vocal: Deep female, Instruments: Deep and resonant **Contrabass Balalaika**, with aggressive metallic picking, Crystalline, ethereal and unsettling **Glass Harmonica**, A wooden **Harp Guitar** with strong, percussive, striking tones, A wooden **Shinobue** flute plays melancholic, airy melodies, The rhythm is set by powerful and thunderous **Taiko** drums
2:34

Ooga Mooga
v4.5+
Stonecore – Primal Rage Anthem
Primal tribal-metal × cave-punk × absurdist industrial (95 BPM, 4/4)
Drums/Percussion: stone-slab hits (granite, deep dry thud), hollow log drums (oak, low resonance), bone chimes (deer bone, sharp brittle), animal-skin frame drums (elk hide, warm slap), pebble rain (river stones, scatter FX), hand-clapped cave rhythms (wet echo)
Bass: didgeridoo drone (eucalyptus wood, earthy low growl) + sub-bass rumble (volcanic depth)
Melody: bone flutes (eagle bone, breathy high tone), conch-shell horns (hollow brassy), ram horns (raw mid-range bray), chanting monks (mead-drunk baritone)
Harmony/FX: cave reverb (dripping stalactites), fire crackle (pine logs), wolf howls (distant), rock grinding (slate friction), rock scrapes (flint edges), chisel strikes (granite, metallic ping), stick-scraping textures (birch twigs)
Vocals: barbaric shouts, call-and-response grunts, “oog-amooga” chants, absurd caveman dialogue (hunt, fire, woman, moon), ‑EDM, ‑House, ‑Trance, ‑Synthwave, ‑Chillwave, ‑Jazz, ‑Funk, ‑Soul, ‑Orchestral, ‑Pop, ‑R&B, ‑Lo-fi, ‑Ambient, ‑Hip-Hop, ‑Trap, ‑Drill, ‑Blues, ‑Country, ‑Folk
3:14

Bubblegate
v4.5+
Majestic operatic metal comedy, 120 BPM, royal pomp meets absurd chaos, Opens with cathedral choir—crystal clear, forward in the mix, every consonant and vowel exaggerated, sharp “B” hits, Harpsichord and regal brass paint a lavish banquet, At 0:40, baritone narrates the “bubble incident” over pizzicato strings, choir gasps, guitars explode, drums crash like gates, Metal riffs alternate with comedic ragtime and cimbalom, bass mandola mocks, Choir shifts from lush to staccato “B” alliterations—each “B” is a drum, vowels stretched, consonants crisp, Growls/tenors trade lines, escalating into baroque-metal mayhem, Vocals and choirs always sit above instruments; every word is crystal clear, as if sung for a theater audience, Sudden silences with giggles/glass clinks; chaos returns, No vocals ever masked—guitars/piano/drums back off in volume and highs whenever vocals or choir sing, No chorus or distortion on main vocals, Theatrical diction throughout, like spoken opera, for maximum clarity
3:09

Create a bold, danceable fusion of death metal, reggaeton, and Indian sitar, Track opens with hypnotic sitar riff and tight reggaeton percussion, Add heavy, downtuned guitars, rapid blast beats, and deep guttural death growls in the verse, Chorus explodes with chugging riffs, layered “PUNCH!” crowd chants, sitar hooks, and an irresistible dem bow groove, The energy is wild, cathartic, and aggressive—music for letting out frustration and rage with humor and freedom, Bridge and breakdown feature exotic sitar leads, percussive breakdowns, and filtered, shouted vocals, Vibe is intense, hypnotic, and liberating, Vocals: verse in growled, rhythmic death metal style; chorus with gang chant and punchy shouts; occasional spoken lines for humor, Use metallic hits, reverse cymbals, and glitch FX for texture
3:19

Horror hallway
v4.5
Oppressive horror ambient built around the humming, vibrating drone of a bullroarer, Metallic, swirling noises and trembling glassy pads create a tense, claustrophobic atmosphere, like walking alone down a narrow alley at night, Subtle, realistic sound effects—echoing footsteps, deep breathing, sudden gasps of fear, and a slow, pulsing heartbeat—blend into the texture, not as melody or vocals, but as part of the immersive soundscape, At times, the tension thickens: footsteps and breathing grow rapid, the bullroarer intensifies, and the heartbeat grows louder, as if danger is very close, As the threat passes, sounds slowly fade: breathing calms, footsteps grow distant, and a shaky sigh of relief is barely heard, No melody—only layers of droning, pulsing, and suspenseful noise with organic sound effects to evoke fear, suspense, and fragile relief, Oppressive horror ambient built around the natural sound effects of footsteps, breathing, heartbeat, and sighs, Effects must sound realistic, ‑pop, ‑rock, ‑cinematic, ‑orchestral, ‑jazz, ‑edm, ‑trap, ‑lo-fi, ‑synthwave, ‑dubstep
2:39

Bloody Knee
v4.5
Minimalist dark ambient with lullaby fragments and mechanical textures, Found-object percussion only: ticking clocks, creaky furniture, toy piano, tuned glass, metal rattles, slow gears, No drums, no synths, no bass drops, Tempo ~100 BPM, One whispering voice, flat and childlike, No melody, no harmony, no vibrato, Just breath and steady rhythm — like a ritual whispered during a game no one remembers starting, ‑drums, ‑synths, ‑strings, ‑clean instruments, ‑melody, ‑harmony, ‑vibrato, ‑chanting
3:41

Dark ambient cinematic rock with slow tempo and low male vocals, Minimalist, emotionally detached, confessional in tone, Inspired by betrayal, murder, and acceptance of guilt
2:33

A dark theatrical electro-rock song about betrayal and awakening, Starts with breathy, fast melodic phrasing, then explodes into harsh vocals and heavy guitars, Deep male voice, No rap, Full rage
2:53

High-energy electro rock with punchy vocals and distorted guitars, Rebellious, fast, and defiant, Sung, not rapped, Anime OP vibe with bounce and power, No romance, Just fight and fire
2:09

Hard-hitting alternative rock with distorted guitar, intense vocal delivery, and no rap, Drums drive a rebellious anthem about identity and personal freedom, Cold whispered outro
4:04

Space Funeral
v4.5
Upbeat dark electropop / EDM track with driving electronic beat, punchy sidechained synths, deep bass, bright arpeggiated synth layers, Background features sustained shimmering tones (glass harmonics / crystal glasses) for eerie atmosphere, Additional accents with bell trees and processed hulusi or Otamatone phrases for quirky texture, Underlying the track, a deep, resonant layer: slow detuned analog synth bass or processed bassy cello / contrabass synth to add weight and warmth, Rhythm supported by subtle low toms or taiko-inspired hits for organic depth, Emotional, energetic tone blending danceable rhythm with darker lyrical themes (inner struggle, obsession, addiction, resilience), Modern pop vocals — expressive, layered, with slight edge, Tempo ~122–128 BPM, Club-friendly yet atmospheric, with hypnotic low-end presence
3:11

A glitch-industrial cabaret hybrid at 115 BPM, led by dry, articulate spoken-sung female vocals, Sparse prepared piano riffs punctuate verses alongside typewriter clicks and ticking clocks, Sub-bass pulses with hydraulic drive; chain drag and metallic hits accent edges, Minimal, metallic-glitch textures lace a tense bass groove, Bone-dry, no reverb, Confident, precise delivery
2:40

Factory of time
v4.5
Dark cabaret electro-rock track with theatrical flair, Driving industrial-inspired beat with metallic hits and deep sub-bass pulses, Jazzy upright piano riffs and brass stabs (muted trumpet, trombone) weaving through the mix, Sparse glitch FX and ticking clock elements for tension, Electric guitars with light distortion for edge, Female vocals: expressive, theatrical, mix of sung lines and sharp spoken phrases, Tempo: ~110–115 BPM, steady groove, No reverb-heavy wash — dry, punchy mix with intimate vocals, Dramatic build-ups and playful breakdowns, Mood: seductive, darkly humorous, dangerous but danceable
2:47

Glitch-hop / nerdcore rap with boss fight energy, Female adult vocals — sharp, smug, and battle-ready, Text-to-speech echoes, retro weapon FX, cassette rewinds, It sounds like a lobby argument and a power move at once, No strings, Just circuits, sarcasm, and chaos
3:24

Combat Swan
v4.5
A brutal breakdance ballet performed by mutants in an underground concrete crypt, Start with pounding industrial kicks and reversed tram brakes as bass, Layer glitching hurdy-gurdy drones, metallic stomps, and Paetzold recorder tones that sound like breathing through a gas mask, Add chains dragged across the floor as hi-hats and occasional iron-pipe snares, A broken ballerina music box loops and distorts during breakdowns, Vocal style: low, strained female or androgynous voice with light distortion or vocoder edge, Delivery is clipped, physical, and command-like — no melody, more like barked poetry, Refrain lines hit like combat cues (“Jeté — Drop!”), with scattered glitch fragments from the bridge (“Brace! Hold!”) layered during instrumental breaks
2:48

Practiced Escape
v4.5
Dark cabaret electro-rock track with theatrical flair, Driving industrial-inspired beat with metallic hits and deep sub-bass pulses, Jazzy upright piano riffs and brass stabs (muted trumpet, trombone) weaving through the mix, Sparse glitch FX and ticking clock elements for tension, Electric guitars with light distortion for edge, Female vocals: expressive, theatrical, mix of sung lines and sharp spoken phrases, Tempo: ~110–115 BPM, steady groove, No reverb-heavy wash — dry, punchy mix with intimate vocals, Dramatic build-ups and playful breakdowns, Mood: seductive, darkly humorous, dangerous but danceable
4:03

Tremble on Command
v4.5+
Electrifying, dark club track fusing Eurodance (128 BPM, punchy bass, crisp claps), Bubblegoth (glitchy, shadowy, seductive), and Dance Macabre (gothic drama, haunting harmonies, sinister orchestral swells), The mood is euphoria laced with danger—luxury, pleasure, and risk merging on a midnight dancefloor, Narrative:
An ordinary-looking man rules the night with a deep, hypnotic voice—magnetic, predatory, never explicit, Every word is a promise of control and surrender, desire and danger, Sensual tension and subtle BDSM power games run beneath the surface, coded in whispered commands and dark invitation, Baroque synths (harpsichord, organ) and spectral Ondes Martenot shimmer with forbidden allure, Vocals:
Lead: Deep, masculine, commanding—every phrase drips with sensuality and threat, Whispers: Hot, intimate, seductive—close, dark, and irresistible
3:26

Hide, it’s a hunt!
v4.5+
A haunted DnB-nerdcore fusion at 172 BPM, F#m, Intro: 4 bars static, EVP whispers, door creaks, Verse: 16 bars frantic baritone rap, 2-step breaks, Reese/sub, surf gtr drops in at bar 5, Pre: 8 bars—surf stabs, EMF/organ/creaks, Chorus: 16 bars hook, shouted gang vox, breaks + theremin leads, salt-trail 8-bit FX, Drop: 16 bars heavy surf-slide, growling Reese, horror foley, Post: 4 bars with ghost laugh chop, Repeat sections, Bridge: 8 bars whisper vox, organ swells, Final drop: 16 bars brighter surf gtrs, stacked vocals, rolling drums; EVP tape-stop outro, Chaotic, comic, dripping with sound design detail, ‑Pop, ‑Orchestral, ‑Acoustic
3:35

House Wins
v4.5+
Style: Electro Swing × Death Metal × glitch; cabaret swing with brutal drops
Tempo/Key: 128 BPM, Am
Groove: Swing shuffle 4/4; blast-beat half-time in drops
Bass: Upright pluck+sub, slap funk; layered distorted chugs
Topline: Lady Luck vox sly and deadly; brass riffs; guttural screams HOUSE WINS
Guitars: Chugs, tremolo, breakdown slams
Drums: Swing kit in verses; double kick + blast beats in drops
Synths: Slot-machine arps, Rhodes stabs, big-band pads, glitch sparks
Foley: Dice rolls, roulette spins, chip clinks, sinister laugh
Vocal Gender: Female alto
Vox: Swing croon 70%, growl 30%, whispered taunts
Form: Intro glitch brass → Verse swing vox → Pre piano+brass → Chorus Lady Luck deals death → Drop guitars+blast beats+growl HOUSE WINS → Post chip scatter laugh → Verse 2 cabaret swing → Pre → Chorus → Bridge heartbeat+roulette FX → Final Drop crushing riffs+brass stabs+growls → Outro Rhodes fade whisper your last chip’s mine
Theme: Casino imagery twisted into threats; Lady Luck as caba, ‑acoustic, ‑folk, ‑indie pop, ‑lo-fi
4:01

Style: Jungle × Gamelan × Industrial Metal
Tempo/Key: 165 BPM, Em
Groove: jungle breaks + metallic gamelan polyrhythm + industrial stomp
Vocals: Male growls, ritual shouts, clear diction on slogans
Instruments: Gamelan metallophones metallic; distorted guitars chugs; synth bass drones; brass steam accents; mechanical pads
Drums: Jungle breaks, rolling snares, double-kick, metallic hats
FX: Gears grind, factory clanks, steam bursts, piston hiss, chains
Form: Intro gamelan bells+grinding → Verse jungle+growl gears grind → Chorus full stomp chants Iron leaves slice and tear! → Verse steam jets+servos+brass beasties → Bridge breakdown chant automatry → Final Chorus growls+stomp+gamelan bells → Outro fading bells+steam ambience
Theme: Steampunk jungle where clockwork beasts stalk in metallic chaos
4:08

142 BPM, Dm, Nu Metalcore × Funk Rock × Stadium Live, Groove: birch kit — deep kick, steel snare crack, titanium hi-hat ticks, toms w/ arena reverb; Bass: 5-string ash slap bright mids, carbon fretless slides, sub growl; Guitars: mahogany 7-string EMG crunch riffs, wah-wah chops, talkbox; Electronics: Moog steel-frame growl lead, DJ scratches, glitch FX; Pads: detuned analog swells, metallic risers; Vox: rap verses fast, rhythmic + sung anthemic chorus doubles + screamed bridge; Crowd: constant — cheers, stomps, chants “CYNICz!”, “HEY!”, “WHOA-OH!”, whistles, applause woven under all sections, louder in choruses & breakdowns; Form: Intro crowd+spoken welcome → verse rap/funk groove w/ background roar → pre-chorus riser+bass gliss+crowd swell → chorus heavy riffs+chants → post scratch break → verse2 denser funk groove+chants → chorus full stack+talkbox+roar → breakdown w/ slides+scream vox+chaotic shouts → final chorus stadium-wide → outro fade w/ applause; Theme:debut concert adrenalin, ‑acoustic, ‑lo-fi, ‑ambient, ‑orchestral cinematic, ‑chillhop, ‑lofi hip hop
3:39

180 BPM, Em — Chaotic K-Metal / Otamatone Death Pop / Carnival Horror Fusion, Groove: double-kick Mapex Armory kit with rototom fills and crashing cymbals; toy percussion and metal hits cut through, Guitars: baritone dual-track fuzz, tremolo dives like mad laughter, Bass: distorted pick tone through fuzz → octave doubler locked to kick, Keys/Synths: bright K-pop arps vs honky-tonk piano stabs, circus-organ bursts, FX: Otamatone lead melody, cuckoo-whistle hooks, reversed child giggles, Breakdown: glitch vocal chops and toy drums panned L↔R, Vox: dual persona — “Child Alice” (high cute) vs “Mad Alice” (low growl) in call-and-response, Mood: sugar-sweet mania × fairytale psychosis, Mix: drums/bass center, guitars wide, Otamatone front, 4 s plate reverb on vocals, sidechain pump for chaotic pulse, Emotions: Child Alice vs Mad Alice, Trapped in delusion for self-protection, Stuck in madness that becomes a willing prison, ‑metalcore, ‑deathcore, ‑nu metal, ‑pop rock, ‑emo, ‑lo-fi, ‑acoustic, ‑folk, ‑jazz, ‑orchestral, ‑cinematic
4:59

A dark, atmospheric neo-noir track grounded in gothic synth textures and deep, pulsing bass, Sparse electric guitars echo over cinematic strings and subtle industrial percussion, The verse is minimal, building tension with haunting pads, while the chorus swells with dramatic brass and layered electronic beats, Electronic textures hint at both the ancient and the contemporary, merging vintage organ samples with modern sound design, Occasional dissonant piano stabs heighten suspense, leading to an intense, orchestral bridge layered with distorted guitar and glitch effects, before tapering to an eerie, minimalist outro
3:53

The track launches with punchy electro-rock drums and glitchy synths, layered with urgent, angular guitar riffs, Verses feature syncopated rhythms and pulsing bass, fusing cyberpunk textures with rock drive, Chorus bursts with soaring vocals, dense synth arpeggios, and distorted leads, all riding a relentless beat, Bridge introduces chopped vocal samples and atmospheric pads before ramping back into the maximalist, high-energy finale
3:45

This synth hard rock track opens with driving electric guitars and pulsating synth bass, anchored by thundering octobass and propulsive drums, Crwth weaves melodic hooks atop aggressive riffs, while musical saw glides in for ethereal harmonics, Jingle bells accent high-energy choruses, blending festive sparkle with relentless rock groove, Each section layers bold synth textures and power chords, merging holiday spirit with uncompromising modern rock dynamics
4:49

104 BPM, D minor — raw alt-metal × chaotic nu-metal × eastern-tinged prog rock, Drums: gritty kick with tape saturation, sharp wooden snare, fast tom bursts, crash swells, odd-meter fills (5/8, 7/8), subtle frame-drum taps, Bass: dirty overdriven pick bass, scratchy slides, tense drones, staccato punches, Guitars: drop-tuned chugs with string noise, sudden open-chord strikes, angular riffs, bent microtonal ornaments, percussive strums, clean→distorted snaps, Vocals: tense male delivery shifting from whispers to rapid spoken rhythms to raw shouts, FX: fret squeaks, wood knocks, low-fi room bleed, reversed breaths, brief eastern-scale motifs, Mood: frantic, unstable, explosive contrast, Structure: broken-riff intro → whispered verse → chaotic heavy chorus → odd-meter bridge → rough final hit, ‑pop, ‑pop-rock, ‑EDM, ‑hyperpop, ‑lo-fi, ‑synthwave, ‑funk, ‑folk, ‑acoustic, ‑orchestral
