
Malek Jordan - Toxtricity
Toxtricity explores the dual nature of toxic love—quiet addiction and explosive chaos. It’s the push and pull of a connection that never fully breaks. It’s not love, but it’s not nothing.
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17 songs
2:16

Voltage
v5.5
Dark hypnotic R&B intro around 72 BPM with a slow, floating groove and subtle pulse instead of full drums, Warm Rhodes chords loop softly with long decay, layered with faint ambient guitar textures and airy vocal pads to create a dreamy, intoxicating atmosphere, Deep sub bass hum sits underneath, smooth and steady, giving a sense of weight without movement, Minimal percussion elements fade in and out like a heartbeat, Vocal delivery is close-mic, breathy, and melodic with light layering, creating a hazy, euphoric tone, Mood seductive, addictive, and immersive with underlying tension, Mix warm, spacious, and slightly saturated, no heavy drums, no sharp percussion, no bright tones
4:09

Bad Intentions
v5.5
industrial-influenced r&b around 96 bpm with a tight mechanical groove, metallic percussion textures layered with minimal drums, distorted bassline with rhythmic pulse, electric guitar used as noise texture rather than melody, synth layers cold and minimal, arrangement repetitive and hypnotic, mood tense, cold, and addictive, mix gritty and textured with controlled distortion, no aggressive tempo, no EDM drops, no harsh noise
2:57

One More Time
v5.5
Dancehall-influenced R&B around 98 BPM with a forward-moving, upbeat groove and strong bounce, Syncopated kick pattern with crisp rimshot snare, rolling hi-hats, and light percussion creating constant movement, Bassline rhythmic and melodic, locking tightly with the drums, Sparse Rhodes chords with plucky guitar and percussive synth accents for groove, Arrangement minimal but rhythm-driven, Vocal delivery confident, playful, and rhythmic with tight phrasing, Mood energetic, sensual, and addictive, Mix clean, punchy, and warm, no slow groove, no soft drums, no pop crossover, no EDM builds
2:56

Dark experimental R&B around 100 BPM with a pulsing, hypnotic groove driven by a repetitive bass pattern and minimal drum programming, Tight kick, soft precise snare, and subtle percussive textures create tension without bounce, Sparse, slightly detuned synth layers form a looping atmosphere with no major chord changes, Arrangement minimal but builds pressure through repetition, Vocal delivery intimate, rhythmic, and increasingly urgent, with short looping phrases in the chorus, Mood tense, seductive, and overwhelming, Mix dark, minimal, and slightly distorted with strong low-end, no bright melodies, no dancehall swing, no pop structure, no large drops
4:17

Low Battery
v5.5
Phonk-influenced R&B around 94 BPM with a laid-back but heavy groove sitting slightly behind the beat, Distorted bass with a controlled Memphis-style tone drives the track, thick and weighted without overpowering, Soft Rhodes chords add warmth beneath the grit, Drums feature a slightly crunchy kick and snare with subtle swing, creating a hypnotic pocket, Background textures dark and minimal with faint ambient layers, Arrangement balanced between smoothness and grit with space for vocals, Vocal delivery low, tired, and conversational with restrained melody, Final section transitions into a chopped and screwed treatment with slowed vocal phrases, pitch-down effect, and stretched repetition to simulate a dying, fading energy, Mood dark, hypnotic, and emotionally drained, Mix warm with slight dirt and saturation, no aggressive cowbells, no fast phonk energy, no drift-style pacing
2:30

Stay Too Long
v5.5
Ambient alt-R&B around 85 BPM with a loose, unstructured rhythmic feel and no defined groove, Soft keys and drifting synth layers fade in and out, creating a fluid, non-linear atmosphere, Bass is minimal and atmospheric rather than rhythmic, Drums are barely present, abstract, or implied, Arrangement moves freely without clear section boundaries, Vocal delivery intimate, emotional, and slightly distant with heavy reverb and delay, Mood introspective, lonely, and emotionally blurred, Mix washed, spacious, and immersive with no traditional bounce or chorus energy
4:20

Electric Touch
v5.5
Trap soul R&B around 104 BPM with a looser groove that still feels slightly behind the beat, creating tension between movement and restraint, Blues-inspired electric guitar bends and slides used as expressive accents, slightly more present and rhythmic to match the higher tempo, Warm Rhodes chords layered underneath to maintain emotional depth, Bassline deep, gritty, and more active, adding forward motion while staying smooth, Drums minimal but tighter with rimshot snare, sharper kick, and subtle hi-hat movement to increase energy without losing pocket, Arrangement sparse but more dynamic, allowing guitar and rhythm to drive the track, Vocal delivery confident, slightly more urgent, and melodic while maintaining intimacy, Mood magnetic, intense, and seductive with underlying tension, Mix warm with slight guitar distortion and clean low-end, no fast blues runs, no live band feel, no traditional blues structure
4:29

On & Off
v5.5
Dark experimental R&B trap soul around 94 BPM with a heavy, controlled groove sitting slightly behind the beat, distorted electric guitar textures used as ambient layers for tension rather than riffs, blended with warm Rhodes chords to maintain harmonic softness, deep saturated bassline moving slowly with weight, drums punchier than traditional Malek records with a strong kick and sharp snare but still restrained, subtle industrial percussion and low-end rumble adding density, arrangement minimal but sonically thick, vocal intimate and breathy in verses with more confident tone in chorus, mood intense, toxic, and emotionally charged, mix dark with analog saturation and controlled distortion, no live rock drums, no fast guitar solos, no aggressive metal pacing
3:18

Crash Out Quiet
v5.5
Dark synth-driven R&B around 88 BPM with a steady, controlled groove sitting slightly behind the beat, Analog synth pads as the main harmonic layer with soft glow, subtle arpeggiated synths flickering in the background, Deep bass slightly distorted for tension, Drums minimal but tight with soft punch, Arrangement cinematic and immersive with gradual pressure, Vocal delivery low, controlled, and restrained with intimate tone, Mood mysterious, seductive, and quietly dangerous, Mix dark with controlled saturation, no EDM builds, no heavy drops, no aggressive synth leads
3:31

You Know Better
v5.5
Low-key contemporary R&B around 84 BPM with a smooth, restrained groove sitting behind the beat, Warm Rhodes chords and soft electric piano carry the harmony, layered with subtle ambient pads, Bassline deep, rounded, and slow-moving, Drums minimal with rimshot snare, soft kick, and light percussion, Arrangement sparse and intimate, leaving space for vocals, Vocal delivery calm, direct, and slightly disappointed with controlled emotion, Mood reflective, tense, and quietly confrontational, Mix warm, clean, and intimate with no heavy layering, no upbeat bounce, no bright synth leads, no dramatic builds
3:02

No Signal
v5.5
Experimental R&B around 92 BPM with a minimal, controlled groove, Reversed guitar and synth textures lead transitions, creating a surreal, drifting motion between phrases, Warm Rhodes chords sit underneath to ground the harmony, Bass smooth, steady, and understated, Drums minimal with a soft pocket, allowing space between hits, Arrangement uses reverse swells, dropouts, and subtle pauses to build tension without chaos, Vocal delivery intimate, slightly detached, and fluid, Mood surreal, disorienting, and seductive, Mix smooth with subtle movement and effects, no chaotic transitions, no heavy effects overload
3:30

Just This Once
v5.5
Funk-influenced R&B around 98 BPM with a smooth but bouncy pocket, Clean electric guitar drives the groove with rhythmic stabs and short melodic fills, supported by warm analog synth bass with a groovy bounce, Tight drums with crisp snare, controlled kick, and light swing in the hi-hats, Subtle clavinet textures layered underneath for added rhythm, Arrangement minimal but groove-focused, allowing space between elements, Vocal delivery confident, playful, and slightly teasing with rhythmic phrasing, Mood seductive, light on the surface but knowingly reckless underneath, Mix clean, warm, and slightly glossy, no disco overload, no live band chaos, no retro exaggeration
3:29

Overload
v5.5
Dark industrial R&B around 98 BPM with a tense, driving groove that feels urgent and slightly ahead of the beat, Distorted guitar swells and reverse textures build pressure, with subtle glitch accents and noise transitions, Heavy bass gritty and saturated, anchoring the low end, Drums more forward with sharp transients, tight hi-hats, and controlled punch, Arrangement escalates through layering and dropouts, Vocal delivery breathy, intense, and slightly erratic with rhythmic phrasing, Mood chaotic, euphoric, and addictive, Mix gritty, saturated, and slightly clipped with controlled distortion, no full metal structure, no screaming guitars, no EDM drops
3:40

Toxtricity
v5.5
Experimental R&B around 90 BPM evolving between low-key and high-key emotional states, Begins with warm Rhodes, soft pads, and minimal drums in a slow reflective groove, Gradually introduces distorted synth textures, saturated bass, and sharper percussion, building tension without a hard drop, Electric guitar textures and ambient layers connect both halves, Arrangement fluid with emotional transitions rather than structural switches, Vocal delivery starts intimate and vulnerable, then shifts into more intense and confrontational energy, Mood dual, addictive and chaotic, reflective and explosive, Mix transitions from warm and clean to saturated and textured, no abrupt beat switch, no EDM drops, no aggressive rock structure
3:29

Contemporary sensual R&B around 92 BPM with a slow, controlled groove sitting slightly behind the beat, Warm Rhodes chords and soft electric piano carry the harmony, layered with subtle ambient pads for depth, Clean electric guitar used sparingly for smooth melodic accents rather than texture, Bassline deep, warm, and fluid with gentle movement, Drums minimal with soft kick, rimshot snare, and light percussion, creating an intimate pocket, Arrangement sparse and breathing with space between elements, Vocal delivery intimate, breathy, and controlled with smooth phrasing, Mood seductive, euphoric, and addictive with a late-night atmosphere, Mix warm, clean, and immersive with soft highs and deep low-end, no industrial textures, no distortion, no aggressive elements

