Take me Home (EP)

(Chris Barnes-era style, <1000 chars): Old-school brutal death metal track called “Gut Infection Metal, ” Early-90s sound — raw but tight guitars, palm-muted chugs mixed with tremolo riffs, thundering double-kicks, snapping snare, Bass growls low in the mix, Vocals are deep, phlegmy, wet, and brutal — inhuman low growls and throat gurgles with vomiting and choking FX, Tempo shifts from blast-beat assaults to slow, slamming grooves, Production feels like a grimy demo — dark, claustrophobic, violent, Lyrics in the style of early underground death metal about infection, decay, and endless vomiting, No melody, just pure horror and groove-driven brutality

(Chris Barnes-era style, ): Old-school brutal death metal track called “Gut Infection Metal, ” Early-90s sound — raw but tight guitars, palm-muted chugs mixed with tremolo riffs, thundering double-kicks, snapping snare, Bass growls low in the mix, Vocals are deep, phlegmy, wet, and brutal — inhuman low growls and throat gurgles with vomiting and choking FX, Tempo shifts from blast-beat assaults to slow, slamming grooves, Production feels like a grimy demo — dark, claustrophobic, violent, Lyrics in the style of early underground death metal about infection, decay, and endless vomiting, No melody, just pure horror and groove-driven brutality

Brutal death metal in the style of Canibal Corpse, Features extremely fast, downtuned, palm-muted guitar riffs, chaotic tremolo picking, and relentless blast beats, Drums are aggressive and precise with double bass throughout, Add a shredding, dissonant guitar solo in the middle—chaotic and technical, like Pat O’Brien or Erik Rutan, No melody, no clean parts—pure sonic violence, Dark, evil, and intense from start to finish, > Brutal death metal vocals in the style of George "Corpsegrinder" Fisher from Canibal Corpse, Deep, powerful growls with rapid-fire articulation and relentless aggression, No clean vocals, Tone is guttural, menacing, and commanding—perfect for themes of horror, gore, domination, and chaos, Include ferocious vocal attack on breakdowns and rapid tempo changes, Match intensity with relentless double bass and tremolo-picked guitars