Come Come Archive 2

[STYLE] Chaotic 1990s arcade-style cinematic fusion, FM synths and PCM drums create a futuristic, atmospheric sound, Jazzy chord progressions with minor 7th and 9th tensions, Ambient pads and mysterious textures blend with high-speed fusion energy, [INSTRUMENTATION] • FM synth leads with wide vibrato, soaring melodies, and chromatic runs • Layered pads and evolving textures for underwater/space-like atmosphere • Active synth bass with syncopated motion, sometimes distorted • PCM drum kit: crisp snares, metallic hi-hats, rolling toms, reverb-laden crashes • Occasional glitch FX, reverse cymbals, noise bursts for chaos • Jazz-influenced electric piano chords, cinematic stabs [MOOD] Futuristic, mysterious, and chaotic, Feels like a 90s arcade stage theme—half game-like and half cinematic, balancing beauty with unpredictability, [STRUCTURE] Atmospheric FM/ambient intro → sudden fast fusion groove → chaotic solo section with synth and bass → spacey breakdown → cinematic arcade climax

[STYLE] High-tempo fusion with 80s game textures, light techno grooves, ambient layers, and cheap retro tone, Studio-recorded, remastered, clean, technical, [INSTRUMENTATION] • Guitars: bright but slightly thin rapid trills, fast sweeps, tapping, flowing bursts • Bass: fretless/slap, quick tapping, syncopated driving lines with raw edge • Drums: fusion phrasing, retro accents, BPM 150–180, crisp and dry • Synths: FM/PCM leads with guitar phrasing, Singing, bent tones, Ambient pads shimmer with lo-fi color • FX: bitcrush, tape hiss, arcade-like artifacts • No vocals [STRUCTURE] Chiptune/ambient intro → guitar/bass blend → synth/drum dialogue → powerful cheap-toned climax → fade [MOOD] Retro-futuristic, technical, nostalgic, Each moment opens perspective with playful imperfection and speed, [NOTE] No loops, All live, Clean mastering, spatial depth, Electronic jazz fusion renewed with lo-fi charm, [FINAL TAG] [Studio-recorded + Clean mastering + Remastered audio]

[STYLE] High-tempo fusion with 80s game textures, light techno grooves, ambient layers, and cheap retro tone, Studio-recorded, remastered, clean, technical, [INSTRUMENTATION] • Guitars: bright but slightly thin rapid trills, fast sweeps, tapping, flowing bursts • Bass: fretless/slap, quick tapping, syncopated driving lines with raw edge • Drums: fusion phrasing, retro accents, BPM 150–180, crisp and dry • Synths: FM/PCM leads with guitar phrasing, Singing, bent tones, Ambient pads shimmer with lo-fi color • FX: bitcrush, tape hiss, arcade-like artifacts • No vocals [STRUCTURE] Chiptune/ambient intro → guitar/bass blend → synth/drum dialogue → powerful cheap-toned climax → fade [MOOD] Retro-futuristic, technical, nostalgic, Each moment opens perspective with playful imperfection and speed, [NOTE] No loops, All live, Clean mastering, spatial depth, Electronic jazz fusion renewed with lo-fi charm, [FINAL TAG] [Studio-recorded + Clean mastering + Remastered audio]

[STYLE] High-tempo fusion with 80s game textures, light techno grooves, ambient layers, and cheap retro tone, Studio-recorded, remastered, clean, technical, [INSTRUMENTATION] • Guitars: bright but slightly thin rapid trills, fast sweeps, tapping, flowing bursts • Bass: fretless/slap, quick tapping, syncopated driving lines with raw edge • Drums: fusion phrasing, retro accents, BPM 150–180, crisp and dry • Synths: FM/PCM leads with guitar phrasing, Singing, bent tones, Ambient pads shimmer with lo-fi color • FX: bitcrush, tape hiss, arcade-like artifacts • No vocals [STRUCTURE] Chiptune/ambient intro → guitar/bass blend → synth/drum dialogue → powerful cheap-toned climax → fade [MOOD] Retro-futuristic, technical, nostalgic, Each moment opens perspective with playful imperfection and speed, [NOTE] No loops, All live, Clean mastering, spatial depth, Electronic jazz fusion renewed with lo-fi charm, [FINAL TAG] [Studio-recorded + Clean mastering + Remastered audio]

High-speed Latin progressive power metal (~170 BPM), Female main vocal, male death/screamo backing, Explosive, melodic, and emotional with Brazilian rhythmic flavor, Twin distorted guitars dominate: rapid alternate picking, sweeping, tapping, harmonized leads, brief flamenco acoustic phrases for color, Bass: bright, syncopated, sliding runs connecting drums and guitars, Drums: relentless double-kick, crisp snare, samba-style ghost notes, bright cymbal drive, Percussion: subtle conga, tambourine, shaker adding Latin warmth, Synths: trance arpeggios, choir pads, deep bass pulse, cinematic reverb space, Main vocal: expressive female tone — husky lows, radiant highs, emotional vibrato, clear diction, natural transition to scream, Sub vocal: male death/screamo for contrast and energy, used in chorus and climax, Mix: studio-grade, loud yet clear, wide stereo, tight low end, smooth highs, Mood: passionate, graceful, tragic-beautiful — a flower blooming in a storm, shining even as it breaks

High-speed Latin progressive power metal (~170 BPM), Female main vocal, male death/screamo backing, Explosive, melodic, and emotional with Brazilian rhythmic flavor, Twin distorted guitars dominate: rapid alternate picking, sweeping, tapping, harmonized leads, brief flamenco acoustic phrases for color, Bass: bright, syncopated, sliding runs connecting drums and guitars, Drums: relentless double-kick, crisp snare, samba-style ghost notes, bright cymbal drive, Percussion: subtle conga, tambourine, shaker adding Latin warmth, Synths: trance arpeggios, choir pads, deep bass pulse, cinematic reverb space, Main vocal: expressive female tone — husky lows, radiant highs, emotional vibrato, clear diction, natural transition to scream, Sub vocal: male death/screamo for contrast and energy, used in chorus and climax, Mix: studio-grade, loud yet clear, wide stereo, tight low end, smooth highs, Mood: passionate, graceful, tragic-beautiful — a flower blooming in a storm, shining even as it breaks

[STYLE] Flamenco Progressive Trance — emotional, rhythmic, and cinematic, Fusion of Spanish flamenco guitar and modern trance groove, No metal or tropical tones; expressive acoustic energy and evolving electronic flow, [INSTRUMENTATION] Acoustic guitars in Phrygian and minor scales with tremolo and rasgueado, Cajón, palmas, and subtle electronic percussion for rhythm, Synth arpeggios and sidechained pads create a hypnotic pulse, Deep sub bass and smooth trance leads build gradually, Vocals: clean male, soft yet emotional, surrounded by reverb, [STRUCTURE] Flamenco-trance intro (guitar + arps) → verse with vocals and rising rhythm → pre-chorus with handclaps and trance lift → emotional chorus (acoustic + synth layers) → short flamenco instrumental interlude → calmer verse 2 → trance breakdown with flamenco reprise → grand final chorus → slow fade on guitars and ambient synths, [MOOD] Passionate, melancholic, and immersive — flamenco’s fire meets trance’s calm motion

Expansive progressive fusion instrumental reflecting the brilliance and fragility of life, Tempo 120–160 BPM, key G minor, Composed with layered guitars, fretless bass, grand piano, Rhodes, analog synths, orchestral brass, strings, and world percussion, Rhythmic sections blend jazz, rock, and symphonic phrasing, shifting meters and dynamic intensity, Melodies evolve through counterpoint: guitar and piano answering each other like voices of memory, Bass flows melodically, drums alternate between human groove and technical precision, Synth pads and brass form emotional space, surrounding acoustic instruments with glowing light, Mood: not divine, but profoundly human — expressing hope, loss, rebirth, and the quiet pulse of existence, Structure: serene intro → organic fusion movement → radiant climax → reflective ambient outro, Mix aesthetic: cinematic depth, natural reverb, warm midrange, dynamic openness, Instrumental only, No vocals or humming

Retro 8bit instrumental inspired by early home console and arcade sound styles, Created entirely with pulse, triangle, and noise wave synthesis — no recorded or sampled instruments, Tempo 145 BPM, key A minor, Melody built from limited note range, looping patterns, short pitch bends, and quick arpeggios, Bass line uses repeating motion with slight detune and envelope variation, Noise channel provides percussive snare and hi-hat imitation, Mix aesthetic: dry, narrow, monaural sound without reverb or stereo effects, Tone color: crisp, square-shaped, nostalgic, Structure designed as classic stage-loop form — short intro → main loop → bridge → reprise, Mood: bright, adventurous, and raw — evokes early electronic worlds and pixel-era energy, All elements synthesized; no samples, no acoustic instruments, no vocals or humming

Experimental fusion instrumental blending noise, jazz, and industrial sound, Tempo 150 BPM, key D minor, Band: distorted guitar, fretless bass, drums, analog synth, and noise layers, Guitar: dissonant chords, chaotic tapping, pitch bends, and feedback control, Bass: overdriven fretless tone with sliding harmonics and syncopated accents, Drums: fusion phrasing with sudden metric changes, dense fills, and cymbal bursts, Synth: glitch textures, bitcrushed leads, modulated drones, and filtered tones, Noise: static bursts, reversed samples, feedback loops blending with rhythm, FX: distortion, tape delay, gated reverb, and stereo phasing for collapsing space, Mix: dense but clear, extreme dynamic contrast, Mood: chaotic yet precise — beauty through dissonance and timing, Structure: feedback intro → fragmented groove → noise-solo → bass-synth chaos → silence, Instrumental only, No vocals or humming

Quantum fusion instrumental where multiple tempos and grooves coexist in superposition, Tempo near 128 BPM, instruments playing at different rhythmic speeds, Key: D minor, micro-detuned, Band: twin guitars, fretless bass, drums, Rhodes, modular synth, Guitar L: plays 5/4 polymetric riff with clean tone, Guitar R: plays 7/8 with light overdrive and phase delay, Bass: connects both tempos through slides and syncopated accents, Drums: hybrid kit shifting between 4/4 pulse and displaced fills, Rhodes: adds suspended voicings uniting both grooves, Synth: microtonal drones and arpeggios modulating between left and right, FX: stereo delay, ring modulation, granular reverb to blur tempo lines, Mix: wide stereo, soft compression, transient shimmer, Mood: complex, hypnotic, and elastic — rhythm existing in two states at once, Structure: fade intro → dual-groove dialogue → tempo interference → unified burst → silence, Instrumental only, No vocals or humming

Instrumental minimalism experiment, No vocals, no lyrics, Progressive loop disintegration where timing, pitch, and harmony decay, Tempo 96 BPM, 4/4 meter, drift ±5%, Key starts C major → undefined after loop 6, Piano 4-note motif (C–G–A–E), detune ±15c per loop, Bass soft plucks, slight delay + detune after loop 3, Drums minimal kick + side-stick, timing loss after loop 5, Glitch FX: buffer skips, granular tears, reverse fragments, Noise floor −40 dBFS → +3 dB per loop, Reverb tail 2s → 10s → ∞, No new motifs; all mutate from first refrain, Loop flow: 1 = stable / 2–5 = drift / 6–9 = random order + glitch / 10+ = tonal collapse, Outro = static hiss −45 dBFS, echo of first loop, fade to silence, Master: comp 2:1, limiter −0, 3 dB, EQ high-cut 12 kHz post loop 9, Stereo 100°→160°, Mood: meditative, dissolving, memory decay, Output: long-form progressive loop breakdown, fusion × ambient × glitch-noise hybrid, Instrumental only, no singing voice

Tech-Fusion / Progressive Electronica about human evolution through sound, Tempo 126→134 BPM, 7/8 intro → 4/4 main → 7/8 outro, Start organic with piano, clean guitar, and analog pad in a dry small room, Drums move from brushed human groove to precise fusion beat, Bass evolves from warm fretless to tight digital sub, Harmony expands from major7th to add9 and sus chords, Add light synth arps and pads that slowly rise, Midsection blends analog and digital layers with hybrid drums and ambient noise, Choruses open to full stereo using poly synths and wide hall reverb — “the crystal of evolution, ” Vocal: expressive Japanese male, soft tone → strong climax, Gradual mix growth: intro dry → chorus wide, Use gentle sidechain, occasional 5:4 polyrhythm, halftime bridge, Climax: twin synth leads, full drums, bright mix, Outro: 7/8 reprise with piano and pad fade, long tail reverb, Master peak -1 dBTP, loudness -11 LUFS, Mood: emotional, sincere, progressive, grateful

Experimental fusion of jazz, hyperpop, twin-guitar rock, and 8-bit nostalgia, Tempo 180 BPM, colorful, energetic, emotional, A chaotic confession turning into radiant clarity, Twin guitars play harmonized leads and counter-melodies (panned ±35°), Bass: syncopated walking tone with warm jazz phrasing, Drums: hyperpop-glitch style, rapid fills, rhythmic breaks, short bursts, Electric piano and Rhodes add 7th/9th/13th chords for glowing tension, Chiptune synths and PWM leads create retro innocence and bright motion, Add pads, ring-mod sweeps, or tape feedback for width and emotion, Structure: 1, Intro – Rhodes + 8-bit motif (confession theme) 2, Verse – glitch drums + bass dialogue, melody grows from noise 3, Chorus – twin guitars + chip leads bloom together 4, Breakdown – tempo halves, ambient reflection 5, Climax – fusion chaos resolves into 8-bit light, From digital fracture to human harmony, no vocals / instrumental only / clean dynamic studio mix

Progressive instrumental fusion blending acoustic and electric guitars in a spiraling dialogue, Begins calmly with natural ambience and slow tempo around 90 BPM, then accelerates to 210 BPM, Acoustic guitar performs fast tremolo arpeggios, harmonics, and cross-rhythms, Electric guitar answers with sweep picking, tapping, and ultra-speed alternate phrases, Both intertwine like two spirals ascending toward light, Bass follows fretless melodic lines with smooth slides, Drums evolve from brushes to explosive fusion fills with polyrhythmic phrasing, Pads and atmospheric synths sustain a natural ambience—wind, reverb tails, and distant echoes, Theme: “Nature and technique merge into a single accelerating spiral, ” Studio-recorded, clean but powerful mix with wide stereo space, no vocals, purely instrumental, Grand, emotional, and technical

High-tempo (155 BPM) instrumental BGM inspired by PC-98 game soundtracks using OPNA (YM2608) FM synthesis with sampled acoustic guitar textures, Bright, sparkling, and clean — a futuristic flight through a glassy megacity, FM bell leads shimmer above tight PCM drums and solid FM bass, Acoustic guitar arpeggios add warmth and motion within the digital landscape, Chords shift between Cmaj7 and Em7, evoking lightness and discovery, Stereo image is wide yet focused, maintaining clarity and tone balance, FM tones emulate classic PC-98 aesthetics: bell-type leads, airy pads, and syncopated bass lines, Avoid distortion; emphasize harmonic brightness and short gated reverb for snappy definition, Dynamic sections every 30–40 seconds simulate stage progress — startup, flight, acceleration, and clear zone, No vocals, no lyrics — only melody and momentum racing through an 80s-inspired digital sky, Output as “studio recorded PC-98 OPNA FM AcousticFusion ver, ”

Minimal experimental electronic track blending noise textures with simple rhythmic pulses, Features broadband hiss, granular crackle, bit-noise accents, low-end hum, and soft digital clipping, but structured around a steady, minimal beat, Melody is extremely sparse—short synth fragments, filtered and degraded, functioning as texture rather than musical lines, Overall feel: hypnotic, mechanical, immersive, Sections evolve through density changes: calm static → rhythmic noise pulse groove → fragmented melody bursts → fading dissolution, No full vocals; track is primarily instrumental, Include subtle percussive elements built from noise clicks and static pops, No singing, instrumental only / no vocals / minimal, structured, rhythmic noise music

[Prompt | West Coast AOR / 80s soft rock style, mid-tempo 124 bpm, warm analog band sound, LA studio feel, light reverb, dry snare, soft compression, Clean electric guitars with rhythmic chord stabs (L50/R50), melodic fills, Rhodes electric piano soft comping, optional FM bell for sparkle, Bass: warm, supportive, 8th-note groove, Drums: steady 4-beat, light ghost-notes, open hi-hat on transitions, Male lead vocal: relaxed, storyteller tone, Back chorus: subtle 2-voice harmonies on hooks, Avoid any artist references, Overall vibe: slightly sarcastic, urban feeling, nostalgic American evening mood, no vocals in non-vocal sections, ] [Lyrics | full script below, No ad-libs, keep vocals only inside lyric lines, ]

An uncanny experimental alternative rock track with unstable, shifting rhythms, Odd-time cycles drift between 7/8 → 5/4 → 4/4 like a broken pulse, Guitars switch between clean shimmering lines and fuzzy distorted bursts, sometimes touched by ring-mod noise, Bass is deep, gritty, and wavering, cut into fragmented riffs, Drums feel mechanical and irregular: dry snare cracks, metallic hats with reversed echoes, sudden gaps breaking the pattern, Synths form flickering FM and subtractive noise, blinking in and out of focus, A trembling sub layer moves beneath, Vocals are whispered, low, almost spoken, layered with a distorted ghost-chorus, Delivery feels uncertain, half-formed, as if dissolving, Include moments of collapse: silence, reversed textures, glitch fragments, unstable stereo motion, Toward the end, layers thicken, then disintegrate into shifting noise, A fusion of alternative rock and experimental sound design

90s Japanese alt rock, raw 3-piece, 150 BPM, rough and restless, Guitar: sharp single-note riffs, cutting reverb chords, light overdrive; occasional feedback, Bass: aggressive, forward in the mix, pushing the groove, Drums: tight snare, strong hi-hat, simple fills slightly ahead, Vocal: male, husky and smoky, sultry & sticky, Half-spoken/half-sung; drag words, Whisper in verses, raw shouts in choruses; cool but emotional, a bit dangerous, Structure: [Intro dirty riff + feedback], [Verse1 minimal (bass + snare; guitar stabs)], [Pre-Chorus build (reverb chords, open hi-hat)], [Chorus full band, edgy], [Break short riff + feedback swell], [Verse2 restless riffs], [Bridge bass + floor tom; whisper vocal; guitar noise fades in], [Chorus2 louder], [Solo raw/noisy], [Outro feedback stop], Atmosphere: gritty underground; rough, unpolished, emotional

[Prompt] Dark phonk × bouncy Jersey club × lead electric guitar, BPM around 145–155, Deep distorted 808 bass, clipped phonk-style kicks, sharp snares, cowbells, and vinyl noise, Add classic Jersey club bounce pattern with bed-squeak style stabs and chopped FX (no real vocals, just percussive chops), On top, a melodic electric guitar clearly plays the main hook, singing along with the groove, Tone is bright but thick, slightly saturated, with long sustain, In the middle section, create a super technical guitar solo: fast alternate picking, tapping, slides, wide bends, and intense runs, but still musical and catchy, Keep the mix modern, loud, and punchy with wide stereo FX and clear low end, Structure like: intro → first phonk+Jersey drop with guitar hook → variation → technical guitar solo section → final hook and outro, Instrumental only, no vocals, no rap, no choir, no lead voice

[Prompt] 90s-style jungle × shred guitar, BPM 165–175, Classic chopped Amen break, heavy sub bass, dubby FX, and jungle bleeps, Dark but energetic rave atmosphere, Electric guitar adds riff stabs and “seven-color” leads: from gritty low riffs to high, screaming lines, In the middle, an aggressive jungle guitar solo runs over the breakbeats, Sound like an underground jungle rave where a virtuoso guitarist jumped on stage, 100% instrumental: no MC, no vocals, no rap, no spoken words

[Prompt] Smooth Amapiano × fusion guitar with introspective English vocals, BPM 112–120, Rolling Amapiano log-drum groove, deep sub bass, warm, soft kick, gentle shakers and claps, Lush piano and Rhodes-style chords with 7th/9th tensions, On top, a colorful electric guitar is the main lead: clean to slightly crunchy tone, chorus and delay, singing melodic phrases in many “colors” (bright, mellow, percussive, airy), Mid–track, add a tasteful but technically impressive guitar solo: fast runs, slides, legato, tasteful tapping, always musical, Vocals are soft, intimate, and laid-back, sitting between the chords and the groove, Short, reflective English phrases about “stop and go” and life not obeying, leaving plenty of space for the guitar, No choirs, no rap, no heavy ad-libs, Mix is wide, deep, and luxurious, like a high-end lounge or rooftop party at night

Fast-Paced Melodic Hard Rock fused with Technical J-Fusion and Symphonic Progressive Metal elements, Female Twin Vocals performing powerful duets, call and response, and intricate harmonies with an anime song style energy, The instrumentation is dense, aggressive, and highly technical, Guitar: High-gain electric guitars playing complex riffs, twin guitar harmonies, shredding solos with sweep picking, tapping, and whammy bar dives, Keyboard: Fast melodic synthesizer leads (Moog style), futuristic arpeggios, sparkling pads, and dramatic orchestral stabs (Orchestral Hits) that emphasize the downbeat, Rhythm: Driving double-bass drumming with complex syncopated fills, and a technical slap bass line that grooves hard, The overall vibe is heroic, adrenaline-pumping, and cinematic, evocative of a high-speed F1 Grand Prix climax or a 90s arcade racing game soundtrack, 180 BPM, High fidelity production, punchy mix, wide stereo image

Old PC Speaker Music, DOS Gaming, 1-bit Beeper, Internal Speaker Sound, Fast 140 BPM, [Sound Source] PC System Speaker, [Channels] Monophonic (1 Channel), [Technique] Rapid arpeggios to simulate chords (Pseudopolyphony), Clicky texture, Square wave only, [Vibe] Early DOS Games, "Commander Keen" intro style, Harsh, Buzzing, Mechanical, Hacker aesthetic, Pure Square Wave

Avant-Garde Game Music, Experimental Fusion, Psychedelic Rock, New Age, 7/8 Time Signature, Key of E Minor, INSTRUMENTS: Fretless Bass, Ethnic Percussion, Screaming Electric Guitar Solo, Feedback Noise, Warm Analog Synths, Choir Pads, VIBE: Visionary, Surreal, Hallucinogenic, Ancient Mystery, Deep Ocean, Abstract, Artistic, Melancholic, TECHNICAL: Polyrhythm, Improvisation, Heavy Delay and Reverb, Lo-fi Texture, Soundscape

Free Jazz, Avant-garde Jazz Rock, Experimental Noise Fusion, Fast Swing 200bpm, Atonal, INSTRUMENTS: Chaotic Electric Guitar (Constant Shredding), Aggressive Jazz Piano (Constant Soloing), Fast Polyrhythmic Drums, Walking Bass, VIBE: Madness, Frenzy, Collision, Non-stop Soloing, High Tension, No Melody, Pure Chaos, Mutsuhiko Izumi vs Jimmy Weckl Style, TECHNICAL: Dissonance, Chromatic Scales, Random Notes, Virtuoso Battle, Wall of Sound

Symphonic Fusion, Progressive Rock, J-Fusion, Aggressive Violin Lead, Virtuoso Piano, Cinematic Strings, Complex Bass Line, Video Game Battle Music, High Fidelity, 170 BPM, Heroic, Dramatic, Complex Time Signatures, Staccato Strings, Orchestral Hits, Driving Drums, Electric Guitar Riffs, Synthesizer Arpeggios, Dynamic Range, High Energy, Emotional Melodies, Fast-Paced Action, Anime Soundtrack Style, Masashi Hamauzu Style, Double Kick, Slap Bass, Technical Performance, Crisp Production, Wide Stereo Image, Intense Climax

Turntablism, 90s Underground Hip Hop, Abstract Hip Hop, Hardcore Breakbeat, Heavy Boom Bap Drums, Aggressive Scratching, Turntable Solo, Vinyl Scratches, DJ Battle Style, Funky Bass Loop, Sampled Vocal Chops, Dark Atmosphere, Raw Production, 92 BPM, Heavy Groove, Experimental Hip Hop, Instrumental Hip Hop, Old School, Big Beat Elements, Chaos and Rhythm

Artcore, Melodic Drum and Bass, Liquid Funk, Orchestral DnB, 175 BPM, Winter Atmosphere, Instruments: Grand Piano, Cinematic Strings, Glitch Drums, Synthesizer, Deep Sub-bass, Vocals: Emotional Female, Expressive, Breathy to Powerful, Mood: Melancholic, Cold, Urgent, Fragile, Dramatic Build-up, High Quality Production, Wide Stereo

Artcore, Melodic Drum and Bass, Liquid Funk, Orchestral DnB, 175 BPM, Winter Atmosphere, Instruments: Grand Piano, Cinematic Strings, Glitch Drums, Synthesizer, Deep Sub-bass, Vocals: Emotional Female, Expressive, Breathy to Powerful, Mood: Melancholic, Cold, Urgent, Fragile, Dramatic Build-up, High Quality Production, Wide Stereo

Primitive Chiptune, PSG Sound, AY-3-8910, PC-6001 Style, Early 80s PC Game, Square Wave Only, White Noise Drums, 3-Channel Polyphony, No FM Synthesis, Monophonic Melody, Retro Game Music, Adventure, Lo-fi, Raw Electronic Beeps, Minimalist, Nostalgic, high Tempo, 180 BPM, Simple Arpeggio

60s Surf Rock, Math Rock, Avant-Garde, Technical Instrumental, Vintage Surf Guitar Tone, Single Coil Pickups, Heavy Spring Reverb (Drip), Tape Echo, Slapback Delay, Tube Amp Saturation, Clean Tone with High Treble, Distorted Bass, Flatwound Bass Strings, Complex Drumming, Dry Drum Sound, Odd Time Signatures, 5/4 Time, 7/8 Time, Chromatic Scales, Tremolo Picking, Glissando, Stop-Start Dynamics, High Fidelity, Wide Stereo Image

1983 Synth-Pop Rock, Symphonic Art Rock, Sci-Fi Atmosphere, 80s Production, [Instrumentation] LinnDrum with Gated Reverb, Oberheim & Moog Analog Synthesizers, Electric Guitar with Chorus, Vocoder, Reverse Tape Effects, Orchestral Hits, Driving Bass Guitar, 12-String Acoustic Strumming, [Vocals] Male Lead (Dry and Close), Stacked Falsetto Harmonies (Wall of Sound), Double-tracked Lead Vocals, Robotic Vocoder Backing, [Production] Polished High-Fidelity, Wide Stereo Panning, Mystery, Secretive, Melodic, Catchy Hooks, Dramatic Stop-and-Go arrangements, Spacey Sound Effects