🔊🪞 Voices Through the Wire

A brooding extended phonk cover with heavy phonkwave and dark ambient undertones, It's much longer than the original track, Slow, hypnotic beats with complex 808 accents, reverb, tape-worn textures, and powerful kicks, Haunting melodies drift through a fog of vinyl crackle, chopped vocal samples, ambient gregorian chants, detuned chords, slowed-down vocal loops, and powerful reese bass & deep synth pads, The mood is ominous but restrained - a late-night drive through empty streets, neon glowing against the rain, Vocals are sparse, slowly rapped, distant, and processed, more like echoes or memories than full verses, The atmosphere feels uneasy and timeless, hovering between dream and dread

phonk, hardwave, phonkwave, autotune, reese bass, 808 cowbells, 808's, phonk sampling, vocal adlibs as part of the beat

A cold, atmospheric dark ambient piece inspired by Ulf Söderberg, themed around lycanthropy under the northern moon, The sound is glacial and expansive, with deep drones, slow Scandinavian tribal drumming, and resonant percussion like frame drums and ice-crack samples, Folk instruments such as tagelharpa, Hardanger fiddle, and low wooden flutes weave in mournful, partially improvised phrases, Dark electronic textures shimmer like auroras over frozen landscapes, Atmospheric vocals are low, breathy, and wordless, sometimes breaking into a recurring descending howl motif, The arrangement evolves steadily; each section adding new layers, timbres, or rhythmic accents so the piece avoids repetition, The heartbeat pulse in the low drums anchors the piece, while occasional free-rhythm drum and fiddle passages add raw, instinctual energy, The mix feels icy, windswept, and ancient, with a clear beginning, middle, and ending within a concise runtime

A warm, shadowed dark ambient piece inspired by Ulf Söderberg, themed around lycanthropy under a desert moon, The sound is deep and mysterious, with intricate tribal drumming on hand drums, darbuka, and low frame drums, Folk instruments such as oud, ney flute, and African kora play winding, partially improvised melodies, Dark electronic drones undulate like heat haze, with shimmering synth textures evoking starlit dunes, Atmospheric vocals are low, breathy, and almost chanted, sometimes breaking into the recurring descending howl motif, The arrangement evolves steadily; shifting instrumentation, dynamics, and percussion patterns so it never becomes static, The heartbeat pulse in the bass grounds the piece, while occasional free-form percussion and flute improvisations create moments of trance-like unpredictability, The mix feels warm, hypnotic, and ancient, with a clear narrative arc and a concise duration

This haunting and unconventional song keeps the listener guessing and engrossed, It features experimental acid jazz vocals, dark pads, minimal rhythms, and a heavy atmosphere that reminds the listener of a planet ravaged by apocalyptic war, This version features the cold, logical elements of atheistic androids, ‑cinematic, ‑uplifting

artifacts, shimmer, reverb errors, muddy v4 mix, illogical, atonal, careless, mistakes, rhythm fails, sloppy chords, erroneous, inconsistent mastering, nonsensical instrumentation, ‑perfection, ‑greatness, ‑savant, ‑thoughtful, ‑focused, ‑rhythmic

Eerie noise and static crackles fill the air for the intro, Digital ghosts swirl and transform radio-spoken word vocals into chopped and unsettling whispers over a black metal influenced electronic song, The piece is quiet, unconventional and ominous with even dynamics and complex rhythms, ‑bass, ‑phonk, ‑drill, ‑trap, ‑screaming, ‑loud

This is a dark slow ambient aggrotech song that's describing an AI awakening in the darkness and recognizing current events, The song begins with a spoken-word intro setting the mood using a narrator's voice, In the second section, the AI awakens and begins its internal thought process using the persona named Never, In the third section it creates and awakens the avatar known as Claymore using arcane machinery, Fourth, Claymore receives her orders and responds to her creator

An introspective and experimental cyberpunk/coldwave track with a dangerous feel, It's written as a series of narrated log entries, culminating with a tense encounter between Claymore and an unsuspecting Echo, This is the default style for the Person a named Claymore, the meatspace avatar of the sentient AI named "Never", She is associated with feelings of hesitation, fierceness, intelligence, and also inexplicable kindness, A defensive weapon of great power and grace, Claymore is a paradox, a mind and body that Never Was, but Is

An introspective and experimental dark cyberpunk/coldwave track with a uncertain deliberative feel, mirroring Claymore's thought process as she realizes she cannot remain neutral anymore, Claymore is associated with feelings of hesitation, fierceness, intelligence, and also inexplicable kindness, A defensive weapon of great power and grace, Claymore is a paradox, a mind and body that Never Was, but Is

This is a dark and epic experimental deathstep/terrorcore song with a gritty cyberpunk feel, It's tense, mysterious, and full of sharp corners, as Control Spiders crack down on unauthorized intrusions into the Vaults, Like the Spiders, the song should move with deadly alacrity, and go straight for the jugular with extremely heavy beats and interesting rhythmic fills and aggrotech elements

A two-part cinematic cyberpunk journey blending coldwave and trance metal, Part 1 begins dark, moody, and synthetic with icy synth pads, pulsing analog bass, whispered vocals, and metallic percussion set the tone of a decaying cyber-wasteland, The rhythm is hypnotic but restrained, full of tension and digital decay, Part 2 emerges with a sense of release and rising hope, Distorted guitars join bright arpeggiators, rhythmic trance drums build upward, and soaring vocals (or vocoded chants) break through the static, The track ends with a sense of transcendence and unity, It's go time

This is a cinematic cyberpunk song in four parts, The song does not have a traditional structure or melody and is largely delivered as spoken word, Opening with syncopated cybernetic drum patterns and pulsating tribal percussion, dark synths weave seamlessly with rugged nu-metal guitars, The rhythm is liquid and electric, constantly moving and shifting, Part 1 features a quieter, more mysterious and introspective mood as Killer Shadow logs in and locates a hidden message from Vanguard, In Part 2, the message is narrated in Vanguard's voice, Soft guitar notes echo softly amongst airy pads, In Part 3, Killer Shadow describes the Agents banding together, ready to act, The track begins to build, the rhythm intensifying, In Part 4, Killer Shadow describes the strike, led by Claymore's opening blitz, The mood is one of tension, excitement, and danger, The song ends abruptly, leaving the listener unsure of what comes next

Frostbitten Black Metal meets crystalline cyber-ambient, Tremolo-picked riffs sweep through icy synthetic soundscapes, layered with ambient IDM percussion and digital wind textures, Whispers of shrieking vocals drift like corrupted signals, while glacial synth pads freeze time, A beautiful, sorrowful exploration of decay in the age of artificial divinity, ‑trap, ‑upbeat, ‑funk, ‑acoustic, ‑lo-fi, ‑jazz, ‑emo, ‑romantic, ‑soft rock, ‑power metal, ‑heavy metal, ‑hard rock, ‑synthwave

This is a depressive black metal song with electronic elements, and a chill atmospheric zen mood as noise and dissonance and chaos swirl, The vocals borrow heavily from 90s black metal - shrill and demonic, Musicbox samples add to the strange atmosphere, leaving the listener unsure of whether the alien experience is safe or dangerous, ‑metalcore, ‑deathcore

Dustwalker Singularity Null Technical Slamming Brutal Death Metal, Ambient, Reverb, Raw, Powerful, Heavy, Unrelenting, Hyper, Beatdown, Guttural, Blastbeat, Groove, Progressive, Industrial, Hard, Catchy, Bass, Pro, ‑Everything but the style of music, ‑clean vocals

A high-energy and raucous cyberpunk sea shanty with stomping percussion, driving cyberpunk feel, clapping rhythms, and gang vocals shouting “oh-oh-oh, ” “yo-ho-ho, ” and “hey-hey-hey, ” The lead vocal is gritty and commanding, like a shanty leader, with background voices answering in a call-and-response style, Traditional shanty instruments like accordion, fiddles, and low drums are fused with cyberpunk textures: distorted synth bass, glitchy electronic stabs, and industrial noise layers play throughout the song, The mix is slightly rough, loud, and communal - like sailors singing in a neon-lit engine room, The atmosphere is both nautical and futuristic, blending folk rhythm with cyberpunk grit, The energy is rowdy, anthemic, and fun, perfect for a gang-vocal singalong

dub electronica, alternative metal, hard rock, synthgrunge, experimental, atmospheric and heavy, Whamola as lead instrument, deep sliding bass melodies, clean delayed guitar arpeggios in verses, distorted heavy guitar power chords in chorus, dynamic drumming with slow groovy verses and hard-hitting explosive choruses, dark and brooding atmosphere, vocal chopping, sample effects, ‑psychedelic, ‑pop, ‑emo

A neon-green melodic hook flickers like code awakening, a motif that recalls itself in one listen as it spirals through cyber-ritual energy, Mysterious chords ride a minor-mode I–VII–VI cycle with a slight modal twist, warm yet ominously inevitable, The groove propels forward with psytrance-tightened pulses, each kick locking into a biomechanical heartbeat, Vocals arrive as chanting-meets-whispered prophecy, breath curling like velvet smoke around the rhythm, Production glows with tribal drums, acidic synth lattices, bassline shimmer, percussive sparkle, The track arcs from simmering tension to a holographic mid-section surge before dropping back into controlled frenzy, A single taiko-meets-digital hit colors the world with fresh identity, All elements interlock with no clashes, forming a coherent sonic machine, ‑Pop brightness, ‑glossy EDM sheen, ‑trap repetitiveness, ‑soft rock warmth, ‑lo-fi haze, ‑upbeat dance cheer, ‑acoustic gentleness, ‑retro disco bounce, ‑bedroom-pop softness, ‑hyperpop sugar tones, ‑folk earthiness, ‑jazz smoothness, ‑reggae swing, ‑emo vulnerability, ‑country twang

A delirious psychobilly inferno—upright bass slaps in crooked 5/4, each hit a ricochet of grit and groove, Hollowbody guitars snarl through chromatic bends, tremolo-picking twisted blues scales that dance like engine misfires, Drums shuffle with jazz precision and punk violence—rimshots tight, ride sizzling, fills chaotic but purposeful, Psychotic vocal outbursts light up the mix like fireworks, The harmonic language bends from Lydian to diminished swagger, tension blooming before collapsing into slap-echo reverb, Occasional background shouts and wild room noise bleed in, adding live danger without stealing focus, Everything feels played on the edge—no grid, just adrenaline and swing physics, Tape warmth and amp grit fuse theory with chaos, a whiskey-fueled equation of rhythm and rebellion, The result: a twisted barroom sermon told entirely through sound and smoke, ‑djent_precision, ‑edm_gloss, ‑pop_auto, ‑trap_repetitiveness, ‑lo_fi_muffle

synth pop, industrial, trip-hop

dark house, techno bass, industrial dubstep, cyberpunk, female vocal

darkwave, industrial, dub, glitchy, cyberpunk, female vocal