3:57

Melodic death metal featuring dual harmonized electric guitars, high-gain distortion, and rapid double-kick drumming, The track is in the key of B minor at 180 BPM, Lead guitars utilize alternate picking and tremolo picking for fast-paced riffs, while the rhythm guitar executes palm-muted chugging patterns, The bass guitar follows the kick drum patterns with a gritty, overdriven tone, The drum kit features a sharp, high-tuned snare and frequent china cymbal accents, The arrangement alternates between aggressive thrash-influenced sections and melodic, soaring guitar harmonies
3:10

At Night
v5.5
Nu-metal with industrial influences, Distorted electric guitars play syncopated, low-tuned power chord riffs, A five-string electric bass follows the guitar patterns with a metallic, clanking tone, The drum kit features a dry, high-pitched snare and a double-kick pedal used for rapid bursts, Industrial elements include a high-frequency, repetitive synth lead and occasional electronic percussion layers, The track is in 4/4 time at 105 BPM in the key of B minor, The arrangement alternates between dense, distorted sections and cleaner, atmospheric passages where the guitar uses a chorus effect and the bass becomes more prominent, A guitar solo in the latter half utilizes a wah-wah pedal and rapid alternate picking
3:19

Nu-metal with industrial influences, Distorted electric guitars play syncopated, low-tuned power chord riffs, A five-string electric bass follows the guitar rhythm with a metallic, clanking tone, The drum kit features a dry, high-pitched snare and a double-kick pedal performing rapid bursts, A synthesizer provides high-frequency, dissonant lead lines and atmospheric textures, The tempo is 105 BPM in 4/4 time, The arrangement alternates between dense, heavy sections and stripped-back passages where the bass and drums lead, Production features include heavy compression on the drums and gated distortion on the guitars
5:13

Yellow Lab Boy
v5.5
Alternative rock, Clean electric guitar plays a repetitive arpeggiated riff in 4/4 time at 120 BPM in the key of E minor, A second electric guitar with light overdrive enters with sustained power chords, The bass guitar follows the root notes of the guitar progression in a steady eighth-note rhythm, Drums feature a standard backbeat with a closed hi-hat pattern and occasional crash cymbal accents on the downbeat, The arrangement maintains a consistent dynamic level throughout the passage
4:34

Weary Soldiers
v5.5
Hard rock with heavy metal influences, Distorted electric guitars play palm-muted power chord riffs and harmonized lead lines, The bass guitar follows the kick drum with a thick, overdriven tone, Drums feature a prominent snare with high-frequency crack and frequent double-kick patterns, The arrangement includes a technical guitar solo with rapid alternate picking and wide vibrato, 145 BPM, E minor, 4/4 time signature
4:49

Falling Out
v5.5
Hard rock with heavy metal influences, Distorted electric guitars play a syncopated, palm-muted riff centered on E, The bass guitar follows the guitar riff with a thick, overdriven tone, Drums feature a prominent snare with a short decay and a punchy kick drum, The track maintains a steady 120 BPM in 4/4 time, The arrangement alternates between a sparse opening riff and a full-band texture with layered rhythm guitars, Lead guitar fills use pinch harmonics and rapid alternate picking, The production is dry with minimal reverb on the rhythm section
3:24

AI Rage
v5.5
Nu-metal with industrial influences, Distorted electric guitars play syncopated power chord riffs and palm-muted chugs, A five-string electric bass follows the guitar patterns with a metallic, clanky tone, Acoustic drums feature a high-tuned, ringing snare and rapid double-kick pedal patterns, Industrial elements include metallic percussion hits, high-pitched synth bleeps, and white noise sweeps, The arrangement alternates between dense, wall-of-sound guitar textures and stripped-back sections with prominent bass and electronic textures, 180 BPM, 4/4 time signature, Key of C# Minor
3:01

T.P.M.
v5.5
Nu-metal with heavy industrial influences, Distorted electric guitars play palm-muted chugging riffs and syncopated power chords, A five-string electric bass follows the guitar patterns with a metallic, clanky tone, The drum kit features a dry, high-pitched snare and double-kick pedal patterns, Turntable scratches and high-frequency electronic chirps are layered over the bridge, 100 BPM, 4/4 time signature, Key of C# Minor, The arrangement alternates between dense, distorted walls of sound and stripped-back sections featuring only drums and bass
2:18

Advanced Intro
v5.5
Hard rock instrumental featuring high-gain electric guitars and a driving rhythm section, The track is in the key of E minor at 140 BPM, Two distinct guitar tracks are panned wide: one performs palm-muted chugging on the low E string while the other executes melodic lead lines with heavy vibrato and rapid alternate picking, The drums utilize a double-kick pedal for consistent sixteenth-note patterns during high-intensity segments, A distorted bass guitar follows the root notes of the rhythm guitar, The arrangement features frequent pinch harmonics and blues-scale based shredding with wah-wah pedal modulation on the lead guitar
2:21

Living Nightmare
v5.5
nu metal, industrial metal, alternative metal, 95 BPM, dropped C guitars, seven-string chugs, syncopated palm mutes, pick scrape transitions, distorted bass octaves, taiko hits, glitch percussion, layered gang shouts, gritty baritone vocals, dry close-mic vocals, crushed drum bus, parallel saturation, breakdown drops, call and response, claustrophobic dread
3:27

The Voices
v5.5
nu metal, industrial metal, alternative metal, male vocals, gang shout choruses, detuned seven-string riffs, palm muted chugs, dissonant lead guitar, synth bass pulses, glitchy industrial percussion, gated snare, overdriven kick, tape saturation, compressed wall mix, plate reverb, 96 BPM, halftime stomp, claustrophobic angst, cathartic release
4:54

Blonde
v5.5
nu metal, industrial metal, alternative metal, downtuned 7-string guitars, syncopated palm muting, distorted bass guitar, machine-gun kick drums, metallic snare hits, glitch percussion, sampled industrial clangs, turntable scratches, stereo guitar widening, tape saturation, clipped bus compression, cold digital reverb, 2000s modern metal, aggressive groove, mechanical drive, 118 BPM, one-sound motif
4:57

Last Days Alive
v5.5
nu metal, 92 BPM, drop tuned guitars, palm muted chugs, melodic lead guitar, turntable scratches, industrial bass synth, gated snare, tape saturation, arena reverb, verse chorus hooks, grim resolve, cathartic release
4:57

What Stays
v5.5
nu metal, 92 BPM, baritone shout, airy head voice, distorted bass melody, downtuned seven-string riffs, palm muted chugs, halftime snare, sub-bass layering, parallel compression, wide stereo guitars, chorus-doubled chorus, bridge breakdown, whispered pre chorus, melancholic catharsis
2:43

Asgard Spirits
v5.5
nu metal, symphonic rock, 92 BPM, grand piano ostinato, downtuned chugging guitars, palm-muted offbeats, FM synth bass, bright sawtooth lead, layered polyphonic pads, 16th-note hi-hats, snare on 2 and 4, quiet-loud dynamics, breakdown drop, cinematic brass hits, minor key anthem, solo guitar climax
4:19

Ashes to Bloom
v5.5
nu metal, symphonic rock, 92 BPM, grand piano ostinato, downtuned chugging guitars, palm-muted offbeats, FM synth bass, bright sawtooth lead, layered polyphonic pads, 16th-note hi-hats, snare on 2 and 4, quiet loud dynamics, breakdown drop, cinematic brass hits, minor key anthem, solo guitar climax
2:24

Arpeggious
v5.5
nu metal, industrial metal, instrumental rock, 92 BPM, downtuned guitar chugs, syncopated palm-muted riffs, glitch percussion, dry snare, distorted bass, piano arpeggios, ascending string runs, fortissimo chord stabs, tape saturation, gated room reverb, staccato articulation, stumbling groove, steady resolve
4:02

After All
v5.5
nu metal, industrial metal chugs, 92 BPM, soundscape intro, distorted bass octave, drop tuned guitars, palm muted riffs, syncopated snare accents, glitch percussion, dry drum kit, gated room snare, sampled siren, stereo guitar width, tape saturation, sidechain pumping, shouted chorus, apocalyptic dread, grim resolve
5:04

nu metal, industrial metal, 92 BPM, half-time groove, palm-muted chugs, clean electric melody, octave lead guitar, crash cymbal hits, distorted power chords, punchy bass guitar, dry snare, gated snare, tight kick drum, analog saturation, stereo width, early 2000s, aggressive urgency, performance breakdown
3:53

Lost and Found
v5.5
nu metal, industrial metal, 92 BPM, half-time groove, palm-muted chugs, octave lead guitar, clean electric melody, punchy bass guitar, dry snare, gated snare, tight kick drum, analog saturation, stereo width, shouted chorus, breathy verse lead, delay throws, chorus harmonizer, early 2000s, aggressive urgency, performance breakdown
4:42

Blood Sky Down
v5.5
nu metal, industrial metal, 96 BPM, half-time groove, palm-muted chugs, octave lead guitar, clean electric melody, picked bass eighths, dry snare, gated snare, tight kick drum, analog saturation, stereo width, early 2000s, aggressive urgency, performance breakdown, spoken word percussive, chant hook rhythm
2:49

Intro In
v5.5
instrumental rock, Atmospheric Post-Grunge, Melodic Hard Rock Ballad, Slow-tempo building to mid-tempo, Deep ambient drones, Cinematic reverb-heavy guitars, syncopated power chords, distorted electric guitar riff, overdriven bass doubling, steady kick snare backbeat, locked rhythm section, repetitive riff ostinato, palm-muted chugs, stereo guitar width, amp saturation, dry close-mic drums, punchy parallel compression, riff-led buildup, stripped intro, full-band entry, tense forward drive, anthemic release
