3:55

DOLLAR TALK by Lisa × Asa
v4.5-all
K-pop, Pop-Trap Fusion, Fashion Rap, Trendy Pop, Talk-Sing Hype, Sassy, Glossy, 96–100 BPM, mid-tempo bounce, Instrumental: combine modern hip-hop trap elements, 808, bass slides, snappy hi-hats, Touches of high-end fashion music, think runway beats, filtered risers, metallic percussions, and short pauses, attitude moments, Lisa: Confident, sultry, slightly raspy tone, Talk-sing, half-rap delivery, Asa: Youthful, bright, rhythmic bounce, Smooth but sharp phrasing, Harmony: Dual-layered vocals on hook, Double-tracked chorus for fullness, Opens with minimal bass, snaps, and runway-style synths, then builds into light 808s and talk-rap verses, Pre-chorus adds whispered ad-libs, before a bold, chant-style hook, Over heavy bass and sharp claps, Alternates between sleek trap beats, metallic hits, and catchy dance energy, Bridge softens with dreamy synths and Lisa’s whisper then drops into a powerful dance break and vocal chants, Ends with anthemic chorus, layered vocals, and a fading whisper
3:11

Mine (IZNA ver)
v3.5
K-pop Alt-Pop with touches of hip-hop attitude
Stripped-back, mid-tempo, around 80–90 BPM, Emotional, sad but rebellious, Guitar: muted, raw acoustic or electric strums, simple trap-inspired hi-hats
2:42

K-pop with attitude, Stripped-back, mid-tempo, around 80–90 BPM, Emotional but rebellious, Guitar muted, raw acoustic, simple trap-inspired hi-hats, Raw emotional vocals, Sad but sass
2:49

Mine (MEOVV ver)
v3.5
K-pop, Stripped-back, mid-tempo, around 80–90 BPM, Emotional but rebellious, raw acoustic, simple trap-inspired hi-hats, Raw emotional vocals, Sad, emotional, but rebaleus
3:14

Starks
v3.5
Kpop girl group EDM, rap, and YG-style hip pop, while adding a unique teen spirit, strong, dreamy vocals and high notes
3:23

2:53

3:00

3:28

4:00

3:15

curse
v3.5
Kpop girl group with good dreamy vocals and a dark edge to the music modern 808 bass
2:38

BOSS
v3.5
Kpop girl group pop-rock, toyed with bossa nova and 808-beats MIXX POP with a switch of dance beat at the end
2:58

BOSS
v3.5
Kpop girl group pop-rock, toyed with bossa nova and 808-beats MIXX POP with a switch of dance beat at the end
3:05

Hide and seek
v3.5
Kpop girl group have youthful and dreamy vocals and bubbly synths choices and 8 bit like sounds in the background, cute
3:03

mwah
v3.5
K-pop EDM key of C-sharp major with a tempo of 102 beats per minute crazy instrumental in the back and high notes
3:00

3:43

3:10

4:15

Re:Write (Itzy x SKZ)
v4.5-all
A confident, emotional K-pop co ed track mixing bright pop energy, attitude, and gritty edge, Use a smooth, flowy chorus with bright synth chords, light pop-rock drums, and airy reverb so the hook feels open and catchy, Verses should be minimal and tense with soft pads, then build into layered pre-chorus harmonies, Add a short rap break with trap 808s and sharp hi-hats, then return to a cinematic, uplifting final chorus with stacked vocals and light vocal chops, Overall vibe: empowering, youthful, bold, and performance-ready, Rora, Lia, Ryujin, Chaeryeong, Yuna, Rami, Asa, Ahyeon, and Chiquita have female voices, BangChan, Changbin, Han and Felix have male voices
3:40

Re:Write (BABYMONSTER)
v4.5-all
Confident, edgy K-pop electro-pop with a hypnotic groove and mid-tempo punchy beat (~108 BPM), Sparse, atmospheric synths and sub-bass in verses build tension, while choruses explode with layered female harmonies, bold lead synths, and crisp, syncopated percussion, Trap-style hi-hats and subtle risers add dynamic drive, with restrained, almost spoken verses giving way to a powerful, anthem-like chorus, Ad-libs, vocal chops, and glitchy effects enhance energy; overall mood is determined, ambitious, and self-assured, perfect for a stylish, modern K-pop track, Add a short rap break with trap 808s and sharp hi-hats, then return to a cinematic, uplifting final chorus with stacked vocals and light vocal chops, Rora, Lia, Ryujin, Chaeryeong, Yuna, Rami, Asa, Ahyeon, and Chiquita have female voices, BangChan, Changbin, Han and Felix have male voices
3:20

High-energy female K-pop with a confident, edgy attitude, Genre-mixing structure with sharp contrast between sections, Female talk-sing chorus with ITZY-style sass and chantable repetition, answered by male ad-libs and backing shouts, Fast, aggressive male rap with tight flow and controlled intensity, balanced by bold female leads, Heavy war-drum rhythm, punchy bass, minimal synth layers, and cinematic build, Stadium-ready outro with co-ed call-and-response chants, Performance-driven, modern idol sound, Powerful and dominant, not emotional
2:52

High-energy co-ed K-pop with confident, edgy attitude, Genre-mixing structure with sharp contrast between sections, Female talk-sing chorus with ITZY-style sass and chantable repetition, answered by male ad-libs and backing shouts, Fast, aggressive male rap with tight flow and controlled intensity, balanced by bold female leads, Heavy war-drum rhythm, punchy bass, minimal synth layers, and cinematic build, Stadium-ready outro with co-ed call-and-response chants, Performance-driven, modern idol sound, Powerful and dominant, not emotional
3:24

High-energy co-ed K-pop with confident, edgy attitude, Genre-mixing structure with sharp contrast between sections, Female talk-sing chorus with ITZY-style sass and chantable repetition, answered by male ad-libs and backing shouts, Fast, aggressive male rap with tight flow and controlled intensity, balanced by bold female leads, Heavy war-drum rhythm, punchy bass, minimal synth layers, and cinematic build, Stadium-ready outro with co-ed call-and-response chants, Performance-driven, modern idol sound, Powerful and dominant, not emotional
3:08

CHIQUITA - 'POP IT'
v4.5-all
Cool hip-pop K-pop solo with confident, effortless attitude, Youthful but composed female vocal, slightly low and relaxed tone, Talk-sing chorus with repetitive chant hooks, Bouncy bass, crisp drums, minimal synths, Light, fast rap with clean flow, Performance-focused, modern idol sound, Cool, stylish, self-assured, not cute, not emotional
3:03

LEE KNOW - FAULT LINE [REMIX]
v4.5-all
High-impact performance track built for a MAMA awards main stage and outdoor festival crossover, Dark, polished EDM-trap foundation with industrial bass, punchy festival drums, and sharp synth stabs, Long cinematic intro for crowd tension, followed by explosive drops and chant-ready hooks, Minimal verses, vocals used rhythmically with whispers, call-outs, and echo effects, Heavy bass drops, fake-outs, and beat switches for dance breaks, Live-stage energy, aggressive but controlled, confident and commanding, designed for crowd response, camera moments, and final fireworks ending
2:29

LEE KNOW - FAULT LINE
v4.5-all
Male solo Kpop, Minimal hip-hop R&B with sharp bass, crisp percussion, and rhythmic silence, Groove-led, dancer-focused, Whispered vocals, controlled falsetto, sudden beat drops for performance moments, Dark-sleek but elegant, attitude without shouting
2:46

HYUNJIN - MADE LIKE THIS
v4.5-all
Modern alternative pop with sharp, minimal production, Clean electric guitar stabs, muted bass, tight kick, snapping percussion, and subtle industrial textures, Mid-tempo (100–105 BPM), Instrumental feels sleek and controlled, not dark or sad, Vocal style inspired by Hyunjin of Stray Kids: clear tone, expressive delivery, half-spoken lines mixed with smooth melodic singing, Chorus is confident and rhythmic, not explosive, Mood is focused, stylish, self-assured, slightly edgy but elegant, No night ambience, no lo-fi, no trap-heavy hip-hop
3:09

BANG CHAN - AFTER HOURS
v4.5-all
Modern alternative pop with R&B undertones and emotional electronic production, Mid-tempo, nocturnal vibe, Clean drums, warm synth layers, restrained bass, and intimate vocal-forward mixing, Melodic chorus with emotional lift rather than EDM drop, Korean and English lyrics delivered with expressive, slightly husky male vocals, Mood is introspective, confident, and cinematic
3:30

Hide and seek [Remastered No. 2]
v4.5-all
Youthful K-pop girl group track with YG-style bounce, Playful but confident production built on bubbly synths, elastic bass, and crisp hip-hop drums, Light 8-bit and whistle-like sounds add a whimsical hide-and-seek feel, while verses stay rhythm-focused and cool, Chorus is bright, chanty, and instantly catchy, Vocals are young, fresh, and expressive, balancing cute energy with confident attitude, Fun, adventurous, and stylish—not childish, not dreamy-soft
3:34

Stillness, next to you
v4.5-all
Male K-pop R&B solo style, inspired by KAI “Wait On Me”, Minimal, sensual mid-tempo beat with deep sub-bass, soft finger-snaps, muted percussion, and warm analog pads, Atmospheric and intimate production with lots of space between sounds, Vocals are low, smooth, and controlled, slightly breathy, emotional but restrained, Melodic focus over rhythm, calm groove that flows without rushing, Chorus feels like a soft refrain, not explosive, with layered harmonies and subtle falsetto ad-libs, Bridge strips back to near silence before a gentle final lift, Late-night, reflective, cinematic K-pop R&B mood
3:02

Dark high-energy K-pop performance track, Two contrasting vocal styles used clearly and separately, Vocal Style A: low-pitched, calm, confident, melodic chant-leader energy, dominant presence, clean delivery, minimal emotion, similar to PHYSHO and ZEN, Vocal Style B: tighter, sharper, rhythmic talk-rap delivery, restrained intensity, clipped phrasing, precise timing, similar to NIFE, Vocal Style A (female) handles all verses, choruses, chant sections, and outro, Vocal Style B (male) appears only in pre-choruses and the rap section, Heavy bass, controlled aggression, hypnotic chant hooks, strong dance break with stomp-pause structure, Mood is intimidating, focused, unbothered, No pop softness
3:30

YOU WERE THE WORST - COVER
v4.5-all
K-pop male solo hip-hop track in a minor key, moderate tempo 98–104 BPM, Dark, modern trap-pop production with deep sustained 808 sub-bass that glides under the beat, Tight punchy kicks layered with crisp snare and rimshot accents, Controlled hi-hat rolls with rhythmic variation and occasional triplet fills, Minimal but heavy instrumental, strong negative space between drum hits for impact, Subtle atmospheric pad textures in the background for mood, Simple, slightly gritty synth motif repeating throughout chorus for identity, Clean vocal mix with strong low-mid presence and clear articulation, Intro starts sparse with bass pulse and light percussion, Verse 1 uses rhythmic talk-rap delivery, confident and restrained, almost conversational but sharp, Pre-chorus introduces melodic phrasing, layered harmonies, rising tension through filtered percussion and bass build, Chorus drops into chant-driven hook, repetitive and bold, rhythm-focused rather than vocally explosive

