🌸和音祭🍶リハ風景🌸和フェス〜和ロック🍀2026/01/07🍀

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP FUNK/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL FRENCH ELECTRO COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 5:55 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw but ZEN Energy, Organic but HEAVY Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

[avant-garde JAZZ ROCK x ALT HIPHOP/IDM LIVE ILLBIENT NOIR first, PSYCHEDELIC DEEP JAZZ/BRASS-ROCK/BEBOP core, MELLOW/MELODIC EXPERIMENTAL COLLAGE SUITE] [Virtuoso Shamisen, Technical Shakuhachi/Koto Amazing Technique, Master-class Groove, Ghost Notes Taiko, Dry Acoustics, Tuning Noises, Call & Response Interplay, EPIC Counter-melody, JEWELS EVERYWHERE, Super-Evil Glossy Horns, Hichiriki vs Sanshin, Biwa Slap, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), HEAVY Taiko drum-break, ZEN Energy, Organic but HEAVY Textures, Dynamic but Sensual Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, artistic/hyper-sensual catharsis] [TOTAL: 5:55 HARD STOP] [Despite the number of sounds being only a handful, it's an arrangement that's perfectly sufficient to the ultimate] [JAPANESE TRADITIONAL DEEP-ORIENTAL DRIVING GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ALT-PUNK] [SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/surprising-EVENT]

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw but ZEN Energy, Organic but HEAVY Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DREAMY/SWEET JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DREAMY/SWEET JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DREAMY/SWEET JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-SLOW/MELLOWEST JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw but ZEN Energy, Organic but HEAVY Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw but ZEN Energy, Organic but HEAVY Textures, Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/DRIVING NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE, ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE, Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing and Throat Clearing, Call and Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), SHAMISEN trading licks with O-Daiko drum, FUE vs Sho Chords, Experimental Avant-Garde GAGAKU, Raw Energy, Organic Textures, Sake Pouring Sounds (Liquid Foley), Party Atmosphere, Dynamic Swells, Unpredictable Structure, Broken Rhythms, Human Error Aesthetic, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic catharsis

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 4:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis

SUPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL fue-DUB/GAGAKU-DOPE-BREAKS WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 3:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

HYPER-EPIC/BITTERSWEET/MELLOW NOIR JAPANESE TRADITIONAL GAGAKU-BREAKS/Fue-DOPE-DUB WORLD MUSIC ALT-GAGAKU-SUITE [TOTAL RUNTIME: 3:33 HARD STOP] ULTRA-DEEP-Jazz-AMBIENT DARK-ORIENTAL PSYCHE GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/ARPEGGIO/BREAK/surprising-EVENT Virtuoso Shamisen Shredding, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes on Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Tenor Saxophone, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with SUPER-HEAVY O-Daiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, TOP QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑guitar, ‑fusion, ‑sax, ‑drum, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC-SLOW/NOIR JAPANESE TRADITIONAL GAGAKU-BREAK/DOPE-DUB WORLD MUSIC PSYCHE COLLAGE-SUITE; SWEET-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] ULTRA DEEP-Jazz/ILLBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU Shamisen DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC-SLOW/NOIR JAPANESE TRADITIONAL GAGAKU-BREAK/DOPE-DUB WORLD MUSIC PSYCHE COLLAGE-SUITE; SWEET-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] ULTRA DEEP-Jazz/ILLBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU Shamisen DOPE jam LIVE SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Practice Room Chaos, Tuning Noises, Coughing & Throat Clearing, Call & Response Interplay, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC-NOIR JAPANESE TRADITIONAL GAGAKU-BREAK/DOPE-DUB WORLD MUSIC LIVE, PSYCHE COLLAGE-SUITE; SWEET-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] ULTRA DEEP-Jazz/ILLBIENT DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU Shamisen DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC-NOIR JAPANESE TRADITIONAL ULTRA DEEP-Jazz/ILLBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD MUSIC LIVE, PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU Shamisen DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC-NOIR JAPANESE TRADITIONAL ULTRA DEEP-Jazz/ILLBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD MUSIC LIVE, PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU Shamisen DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC-NOIR JAPANESE TRADITIONAL ULTRA DEEP-Jazz/ILLBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD MUSIC LIVE, PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive GAGAKU Shamisen DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing

SUPER-EPIC ULTRA DEEP-AMBIENT DOPE-DUB/GAGAKU-BREAKS/WORLD-MUSIC LIVE, avant-garde PSYCHE COLLAGE-SUITE; DEEP-MELLOW-Shamisen/Fue [TOTAL RUNTIME: 3:33 HARD STOP] JAPANESE TRADITIONAL DARK-ORIENTAL GROOVE by WORLD-CLASS CLASSICAL 81-piece-orchestra Progressive JAZZ/ABSTRACT DOPE jam SAMPLING-FRIENDLY/HOOK-GRADE MELODY/RIFF/BITTERSWEET-ARPEGGIO/surprising-EVENT Virtuoso Shamisen, Technical Koto Runs Shakuhachi Amazing Technique, Live Session Vibe, Master-class Groove, Heavy Syncopation, Ghost Notes Snare & Taiko, Dry Acoustics, Close Miking (ASMR quality), Tuning Noises, Call & Response Interplay, EPIC Counter-melody & JEWELS, Super-Evil Glossy Horns, Improvisational Jam Session, Hichiriki vs Sanshin, Biwa Slap Percussion, Taiko Polyrhythms, Complex Time Signatures (7/8, 5/4), with HEAVY Taiko drum-break, Raw but ZEN Energy, Organic but HEAVY Textures, Dynamic Swells, Unpredictable Structure, PERFECT QUALITY FOR ALL, incomprehensible/comprehensive neo-artistic/hyper-sensual catharsis, ‑Electric-guitar, ‑fusion, ‑gratuitous hype, ‑excessive build-ups, ‑overhyped drops, ‑constant risers/impacts, ‑forced "hands up" chants, ‑shouty vocals, ‑belting that breaks the mood, ‑yelling ad-libs, ‑over-sung choruses, ‑screaming top-lines, ‑childish FX, ‑toy-like timbres, ‑cartoonish sounds, ‑nursery-rhyme melodies, ‑cheesy meme samples, ‑airhorn/siren cliches, ‑relentless looping, ‑1-bar loop fatigue, ‑copy-paste arrangement, ‑no variation within sections, ‑static harmony/groove, ‑lack of development, ‑predictable structure, ‑weak transitions, ‑no breakdowns or breath, ‑flat narrative arc, ‑overstuffed arrangement, ‑no space in the mix, ‑wall-to-wall sound, ‑crowded spectrum, ‑competing mids/lows, ‑overplaying by all parts, ‑zero negative space, ‑gratuitous snare rolls, ‑forced EDM-style drops, ‑random key changes, ‑aimless tempo lifts, ‑brickwall limiting, ‑over-compression, ‑harsh sibilance, ‑brittle highs, ‑muddy low-mids, ‑boomy sub, ‑excessive reverb wash, ‑slapback clutter, ‑mechanical quantization, ‑grid-locked timing