We're All Hype for Hate

[intermittent dulcimers fill the foreground] [overheard sighs, growls and groans from surroundings] [the chorus choir] [hi-fi 45rpm record sound] [high performance organ solo] [angelic southern gospel choir resonates to a staccato] [mysterious atmosphere] deep, rich and experimental bass; scratching, mixing and sampling fill the middle and kick things in gear between everything; blue's hollow-bodied guitars, Motown's r&b horns, and southern gospel church's organs and vocals bring the vibes alive as it's reworked into psytrance and techno to move the piece from start to end and carry vocals

A soundscape that evolves within a vast, sealed, pressure- ridden, restless ethereal texture, doted by cryptic metallic strikes, Rising from behind gravely, a somber but angelic southern gospel choir resonates to a staccato organ rhythm deepening the mysterious atmosphere, no drums, no guitar, no horns, The instrument sounds are techno, mechanical, and EDM; an intense church organ, and clapping sounds

A soundscape that evolves within a vast, sealed, pressure- ridden, restless ethereal texture, doted by cryptic metallic strikes, Rising from behind gravely, a somber but angelic southern gospel choir resonates to a staccato organ rhythm deepening the mysterious atmosphere, no drums, no guitar, no horns, The instrument sounds are techno, mechanical, and EDM; an intense church organ, and clapping sounds, acid jazz, synthwave, retro funk

A soundscape that evolves within a vast, sealed, pressure- ridden, restless ethereal texture, doted by cryptic metallic strikes, Rising from behind gravely, a somber but angelic southern gospel choir resonates to a staccato organ rhythm deepening the mysterious atmosphere, no drums, no guitar, no horns, The instrument sounds are techno, mechanical, and EDM; an intense church organ, and clapping sounds

deep, rich and experimental bass melodies; scratching, mixing and sampling fill the middle and kick things in gear between everything; blue's hollow-bodied guitars, Motown's r&b horns, and southern gospel church's organs and vocals bring the vibes alive as it's reworked into psytrance, techno, and afrobeats to move the piece from start to end and carry vocals

techno progressive beats tempo is mid working to upbeat, mysterious theater atmosphere is ominous doom moody deep bass thunder striking, the fantastic electric guitar employs a clean, natural tone with no discernible effects, highlighting the instrument's natural resonance and the performer's technique like lightning ⚡ ⚡ The melody is expressive, with frequent use of vibrato cresendo and dynamic shifts, High class performance from female lead on vocals with synth piano backing her up

80's retro arcade game, hip Hop rap, afrobeats centric, techno '80s, deep Bass, mic multiple male vocals rapping styles, record scratching mix tapes, lazer blasting, funk, lo-fi

An evolving soundscape evokes a vast, sealed, pressure- ridden, restless ethereal texture, doted by cryptic metallic strikes, Rising from behind gravely, a somber but angelic southern gospel choir resonates to a staccato organ rhythm deepening the mysterious atmosphere of the striking and background noises, no drums, no guitar, no horns, The instrument sounds are techno/mechanical/electrical machines, an intense church organ, and hand clapping and other Foley sounds