𝔅𝔲𝔩𝔩𝔰𝔥𝔧𝔱 𝔗𝔯𝔞𝔰𝔥

digitalhardcore, glitchcore, chiptune, 16bit soundboards, electric punkrock mixture, clipped vocals, Agitation on a Megaphone, prestissimo tempo, chaos of beepnoizes, SIREN, Leftover punks

clock-working concrete rhythmmachine, Clatter-clatter-clang, Rampaging Orgel MusicBox, termenvox, pre-war style techno music, IF music, low-level-electric and non-electronic, all of 1920s regularly techs, vintage techno music

P-Funk, MixturePunk, LAPunk, PostPunk, PrettyFly, ChaoticFoolish, Dada, Horrorcore

92 BPM, West Coast G-funk style gangsta rap beat, deep fat bassline with slight swing, punchy snare, clean hi-hat shuffle, smooth electric piano chords, subtle talkbox hook, warm analog tape saturation, Lead vocal: deep, raspy male voice delivering relaxed but confident flow, syncopated rhymes, Background: gospel-style female choir harmonies on hooks, occasional organ stabs, faint police radio chatter for atmosphere, Overall mood: serious gangsta aesthetic but humorous in lyrical content, satirical tone, high production quality

keep the cool and calm whispering, murmuring, slow tempo trip-hop, dull vocal, acoustic instrumental, night lounge, midnight airport, little shuffling and swinging, talk box, melty rap

every note is C, extremely winding synthwave, real danceable beats, nerd and preppy male voice vocalization, analog synthesizers, progressive-techno, 2010's, r&b, industrial, dramatic and humorous, funny and melancholy

extreme-metal-epic, Fastcore, Post-hardcore, Nu-skool hardcore, metalcore, progressive-metal, free-jazz meets metal, avant-garde, neo-dada, NYHC, deathrash, grind core, thrash metal, viking metal, black metal, Vinland-Saga, Gore grind, War sound effects, machine guns, tanks, artillery, explosions, and some graphic sounds of death, apocalypse, Mahābhārata, Armageddon, brutal, loud, hopeless holy war, violently hero epically

85-95 BPM, moderato, (West Coast hip hop instrumental:1, 3), (Ruthless Records style:1, 3), (late 80s–early 90s N, W, A, production vibe:1, 2), (dry and raw drum machine beats:1, 3), (SP-1200 sampler grit:1, 1), (deep sub bass, moog synth basslines:1, 2), (snappy snares and claps), (minimal funk guitar stabs), (aggressive vocal-forward mix:1, 2), (street raw atmosphere:1, 1), (Compton backyard party feel), (dark but playful undertone:1, 1), (lowrider cruising energy:1, 2), (subtle record scratches, DJ cuts), (sparse but heavy beat structure:1, 2)

85-95 BPM, moderato, (West Coast hip hop instrumental:1, 3), (Ruthless Records style:1, 3), (late 80s–early 90s N, W, A, production vibe:1, 2), (dry and raw drum machine beats:1, 3), (SP-1200 sampler grit:1, 1), (deep sub bass, moog synth basslines:1, 2), (snappy snares and claps), (minimal funk guitar stabs), (aggressive vocal-forward mix:1, 2), (street raw atmosphere:1, 1), (Compton backyard party feel), (dark but playful undertone:1, 1), (lowrider cruising energy:1, 2), (subtle record scratches, DJ cuts), (sparse but heavy beat structure:1, 2)

Roland Mc-4/Mc-8 Microcomposer, Roland Tb-303, Tr-909, Mt-32, Arp Odyssey, Prophet-5, Yamaha Cs-80, Dx-7, Ym2203, Ym2151, Ym2612, Ti Sn76489, Sharp Lr35902, Sony Spc700(S-Dsp), Korg Polysix, Oberheim Ob-X, Roland Juno-60, Moog C3, Mini-Moog, Fun, bullshit trash, Electronic, Groove-Driven, Playful, Pop, Digitalhardcore, Glitchcore, Chiptune, 8Bit, Electric Punkrock Mixture, Clipped Vocals, Agitation On A Megaphone, Ascending Step Sequencer Refrains, Analog Sequencer, Dominant Upward Step Sequence, Ascending Sequencer Pattern Dominated, Prestissimo Tempo, Chaos Of Beepnoizes, Siren, Leftover Punks, Pre-Techno Electro, Late 1970'S, Full_Vocoder Of Voices, Early Detroit Techno, Electro_Funk, Cut High-Tone Textures That Resemble

late 60's, LA psychedelic, London art rock, race mixed, complex drums, tube digital, analog glitch, plastic lolipop, primitive metal, pre-punk, garage, shred guitars, overdrived bass guitar, free baroque, classical soul

alternative pop, joke but not joke, trap, pop comedy, comical, girl's vocal