2:56
sung by a regea jamaican pirate frog with a thich patois accent, pirate sea shanty, nu metal, sung by frog, patois, jamaican, frog voice, reggae roots, clean electric guitar, ragga, house
2:59
Thunderous floor toms, aggressive nu metal guitar riffs, and brooding strings create a foreboding pirate shanty atmosphere, intensified by communal chanting, Celtic pipes and dulcimer weave through heavy rhythmic hits, while brief cutecore synth flourishes subtly peek in, providing haunting contrast in breakdowns
3:40
Deep male Jamaican voice with thick patois accent, sung in a gritty, charismatic pirate tone, The character is a frog named Captain Dreadhops—raspy yet melodic, like a reggae pirate with a smoky voice full of swagger, He sings with dramatic flair, playful menace, and rhythmic storytelling, as if telling legends by moonlight in a smoky tavern, His voice is confident, seasoned, a little croaky, but always musical, Think Capleton meets a voodoo sea shanty, but not reggae—keep original instrumental style, All vocals in Jamaican Patois
2:54
Thunderous floor toms, aggressive nu metal guitar riffs, and brooding strings create a foreboding pirate shanty atmosphere, intensified by communal chanting, Celtic pipes and dulcimer weave through heavy rhythmic hits, while brief cutecore synth flourishes subtly peek in, providing haunting contrast in breakdowns
3:33
The song fuses reggae roots and nu metal with house, opening on clean skanking guitar, syncopated ragga drums, dub bass, and pirate chants in gritty patois, Choruses explode with heavy nu metal guitars, pumping dance synths, frog-like vocals, and four-on-the-floor house beats, The outro shifts to wild gang call-and-response, house and dubstep elements, rap verses surfacing amid pulsing bass drops for a chaotic finale