90s trash-metal
instrumental metal with some spanish/mexican, medieval influence here and there with shredding solos
·
134 songs
3:11
toreador
v5
trash-death-metal instrumental, starts with spanish guitar melody than drops with a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:33
no mercy
v5
trash-death-metal instrumental, with classical guitar interlude medieval melody, a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:20
trash-death-metal instrumental, starts with spanish guitar melody than drops with a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:29
trash-death-metal instrumental, with classical guitar interlude medieval melody, a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:56
trash-death-metal instrumental, opens with classical guitar melody than drops with a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:48
trash-death-metal instrumental, opens with classical guitar melody than drops with a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:25
trash-death-metal instrumental, starts with spanish guitar melody than drops with a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:42
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:01
trash-death-metal instrumental, with classical guitar interlude medieval melody, a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:48
trash-death-metal instrumental, starts with spanish guitar melody than drops with a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:25
trash-death-metal instrumental, starts with accoustic guitar melody than drops with a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:29
avenged
v5
trash-death-metal instrumental, starts with accoustic guitar melody than drops with a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:49
trash-death-metal instrumental, opens with heavy guitar melody than drops with a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:58
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, starts with accoustic guitar melody than drops with a very heavy metal riff, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:24
reverse
v5
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, starts with accoustic guitar melody than drops with a very heavy metal riff, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:28
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:55
strings
v5
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, starts with accoustic guitar melody than drops with a very heavy metal riff
2:19
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, starts with accoustic guitar melody than drops with a very heavy metal riff
3:14
Lust
v5
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, starts with a slow guitar melody than drops very heavy
2:14
Menace
v5
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, starts with a slow guitar melody than drops very heavy
2:37
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:12
metal, Monolithic death metal wall of down-tuned guitars and bass, blasting kicks and sharp snares, Main riff is a stomping, hooky groove that alternates with tremolo-picked bursts, Mid-song, everything carves space for a soaring neoclassical shred solo over dark modulations, then slams back into the original riff with double-time drums and layered harmonized leads, low, death metal, classical guitar
2:58
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:51
manic
v5
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:41
solo run
v5
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, song ends with a short guitar solo with simple distortion sound
2:24
doomed
v5
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, song ends in a short technical guitar solo with simple distortion sound
2:49
enigma
v5
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, song ends in a short technical guitar solo with simple distortion sound
2:42
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, song ends in a technical guitar solo with simple metal zone distortion pedal
2:49
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, song ends in a technical guitar solo with simple metal zone distortion pedal
2:41
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording, song ends in a technical guitar solo with simple metal zone distortion pedal
2:24
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:23
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:33
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:03
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:27
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:59
Rodeo
v5
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:41
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
3:42
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry, live, and aggressive, like a band tearing it up in a sweaty rehearsal room, raw metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:27
trash-death-metal instrumental, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry, live, and aggressive, like a band tearing it up in a sweaty rehearsal room, raw metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure
2:22
2:32
metal, Raw death-metal instrumental, drop-D guitars through cranked tube half-stacks, male-leaning energy but instrumental only, Song arc: punchy intro, driving verse riff, soaring half-time chorus figure, bridge breakdown, then a climactic harmonized guitar solo finale, Mix is dry, live, and aggressive, like a band tearing it up in a sweaty rehearsal room, raw metal sound, minimal, classic, fully inspired by : ''Anonymus, ni vu ni connu alblum''
2:54
dark very heavy-Meta instrumental with drop d tuning, great basic song with great structure with minimal transitions and a great dimebag darrel style solo late in the song, the drum master James Owen sullivan (rev) is on the drums, highly influenced by: anonymus, no highly processed effects or guitar sounds just a great metal heavy sound
3:24
dark very heavy-Meta instrumental with drop d tuning, great basic song with great power chords and riffs structure with minimal transitions and a great dimebag darrel style solo late in the song, the drum master James Owen sullivan (rev) is on the drums, highly influenced by: anonymus, no highly processed effects or guitar sounds just a great metal heavy sound
2:42
drowning
v5
dark very heavy-Meta instrumental with drop d tuning, great basic song with great power chords and riffs structure with minimal transitions and a great synyster gates style solo late in the song, the drum master James Owen sullivan (rev) is on the drums, highly influenced by: ''avenged the sevenfold '' ''the stage '', no highly processed effects or guitar sounds just a great metal heavy sound
4:21
beyond
v5
dark very heavy-Meta instrumental with drop d tuning, great basic song with great power chords and riffs structure with minimal transitions and a great synyster gates style solo late in the song, the drum master James Owen sullivan (rev) is on the drums, highly influenced by: ''avenged the sevenfold '' ''the stage '', no highly processed effects or guitar sounds just a great metal heavy sound
4:04
Fury
v5
metal, Galloping classic metal at ~170 BPM in drop D; dry, roomy drums with aggressive live feel, tight downpicked rhythm guitars, and gritty bass glued to the kick, Song opens with a unison riff, hits a stomping half-time pre-chorus, and a chant-ready chorus, At 2:00, the track explodes into a lyrical, shred-ready lead section in the spirit of Oli Herbert—wide vibrato, harmonized runs, and modal flourishes—over evolving rhythm figures, Male vocals not present; guitars carry all melodic hooks, minimal, raw, classic
2:19
dark very heavy-Meta instrumental with drop d tuning, great basic song with great power chords and riffs structure with minimal transitions and a great synyster gates style solo late in the song, the drum master James Owen sullivan (rev) is on the drums, highly influenced by: ''avenged the sevenfold '' ''the stage '', no highly processed effects or guitar sounds just a great metal heavy sound
3:26
trash-death-metal instrumental, with classical guitar interlude medieval melody, a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:32
trash-death-metal instrumental, with classical guitar interlude medieval melody, a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording
2:52
trash-death-metal instrumental, with classical guitar interlude medieval melody, a very heavy metal riff, drop-D guitars with heavy distortion raw sound, male-leaning energy but instrumental only, Mix is dry and very aggressive, like a band tearing it up in a sweaty rehearsal room, raw tash-metal sound, Distortion but minimal effects and compression on guitar sound, classic, not too many transitions to a minimum to keep a good pace and uniformity and simple but effective song structure, studio recording