2:40

1:08

Bambuco 2
v3.5
Genera una composición instrumental de Bambuco colombiano en 6/8, con guitarras y tiple
4:00

Bambino
v4
Steel Drums, Marimba, Bongos, Congas, Reggae Guitars, Dub Effects, Offbeat Rhythms
4:42

A rock fusion track blending Mexican folklore’s melodic phrasing with soft rock guitar tones over a deep, resonant bass, Verses feature acoustic guitar, light percussion, and folkloric motifs; choruses swell with emotive female vocals and electric guitar, layered subtly with traditional instruments
3:39

Opening with vinyl static, the disco groove leaps to a swamp-blues bass and syncopated drums, spiked by distorted guitar stabs and claps, Verses feature overdriven bass and swaggering male vocals, pre-choruses layer toms, tambourine, and synths, Choruses erupt with gang vocals, big drums, octave guitar, brash brass—a fusion of garage soul and alt-rock, A call-and-response breakdown adds punch, then a cinematic bridge with tremolo guitar, ghostly pads, and reverb vocals, The final chorus hits full blast, ending in tape-delay-whispered outro
3:59

A groovy reggae track kicks off with syncopated guitar chops, deep rolling bass, and crisp off-beat hi-hats, Warm organ pads fill out the background, while light horn stabs accent key moments, Percussion layers build through the chorus, keeping the groove irresistible and tight
4:46

PLAN MUSICAL PARA “LA LLAMA NACIDA”
Un himno divine y cinematográfico de fire santo, identity y despertar
⸻
1, TONO Y ESTILO GENERAL
• Género: Adoración Cinematográfica / Himno Profético / Orquestal Etéreo
• Tempo: Moderado (70–80 bpm)
• Compás: 4/4 o fluido
• Estado de ánimo: Majestuoso, anhelante, íntimo, feroz, sagrado
⸻
2, TONALIDAD MUSICAL SUGERIDA
• Tonalidad principal: Re minor (La “tonalidad de los profetas”)
Simboliza el dolor transmutado en majestad
Permite moverse entre la intimidad y el fire
• Modulación opcional (Puente): Fa mayor o Si bemol mayor
⸻
3, INSTRUMENTACIÓN
Intro / Atmósfera (0:00–0:30)
• Pad (Aliento celestial, sintetizador brillante en Re minor)
• Capas vocales lejanas (armonías angelicales o texturas tipo “Ruahhh”)
• Acordes suaves de arpa o piano (Re minor -> Si bemol -> Sol minor -> La mayor)
Verso 1 (0:30–1:30)
• Piano suave (arpegios en Re minor)
• Violonchelo sutil o cuerdas graves (para dar calidez)
• Voz: Tu voz hablada y cantada
5:24

mariachi alegre reflexivo, mariachi alegre reflexivo*
3:35

spanish, mellow, acoustic guitar, male husky vocals and female duet, allegretto, acoustic, romantic, intro violin, reading, violin
4:07

Fire In My Soul
v4.5+
Flamenco fusion rap/ subtle dubstep/ all female vocals Flamenco-style acoustic guitar with rhythmic strumming, hand claps (palmas), light cajón percussion, ambient pads, Add subtle dubstep textures — light wobbles, bass swells, and atmospheric drops — blended gently behind the acoustic core, Spanish sections (hooks and chorus): Sung by a native Spanish female vocalist with a warm, melodic, and passionate voice, Clear phrasing, rich timbre, and gentle vibrato — emotionally moving, with subtle flamenco-style phrasing (but not overdone), English sections (rap/sung verses and bridge): Delivered by a soulful female vocalist with a smooth, powerful tone, Blend gentle rhythmic delivery with melodic phrasing — full of emotion, strength, and vulnerability, Overall style:
Vocals should feel connected, beautiful, and expressive from start to finish — carrying the song’s emotional weight, Harmonies in the chorus should be light but rich, No shouting, no harshness
4:23

Petrichor
v4.5+
Soft psychedelic folk-pop textures open with nylon guitar arpeggios and gentle handpan, joined by xylophone sparkles and airy flute, Warm Hammond organ flows beneath, expanding in the chorus with clarinet swells and breezy percussion, The bright, reverberant mix feels fresh and cinematic throughout
3:20

tribefunk, ragga-flamenco, gypsy, harpe, hardcore jungle, rustic, andalus speed vocals orchestra, Melancholy, Female Vocal, Weeping Guita, violent speed vocals, shooting rap flamenco
3:17

2:56

[Music Style: A powerful and simple fusion of deep Rioplatense Funk and Uruguayan Candombe, The sound is groovy, hypnotic, and has a dark, paranoid, and gothic undertone, It's a song you can dance to, but it feels like you're being watched, The vibe is reminiscent of Eduardo Mateo or a darker Ruben Rada, ]
3:31

2:45

3:53

3:30

Fascist Scum
v4.5+
This death-doom rap fusion explodes with distorted, down-tuned guitars, blaring deep 808s, and punishing, rapid-fire beats, Verses deliver searing heavy rap over a jagged groove, while choruses ignite with explosive, punk-edged hooks and group shouts, all driven by blistering drums and roiling feedback breaks, Gritty guitar fills and staccato vocal shouts inject raw, relentless energy from start to finish
2:50

60s german Big Band, jazz vibes, festive, suspence, thriller, movie score, creepy male voice singer
3:41

Jazz - Amour
v3.5
Jazz, jazz, jazz, jazz, jazz, jazz, jazz, jazz, Jazz, jazz, jazz, jazz, jazz, jazz, jazz, jazz, Jazz, jazz, jazz, jazz, jazz, jazz, jazz, jazz
2:55

A soulful R&B track with a moderate tempo and a smooth, laid-back groove, The instrumentation features a prominent electric bass providing a walking bass line, a clean electric guitar playing arpeggiated chords and melodic fills, and a drum machine with a classic R&B beat, The lead female vocal is delivered with a breathy, intimate quality, utilizing melisma and a slightly melancholic tone, The song structure is verse-chorus with a clear distinction between sections, The harmony is built on a minor key, contributing to the soulful atmosphere, Production emphasizes a clean mix with a slight reverb on the vocals and guitar, creating a spacious feel
4:54

This track is autotuned for no distortion opens with immersive concert applause swirling around setting vivid scene clear bass afro vocals float above a Kepler 14 Harmonica in G, while loud shakers and a bold Gretsch drum solo with crisp piccolo hi-hat and double bass hits break through, Deep, warm soft hip-hop melds with ambient-folk, and funk, driven by punchy 808s, and arpeggiated acoustic leads, The tempo shifts fluidly from 90 to 125 BPM, reverbed clear bass male vocals soar among swirling electric guitar riffs and cinematic orchestration, Ambient undertones peak in vibrant funk Rickenbacker bass drops and crescendos, culminating in a euphoric, uplifting finale with swirling witch house FX, under concert cheers, ‑Spanish guitar, ‑metal Glitch disco rock
3:32

Thunder Lady
v4.5-all
power vocals, rhythmic, minimal simultaneous sounds, long delay effects, rock, groove-heavy, funky, punk, rhythmic intensity, melodic simplicity, minimal, dynamic, funky punk rock





















