Rock & Metall

rock, rhythmic, hard rock, guitar rhythmic

rock, rhythmic, hard rock, guitar rhythmic

Metal- ballads, Male hoarse voice, power beat, British male band, power full guitar solo

Metal- ballads, Male hoarse voice, power beat, British male band, power full guitar solo

Acoustic guitars, power metal, male unreal clear vocal, gothic metal, piano, power full solo guitars

Piano Rock, Rock Band, British Rock, Alt, Rock, introspective, ballad

Piano Rock, Rock Band, British Rock, Alt, Rock, introspective, ballad

70s dark blues-rock ballad, blues-rock, analog tone, rock, cinematic echo outro, fatal tension, tone, wild screams & whispers, ballad

remastered studio mix, 70s hard rock, deep, tight drums, rock, hard rock, tone, punchy snare, fiery and triumphant full energy, harmonica with wah-wah modulation, minimal, raw

heavy alternative rock, stoner rock, nu metal, prog rock, bass guitar

heavy alternative rock, stoner rock, nu metal, prog rock, bass guitar

Intro acoustics 2 guitars, Metal- ballads, Male hoarse voice, power beat, British male band, [style Metallica], [style Scorpions], power full guitar solo

Intro acoustics 2 guitars, Metal- ballads, Male hoarse voice, power beat, British male band, [style Metallica], [style Scorpions], power full guitar solo

groove metal, deep low distorted guitars with bright crackling edges, chaotic but tight energy, deep, 5-minute track, low, expressive low growls, punchy drums with heavy fills and groove (no machine-gun beats), bright, metal, wild baritone male vocals with raspy and hoarse tone, bpm 120, tone, fast wild groove metal, gritty overdriven bass, male vocals, beats, aggressive rhythm, studio-quality production, analog warmth

acoustic, breaks, deep, male vocals, low baritone male vocals with raspy and hoarse tone, harp, punchy overdriven bass, low, controlled growls with vibrato in calm verses, fast wild groove metal, acoustic guitar breaks with breathy vocals, metal, bright, deep low distorted guitars with bright crackling edges, jaw harp (khomus) for low droning and buzzing textures in calm sections, tone, dynamic, metallic drums with metallic snare/toms, breathy, groove metal, studio-quality production, wild growls in choruses and climaxes, dynamic choruses, chaotic but tight energy

digital rock, dark, groovy, reggae, breakbeat, vibrant, electronic, r&b, rock

vocal, acoustic, rock, tone, electric, emotional, dynamic, ballad, epic, hard rock

long echo, dramatic, hard rock, ballad, 70s dark hard rock ballad, robert plant vocals, analog guitars, cinematic tension, hammond organ, rock, dramatic gunshot and demonic whisper ending

Fast 70s hard rock, Deep Purple style, Ian Gillan-like vocals, John Lord-like Hammond organ, bluesy guitar riffs, live drums, raw vintage tone, fiery and triumphant energy

Fast 70s hard rock, Deep Purple style, Ian Gillan-like vocals, John Lord-like Hammond organ, bluesy guitar riffs, live drums, raw vintage tone, fiery and triumphant energy

BPM 140 — fast thrash-groove hybrid, strictly fast tempo, no mid-tempo allowed, Guitars: low-tuned distorted, palm-muted chugs, harmonic squeals, analog crunch, Drums: punchy metallic snare, heavy toms, fast 8th-note groove, no blast beats, Bass: overdriven, deep low-end “meat”, Vocals: main lead — low raspy baritone in verses, near-thrash bright shout in choruses, fully intelligible; main lead processed with Auto-Tune / melodic vocoder for clean pitch control, Backing vocals: robotic, Kraftwerk-style vocoder, synced to main harmony, slightly stiff but clear articulation, Mix: wide stereo guitars, cinematic low-end, deep metallic drums, clean separation, high-end analog warmth, fast thrash-groove energy, studio-quality mastering

BPM 140 — fast thrash-groove hybrid, strictly fast tempo, no mid-tempo allowed, Guitars: low-tuned distorted, palm-muted chugs, harmonic squeals, analog crunch, Drums: punchy metallic snare, heavy toms, fast 8th-note groove, no blast beats, Bass: overdriven, deep low-end “meat”, Vocals: main lead — low raspy baritone in verses, near-thrash bright shout in choruses, fully intelligible; main lead processed with Auto-Tune / melodic vocoder for clean pitch control, Backing vocals: robotic, Kraftwerk-style vocoder, synced to main harmony, slightly stiff but clear articulation, Mix: wide stereo guitars, cinematic low-end, deep metallic drums, clean separation, high-end analog warmth, fast thrash-groove energy, studio-quality mastering

BPM 140 — fast thrash-groove hybrid, strictly fast tempo, no mid-tempo allowed, Guitars: low-tuned distorted, palm-muted chugs, harmonic squeals, analog crunch, Drums: punchy metallic snare, heavy toms, fast 8th-note groove, no blast beats, Bass: overdriven, deep low-end “meat”, Vocals: main lead — low raspy baritone in verses, near-thrash bright shout in choruses, fully intelligible; main lead processed with Auto-Tune / melodic vocoder for clean pitch control, Backing vocals: robotic, Kraftwerk-style vocoder, synced to main harmony, slightly stiff but clear articulation, Mix: wide stereo guitars, cinematic low-end, deep metallic drums, clean separation, high-end analog warmth, fast thrash-groove energy, studio-quality mastering

BPM 140 — fast thrash-groove hybrid, strictly fast tempo, no mid-tempo allowed, Guitars: low-tuned distorted, palm-muted chugs, harmonic squeals, analog crunch, Drums: punchy metallic snare, heavy toms, fast 8th-note groove, no blast beats, Bass: overdriven, deep low-end “meat”, Vocals: main lead — low raspy baritone in verses, near-thrash bright shout in choruses, fully intelligible; main lead processed with Auto-Tune / melodic vocoder for clean pitch control, Backing vocals: robotic, Kraftwerk-style vocoder, synced to main harmony, slightly stiff but clear articulation, Mix: wide stereo guitars, cinematic low-end, deep metallic drums, clean separation, high-end analog warmth, fast thrash-groove energy, studio-quality mastering

BPM 140 — fast thrash-groove hybrid, strictly fast tempo, no mid-tempo allowed, Guitars: low-tuned distorted, palm-muted chugs, harmonic squeals, analog crunch, Drums: punchy metallic snare, heavy toms, fast 8th-note groove, no blast beats, Bass: overdriven, deep low-end “meat”, Vocals: main lead — low raspy baritone in verses, near-thrash bright shout in choruses, fully intelligible; main lead processed with Auto-Tune / melodic vocoder for clean pitch control, Backing vocals: robotic, Kraftwerk-style vocoder, synced to main harmony, slightly stiff but clear articulation, Mix: wide stereo guitars, cinematic low-end, deep metallic drums, clean separation, high-end analog warmth, fast thrash-groove energy, studio-quality mastering

Wild groove metal, like-Metallica, dirty low distorted guitars with crackling brightness, deep analog tone, punchy drums with natural fills (no machine-gun speed), raw baritone male vocals with raspy and untamed energy, expressive low growls, gritty overdriven bass, aggressive groove rhythm, analog studio-quality mix, 5-minute track, BPM 124, chaotic but controlled power

ACID RAVE / HARD RAVE / 303 acid lines / early rave energy, ABSOLUTELY NO metal, NO rock, NO real guitars, Sound core: — aggressive resonant 303 acid lead (squelchy, distorted, filter sweeps) — hard rave kicks (punchy, EDM style) — rave claps, sharp hats — dirty noise risers — oldschool breakbeat fills (light, optional) — wide supersaw chords for lifts — synthetic stabs instead of guitars Vocals: — mystical whisper intro — hyper-distorted FIRE screams — spoken + ultra-fast tongue-twister — no melodic singing — backing male “HEY!” only Breaks: Silence breaks EXACT 0, 4 sec, Vibe: underground acid warehouse, neon strobes, harsh but clean mix, Production: studio-quality, zero noise, loud mastering, Tempo: 148 BPM Key: F#m

BPM 140 — fast thrash-groove hybrid, strictly fast tempo, no mid-tempo allowed, Guitars: low-tuned distorted, palm-muted chugs, harmonic squeals, analog crunch, Drums: punchy metallic snare, heavy toms, fast 8th-note groove, no blast beats, Bass: overdriven, deep low-end “meat”, Vocals: main lead — low raspy baritone in verses, near-thrash bright shout in choruses, fully intelligible; main lead processed with Auto-Tune / melodic vocoder for clean pitch control, Backing vocals: robotic, Kraftwerk-style vocoder, synced to main harmony, slightly stiff but clear articulation, Mix: wide stereo guitars, cinematic low-end, deep metallic drums, clean separation, high-end analog warmth, fast thrash-groove energy, studio-quality mastering

[Style: emotional soft-rock/metal ballad inspired by like-*Scor*pi*ons*- “Wind of Change”, warm clean guitars, melodic distorted layers, expressive male baritone with light rasp, cinematic build, bright emotional choruses] [Lead vocal: male baritone, clean warm tone with soft rasp, controlled vibrato] [Band: clean strat guitars, soft pads, melodic metal leads, warm bass, airy drums, emotional guitar solo, soft piano outro] [Energy: calm tragic verses → heroic rising pre-choruses → wide emotional choruses] [Recording quality: crystal-clear mix, warm acoustic presence, zero noise, detailed rasp texture, airy stereo image, like-*Scor*pi*ons*--style melodic mastering]

The composition is performed in classical Buryat-Mongolian culture using traditional national instruments and khoomei (Mongolian throat singing), laered dron back vocal, sub bass, panchy drums, slap house, kinetic bassline, upbeat, emotional melody, 130 bpm, club music

Ultra-heavy rap-metal with Rage Against the Machine attitude but darker and more aggressive, Vocals are foreground, all instruments are in the background when there are vocals, Drop-C or Drop-D guitar tuning, palm-muted chugs, explosive wah-driven squeals, whammy dive bombs, kill-switch stutters, amp feedback, and noise-scratch solos, Distorted bass with snarling grit, glued to a pounding, militarized drum groove—double-time toms, punishing snare, riot-break breakdowns, clean Vocals alternate between megaphone-processed spoken rants, rap-shouts, and screamed gang chants, Add protest ambience—boots stomping, police sirens, helicopter rotors, crowd roar, Production raw, analog, loud, clipping edges—no glossy polish, Tone: furious, apocalyptic, revolutionary, anti-authoritarian, anti-oligarchy, working-class uprising, BPM 96–108, crushing weight and headbang drive, high end quality studio records, clean vocals, zero noise

Ultra-heavy rap-metal with Rage Against the Machine attitude but darker and more aggressive, Vocals are foreground, all instruments are in the background when there are vocals, Drop-C or Drop-D guitar tuning, palm-muted chugs, explosive wah-driven squeals, whammy dive bombs, kill-switch stutters, amp feedback, and noise-scratch solos, Distorted bass with snarling grit, glued to a pounding, militarized drum groove—double-time toms, punishing snare, riot-break breakdowns, clean Vocals alternate between megaphone-processed spoken rants, rap-shouts, and screamed gang chants, Add protest ambience—boots stomping, police sirens, helicopter rotors, crowd roar, Production raw, analog, loud, clipping edges—no glossy polish, Tone: furious, apocalyptic, revolutionary, anti-authoritarian, anti-oligarchy, working-class uprising, BPM 96–108, crushing weight and headbang drive, high end quality studio records, clean vocals, zero noise

Ultra-heavy rap-metal with Rage Against the Machine attitude but darker and more aggressive, Vocals are foreground, all instruments are in the background when there are vocals, Drop-C or Drop-D guitar tuning, palm-muted chugs, explosive wah-driven squeals, whammy dive bombs, kill-switch stutters, amp feedback, and noise-scratch solos, Distorted bass with snarling grit, glued to a pounding, militarized drum groove—double-time toms, punishing snare, riot-break breakdowns, clean Vocals alternate between megaphone-processed spoken rants, rap-shouts, and screamed gang chants, Add protest ambience—boots stomping, police sirens, helicopter rotors, crowd roar, Production raw, analog, loud, clipping edges—no glossy polish, Tone: furious, apocalyptic, revolutionary, anti-authoritarian, anti-oligarchy, working-class uprising, BPM 96–108, crushing weight and headbang drive, high end quality studio records, clean vocals, zero noise

acid breaks, breakbeat, the prodigy, 90s decade

grime, cyberpunk, steampunk, bluegrass, house, psychobilly, pixel, brutal deathcore

acid breaks, breakbeat, the prodigy, 90s decade

90s alternative grunge rock, female vocals, distorted electric guitars, heavy bass, powerful drums, raw and rebellious attitude, medium tempo around 110-120 BPM, verse-chorus structure, guitar-driven with melodic yet edgy vocal delivery, reminiscent of Garbage/Shirley Manson style, polished production with gritty undertones, dynamic shifts between verses and explosive choruses, electronic elements subtly woven in, anthemic and defiant mood