5:38

Don't Shake Me
v4.5+
A groovy, atmospheric avant-garde metal track blending metal gaze textures and ambient layers, Guitar riffs harness double harmonic scale motifs, shifting across Hypolydian, Mixolydian, and Hypomixolydian modes, Percussion drives with syncopation but stays tight, Brittle, intimate falsetto vocals glide above the restrained, immersive, and experimental mix, oddtime signatures, ‑guttural, ‑emo, ‑death metal, ‑black metal, ‑screamo
4:04

Lips
v4.5+
moody Twanging, reverb-drenched surf rock guitar riffs intersect with punchy, mid-tempo psychedelic trip hop drums and layered, gritty samples, Unpredictable odd meter grooves drive momentum, anchored by chorus-soaked new wave bass lines, Suspended scale melodies heighten tension, Vocals: thin, airy falsetto with a haunting British flavor, ‑emo, ‑screamo
4:18

I may have been
v4.5+
Atmospheric alternative rock, melancholic falsetto delivery, layered delayed guitars, pulsing bass, slow-building rhythmic drive, airy reverb-drenched ambience, middle-aged thom yorke-inspired british brittle yet intimate falsetto vocal tone, restrained percussion with subtle syncopation, bittersweet harmonic shifts, ‑pop, ‑EDM, ‑metal, ‑country
5:23

The Docks Still Echo
v4.5+
Alternative metal with funk-infused wah-wah tom morello-inspired groove riffs, post-rock cinematic build-ups, heavy shoegaze guitar textures, dense layered "wall of sound" production, progressive odd-time signatures, manic dynamic swings, thom yorke-inspired angry but haunting british falsetto with dreamy vibrato harmonies, atmospheric reverb-laden breaks, expansive tremolo-picked guitar swells, and sudden explosive distortion surges, ‑pop, ‑country, ‑folk, ‑EDM, ‑trap, ‑reggae, ‑emo
6:02

Tides Without a Name
v4.5+
Dark folk ballad, slow rolling 6/8 rhythm, minor key melancholy, cinematic sea shanty atmosphere, fingerpicked acoustic guitar arpeggios, horizon-wide reverb, Thom yorke-inspired ghostly british falsetto vocal harmonies, sparse percussion building to tom-driven swells, intimate storytelling verses, haunting open-chord choruses, dynamic bridge with seismic tension, ‑pop, ‑synthwave, ‑EDM, ‑trap, ‑bright happy country, ‑overly polished pop rock
7:18

A cinematic reggae rock odyssey that opens with a moody jazzy surf rock intro in Aeolian or Ionian mode, featuring reverb-drenched guitar skanks, deep dub bass, and hazy organ swells, It shifts into gritty hard rock with syncopated riffs and driving Dorian/Phrygian grooves, then erupts into heavy metal fury with double-kick drums, dissonant power chords, and tense Phrygian/Locrian harmonies, A progressive rock guitar solo follows, soaring in Lydian or Mixolydian with intricate phrasing and shifting time signatures, The finale expands into euphoric layered prog rock, resolving into Mixolydian/Ionian bliss, before closing with a majestic orchestral reggae rock outro blending Aeolian warmth with Phrygian tension for a grand, cinematic finish, ‑metal, ‑hard rock, ‑emo, ‑fuzz
3:51

One More Night
v4.5+
This industrial metal track fires up with a fierce, mechanical glam-inspired stomp, powering drop-tuned distorted guitars against crushing metallic percussion, Sultry shock rock vocals shift between raspy whispers and bold chants, Haunted breakdowns pulse with eerie carnival keys and horror ambience, while a deep, hypnotic bass strictly tracks the kick, forging relentless momentum, ‑pop, ‑country, ‑folk, ‑reggae, ‑funk
7:59

Beyond the Hill
v4.5+
New Age ambient dreamscape, ethereal soundscapes with glassy shoegaze textures and psychedelic washes, alternating slow 60-80 BPM pulses with odd time signatures, Ionian and Dorian modes blended with a subtle Raga Todi inflection, hypnotic bass drones, airy harmonic swells, minimal percussion with resonant temple bells, deep stereo reverb, and meditative instrumental interludes, Four-part vocal harmonies for an enveloping choral effect, with a reverse-effect guitar solo as the closing meditation, dissolving into infinite reverb, ‑fuzz, ‑distortion, ‑pop, ‑country, ‑heavy rock, ‑EDM drops, ‑trap beats, ‑reggae, ‑metal
4:45

Pretty Face
v4.5+
Mid-tempo Cinematic groovy hard rock with britpop edge, featuring twangy, jangly guitars with bright, clean tone and chorus/reverb shimmer, Explosive, melodic basslines drive the track alongside tight, punchy drums, Shoegaze-inspired layering achieved without fuzz relying instead on rich delay, stereo spread, and harmonic overtones, Progressive song structure with shifting odd time signatures and modal movements through Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian, Starts with a big, cinematic intro building tension before launching into the verse, Post-punk spaciousness and vulnerable falsetto vocals cut through the wall of sound, ‑pop, ‑bubblegum pop, ‑country, ‑folk, ‑EDM, ‑trap, ‑fuzz rock, ‑lo-fi chill
3:49

Corporal Clegg
v4.5+
Sweeping cinematic shoegaze guitars and cosmic synths set a vast space rock foundation, amped with stadium-sized drums and soaring dynamics, Verses feature whimsical, unsettling nursery rhyme vocal cadences, paired with airy British falsetto harmonies in childlike, singsong patterns, Surreal psychedelic indie layers, reverb-laden pianos, warped Mellotron, and Brian Wilson-style eclectic touches enrich the mix, invoking a dreamlike yet faintly sinister mood, ‑pop, ‑EDM, ‑trap, ‑metal, ‑country