3:30

Piano, violin, mandolin, ukulele, drums, Mixt electronic music and elements of oriental music - a unique sound, a mix of complex musical structures, Use the tempo Andante, The Alan Parsons Project Style
3:26

Indie pop or acoustic pop with elements of folk, Main instrument: Acoustic guitar, Additional instruments: Flute, violin, double bass or bass guitar, Keyboards: should not dominate other instruments
3:12

Indie pop or acoustic pop with elements of folk, Main instrument: Acoustic guitar, Additional instruments: Flute, violin, double bass or bass guitar, Keyboards: should not dominate other instruments
3:28

Post-grunge, - Guitar (acoustic and electric)
- Piano
- Cello
- Saxophone (to add a melancholic sound)
- Drums and percussion (to create atmosphere)
Shaun Morgan's vocal style
4:00

Post-grunge, - Guitar (acoustic and electric)
- Piano
- Cello
- Saxophone (to add a melancholic sound)
- Drums and percussion (to create atmosphere)
Shaun Morgan's vocal style
3:14

Upbeat Disco-Pop (ABBA-inspired)
Strings, piano, rhythm and lead guitars, disco drum beats, funky bass, lush backing harmonies, and a synth arpeggiator for that vintage sparkle, euphoric ABBAenergy
3:18

Upbeat Disco-Pop (ABBA-inspired)
Strings, piano, rhythm and lead guitars, disco drum beats, funky bass, lush backing harmonies, and a synth arpeggiator for that vintage sparkle, euphoric ABBAenergy
3:11

1930, lo-fi, jazz, swing, big band, tape music, vintage
3:10

1930, lo-fi, jazz, swing, big band, tape music, vintage
4:00

Guitar, bass guitar, drums, keyboards, violin, with elements of cyganic flavour, Male gypsy voice, A trio version of the rhythm, like we're riding in a stagecoach
3:53

Guitar, bass guitar, drums, keyboards, violin, with elements of cyganic flavour, Male gypsy voice, A trio version of the rhythm, like we're riding in a stagecoach
2:52

female vocalist, Synthpop with the influence of choreographic music, Disco, Electro-pop, Retro-futurism with a modern treatment, Avant-garde glamour, low, velvety female timbre, 110 bpm
2:54

female vocalist, Synthpop with the influence of choreographic music, Disco, Electro-pop, Retro-futurism with a modern treatment, Avant-garde glamour, low, velvety female timbre, 110 bpm
3:01

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//french country, jazz, synthwave, acid j, //
4:00

It begins as a toccata with a monotonous rhythmic pulse that mimics the clatter of a galloping horse's hooves, The song itself is lyrical, combining Afrobeat, funk and electronic disco?country folk
4:00

It begins as a toccata with a monotonous rhythmic pulse that mimics the clatter of a galloping horse's hooves, The song itself is lyrical, combining Afrobeat, funk and electronic disco?country folk
2:00

Jazz 30s, swing, big band, sax, piano, drums, vintage, The main task is to fit the song within 4 minutes, so that there is no ‘ragged’ ending, and the ending is beautiful and harmonious
4:00

classical, orchestral, modern classical, classical music, western classical music, spoken word, lonely, bittersweet, melancholic, lush, Instrumental, ethereal, atmospheric, 110 bpm
3:09

classical, orchestral, modern classical, classical music, western classical music, spoken word, lonely, bittersweet, melancholic, lush, Instrumental, ethereal, atmospheric, 110 bpm
3:02

Jazz 30s, swing, big band, sax, piano, drums, vintage, The main task is to fit the song within 4 minutes, so that there is no ‘ragged’ ending, and the ending is beautiful and harmonious
3:54

4:00

4:00

Dreamy Indie Pop
Moderate, around 100 BPM
A mix of quarter notes and eighth notes, with a steady beat and syncopated rhythms in the guitar and bass to create a sense of movement
2:57

Dreamy Indie Pop
Moderate, around 100 BPM
A mix of quarter notes and eighth notes, with a steady beat and syncopated rhythms in the guitar and bass to create a sense of movement
3:04

Upbeat Pop with elements of Disco, Synthesizers, Electric Guitar, Bass Guitar, Drums, and Horns
3:17

Pop, Catchy, Edm, Pop Alternative, Iranian Tanbur, Setar, Sanbour
2:31

Pop, Catchy, Edm, Pop Alternative, Iranian Tanbur, Setar, Sanbour
3:48

Size four quarters, The melody in the left hand is played in eighth notes, The accompaniment is quiet, with repeated chords with changing harmonies in modulating sequences
3:58

Far Away
v4
Size four quarters, The melody in the left hand is played in eighth notes, The accompaniment is quiet, with repeated chords with changing harmonies in modulating sequences
4:00

acoustic guitar, piano, violin, drums, choir, worship, praise, emotional
3:33

3:26

pop, melancholic, acoustic, synthpop
3:28

([Mélange de style marocain d'Aita et d'Ahwash, Instruments utilisés : Oud, Gaita, Mijwiz, Karkaba, Tam-tam, Thar, + Lounge (Style Igor Pumphonia), Soul])
4:00

Piano, violin, drums, Iranian Tanbur, Setar, Sanbour, with the emphasis on emotionality and rhyme
3:42

Piano, violin, drums, Iranian Tanbur, Setar, Sanbour, with the emphasis on emotionality and rhyme
2:30

Piano, violin, drums, Iranian Tanbur, Setar, Sanbour, with the emphasis on emotionality and rhyme
3:25

3:39

Ethereal Dreamy orchestral Joyful Male singer












