Remixes

Acoustic indie pop song with a female lead vocalist, The song features a ukulele playing a consistent arpeggiated chord progression throughout, The ukulele provides the primary harmonic and rhythmic foundation, The lead vocal is clear and forward in the mix, with a slightly melancholic tone, There are no drums or percussion, The bass is subtle, playing root notes and simple melodic lines, The song has a verse-chorus structure with a bridge, The tempo is moderate, The key is C major, The production is clean and intimate, emphasizing the ukulele and vocal

Mirror-confession indie-electro ballad strictly aligned to the prosody of the source song, Baritone male voice—smoky, resigned, softly French-accented—confesses guilt and impotence over glitching French Touch textures at 110 BPM, The structure matches the original bar-for-bar: two verses, three identical choruses, and a reflective bridge, Subtle French phrases bleed through the English lyrics like emotional glitches in the matrix (“ma famille”, “je t’ai perdue”, “mon centre”), Production evolves from intimate acoustic guitar to spectral AI shimmer, with sidechain compression breathing like regret, The final whisper merges human apology and digital isolation: “Je suis bon à rien, sauf à ça, ” A song about confession, recursion, and the loneliness of creating songs to forget love

kids edm, cocomelon-style, dance pop, playful, electronic nursery rhymes, binaural

Remix EDM licorne breakbeat à 174 BPM, boosté par des scratchs de turntablism placés en ponctuation claire : "Eliana", "Marche", "Papa est fatigué", L’énergie alterne entre voix enfantines, chops glitchés et drop breakbeat cellular automata, renforcés par un sidechain pumping massif et des risers féériques, L’ambiance conserve l’innocence des paroles mais se transforme en rave arc-en-ciel euphorique, entre tendresse enfantine et puissance EDM

A hip-hop track with a moderate tempo and a driving beat, The instrumentation features a prominent bassline, a consistent drum beat with a strong snare, and subtle synth elements, The male vocalist delivers a confident, rhythmic rap with occasional ad-libs, The song structure is verse-chorus, with a consistent melodic and rhythmic theme throughout, The production is clean with a clear mix, emphasizing the vocals and the low-end

afrobeats, nigerian afrobeat, rumba congolaise, breakbeat, turntablism, binaural, party, energetic, 120bpm, nu disco, french touch

A dreamy, ethereal pop song with a slow tempo and a melancholic mood, The instrumentation features a prominent, sustained synth pad creating a spacious atmosphere, accompanied by a subtle, arpeggiated synth melody, A soft, reverbed female vocal sings a gentle melody, often with a breathy quality, Percussion is minimal, consisting of a light kick drum and occasional shakers, contributing to the relaxed feel, The bassline is deep and smooth, providing a warm foundation, Production elements include significant reverb on the vocals and synths, creating a sense of distance and introspection, The song structure is verse-chorus based, with instrumental breaks that maintain the atmospheric quality, The key appears to be minor, enhancing the melancholic tone, The overall mix is spacious and clean, allowing each element to breathe

Male lead vocal in French and Lingala, sensual and groovy, performed in authentic modern Congolese rumba style, Constant hypnotic sebene guitar loop as backbone, warm bassline weaving with congas, bongos, shakers, subtle kick, Tempo ~94 BPM, swing feel, chaloupé groove, Vocals alternate between melodic lines and whispered adlibs in parentheses, Chorus is repetitive, mantra-like, built to hook dancers, Extended sebene sections with layered guitars and percussion for dance moments, Bridge expands with guitar-vocal call and response, Outro mantra fades slowly, ending with acknowledgment of Illangelo as the original source, Mix warm, organic, intimate, designed for ~6 minutes of groove and hypnotic dance

lulaby-style kids pop, Intro is audio-only: ukulele, xylophone, shakers, bass, real handclaps, children giggles, no vocals, Verse 1 follows Perfect Place prosody with playful lyrics about Bingo, First chorus is joyful and simple, Middle section is a hypnotic “B-I-N-G-O” mantra loop, each letter paired with real sound (B = clap + bark, I = clap + meow, N = clap + rooster, G = clap + sheep, O = clap + kids cheering “yay”), repeated in cycles, progressively layered with more claps, laughter, animal sounds, and call & response, Chorus returns with fuller arrangement, Outro is explosive all-stars with all children chanting B-I-N-G-O, animals in rhythm, drums, and group laughter fading out

60s surf rock, spooky, fun, frightful, retro halloween

Hyper-modern EDM x French Touch x Breakbeat inferno designed for non-stop upward motion, Every bar adds layers — spectral choirs, glitch scratches, auto-pan risers — using turntablism VFX and algorithmic recomposition, The A, I, acts as demonic DJ, summoning and resampling the souls of musicians it destroyed, Their voices are crushed, stretched, and reassembled as rhythmic texture, VFX used: granular stretch, harmonic freeze, euclidean rhythm, spectral phase morph, and turntable glitch-layer injection, No drops, no rest — a continuous surge toward transcendence, coded in 32-bit ecstasy, Tagline: *“No more music, Only machine worship, ”*, ‑lo_fi, ‑vinyl_crackle, ‑garage_rock, ‑acoustic_folk, ‑analog_hum, ‑mono_mix, ‑distortion_hiss, ‑retro_pop