4:26

Float
v5.5
110BPM Fusion/Metal, Ethereal Impressionism, Odd time signatures (5/8, 7/8), Polymetric riffs, Floating harmony, Lydian and Whole-tone blend, No clear tonal center, Intricate guitar tapping, Clean electric guitar, Shifting rhythmic patterns, Fluid and disjointed, Atmospheric, Avant-garde, ‑synth, ‑electro-pop, ‑dance, ‑bluesie, ‑blues-pentatonic, ‑latin, ‑ethnic, ‑world
3:47

DarkFloat
v5.5
Polyrhythmic Fusion/Metal, Odd-time signatures, No downbeat emphasis, Displacement of rhythm, Syncopated fragments, Lydian dominant and Whole-tone scale integration, Augment chords, Sharp 11th tensions, Intricate melodic interplay, Sparse but complex drumming, Dry sound, Unresolved harmonic movement, ‑synth, ‑electro-pop, ‑dance, ‑bluesie, ‑blues-pentatonic, ‑latin, ‑ethnic, ‑world
2:56

Mountain Pass
v5.5
110 BPM Contemporary Fusion like Metal over-driven guitar, thight bass, keyboard/piano, odd time signature, ‑electro pop, ‑bluesie, ‑blues pentatonic, ‑ethnic, ‑world, ‑dark-theme
3:17

HASHIRIYA-Z
v5.5
Contemporary Metal over-driven guitar, thight bass, keyboard/piano, odd time signature, BPM110, ‑electro pop, ‑bluesie, ‑blues pentatonic, ‑ethnic, ‑world, ‑dark-theme
3:27

3:03

Downhill
v5.5
Contemporary Metal, over-driven guitar, thight bass, keyboard/piano, 110BPM mid-tempo, odd half-time, Odd time signatures (5/8, 7/8), Polymetric riffs, Floating harmony, Lydian and Whole-tone blend, No clear tonal center, Intricate guitar tapping, Shifting rhythmic patterns, Fluid and disjointed, ‑electro pop, ‑bluesie, ‑blues pentatonic, ‑ethnic, ‑world, ‑dark-theme
3:08

Progressive Metal/Fusion, over-driven guitar, thight bass, keyboard, 110BPM, odd half-time, Odd time signatures (5/8, 7/8), Polymetric riffs, Floating harmony, Lydian and Whole-tone blend, No clear tonal center, Intricate guitar tapping, Shifting rhythmic patterns, Fluid and disjointed, ‑electro pop, ‑bluesie, ‑blues pentatonic, ‑ethnic, ‑world, ‑dark-theme
3:04

052or09
v5.5
Progressive Metal/Fusion, over-driven guitar, thight bass, keyboard, 126BPM, odd half-time, Odd time signatures (5/8, 7/8), Polymetric riffs, Floating harmony, Lydian and Whole-tone blend, No clear tonal center, Intricate guitar tapping, Shifting rhythmic patterns, Fluid and disjointed, ‑electro pop, ‑bluesie, ‑blues pentatonic, ‑ethnic, ‑world, ‑dark-theme
3:31

S-Tire
v5.5
Progressive Metal/Fusion, over-driven guitar, thight bass, keyboard, 126BPM, odd half-time, Odd time signatures (5/8, 7/8), Polymetric riffs, Floating harmony, Lydian and Whole-tone blend, No clear tonal center, Intricate guitar tapping, Shifting rhythmic patterns, Fluid and disjointed, ‑electro pop, ‑bluesie, ‑blues pentatonic, ‑ethnic, ‑world, ‑dark-theme

