ART2025-HARMONY

Korean pop ballad about an autumn tree, warm and sentimental, soft emotional mood, peaceful and nostalgic feeling, grand piano and acoustic guitar as the main instruments, soft strings and subtle bass, gentle chord progression with piano and acoustic guitar, Key: F major, Chords: Verse: F – Dm – Bb – C (I–vi–IV–V) Pre-chorus: Gm – Bb – C – C Chorus: F – C – Dm – Bb (I–V–vi–IV) Bridge: Dm – Bb – F – C Lead vocal: solo male, warm baritone, intimate and close-mic, natural Korean diction, emotional but controlled, soft breath, natural vibrato, no growling, no shouting, No robotic vocals, no vocoder, no autotune or hard-tune, no machine-like tone, no metallic or tinny highs, humanized timing and pitch, warm analog feel, natural vibrato only, subtle breath, emotional dynamics, organic piano and acoustic guitar sound, no synthetic or harsh FX, ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑humanized timing and pitch, ‑warm analog feel, ‑natural vibrato only, ‑subtle breath, ‑emotional dynamics, ‑organic piano and acoustic guitar sound, ‑no synthetic or harsh FX

Genre: K-pop Pop Ballad Mood: nostalgic, intimate, emotional, slightly hopeful Tempo: 102–106 BPM, slow–mid tempo ballad Key & Harmony: warm major key, common pop ballad progressions Verses: vi – IV – I – V Pre-chorus: ii – V – iii – vi (gentle lift) Chorus: I – V – vi – IV (big emotional hook, open voicings) Simple diatonic chords, occasional add2/add9, no harsh dissonance, soft piano voicings and acoustic guitar support, Vocal Type: Solo Male (gentle baritone, chest-voice focused, close-mic, soft and clear Korean diction, minimal vibrato, emotional but natural delivery, no belting, no growl, no scream, intimate studio feel), Instrumentation: grand piano arpeggios, acoustic guitar, soft strings, subtle warm bass, light soft drums, gentle cymbal swells, no aggressive synths, no metallic leads, analog-like pads only if needed, overall organic band feel, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑Humanized timing and pitch, ‑warm analog feel, ‑Natural vibrato only, ‑emotional dynamics, ‑No glitch FX, ‑No formant-shifting, ‑No synthetic choir

Genre: K-pop piano ballad, emotional spring mood, Harmony: I–V–vi–IV pop progression in G major or C major, grand piano lead, light acoustic guitar, soft strings, no harsh dissonance, no metallic synths, Vocal: Solo Female vocal (bright mezzo, soft and clear tone, close-mic, intimate and emotional delivery, natural vibrato, smooth Korean diction, no shouting, no aggressive belting), ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑humanized timing and pitch, ‑organic and natural feel, ‑natural vibrato only, ‑gentle dynamics, ‑subtle breaths, ‑no glitch FX, ‑no overly processed or plastic sound

Korean emotional pop ballad song titled "명상", Genre: K-pop style pop ballad (82–86 BPM, gentle and intimate), Mood: calm, meditative, warm, introspective but comforting, Key & Harmony: C major, soft pop ballad harmony | Verse: vi–IV–I–V | Pre-Chorus: ii–V–iii–vi | Chorus: I–V–vi–IV, familiar and emotional, Instrumentation: grand piano, soft acoustic guitar, warm strings pad, subtle rhythmic percussion, very gentle analog-style pad, no metallic synths, Vocal Type: Solo Female (bright mezzo, soft and intimate, close-mic, natural vibrato, emotional and human), Song Structure: [Intro (5s instrumental only)] → [Verse 1] → [Pre-Chorus] → [Chorus] → [Verse 2] → [Pre-Chorus 2] → [Chorus 2] → [Bridge] → [Final Chorus] → [Outro (3s instrumental only)], ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic/tinny highs, ‑Humanized timing and pitch, ‑warm analog feel, ‑Natural vibrato only, ‑subtle breath, ‑emotional dynamics

[Genre] Korean Pop Ballad [Mood] warm, tender, comforting, sentimental [Language] Korean lyrics [Tempo] 82–86 BPM, slow to mid-tempo [Key & Harmony] Key of C major, Verse chords: C – Am – F – G (I–vi–IV–V), Pre-Chorus chords: F – G – Em – Am, Chorus chords: C – G – Am – F (I–V–vi–IV), simple diatonic triads, soft 3rd/5th vocal harmonies in the chorus, Final chorus: add octave doubles and slightly higher energy, [Instrumentation] Grand piano arpeggios, acoustic guitar strumming and light picking, soft strings pad, subtle bass, very soft brushing drums or cajon, no aggressive synth leads, no metallic FX, overall warm, analog-like texture, [Vocal Type] Solo Female, Korean singer, bright mezzo-soprano, gentle and intimate, close-mic feel, clear Korean pronunciation, natural phrasing, emotional delivery, subtle, natural vibrato only, no shouting, no belting, ‑No robotic vocals, ‑No vocoder, ‑No autotune or hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No synthetic vocal chops, ‑Humanized timing and pitch, ‑natural small imperfections, ‑warm analog feel, ‑emotional dynamics, ‑natural breaths and phrasing, ‑No AI-style narration, ‑only natural singing voice, ‑No choir pad replacing the main vocal

Genre: K-pop ballad duet, modern and cinematic Mood: warm, nostalgic, tender, slightly bittersweet, dreamy Tempo: 82–84 BPM Key: C major Harmony: I–V–vi–IV progression (C–G–Am–F) for verses and choruses, vi–IV–I–V in the bridge for a gentle emotional lift Vocal Types: - Male: warm tenor (or light baritone), soft chest-voice, intimate, close-mic, natural diction - Female: bright mezzo, clear and airy top, gentle vibrato, close-mic, emotional but not belting Language: Korean lyrics only Vocal Arrangement by Section: [Verse 1 – Male lead; Female response in the last 1–2 lines] [Pre-Chorus – Female lead, male soft ad-libs only at the end] [Chorus – Unison on main hook, then light 3rd harmonies; female slightly on top] [Verse 2 – Female lead; Male response on last 1–2 lines] [Pre-Chorus 2 – Male lead, female ad-libs] [Chorus 2 – Both in unison → 3rd/5th harmonies on key phrases] [Bridge – Soft male lead in higher register, then female answer line] [Final Chorus – Full duet, unis, ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑no glitch FX, ‑no AI/computer sound effects, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural vibrato only, ‑subtle breaths, ‑emotional dynamics

Korean K-pop pop ballad duet about two lovers separated by distance, sending each other letters through a bluebird at sunset, having a "dream conversation" from "here" (male) and "there" (female), Warm, nostalgic, emotional and intimate, Genre: K-pop Ballad BPM: 102-106, gentle and steady Mood: sentimental, dreamy, hopeful Language: Korean Vocal: Duet [Male]: warm tenor/baritone, gentle chest voice, close-mic, natural phrasing [Female]: soft mezzo, clear and tender tone, intimate delivery, clean Korean diction Instrumentation: grand piano arpeggio, soft strings, acoustic guitar, subtle analog-like pads, light drums and bass, no metallic or harsh electronic sounds, Harmony: classic pop ballad progression I–V–vi–IV (with occasional ii–V and IVmaj7 in the pre-chorus), stacked harmonies (3rds and 5ths) on the choruses, final chorus with octave doubles and slightly lifted energy, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic/tinny highs, ‑No glitch FX, ‑No chopped vocals, ‑Humanized timing and pitch, ‑warm analog feel, ‑Natural soft vibrato only, ‑emotional dynamics

Genre: Korean Pop Ballad BPM: 102-106, slow to medium tempo Mood: nostalgic, sentimental, warm but slightly lonely Language: Korean Vocal: Solo [Male], warm baritone/tenor range, gentle chest voice, close-mic and intimate, natural phrasing, clear Korean diction, soft emotional delivery, minimal natural vibrato, Instrumentation: grand piano as the main lead, soft strings for warmth and emotion, acoustic guitar for gentle rhythm, subtle bass and light drums (brush or soft kick), very light analog-like pads if needed, No harsh synths, no bright metallic leads, Harmony / Chord Progression: Main progression: I – vi – IV – V (e, g, in G major: G – Em – C – D), classic Korean pop ballad style, Use ii – V – iii – vi or IVmaj7 briefly in the pre-chorus to lift the emotion before the chorus, Stacked harmonies (3rds and 5ths) subtly in the final chorus, Lyrics style: Korean, poetic but conversational, first-person “나” and “그대”, focus on autumn scenery, feelings of longing and warm memories, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics and organic performance

[K-Indie / Urban Pop Ballad] [BPM: 86–92, laid-back but steady groove] [nostalgic, cinematic, slightly lonely, city-at-night feeling] [Language: Korean] Vocal: Duet [Male]: warm tenor, slightly airy but grounded, urban ballad tone, gentle chest voice, close-mic, intimate and conversational, natural phrasing, minimal natural vibrato, [Female]: soft mezzo, clear and emotional, subtle indie color, close-mic and intimate, delicate expression, clean Korean diction, Instrumentation: electric piano (E, piano) as the main chord instrument, soft pads for atmosphere, subtle analog-like synth beds, light drums (kick, snare, hi-hats with a gentle urban groove), warm electric bass, optional clean electric guitar for small fills, No bright metallic synth leads, no harsh FX, Harmony / Chord Progression: Main progression: vi – IV – I – V modern urban pop ballad style, IVmaj7 in the pre-chorus to add a slightly jazzy, sophisticated lift before the octave doubles, ‑Negative / Anti-robotic block: No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-Indie / K-pop Piano Ballad BPM: 96–104, gentle and lightly rhythmic Mood: nostalgic, tender, slightly hopeful, intimate Language: Korean Vocal: Solo [Female], soft mezzo-soprano, warm and gentle tone, close-mic and intimate, slightly airy but natural, emotional delivery, clear Korean diction, minimal natural vibrato, sung like reading a personal letter over the piano, Instrumentation: grand piano as the main lead (arpeggios and simple motifs), light percussion (soft snare, shaker, or rimshot), warm bass in the background, very soft analog-like pads for atmosphere, optional subtle acoustic guitar for extra warmth, No bright metallic synths, no harsh leads, no aggressive drums, Harmony / Chord Progression: Main progression: I – vi – IV – V classic Korean pop ballad progression, Use ii – V – iii – vi briefly in the pre-chorus to gently lift the emotion into the chorus, Final chorus can add light stacked harmonies (3rds and 5ths) and optional octave doubling for the main hook, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

[K-pop Winter Pop / Medium-tempo Ballad] [BPM: 108–114, upbeat but gentle] [ bright, nostalgic, heartwarming, slightly sentimental] [Language: Korean] Vocal: Solo [Female], bright mezzo-soprano, warm and youthful tone, clear and cheerful but emotional, close-mic and intimate in verses, more open and energetic in choruses, clean Korean diction, minimal natural vibrato, sung like a winter special stage song full of friendship, Instrumentation: piano with bell-like winter tone (music-box or glockenspiel feel), strings for warmth, acoustic guitar strums, light pop drums (kick, snare, hi-hat) with a bouncy winter groove, warm bass, subtle sleigh bells or chimes for seasonal color, No harsh EDM leads, no metallic synths, no heavy distortion, Harmony / Chord Progression: Main progression: D major: D – A – Bm – G, classic uplifting K-pop pop progression, Use ii – V – I or IVmaj7 briefly in the pre-chorus to add a small lift and anticipation before the chorus, Final chorus can add stacked ha, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

[K-Indie / Urban City Pop Ballad] BPM: 96–102, relaxed mid-tempo groove Mood: dreamy, modern, slightly nostalgic, cinematic city-at-night feeling Language: Korean Vocal: Solo [Female], soft but slightly cool urban tone, close-mic and intimate in the verses, more open in the choruses, clean Korean diction, subtle emotional delivery, minimal natural vibrato, no oversinging, sung like a quiet diary over a late-night city groove, Instrumentation: electric piano (E, piano) as the main chord instrument, soft analog-like pads for atmosphere, warm electric bass with a gentle groove, light drums (kick, snare, hi-hat) with a relaxed urban rhythm, optional clean electric guitar for small melodic fills, No bright metallic synth leads, no harsh distortion, no aggressive EDM elements, Harmony / Chord Progression: Main progression: vi – IV – I – V modern, slightly bittersweet urban pop feeling, Use IVmaj7, ii7 –V7 occasionally in bridge to add a subtle city-pop color, Final chorus can add stacked, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: Korean Pop Ballad (K-Ballad) BPM: 78–84, slow and steady Mood: melancholic, introspective, quiet but intense Language: Korean Vocal: Solo [Male], warm baritone / low tenor, gentle chest voice, close-mic and intimate, soft, restrained delivery, emotional but not over-sung, clear Korean diction, minimal natural vibrato, sung like a confession or a letter spoken alone by the riverbank, Instrumentation: grand piano as the main lead, soft strings for emotional depth, subtle acoustic guitar for gentle texture (optional), warm, low bass, very light drums or percussion (brushes or soft kicks), wide reverb to suggest open air by the river, No bright EDM synths, no metallic leads, no heavy drums, Harmony / Chord Progression: Main progression: F major: F – Dm – Bb – C), classic Korean ballad progression, IVmaj7 briefly in the pre-chorus to gently lift the emotion into the chorus, Final chorus can add stacked harmonies (3rds and 5ths) and optional octave doubling on the lead for climax, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean band-driven pop song about guitar, piano, birds, flowers and wind all joining together to become one big harmony over a yellow-lit stage and a blue world, Bright, uplifting, live-band feeling, Vocal: Solo [Female], bright mezzo-soprano, band-vocal tone with clear presence, warm and energetic in choruses, softer and more intimate in verses, clean Korean diction, minimal natural vibrato, sung like a frontwoman of a live band on stage, not over-screamed, Instrumentation: electric guitar with catchy riffs (main), acoustic guitar (optional for extra warmth in verses), piano / keyboard for chords and counter-melodies, bass guitar with a steady pop-rock groove, live drums with upbeat but not heavy rock energy, subtle pads only to glue the mix, no harsh EDM synths, occasional handclaps or tambourine for lift in choruses, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean indie jazz-pop song set in “Yukrim Market” alley on a quiet afternoon: rain-like letters on signboards, a woman in a green dress walking with a parasol, two green paint cans on a red table, and two puppies following her steps, Small everyday scenes slowly turn into gentle imagination, Vocal: Solo [Female], soft mezzo, warm and intimate tone, light jazz color, close-mic in verses, slightly more open and melodic in choruses, clean Korean diction, smooth legato with light phrasing, minimal natural vibrato, gentle and unforced delivery, Instrumentation: jazz guitar (nylon or clean electric) as main comping instrument, electric piano (E, piano) for chords and light fills, upright or warm electric bass with soft swing feel, brush drums (snare with brushes, soft kick, light cymbals), subtle pads only for background glue (optional), no harsh synths, no aggressive drums, no bright metallic leads, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean dream-pop / indie-pop song about colorful clouds, birds, guitar and music all blending together into one flowing harmony in the sky, and a gentle breeze that enters the heart, Soft, floating, color-filled, like a painting in motion, Vocal: Solo [Female], soft and airy tone, delicate dream-pop style, close-mic and intimate, calm and almost whisper-like in the verses, slightly more open and warm in the choruses, clean Korean diction, minimal natural vibrato, no shouting, no belting, smooth and relaxed delivery, Instrumentation: clean electric guitar with soft arpeggios (main texture), warm pads and synths with analog-like softness (no harsh edges), subtle piano or electric piano notes for extra sparkle, light bass with round, gentle tone, very soft drums (kick, snare, hi-hat) with a simple dream-pop rhythm, long, smooth reverb to create a floating, sky-like space, No loud distorted guitars, no aggressive EDM leads, no heavy drums, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean dream-pop / indie-pop song about drifting inside a colorful dream: yellow, blue, and red lights intertwining, a face breathing quietly between green leaves, shapes and colors flowing freely, opening an endless world of imagination, Vocal: Solo [Female], soft and airy tone, delicate dream-pop style, close-mic and intimate, almost whisper-like in the verses, slightly more open in the choruses, clean Korean diction, smooth phrasing, minimal natural vibrato, no shouting or belting, relaxed and weightless delivery, Instrumentation: soft analog-like synth pads creating a wide, dreamy space, clean electric guitar arpeggios with delay and reverb, subtle piano or electric piano for light melodic accents, round, warm bass moving simply under the chords, very soft drums (kick, snare, hi-hat) with a simple, steady dream-pop pattern, long reverb tails and gentle stereo imaging, like floating in a dream, No distorted guitars, no aggressive EDM synths, no heavy drum patterns, I – V – vi – IV, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean EDM-pop / future-pop song about turning inner hardship and tangled emotions into color and rhythm, Red thoughts, yellow hopes and blue hesitation clash on one screen, while a thin line of rhythm runs inside the heart, In the spinning circle of memories, hidden pain slowly becomes a warm resonance, Birds of hope fly over green and blue forests, whispering that “even this hardship is just one rhythm, ” as new colors and beats fill the inner musical score, Vocal: Solo [Female], bright and clean soprano topline, crisp diction, modern K-pop/EDM tone, soft, intimate delivery in the verses, more open, powerful but not shouted in the choruses, clear high notes with minimal natural vibrato, no harsh belting, no over-screamed parts, Instrumentation: sidechain-style EDM pads and plucks, bright lead synth for the main hook, piano chords to support emotional parts in verses and bridge, punchy kick and snare with a festival-friendly four-on-the-floor groove, warm sub-bass and mid-bass for ener, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean jazz-pop ballad duet set on a rainy city street, One person holds the umbrella and tilts it toward the other, they walk together under colorful umbrellas, trading glances and quiet smiles, Raindrops create a soft rhythm, and a piano melody from a nearby café blends with the sound of the rain, forming a gentle harmony between them, Vocal: Duet [Male]: warm tenor, soft jazz-pop tone, close-mic and conversational, gentle and slightly husky, intimate in verses, a bit more open in choruses, clear Korean diction, minimal natural vibrato, [Female]: soft mezzo, warm and tender, close-mic and intimate in verses, lyrical and smooth in choruses, clean Korean diction, light emotional color, no shouting or belting, just natural dynamics, [Both]: light harmonies in choruses (3rds, 5ths), unison + soft harmony for the main hook “비 속의 하모니, 우리 둘의 박자”, jazz piano as the main harmonic instrument, brush drums (soft kick, brushed snare, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean indie art-pop ballad about an inner “persona”: one thin line of melody carries a whole day, clear eyes filled with countless days, “not-me” living as me, in light and lines, in red and yellow resonance, The narrator quietly listens to “the you inside me” and “the me inside you” and wonders where the true self begins and ends, Vocal: Solo [Male], warm baritone / low tenor, close-mic, intimate, confessional tone, soft and almost spoken in verses, more open but still controlled in choruses (no shouting), clear Korean diction, smooth phrasing, minimal natural vibrato, sung like reading a diary out loud late at night, Instrumentation: grand piano or felt piano as the main harmonic instrument, subtle analog-like synth pads for atmosphere (soft, no harsh edges), light percussion (soft kick, rim, subtle claps or snaps) or even no drums in some parts, warm bass (sine or soft electric) supporting the low end, occasional electric guitar or plucks for texture and tension release, No bright, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean dreamy pop ballad about a quiet night, a small hot-air balloon coming to someone’s window, and sending up their youngest, purest heart into a soft green sky where “our DREAM” always has a place to rise, Vocal: Solo [Female], soft mezzo-soprano, warm and gentle tone, intimate and close-mic, almost whispered storytelling in the verses, slightly more open and emotional in the choruses (but never shouted), clean Korean diction, smooth and calm phrasing, minimal natural vibrato, no harsh belt, soothing and night-like, Instrumentation: soft felt piano as the main harmonic instrument, warm analog-like pads for a dreamy green-sky atmosphere, very light percussion (soft kick, subtle snaps or rim) or minimal groove, round, gentle bass moving simply under the chords, optional light electric guitar or plucks for small sparkles, subtle reverse FX and swells for dreamy transitions, No aggressive drums, no bright EDM leads, no metallic sounds, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean inspirational K-pop pop-rock song about rising like a crane at sunrise, leaving behind the heavy words of yesterday, and flying toward a distant dream despite wind and storms, The narrator quietly names themselves “crane” inside, spreads their wings, and keeps repeating “I have to get there” while pushing through, Vocal: Solo [Female], bright mezzo-soprano, strong but warm K-pop OST tone, lower, more intimate and calm delivery in verses, gradually building power in pre-chorus, open, soaring choruses on long vowels (아/오/이), clear Korean diction, natural emotional dynamics, minimal natural vibrato (no heavy wobble), no shouting or screaming, Instrumentation: rhythmic electric guitar (arpeggios and strums), piano for emotional grounding and intros/verses, full band pop-rock drums with steady kick and snare, warm bass supporting the drive, orchestral strings for lift in pre-chorus, chorus and final climax, subtle pads for atmosphere, FX risers for transitions, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-Indie Acoustic Healing Ballad / Duet BPM: 72–80, slow and gentle Mood: peaceful, reflective, cozy, end-of-day comfort Language: Korean Vocal: Duet [Male]: warm baritone, soft and intimate, close-mic, almost spoken in verses, slightly more open in choruses but never belting, clear Korean diction, smooth phrasing, minimal natural vibrato, [Female]: soft mezzo, warm and tender, gentle, calm delivery, close-mic in verses, lyrical and slightly more melodic in choruses, clean Korean diction, light emotional color, [Both]: soft harmonies (3rds, 5ths) in choruses, unison + light harmony on key lines like “고요한 노을 속에”, “잠시, 쉬어 가네”, Instrumentation: acoustic guitar arpeggios as the main foundation, soft piano chords and subtle melodic fills, light pads or low strings for warmth, very light percussion or no drums (optional: soft brushed snare, low kick only), warm round bass filling the low end gently, No harsh synths, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-Indie / Urban Pop Ballad BPM: 82–90, slow-to-mid tempo, gentle city groove Mood: nostalgic, tender, slightly bittersweet, warm evening city Language: Korean Vocal: Solo [Female], soft mezzo with an indie/urban tone, close-mic and conversational in the verses, slightly more open and emotional in the choruses (never shouted), clean Korean diction, smooth phrasing, minimal natural vibrato, natural dynamics, subtle harmonies in the last chorus, Instrumentation: electric piano (E, piano) as the main chord instrument, soft pads for atmosphere, light city-night ambience, clean electric guitar for small fills and arpeggios, subtle pop drums (kick, snare, hi-hat) with a relaxed urban groove, warm, round bass supporting the low end, No harsh EDM leads, no distorted guitars, no metallic sounds, Harmony / Chord Progression: Main progression: G major: Em – C – G – D slightly bittersweet urban ballad movement, IVmaj7 – I – V – vi briefly in the pre-chorus, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean acoustic dream-pop song about a beautiful girl playing guitar at night, The fatigue, laughter and small happiness of the day flow out as rhythm from her fingers, Colors sit on the guitar strings, moving between major and minor, coloring both yesterday and tomorrow at the same time, The narrator, with eyes closed in the deep night, crosses into this dream and quietly stands beside her, Genre: K-Indie Acoustic Dream Pop BPM: 86–94, gentle mid-tempo with a soft sway Mood: dreamy, intimate, warm, slightly nostalgic Language: Korean Vocal: Solo [Male], warm tenor/baritone, soft, close-mic, intimate tone, spoken-like and gentle in the verses, slightly more melodic and open in the choruses (never shouted), clean Korean diction, smooth phrasing, minimal natural vibrato, natural dynamics, no harsh belt, [acoustic guitar arpeggios as the main texture, soft analog-like pads for a dreamy night atmosphere, subtle electric guitar or glockenspiel-style sparkles for highlights, light bass ], ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-City Pop / Modern Retro Pop BPM: 100–108, light mid-tempo with a gentle groove Mood: dreamy, sophisticated, slightly nostalgic but warm Language: Korean Vocal: Solo [Female], bright but soft mezzo, clean, modern city-pop tone, conversational and light in the verses, more open and melodic in the choruses (never screamed), subtle airy texture allowed but still warm and human, clear Korean diction, smooth phrasing, minimal natural vibrato, no harsh belting, Instrumentation: electric piano (E, piano) chords as the main harmonic bed, clean electric guitar for light comping and melodic fills, warm bass with a groovy but gentle line, tight but soft drums (kick, snare, hi-hat) in a city-pop groove, subtle analog-style pads for atmosphere, optional soft synth lead or muted brass for small hooks, No heavy distortion, no harsh EDM leads, no metallic sounds, Main progression: vi – IV – I – V, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean contemporary R&B / lo-fi pop ballad about emotions rising and falling like quiet waves inside, Deep blue settles inside the chest, a single breath is held, a soft crimson circle slowly rises above it, Even in silence, the heart always has ripples: sometimes high, sometimes low, gently touching and passing by, One curving line bends with today’s thoughts, one overlapping light softly covers yesterday’s memories, Vocal: Solo [Female], soft mezzo, airy and intimate, close-mic, diary-like tone in verses, slightly more open and melodic in choruses (never shouted), clean Korean diction, smooth R&B phrasing, minimal natural vibrato, no harsh belting, sung as if whispering to herself at night, Instrumentation: warm electric piano (E, piano) as the main harmonic bed, soft analog-style pads for depth and color (no harsh edges), subtle guitar plucks or gentle licks for texture, round, warm bass that moves simply with the chords, very soft R&B/lo-fi drums (kick, snare, hi-hat) with a, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean cinematic electronic pop song about a fast-approaching train being captured through a camera at the exact “peak moment”, First, the train filled with light, color, sound, power and speed rushes into the frame, Then the lens zooms in: hope, dreams, adventure, challenge and achievement ride the train and click into the narrator’s eyes like a shutter, Each shot becomes a personal “정점”, a peak frame in life, Vocal: Solo [Male], warm tenor with a cinematic tone, close-mic and calm narration in verses, gradually more intense and open in pre-chorus, soaring but controlled in choruses (no screaming), clear Korean diction, modern pop phrasing, minimal natural vibrato, emotional but not overdone, Instrumentation: synth pads and pulses creating a sense of motion (train-like rhythm), rhythmic synth bass for momentum, tight electronic drums with a modern K-pop groove, clean electric guitar or plucks for rhythmic accents, subtle sound design elements echoing train movement, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean indie pop ballad about a purple evening, yellow rings of light, and two people who once stood together in that moment, Even though they now live far apart, a small piece of the other’s light still remains in one corner of the heart, like a quiet afterimage, Vocal: Solo [Male], warm baritone / low tenor, soft and intimate tone, close-mic, almost spoken and calm in the verses, a little more open and emotional in the choruses (but not belted), clean Korean diction, smooth phrasing, minimal natural vibrato, natural dynamics, no shouting, Instrumentation: piano as the main harmonic instrument, soft electric guitar for gentle arpeggios and small fills, subtle pads or low strings for warmth, very light drums (soft kick, snare with brushes, gentle hi-hat) or even no drums in some parts, warm, round bass supporting the low end, No harsh synths, no aggressive drums, no metallic leads, Main progression: vi – IV – I – V, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: Korean Contemporary R&B / Neo-Soul BPM: 78–84, slow to mid-tempo, laid-back groove Mood: introspective, sensual, slightly melancholic, intimate Language: Korean Vocal: Solo [Female], soft mezzo, R&B phrasing, close-mic, intimate, diary-like tone in verses, slightly more melodic and emotive in the choruses (never shouted), clean Korean diction, smooth legato and gentle syncopation, minimal natural vibrato, no harsh belting, warm and human, Instrumentation: warm electric piano (E, piano) as the main harmonic bed, soft analog-style pads for depth and color, subtle clean electric guitar or Rhodes-like accents, round, warm bass with simple but groovy movement, loose R&B / neo-soul drums (kick, snare, hi-hat) with a laid-back swing, very subtle ambience (room feel) to keep it intimate, [C major: Cmaj7 – Am7 – Dm7 – G7] Final chorus can add light stacked harmonies (3rds, 5ths) and optional octave doubling on the word “그리움” and key hook phrases, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean indie dream-pop ballad about becoming the body of a guitar in a dream, Every time the beloved’s hands touch the strings, stars sound inside, melody blooms like flowers, rhythm moves like a gentle wind, and a blue bird walks quietly over the heart, Without saying anything, they tell love, hope, and even the morning that has not yet come, The song they create shakes the sleeping world like a sunlit dream, The dream becomes music, the music becomes “you”, and even the moment of waking feels beautiful because of that lingering sound, Vocal: Solo [Female], soft and clear mezzo-soprano, warm and intimate tone, close-mic, almost whispered storytelling in the verses, more open and emotional in the choruses (but never shouted), clean Korean diction, smooth and gentle phrasing, minimal natural vibrato, no harsh belt, sung like a comforting night song that flows into morning, Instrumentation: acoustic guitar arpeggios as the main texture, soft analog-style pads for dreamy atmosphere, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-POP Alt Pop / Dark Pop BPM: 96–104, modern mid-tempo, driving but not too fast Mood: cinematic, introspective, stylish, slightly dark but empowering Language: Korean Vocal: Solo [Female], modern K-pop mezzo, dark but clear tone, a little husky edge allowed, low and whispered in verses, more intense and open in pre-chorus, powerful but controlled in choruses (no screaming), clean Korean diction, sharp consonants, confident attitude, minimal natural vibrato, focus on emotion and phrasing, not vocal acrobatics, Instrumentation: deep synth pads and pulsing bass for a sense of inner tension, modern electronic drums (kick, snare, hi-hat) with a tight alt-pop groove, percussive synths and short plucks accenting the rhythm, occasional distorted but controlled synth bass or low guitar for impact, reverse FX, risers, and filtered intros/outros for a cinematic feeling, No harsh EDM leads, no metal guitars, no noisy distortion walls, Main progression (minor key): i – VI – III – VII, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-Indie Future City Pop / Chill Pop BPM: 96–100, relaxed mid-tempo, light groove Mood: dreamy, hopeful, warm, gently futuristic Language: Korean Vocal: Solo [Female], soft city-pop mezzo, warm and smooth tone, close-mic and intimate in verses, slightly brighter and more open in choruses (no shouting), clean Korean diction, gentle phrasing, subtle swing feel, minimal natural vibrato, natural dynamics, Instrumentation: electric piano (E, piano) chords as the main harmonic bed, clean electric guitar for light comping and melodic licks, soft analog-style pads for “green sky / light stairs” atmosphere, warm, round bass with a simple city-pop groove, light drums (kick, snare, hi-hat) with a relaxed, bouncy feel, very subtle FX hints for drone cars / airship movement (no loud SFX), No harsh EDM leads, no heavy distortion, no metallic sounds, Main progression (major, city-pop color): Imaj7 – V7 – vi7 – IVmaj7, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-Indie Jazz Pop Ballad (Rainy Evening Mood) BPM: 76–82, slow to mid-tempo, gentle swing Mood: nostalgic, warm, quietly romantic, cinematic Language: Korean Vocal: Solo [Female], soft mezzo with a warm, intimate tone, close-mic and conversational in the verses, slightly more open and emotional in the choruses (never shouted), clean Korean diction, smooth legato, light jazz-pop phrasing, minimal natural vibrato, natural dynamics, no over-singing, Instrumentation: jazz piano as the main harmonic instrument, soft electric guitar for gentle arpeggios and fills, upright or warm electric bass with a subtle swing, brush drums (soft kick, brushed snare, light hi-hat/cymbal), subtle pads or low strings for warmth and depth, very soft rain-like ambience in the background (not too loud), No harsh synths, no aggressive drums, no metallic leads, Harmony / Chord Progression: Main progression: Imaj7 – vi7 – ii7 – V7, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-Indie Jazz Funk / Colorful Pop BPM: 100–106, upbeat but smooth groove Mood: playful, bright, artistic, feel-good Language: Korean Vocal: [Male]: light tenor, warm and rhythmic, city-pop / jazz-pop tone, relaxed and smooth in verses, slightly more energetic in choruses, [Female]: bright mezzo, clear and lively, light jazz color, playful phrasing, precise consonants, blends well with male, [Both]: unison hooks and 3rd harmonies on choruses, fun call & response in verses and pre-choruses, Instrumentation: rhodes / electric piano chords and riffs, clean funk guitar comping (chops and light licks), warm electric bass with a groovy, melodic line, tight drums with brushed/snappy snare and soft hi-hats, optional light brass stabs or sax licks for color, subtle percussion (shaker, tambourine) to support the groove, No aggressive distortion, no harsh EDM leads, Main progression (major, jazzy color): Dmaj7 – Bm7 – Em7 – A7, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-POP Healing Duet Ballad BPM: 96–100, mid-tempo, gentle forward motion Mood: reflective, warm, hopeful, comforting Language: Korean Vocal: [Male]: warm tenor, slightly husky, emotional but controlled, intimate and soft in the verses, more open in the choruses (no screaming), clear Korean diction, natural phrasing, [Female]: bright yet soft mezzo, clean and expressive tone, tender and conversational in the verses, melodic and uplifting in the choruses, blends smoothly with [Male] in harmonies, [Both]: unison + 3rd/5th harmonies in choruses, call & response in some pre-chorus lines, Instrumentation: piano as the main harmonic and emotional base, clean electric guitar arpeggios for color and gentle movement, soft pads/strings for warmth in pre-chorus and chorus, warm electric bass with simple supportive lines, light K-POP ballad drums (kick, snare, hi-hat, soft toms), subtle risers and reverse FX into choruses (no harsh build, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Genre: K-POP Dream City Pop Duet BPM: 96–100, relaxed mid-tempo, gentle groove Mood: dreamy, cozy, romantic, urban night Language: Korean Vocal: Duet [Male]: soft tenor, warm and slightly airy city-pop tone, close-mic, conversational in the verses, a bit more melodic and open in the choruses (no shouting), clear Korean diction, [Female]: bright but soft mezzo, clean and smooth tone, intimate and calm in verses, melodic and dreamy in choruses, blends naturally with [Male], [Both]: unison and 3rd harmonies in choruses, simple, catchy lines, not overly complex melismas, Instrumentation: electric piano (E, piano) chords as the main harmonic bed, clean electric guitar for light comping and small melodic phrases, soft analog-style pads to create a “night city / window lights” atmosphere, warm bass with a simple, groovy city-pop line, light drums (kick, snare, hi-hat) with a relaxed, bouncy K-POP groove, very subtle FX for space, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Korean indie acoustic pop ballad about a faceless “me” who only exists as one line of rhythm in a song, On a quiet night, with no one to call her name, she holds only a guitar, The guitar speaks instead of her: today’s light and shadow, unspoken longing are quietly hung between the strings, When the melody flows out, notes scatter like petals, softly land on a bird’s wing, and that bird turns back and gives her a tiny smile, It’s a small, nameless dream, but inside it her whole heart is contained, Vocal: Solo [Female], soft mezzo, indie-style tone, close-mic, intimate, almost spoken in the verses, slightly more open and melodic in the choruses (no shouting), clear Korean diction, simple phrasing, not many runs, natural emotional delivery, like singing alone with a guitar at night, Instrumentation: acoustic guitar arpeggios or light strums as the main texture, very soft pads for subtle warmth and space, optional light piano or electric piano for a few accents in Am – F – C – G, ‑No robotic vocals, ‑No vocoder, ‑No autotune/hard-tune, ‑No machine-like tone, ‑No metallic or tinny highs, ‑No glitch FX, ‑No chopped or stuttered vocals, ‑No synthetic or robotic choir, ‑Humanized timing and pitch, ‑warm analog feel, ‑natural breath, ‑subtle natural vibrato only, ‑emotional dynamics, ‑organic and human performance

Dreamy attractive Italo-influenced electro K-pop song (around 118–120 BPM), title "섬세한 리듬", Lovely, delicious, really attractive mood with soft vintage Italo-style synth bass, 4-on-the-floor electronic kick, tight snare and hi-hats, gentle synth arpeggios, warm analog-like pads, occasional clean electric guitar for accents, Club-ready but subtle and elegant, more about groove and color than a huge aggressive drop, Key: C major / A minor color, Harmony: - Verse progression: Am – F – C – G (vi–IV–I–V in C) - Pre-chorus progression: F – G – Em – Am (IV–V–iii–vi) - Chorus progression: C – G – Am – F (I–V–vi–IV) - Bridge progression: Em – F – C – G for a gentle build before the final chorus, Vocal: Solo female lead vocal in Korean, warm and slightly breathy mid-range, modern K-pop tone, intimate in the verses and more open and confident in the chorus, Light natural vibrato only, smooth legato phrasing, clear Korean diction, Subtle female backing vocals only in the choruses and final choru, ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑no glitch FX, ‑Humanized timing and pitch, ‑warm analog feel, ‑tiny imperfections kept for realism, ‑emotional dynamics in every section

Warm emotional Korean acoustic pop ballad with a slight K-indie vibe and a modern K-POP viral structure, mid-tempo around 106–110 BPM, title "울림의 순간", The song is about the moment a guitar string is touched and invisible waves travel out like circles on water, reaching someone’s past and future to gently comfort them, The mood is poetic, Korean lyrical, delicate but still catchy enough for short-form viral clips, [intimate acoustic guitar as the main instrument (fingerpicking and soft strums), warm grand piano, soft string pad for width, very light percussion (brush-style kick, soft snare, subtle shaker), and a gentle analog-like pad in the choruses for lift, Natural room feel, like a small live stage, No heavy EDM drops, no aggressive synths, ] Vocal: Solo male lead vocal in Korean, warm baritone to low tenor range, close-mic and intimate in the verses, opening up emotionally in the choruses, Light natural vibrato only, clear Korean diction, no shouting, Backing vocals, ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑no glitch FX, ‑Humanized timing and pitch, ‑warm analog feel, ‑tiny imperfections kept for realism, ‑natural dynamics between verse and chorus, ‑everything should feel organic, ‑live and deeply emotional

Modern Korean urban R&B / K-pop song, mid-tempo around 100–104 BPM, title "MEMORY", Night city mood, slightly cold but emotional, observing a woman walking under colorful lights with a bag, wondering where she is going and what she hides behind her smile, The feeling is chic, introspective, and a bit critical, but still poetic and stylish, Instrumentation: tight R&B drums (deep but soft kick, snare or clap with a little snap), warm sub bass or 808-style bass, mellow electric piano chords, soft analog-like pads for width, and a clean electric guitar riff for small hooks, Subtle FX like shop window chimes or light reflections, but nothing metallic or harsh, Overall, a smooth, modern city-night groove, Key: A major, Vocal: 4-member female group singing in Korean, Verses are delivered in a conversational, slightly laid-back tone, like observing and asking questions, Each member takes different lines in the verses to feel like multiple viewpoints, Pre-chorus with 2 voices in light harmony, ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑no glitch FX, ‑Humanized timing and pitch, ‑warm analog feel, ‑tiny imperfections kept for realism, ‑natural dynamic changes between verse and chorus, ‑Everything should feel organic, ‑human, ‑and emotionally real

Bright dreamy Korean city pop / nu-disco track, mid-tempo around 112–116 BPM, title "도시의 원 (City Circles)", The song is about abstract circles of light in the night sky and on a city canvas: a bright yellow circle floating in the sky, small orange and white circles scattered, purple, pink and black as the deep background, vertical lines adding texture across the yellow circle, a black grid at the bottom right, and many colored circles shining like stars over a flowing city of life, Instrumentation: modern K-city-pop band setup, Tight but soft four-on-the-floor or disco-style drums, warm and groovy electric bass, electric piano chords, clean electric guitar comping (light funk/city-pop style), bright but smooth synths for the main hook line, and gentle analog-like pads for width, Overall, a sparkling but not harsh night-city atmosphere, Key: E major, Vocal: 4-member female group singing in Korean, Verses are sung in a soft, almost conversational tone, like they are slowly describing, ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑no glitch FX, ‑Humanized timing and pitch, ‑warm analog feel, ‑tiny imperfections kept for realism, ‑natural dynamic contrast between verses and choruses, ‑everything should feel organic, ‑human and emotionally vivid

Genre: K-pop City Pop / EDM Pop (modern, upbeat, festival-like but still emotional) Mood: bright, hopeful, artistic, urban nightscape Tempo: 118–122 BPM, around 3 minutes total Instrumentation: Tight but soft four-on-the-floor / dance-pop drums, warm electric bass, modern city-pop style electric piano, clean electric guitar comping with light funk rhythm, bright but smooth synth lead for the main hook, gentle analog-like pads for depth and width, Occasional percussive FX that evoke lights and moving structures, but nothing metallic or harsh, Key: A major, Harmony: - Verse progression: F#m – D – A – E (vi – IV – I – V) - Pre-chorus progression: D – E – F#m – E (IV – V – vi – V) - Chorus progression: A – E – F#m – D (I – V – vi – IV) - Bridge progression: Bm – D – F#m – E (ii – IV – vi – V) to lift emotionally into the final chorus, 4-member female group singing in Korean, Verses are delivered in a soft, slightly conversational tone, as if describing a painting and walking through an, ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑no glitch FX, ‑Humanized timing and pitch, ‑warm analog feel, ‑tiny imperfections kept for realism, ‑natural dynamic contrast between verse, ‑pre-chorus, ‑and chorus, ‑Everything should feel organic, ‑human, ‑emotional, ‑and suitable for playlists and short-form viral edits

Genre: Alternative R&B × Dream Pop (late-night city, philosophical but warm) Mood: introspective, slightly melancholic but comforting, thoughtful and atmospheric Tempo: 82–86 BPM, around 3 minutes total Instrumentation: Soft, minimal R&B drums (warm kick, gentle snare/clap, subtle hi-hats), deep but smooth sub bass, mellow electric piano (chorused or slightly detuned for dreaminess), a soft ambient guitar or synth texture, and warm analog-like pads to create a floating night-city atmosphere, Very spacious and intimate, with lots of depth but no harshness, Key: F# minor, Vocal: Solo male vocal in Korean, warm baritone to low tenor range, close-mic and intimate, like talking softly on late-night radio, Verses are almost spoken-sung, calm and reflective, Pre-chorus gently lifts the intensity, Chorus opens up emotionally but remains controlled, no shouting, Light, natural vibrato only, clear Korean diction, subtle breaths for realism, Optional soft backing harmonies only in choruses and f, ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑no glitch FX, ‑Humanized timing and pitch, ‑warm analog feel, ‑tiny imperfections kept for realism, ‑natural emotional dynamics between verse, ‑pre-chorus, ‑and chorus, ‑Everything should feel organic, ‑human, ‑and deeply emotional

Genre: Acoustic Pop Ballad × Dream Pop (soft, bright, morning feeling) Mood: gentle, hopeful, slightly dreamy, peaceful morning Tempo: around 96–102 BPM, about 3 minutes total Instrumentation: Soft grand piano as the main instrument (arpeggios and simple melodic motifs), warm acoustic guitar softly strummed, light drums or percussion (brushy kick, soft snare, gentle shaker), subtle warm bass, and airy analog-like pads or soft strings for depth, Everything should feel like sunlight filtering into a quiet room, no harsh synths, no metallic tones, Key: G major, Vocal: Mixed male + female vocals in Korean (duet style), - Male: warm tenor, intimate and soft in the verses, like half-awake and talking quietly in the morning, - Female: clear and bright mezzo, slightly airy but controlled, leading some pre-chorus and the second verse, ‑No robotic vocals, ‑no vocoder, ‑no autotune or hard-tune, ‑no machine-like tone, ‑no metallic or tinny highs, ‑no glitch FX, ‑Humanized timing and pitch, ‑warm analog feel, ‑tiny imperfections kept for realism, ‑natural emotional dynamics between verse, ‑pre-chorus, ‑and chorus, ‑Everything should feel organic, ‑human, ‑and gently uplifting

[Ballad Acoustic] [Dreamy, Emotional] [Acoustic Guitar, Soft Piano, Layered Harmony, Whisper FX] [70-80 BPM] [Intro-Verse-PreChorus-Chorus-Bridge-Outro] [Conversational, Call & Response, Repetitive Hook] [Male & Female Duet, Whisper Bridge, Emotional Vocals]

Korean cinematic dream-pop ballad, 96 BPM, rich melodic topline, emotional and natural, Instrumentation: grand piano arpeggio, acoustic guitar, soft strings, subtle gayageum plucks, daegeum long tones, light brush drums, warm analog-like pad (very soft), Vocal: Solo Female (soft airy mezzo, intimate whispery edge but still clear, gentle dynamics, warm room tone, no breath-noise exaggeration), Female vocal must sound 100% human: warm throat resonance, soft chest-voice base, natural micro-pitch movement, zero synthetic sheen, ‑No robotic vocals, ‑no AI voice, ‑no vocoder, ‑no autotune, ‑no hard-tune, ‑no pitch correction artifacts, ‑no metallic/tinny highs, ‑no machine-like tone, ‑no talkbox, ‑no chorus-vocoder layers, ‑no vocal chops, ‑no formant shifting, ‑no excessive de-essing, ‑no harsh sibilance, ‑humanized timing & pitch, ‑natural breath control, ‑natural dynamics, ‑warm analog mix, ‑soft room reverb

EDM Pop duet (festival-friendly), 124–126 BPM, bright but warm, emotional and catchy, Male vocals (warm tenor, chest-voice, close-mic, natural vibrato, slightly imperfect human delivery) + Female vocals (bright mezzo, airy but clean, close-mic, natural vibrato, clear diction), Piano + acoustic guitar layers, warm bass, tight live-feel drums (no machine drum feel), analog-like humanized pads (subtle), Chorus: unison 2 bars → thirds harmony 2 bars, hook slogan (2–3 words) repeated x4, Post-chorus: 2–4 bars keyword loop (chant-like, minimal words), Mix: vocal presence 2–5 kHz, short plate/room reverb only, de-esser 5–10 kHz, No extra singers beyond the duet roles, ‑No robotic vocals, ‑No AI voice, ‑No synthetic voice, ‑No vocoder, ‑No autotune, ‑No hard-tune, ‑No pitch-correction artifacts, ‑No formant shift, ‑No metallic/tinny highs, ‑No digital/glitch/cyber tone, ‑Humanized timing & pitch variation only, ‑warm organic analog feel, ‑No vocal chops, ‑no humming, ‑no shouts in intro/outro