3:43

Edge Feels Good
v4.5
Progressive dark country ballad with Pink Floyd–style ambience, slow 4/4 tempo, Starts sparse and moody, building in layers, Emotional lead guitar is the focus — warm, clean with slight overdrive, long sustain, slow wide bends that “weep, ” Slide guitar swells with delay/reverb for atmosphere, Low organ pad, deep sustained bass, soft brush drums that grow in intensity through the song, Male vocals mid-low, warm and weathered, leaving space for the guitar to answer, Three solos: intro (8 bars emotional bends with slide swells), mid (8 bars crying bends and sustain), outro (16 bars building to soaring high bends, ending on one clean, ringing note), Mood is cinematic, hazy, and a little dangerous, ending in quiet control
4:19

The Snake Waits
v4.5
Progressive dark country ballad with Pink Floyd–style ambience, Slow 4/4 tempo, Slide guitar with a gritty, slightly overdriven tone — moody bends and sustained notes with a hint of danger, Occasional slight detuning on certain slide notes for an eerie, unsettling feel, Deep bass locked tightly to the shaker beat, warm with mild overdrive, creating a steady, hypnotic pulse, Rolling toms like distant thunder, Low organ swells for atmosphere, Normal shakers hitting every beat, steady in the background, Male vocals mid-low with a David Gilmour–style delivery — sung but with the pacing and tone of a storyteller, allowing instruments to breathe between phrases, Warm but weathered, a touch of rasp, not too deep, not polished, Lines flow conversationally yet carry melody, with emotional weight under the surface, Light reverb for an open desert night feel
3:39

Broken
v4.5
"Dark country ballad with Pink Floyd-inspired atmosphere, Slow 4/4 tempo (65–70 BPM), Slide guitar with haunting bends, acoustic strums underneath, deep bass, and reverb-soaked drums, Add subtle organ and ambient synth textures for a cosmic edge, Male vocals, gritty and emotional, telling a story of feeling broken inside, Three guitar solos with echo and sustain — after the first chorus, after the second, and at the outro — with a Floyd-style soaring lead, Mood: haunting, reflective, and cinematic, "
4:42

Oceans Of Time
v4.5+
Progressive dark country ballad with Pink Floyd–style ambience, Slow 4/4 tempo, Dreamy slide guitar with Appalachian soul, Rolling toms like distant thunder, Low organ swells, Male vocals, haunting and emotional, Add reverb for a spacious, echoing sound, Include 3 guitar solos:
[Intro Solo: 8 bars, dreamy slide guitar drifting in, ]
[Mid Solo: 8 bars after 2nd chorus, wailing slide with deep sustain, ]
[Final Solo: 16 bars outro, high bends fading like gulls over the ocean, ]
Chant in the outro with call and response: “Don’t fade… (Don’t fade…) / Hold on… (Hold on…) / Through the tide… (Through the tide…) / I’ll find home… (I’ll find home…), ”
Background effects: subtle sounds of waves and distant wind
3:59

Midnight Dream
v4.5
Pink Floyd-style dark country ballad, Trippy and ambient, Slow tempo, Haunting slide guitar, Echoing leads, Appalachian soul, Multiple guitar solos, Sound of grain or water pouring, Fading into dripping, Final solo feels like a dream, Whispered lines, Spacious reverb, Banjo textures blended with psychedelic guitar and synth pads, Male vocals
6:18

Echoes in the glass
v4.5+
Male vocals in a Pink Floyd–style progressive rock ballad, Smooth and atmospheric with electric guitar, upright bass, ambient synth pads, and drums in 4/4 with a slow, steady beat, Long reverb and echo effects for a dreamy, haunting sound, Include a 12‑bar haunting guitar solo after the first chorus, and a 16‑bar soaring emotional guitar solo at the end, Add a soft background chant during the final chorus, whispering “Echoes… echoes… carry me on… carry me on…” fading into the outro, Title: Echoes in the Glass
4:06

Male vocals, Keith Urban style, Smooth and emotional country-rock feel, 4/4 time, Acoustic rhythm guitar, electric lead guitar with expressive bends and tasteful solos, steady bass, clean drum kit with subtle fills, ambient steel guitar in the background, Intro with wind FX and fingerstyle guitar, Include three instrumental guitar solos: one after intro, one after second chorus, and one during outro, Chant section near the end, Fade out with ambient guitar and wind FX, Deep, reflective mood
3:09

Pink Floyd–style ambient country ballad with male vocals in slow 4/4 time, Use emotional slide guitar with long bends and ambient delay, soft acoustic guitar strums, and low ambient synths with wide stereo spread, Begin with wind, birdsong, and water lapping in the intro, slowly building atmosphere, Include spoken-style vocals at first, then ease into a whispered melodic chorus, Add a 40-second slide guitar solo after the first chorus with soft layered textures and light snare drums with deep reverb, The third verse should build slightly in grit, The bridge should feel introspective and rise, then fall, Final chorus should be soft but resolved, Fade out with steel slide guitar swells, gentle wind, calm water, ambient synth, and a deep inhale, The mood is spiritual, reflective, and immersive — like sitting by the river alone, high, with nothing but time and truth
3:49

Pink Floyd–style electric blues with dreamy, emotional guitar solos and spacey reverb, Male vocals, soft and introspective with a mix of spoken word and melody, Use atmospheric pads, clean delay-heavy lead guitar (Gilmour-style), and slow drums, After the line “Sometimes… the guitar cries, ” insert a soulful, weeping guitar solo, Moody, floating, and poetic, male vocals
3:44

Truth rolls in
v4.5
Slow, atmospheric Appalachian ballad with layered acoustic and electric guitars, slide guitar, banjo, reverb-heavy fiddle, and ambient textures, Male vocals with a haunting, trippy, and abstract tone, 70 BPM, Echoes of high mountain wind and porch swing creaks, Emotionally raw and poetic, capturing the soul of a slow summer dusk, male vocals
3:32

Create a psychedelic country rock song with a slow, haunting groove, Include atmospheric electric guitar with reverb, echo effects, and three guitar solos (after Chorus 1, Chorus 2, and at the outro), Tempo around 65–70 BPM, Use deep, emotional male vocals, The tone should be mysterious, reflective, and a little eerie—like a midnight drive under moonlight, Add subtle synth textures and dark bassline underneath, Spoken word bridge with echo FX, Theme: drifting through memory, haunted by the past, spiraling through thoughts and time, Fade out with a slow guitar solo
3:27

Create a psychedelic country rock song with a slow, haunting groove, Include atmospheric electric guitar with reverb, echo effects, and three guitar solos (after Chorus 1, Chorus 2, and at the outro), Tempo around 65–70 BPM, Use deep, emotional male vocals, The tone should be mysterious, reflective, and a little eerie—like a midnight drive under moonlight, Add subtle synth textures and dark bassline underneath, Spoken word bridge with echo FX, Theme: drifting through memory, haunted by the past, spiraling through thoughts and time, Fade out with a slow guitar solo
2:48

Beat:
70–80 BPM
Swampy Southern groove
Heavy kick and snare with attitude
Fuzzy bassline
Slide guitar licks
Spacey reverb on ambient accents
Drop in tempo for the bridge, then build up to final chorus
4:14

Slow space-country ballad with emotional slide guitar, ambient synth pads, and deep reverb, Dreamy, haunting, and reflective, Slow tempo (around 70 BPM), Cosmic and poetic with a hint of Southern soul, Multiple guitar solos, Drifting rhythm, soft drums, and warm bass, Feels like floating in space with memories of home, male vocals
4:39

Shine in the jar
v4.5
Pink Floyd-style dark country ballad, Trippy and ambient, Slow tempo, Haunting slide guitar, Echoing leads, Appalachian soul, Multiple guitar solos, Sound of grain or water pouring, Fading into dripping, Final solo feels like a dream, Whispered lines, Spacious reverb, Banjo textures blended with psychedelic guitar and synth pads, male vocals
3:38

Slow, atmospheric Appalachian ballad with slide guitar, banjo, reverb fiddle, ambient textures, and layered acoustic/electric guitars, Male vocals, Trippy, abstract, and haunting, 70 BPM
4:13

Redemption Ridge
v4.5
Tempo: 72–75 BPM
Style: Dark Appalachian country / Southern Gothic
Time Signature: 4/4
Mood: Haunting, reflective, gritty, male vocals
