2:49

digitalhardcore, glitchcore, chiptune, 16bit soundboards, electric punkrock mixture, clipped vocals, Agitation on a Megaphone, prestissimo tempo, chaos of beepnoizes, SIREN, Leftover punks
2:16

avant-garde, complex drums, progressive punk, art punk, vivace, 148BPM, JazzRock, trushpunk, avant-garde fusion
3:54

Post-punk, minimal funk, avant-garde, no wave, art punk, A minimalist structure carries the entire song through one chord, one riff, and one beat, Like Afrobeat polyrhythms, several independent chants—unlinked to the main melody—are layered to create the song's dynamics, Free jazz-like guitar solos are inserted at appropriate moments, The lead guitar is heavily processed with deep cloning and delay effects
3:59

1960'S Beat, La Psychedelic, Retro Future, Plastic Pop, Detroit Industrial Proto Punk, Garage Pop, Colour Me Pop, Nuggets, Real band performances and early electronic sound effects, Electronic sound technology at the 1968 level, Tube Circuit Acoustic Technology, Authentic Morse code, ultra lo-fi tape saturation
3:34

Mid 1960'S American Garage Rock, Amateur Girl Singers, The Drummer Doesn't Know How To Play The Drums Properly, Nuggets, Cheaper Junks, Primitive Outsider Rock, Protopunk, Unconscious Avant-Garde, Underground Oneshot Recorded, Natural Echo Chamberd Only, Manufacture Mastering And Cutting Product, Ultra Lo-Fi, Chaotic Primitive Damn Ensemble, The Girls' Singing Was Immature, Flat And Lifeless In Their Untrained Natural Voices, The Drums Were A Simple, Repetitive Pattern Of Relentless Pounding, Untrained Sense Of Meter, Amateur Girl Singers, Avoid Harmonic Resolution, The Drums Just Repeatedly Hit The Cymbals And Snare In A Single Pattern, Earnest But Confused Performance, Untrained Teenage Garage Band Energy, Loose, Unschooled Sense Of Meter, Notes Placed With Instinct Rather Than Theory, Trying Their Best, But Rhythm Keeps Slipping Away, Innocently Off-Tempo Vocal
Melody Ignoring Chord Progression, Accidental Polyrhythms (Not Intentional), Lopsided Bar Lengths, Naive Teenage Garage Band, ‑Singing something other than the lyrics, ‑separations of records, ‑professional production, ‑tight rhythm, ‑perfect tuning, ‑polished mix, ‑modern rock tone, ‑high fidelity, ‑tight drums, ‑smooth vocals, ‑precise timing
3:55

PostPunk, Proto Hardcore, Experimental, cynical comedy, complex drums, recorded in 1979, justs of a neurotic tempokeeper, analog mixing and mastering, hard hitter on the extremely muted Dry drums, All instrument are pure temperament, complex guitars featured, overdrived by KLON Centaur effector for Orange's Guitar Amplifier, straight groove, cheaply synthwaves, KORG Polysix, rotated speakers pluged in organs
2:49

Lovely avant-garde, Concrete Music, minimal construction site sample sounds, girlish electro on some concert sampled cute made music, Coin Drops, Wooden Hits, Distorted Church Bells, Match-Strike-Burning Sounds, Hard-Panned Stereo Motion Of Match Strike, Granularsampling, Drybeats, Industrialtexture, dry_Atmospheric, Complex Rapidly Hi-Hats, Mixed With Organic Percussive Fragments Rhythmic Foley Sampling
4:12

Avant-Garde, Complex-Samba Meets Postpunk, Lounge, Heavy Louder Bateria, 140-145 Bpm, delicate female vocal, Nowave, Freejazz, Ny Art Punk, Acousticpunk, Contortion, Chaoticdance, Cubism, Tropicalismo, Voltages Rapidly Circulation
4:12

Yamaha Ym2203, Ym2151, Ym2612, Ti Sn76489, Cs-80, Dx-7, Sharp Lr35902, Sony Spc700(S-Dsp), Korg Polysix, digitalhardcore chiptune, avant-garde post punk, jazz on breakbeats, Glitchcore, 8Bit, Electric Punkrock Mixture, crying soprano diva, symmetrical-asymmetry, experimental, 180bpm, surrealistic electron, magnetic jazz, acid rain, alkali rock, velvet nursery, MPB essential, medieval digital, Roland Mc-4/Mc-8 Microcomposer, Roland Tb-303, Tr-909, Mt-32, Arp Odyssey, Prophet-5, Oberheim Ob-X, Roland Juno-60, Moog C3, Mini-Moog, Fun, Electronic, Groove-Driven, Playful, Pop
2:54

RETURNABLE PÃO
v4.5+
alkali-rock, no-wave, post-music, existentialism, avant-garde, Kitsch, dadaïste, surrealism, minimal-baroque, post-rock, concrete, postpunk, epic-experimental
1:52

alternative pop, joke but not joke, trap, pop comedy, comical, girl's vocal

