5:29

[Power Metal][heavy rock][Balladic][Wailing guitars][Operatic rock ballad][Highly emotive vocals like David Coverdale x Ronnie James Dio](emotive, sad and melancholic]A power metal / heavy rock ballad drenched in sorrow, narrating a woman’s suffering through childhood, adolescence, and adulthood, with vocals that soar and ache like David Coverdale fused with
Ronnie James Dio, The track opens with somber clean guitars and distant organ tones, setting a
tragic and crushing mood, Verses unfold with plaintive vocals recounting abuse, supported by
melancholy arpeggios and cello swells, Choruses erupt into searing distortion and wailing lead
guitar lines that act as a second voice, matching the singer’s cries, The bridge ignites with
dramatic orchestral layers and soaring sustained notes, before collapsing into a final chorus
delivered with desperate intensity, Feels like a requiem staged in a cathedral of fire—somber, majestic, and emotionally annihilating, ‑[compression][distortion][noise][muffled][suppressed][bad instrument][tinny][artificial][reverb wash]
4:43

[Power Metal][Speed Metal][Classic Heavy Metal][Teutonic Metal surge][Dual guitar harmonies, double-kick drums, fast tempo][High soaring vocals with grit]A German power metal track in the style of early German power metal bands, about corruption in medicine, opening with galloping guitars and thunderous double-kick drums that set an epic, biting tone, Verses feature high soaring vocals delivering biting satire against quacks in white coats, supported by harmonized lead guitars and bass undercurrent, The chorus erupts with anthemic
power chords and layered choirs chanting “Quacks! Quacks!” with triumphant rage, The bridge
introduces a blistering guitar solo, before climbing into a final chorus with speed, harmony, and piercing screams, Feels like a medieval army charging with banners of rebellion—fast, furious, and epic, ‑[compression][distortion][noise][reverb][bad instrument][muffled][suppressed]
6:47

Funeral Doom / Dark Ambient / Drone — cavernous, crushing low-end, funeral-paced drums, bowed double bass and crushed guitar drones, Deep guttural Latin-style chants, whispered Icelandic phrases, Arabic intonations, spoken German and Ukrainian recitations, Sparse, lethal percussion, organ pads, cathedral reverb, slow crescendos into a massive, suffocating chorus, A monumental funeral-doom track about impending oblivion and terminal silence, Open with cavernous bowed double-bass, long bowed guitar drones, and a distant pipe-organ swell that sets an oppressive, suffocating mood, Verses should be delivered as low guttural chant and whispered multilingual phrases (Icelandic, Arabic, Hungarian, German, Ukrainian, Akkadian) over sparse, metallic percussion and sub-bass pulses, The chorus expands into a crushing, slow-motion percussion slam and layered congregational vocals singing in low unison: a colossal, bleak wall of sound that feels like gravity thickening, vintage, ‑[compression][distortion][shimmer][pop polish][bright synths][snappy percussion]
5:13

Ashes Into Wings
v4.5+
Dark Alternative rock infused with deep blues-rock, Opens with clean electric guitar arpeggios and brooding, sustained bass, Sparse drums enter beneath anguished male vocal fry in the verses, Choruses erupt with layered overdriven guitars, pounding drums, and intense belts; dramatic wailing guitar runs accent transitions, The bridge drops to near-silence on a solitary note, then each instrument surges back, building to a ferocious, emotionally charged crescendo for the finale, Pure, sweeping drama throughout, ‑[compression][distortion][noise][shimmer][background noise][bad instrument][echo][reverb][tinny][artificial][female vocals]
4:52

kleinkunst, akoestische gitaren, contrabas, subtiele percussie, mondharmonica, schrale piano; zang: rauw, gebroken, vocal fry, intiem, low-register, A small, intimate kleinkunst track in Antwerp Flemish about an old man who drank and lived himself into ruin, Open with a dry, near-silent room tone, a creaking chair, and a single fingerpicked nylon guitar that sets a brittle, melancholic mood, Add a low contrabass bow entering under the first verse and a thin harmonica that answers like a breath, Verses are sung in a cracked, half-spoken vocal fry with sparse melodic motion, focusing on raw confession and dark humour, The chorus opens gently with a soft strum, subtle snare brushes and a warm, analog piano pad that lifts the emotional weight without brightening the scene — it stays sad, The bridge strips back to only guitar and voice with fragile harmonies, then the final chorus folds in muted strings and a distant trumpet to underline defeat, Production is intimate and lo-fi but clear, ‑geen overproduced pop; geen EDM; geen gepolijste commerciële vocalen; geen glossy reverb
4:19

kleinkunst track opens with acoustic gitaren, contrabas, viool, en subtiele straatstemmen voor een rauwe, intieme sfeer, Ruige mannelijke zang in Antwerps mengt spoken-sung humor met respect, Refreinen barsten los: volle band, handenpercussie, koorharmonieën, stampende ritmes, Bridge brengt accordeon en weemoedige viool voor contrast, De slotrefrain klimt met gang vocals, rauwe samenzang en percussieve klappen, als een eerlijke, melancholische barhymne, ‑[compression][distortion][muffled][suppressed][artificial]
6:54

The Divide Between
v4.5+
Swiss folk-rock fusion starts with hammered dulcimer arpeggios and distant alphorn, layering in cowbells, Verses mix low male vocals, tremulous yodels, lush strings, hurdy-gurdy drones, and rich, ever-present yodeling, Chorus erupts with distorted guitar, pounding drums, anguished vocals, and stacked yodels, Bridge strips back to stark dulcimer and exposed yodeling, then surges into a finale of thunderous drums, dense guitars, and soaring multi-part yodels, all grounded in constant, dynamic yodeling throughout, ‑[compression][distortion][muffled][tinny][artificial][clacking][shrill][buzzy]
6:31

Scrape Me Hollow
v4.5+
A melodic blackened gothic horror metal track steeped in shadow and fire, Tremolo-picked guitars and shifting tempos forge a restless foundation, while a single female vocalist dominates with unchained versatility, Her voice slides from spectral clean lines to guttural grunts, from anguished vocal fry to soaring multi-octave heights, Verses breathe with whispered intimacy before collapsing into choruses of blast beats, layered harmonies, and sweeping melodic storms, The bridge drifts into a ritual dirge of dissonance and sparse percussion, then surges into a climactic finale: double-kick onslaught, spectral strings, gothic undertones, and her voice towering above it all—relentless, harrowing, unforgettabl, ‑[compression][distortion][noise][reverb][muffled][suppressed][shrill][buzzing][clacking][tinny]male vocals, ‑choir, ‑men
7:24

Opens with whispered narration over tense clean guitar arpeggios, Verses thunder in with galloping bass, double-kick drums, sorrowful then furious operatic female vocals and blazing twin-guitar harmonies, Choruses erupt with high vocals doubled by guitars, Extended dueling shredding solos—neoclassical fury and harmonized motifs—bridge each section, The breakdown has spoken word over palm-muted chug riffs, surging into a climactic solo duel, Ends with feedback and a wailing guitar scream; pure relentless power metal, ‑[compression][distortion][noise][shimmer][background noise][bad instrument][tinny][congested][muffled][suppressed]
5:03

[Epic Rock Opera][Progressive Metal Parody][Comedy Rock][Heavy Guitar Riffs][Over-the-top] A power metal comedy anthem about turning everyday chores into legendary feats, opening with dramatic piano and guitar flourishes that set an absurdly heroic tone, Verses feature theatrical style delivery narrating eggs, shaving, and
plant watering with operatic grandeur, supported by galloping bass and double-kick
drums, The chorus bursts in with goofy, triumphant gang vocals, chanting the title
line like a rallying cry, evoking the feel of a medieval battle waged in a kitchen, The bridge introduces a tongue-in-cheek DragonForce-style shred solo, raising the
stakes before Dio storms in on the final chorus, his soaring voice wrapped in
fantasy thunder and choirs, Feels like Tenacious D teaming with and Dio
to sing about brushing your teeth at Ragnarok—bombastic, satirical, and massive, ‑[compression][distortion][noise][shimmer][background noise][bad instrument][voice distortion][muffled][suppressed]
4:24

[Gothic Rock][Glam Rock][Piano Rock][Baritone Lead Vocal][Melancholic][Theatrical][Piano-driven]Gothic Glam Piano-Rock track blending Billy Joel’s piano-driven cynicism, David Bowie’s
tragic theatricality (Lazarus/Space Oddity mood), and Nick Cave’s melancholy venom, Opens
with sparse piano chords and steady low-end pulse, melancholic and spacious, Verses carry
a melodic, storytelling vocal with cynical undertones, piano leading against subtle bass
and brushed drums, Pre-chorus shifts into Nick Cave menace—spoken-word baritone snarls
over dissonant piano, venomous and stark, The chorus blooms into Bowie-esque grandeur, with soaring vocals, layered harmonies, synth pads, and cinematic piano, balancing sadness
and defiance, Bridge strips down to funeral piano and spoken contempt, before rising into
a climactic final chorus where all three influences collide, Ends unresolved, with a
chilling whisper over a lone piano chord, Feels like a requiem staged in a decaying
theatre, ‑[compression][distortion][noise][shimmer][muffled][suppressed][artificial polish][tinny][shrill][squeaky][clacking]
5:45

Censors Lament
v4.5+
A seguiriya flamenco track infused with gothic doom metal weight, centered on
cante jondo vocals and Spanish guitar in the 12-beat cycle, It opens with
weeping guitar falsetas, deep palmas, and torn vocal cries that set a tragic, somber tone, Verses carry raw lament and accusation, delivered in anguished, broken phrasing, supported by cello drones and sparse hand percussion, The
chorus erupts as doom guitars and slow, pounding toms enter, but flamenco
guitar and palmas remain driving the rhythm, keeping compás intact, The bridge
introduces organ swells and guttural undertones while guitar falsetas weave
through, before rising into a final chorus where flamenco strums and doom
chords clash in unison, Feels like a funeral procession sung from the throat
of Andalusia, carried on iron chains and bloodied hands—flamenco first, metal
as its shadow
4:02

The Oak’s Shadow
v4.5+
This blues-rock track bursts with garage grit—distorted electric guitars and driving drums power each section, Deep, powerful male vocals deliver aching melodic verses, then switch to rapid-fire, emotive rap over raw riffs and pulsing bass, The soaring chorus shines with soul and dense instrumentation, Acoustic country and synth-rock textures infuse subtle layers, while a twangy banjo threads through, grounding the mix, The bridge strips back to tense, quiet guitar and banjo, then builds to an explosive, cathartic rock finale, Emotion-laden vocal mastery anchors every moment, ‑[compression][distortion][noise][reverb][tinny][muffled][suppressed][background noise][pedal steel][shimmer]
5:38

Into The Mine
v4.5+
[Gothic][Folk Rock][Atmospheric Rock][Piano-driven][Baritone Vocals][Dual Voice][Somber Strings][Xylophone Accents][Blues Gothic][Nick Cave-esque Ballad][Dark Folk]A gothic folk-rock ballad about grief and mining tragedy, opening with stark piano chords
and hollow drum hits that set a somber, heavy tone, Verses feature dual baritone vocals—
one gravelly, world-weary; the other plaintive and raw—telling stories of wives, children, and elders mourning at the mine’s entrance, Sparse strings and subtle xylophone accents
underline the lament, while the chorus swells with harmonized voices over steady mid-tempo
drums, evoking the inevitability of loss “where daylight sleeps, ” The arrangement layers
atmospheric textures and bluesy undertones, gradually building intensity through repetition, The bridge pares back to echoing piano and voice before crashing into a climactic final
chorus, drenched in haunting harmonies and swelling strings
6:00

Yeehaw, Apocalypse!
v4.5+
Dark melodic metal, mid-tempo 92 BPM, D minor, brooding and apocalyptic atmosphere, Deep, melancholic vocals with sardonic, ironic delivery, Instruments: distorted melodic guitars, heavy bass drone, slow crushing drums, atmospheric synths, Mood: fatalistic, sarcastic, black humor, Dynamics: build tension in verses, melodic power in choruses, sparse haunting bridge, Vocals: slightly narrative, subtle cowboy imagery in phrasing (“hat, ” “ride”), but never country style, Sharp melodic leads, crushing chords, minimal reverb on drums, emphasize dark tension and ironic grandeur, Suitable for an epic, sarcastic, end-of-the-world vibe, ‑[compression][distortion][noise][muffled][suppressed][tinny][shimmer][clacking][buzzing][artificial][reverb][Pedal Steel][shrill][congested]
6:14

The Lion of Flanders
v4.5+
[Melodic Death Metal][Progressive Death Metal][Symphonic elements][Dual Vocals: harsh growls + soaring cleans][Epic Guitar Harmonies][War Drums] A melodic death metal anthem about defiance and heritage, opening with solemn clean guitars
carrying the Flemish anthem motif, joined by whispered chants of “Zij zullen hem niet temmen”
under distant war drums and horns, Verses unfold with mournful yet tense vocals over galloping
rhythms, describing a clash at Courtrai, The pre-chorus builds with layered harmonies as banners
fall and skies bleed, The chorus erupts with soaring cleans and growls, heroic guitar harmonies, and choirs declaring “The Lion roars!” evoking triumph over despair, A bridge of whispered vocals
and tremolo-picked guitars adds mythic atmosphere, followed by a furious breakdown of growls, blast beats, and twin leads, The final chorus swells with full choirs and harmonized guitars, closing with the anthem refrain fading, ‑[Melodic Death Metal][Symphonic elements][Dual Vocals: harsh growls + soaring cleans][Epic Guitar Harmonies][War Drums]
7:32

Phantom Limb
v4.5+
Flamenco][Metal][Expressive phrasing][Minor Keys][Raw Vocal Delivery] A soleá or siguiriyas flamenco metal track about pain, loss, and phantom torment, opening with mournful nylon
guitar and palmas claps that set a tense, sorrowful tone, Verses feature raw, expressive flamenco-style vocals narrating a cramp that escalates into unbearable
anguish, underscored by distorted electric guitars and pounding cajón rhythms, The chorus erupts into epic metal chords, double-kick drums, and anguished wails, evoking the drama of amputation and the permanence of loss, The bridge brings in
a doom-like descent with heavy tremolo-picked riffs and layered harmonies, contrasting
the delicate flamenco guitar, A climactic final chorus layers soaring guitar leads, deep bass resonance, and multi-voiced chants, embodying phantom pain as eternal unrest, Feels like a ritual fire burning under storm clouds—tragic, intense, and visceral, ‑Flamenco][Metal][Expressive phrasing][Minor Keys][Raw Vocal Delivery]
7:51

[Progressive Rock][Art Rock][Angular guitars][Moody piano][Chaotic synths][Soaring + fractured vocals]A progressive/art rock track about obsessive revision and collapse, opening with sparse piano
and airy ambience that sets an introspective, haunted tone, Verse 1 is steady, measured vocals
over minimal guitar, creating fragility, Verse 2 accelerates with syncopated bass and angular
drums, tension mounting, The first chorus cuts in clipped, almost chant-like, with sharp
accents and tight phrasing, Verse 3 fractures into jagged rhythms, distorted guitars and
disjointed synth stabs, Chorus 2 becomes manic — one-word-per-line shouts, layered and
staggered like collapsing text, The bridge is breathless, tumbling phrases with electronic
glitches and escalating drum fills, until it crashes in fury: “Still the typos return!”
Final chorus is a furious burst of rapid-fire fragments, stacked harmonies, and explosive
percussion, evoking a breakdown, Outro strips back to piano
7:48

Icecarver
v4.5+
[1976 Classic Hard Rock][Proto-Heavy Metal][heavy Rock][Progressive Hard Rock][88 BPM][B minor][Descending Chromatic Riffs][Phrygian Dominant Motifs][Thundering Drums][Palm-Muted Guitars][Analog Tape Saturation][Atmospheric Keyboards][Operatic Tenor-Baritone Vocals][Legato Solos][Wide Vibrato][Munich-style Orchestration][No Modern Metal Gloss]
A 1976 hard rock/orchestral epic about obsession and ruin, 88 BPM in B minor, Thunderous drum solo opens, evoking hammers; palm-muted guitars join with descending chromatic riffs and Phrygian dominant motifs, Analog tape warmth, plate reverb, and orchestral strings/brass swell under atmospheric keys and steady bass, Operatic baritone-tenor vocals narrate a sculptor’s tale in verses; pre-chorus lifts with choirs and double-kick; chorus surges grandly, Bridge slows, heavy with tragedy; final chorus climaxes, fading to a quiet orchestral outro, ‑[compression][distortion][noise][shimmer][bad instrument][tinny][congested][voice distortion][music distortion][echo][reverb][nasty][Clacking][Squeaky][Jarring][Blaring][Buzzing][Shrill][Overcompressed][Brickwall Limiting][Djent][Modern Metalcore Gloss][Scooped Mids][Auto-Tune][Muffled][Suppressed]
5:13

[Melodic Gothic Metal][Dark Hard Rock][Drop-C tuned guitars][Twin-guitar harmonies][Heavy Rock Drums][Thick Bass][Raspy Male Vocals][Raw Fry][Mid-tempo Chugging][Somber and Ironic Atmosphere]A Melodic Gothic Metal / Dark Hard Rock track about violation and bitter irony, opening
with drop-C tuned guitars chugging mid-tempo against a somber backdrop, setting a
melancholy yet sardonic tone, Verses feature raw male vocals with heavy fry and raspy
textures, painting grim imagery of a ruined home, supported by thick bass and tight, snare-driven drums, The chorus surges with harmonized twin-guitar leads and strained
vocals, embodying both rage and cynical swagger, A bridge crashes down with a
dark, minimalist riff before expanding with layered guitars and harsh dynamics, contrasting despair with biting irony, The climax rises into a final chorus drenched in
harmonic leads, driving rhythms, and unrelenting vocal intensity, Feels like walking
through the wreckage of your sanctuary, ‑[compression][distortion][voice distortion][auto-tune][bad instrument][muffled][suppressed][tinny][shrill][clacking][buzzing]
6:50

Tears of Rust
v4.5+
This dramatic sad melancholic heavy-rock/metal epic opens with low, droning guitars and pounding toms, crafting brooding tension, Grinding, riff-driven verses support vocals edged in fry, while the chorus jumps an octave with open chords and a surging groove, Syncopated, darker riffs and intricate drums build in verse two, leading to a more explosive chorus, The bridge erupts with palm-muted chugs, double-kick bursts, and guttural screams, The final chorus is cataclysmic, layering frantic, virtuosic vocals, soaring melodies, and multi-tracked guitars with thunderous cymbals, saturating the mix for an overwhelming, intensely dramatic ending, ‑[compression][distortion][noise][muffled][suppressed][tinny][clacking][artificial]
7:09

[Melodic Death Metal][Doom Metal][Finnish Metal][Dark Melodic Metal][Dsad emotive baritone vocals][Heavy guitars][Atmospheric synth undertones][Slow to mid-tempo]A Finnish melodic death/doom metal track about aging, sickness, and mortality, Opens
with mournful clean guitar arpeggios drenched in reverb, setting a bleak and solemn
tone, Verses carry low emotiional fry vocals over chugging doom-laden riffs and heavy bass, supported by sorrowful lead melodies, The choruses break with soaring clean vocals, layered guitars, and harmonized despair, evoking both heaviness and tragic beauty, Bridge is short, sharp, and crushing — stripped down to percussive hits and harsh
growls, The final chorus returns half-snarled, half-sung, collapsing into a fading outro
with whispered spoken lines and dissonant chords, Feels like standing before a
snow-covered graveyard at dusk — oppressive, dark, and cathartic, ‑[compression][distortion][noise][shimmer][background noise][bad instrument][muffled][suppressed][tinny][artificial]
6:32

The Liar King Burns
v4.5+
Drama Rock][Melancholic Slow Burn][Anguished male Vocal Fry][Dynamic Guitar Runs and Wails][Minimal to Explosive Percussion][Dark Alternative][Emotive Blues-Rock Undercurrent]A slow-burning, high-drama rock track with Male lead vocals in anguished vocal fry, Opens with sparse clean electric guitar arpeggios and low, sustained bass, building a heavy, grief-strangled atmosphere, Verses are delivered raw, near-breaking, over minimal percussion, letting the narrative of abuse and betrayal cut through, Choruses explode into layered overdriven guitars, heavy cymbal crashes, and emotionally charged vocal belts, Guitarist adds sharp, emotive runs and dramatic bends in spaces between lines, The bridge strips back to near silence with a haunting single-note guitar before the final verses erupt into a relentless crescendo, Feels like being dragged through fire — unflinching, searing, and devastating, ‑[compression][distortion][noise][shimmer][background noise][bad instrument][echo][reverb][tinny][artificial][female vocals]
8:00

A progressive hard rock, symphonic rock epic and proto metal opens with an immediate full-band attack: galloping toms, punchy analog bass, layered distorted guitars trading Eastern-flavored runs, and roaring Hammond organ, Operatic tenor vocals soar above with dramatic phrasing and sustained vowels, Choruses pulse with hypnotic ritual energy, enriched by brief, mystical choir layers, Mid-song, a half-time march emerges led by timpani and deep toms, under which guitar and organ exchange intricate solos, before a thunderous return to the theatrical, mythic main theme, ‑[compression][distortion][noise][shimmer][background noise][Pedal Steel][Tinkling][Shrill][Blaring][Buzzing][Piercing]
5:25

German Power Metal track with a tom-heavy triplet drum intro conjuring atomic collisions, then snapping into tight, galloping 4/4 riffs, pounding double-kick, and gritty baritone vocals, Verses hit with choppy guitars; choruses burst into gang-chant harmonies, Breakdown drops to a stomping half-time groove with playful spoken grunts, leading to a neoclassical guitar solo peppered with comedic flourishes, Operatic halftime bridge features faux-Latin choral chants, then a key-change chorus surges over relentless drive before a tongue-in-cheek outro, ‑[compression][distortion][noise][shimmer][background noise][bad instrument][tinny][artificial][shrill][blaring][congested]
3:50

Be Bad
v4.5+
This kawaii metal song collides ultra-bright J-Pop idol vocals, clap-driven beats, and twinkling synths with jarring metalcore drops, brutal chugging guitars, blast beat percussion, and death growls, Playful pop verses ride punchy riffs, choruses detonate with blasts and screams, breakdowns pit idol chants against guttural roars, production flips between sparkling pop clarity and crushingly dense metal, Ends with both styles clashing in an explosive dual-vocal finale, ‑[Lo-fi pop][Compressed bubblegum pop][Muffled vocals][Corporate EDM pop polish][Over-processed]
7:06

Love Makes Me Lonely
v4.5+
[bleak melodic metal ballad][clean/cracked male vocals][haunting low-tuned guitar, deep bass, cinematic drums]A bleak melodic metal ballad about emotional invisibility and disillusionment with modern love, Opens with whispered spoken vocals over sparse clean guitar and ambient low-end rumble, setting a cold and introspective tone, Verses feature raw, restrained clean male vocals backed by downtuned electric guitar, subtle strings, and looming bass, capturing the aching weight of observation and unfulfilled yearning, The chorus hits with crashing drums, layered guitars, and a cracked emotional vocal shift, revealing the sorrow of being left behind, Bridge introduces choral backing and minor key piano lines, offering stark contrast before slamming back into the final chorus
with denser production, double-tracked vocals, and dynamic swells, Feels like sitting in the ruins of someone else’s dream — cinematic, wounded, and haunted, ‑[Compressed][Muffled][Suppressed][Tinny][Shrill][Snappy][Tinkling][Artificial][Echo][Overproduced]
5:22

SHE SAID NO
v4.5+
[Classic Rock][Proto-Metal][Rainbow 1976 Analog Studio Rock]A classic Rainbow-style proto-metal song performed with raw studio energy, modeled after
“Stargazer” (1976), Starts with a short drum fill and guitar slide, launching into a galloping, minor-key riff, Male lead vocals in ronnie james dio phrasing style — looping lines, building intensity
each repetition, No synths, no orchestras — just Stratocaster fire, analog Hammond organ
(low in the mix), and thunderous drums, The song follows a linear arc with explosive vocals, mid-song instrumental break, and a final chorus drenched in grit, Pure classic rock power —
mythic, relentless, and born from fire, ‑[neoclassical][choirs][female vocals][synths][cinematic pads][sitars][compressed][neoclassical][female vocals][modern compression][digital haze][cinematic]
6:11

An industrial metal track fusing grinding riffs, pulsing distorted synths, and half-spoken growls alternates German and English, Dreamy pads and distant clean guitar open with surreal warmth, pulsing drums and warped synths supporting whispered verses, German pre-chorus drives tension via tight mechanical rhythms and synth brass, Explosive chorus fires up distorted guitars, furious drums, and juxtaposes guttural bilingual vocals, Dense, grinding breakdown with noise layers and bitter spoken word delivers betrayal before a final chorus of saturated guitars, screamed harmonies, and apocalyptic textures—summer heat twisting into relentless nightmare, ‑[compression][distortion][muffled][shimmer][congested][pedal steel][background noise][tinny][reverb][voice distortion]
6:00

[melodic death-doom metal][Sentenced-inspired][Finnish gothic metal ballad][cold melodic groove metal] A melancholic and emotionally numb melodic doom metal ballad inspired by *Sentenced* (especially “Excuse Me While I Kill Myself”), built around icy groove riffs, minor-key leads, and an almost spoken, bitter vocal delivery, The track opens with a somber clean guitar riff over a funeral-paced drum groove, Verses are half-sung, half-whispered, filled with regret and confessions too late, The chorus bursts with melodic twin-guitar leads and double-kick drums, anchoring a depressive anthem, Bridge collapses into ambient desolation with nothing but bass and whispered vocals before building back into a final collapse, Feels like standing at your own grave—cold, introspective, and brutally honest, ‑[compression][reverb][shimmer][clacking][buzzing][voice distortion][muffled leads]
7:54

[Symphonic metal][funeral-march pacing][crashing guitars][cinematic strings][raw male vocals][power ballad]A symphonic metal ballad about irreversible loss and brutal trauma, opening with slow, mournful
organ and ambient strings that set a tragic, cinematic tone, Verses are delivered in a plainspoken, third-person narrative style with raw male vocals reminiscent of David Coverdale, supported by
light orchestral underscoring and low guitar drones, The chorus swells with crashing guitars, thunderous drums, and haunting choral layers, expressing aching grief and inner collapse, A bridge
interrupts with a spoken word news report over static, breaking the fourth wall and collapsing
the illusion, The final chorus roars with layered harmonies, double kicks, and saturated guitars, ending with bells fading over a dying organ, Feels like watching a funeral through broken glass, ‑[compression][shimmer][voice distortion][background noise][muffled][tinny][reverb][buzzy]
6:19

Burn the Book
v4.5+
[NWOBHM][occult metal][dual guitars][ritualistic][operatic aggression][dramatic tempo shifts]A NWOBHM-inspired occult metal epic about divine hypocrisy and rebellion, opening with eerie clean guitars and preacher-like spoken scripture, setting a ritualistic and ominous tone, Verses deliver fierce lyrical indictments with theatrical, operatic vocals and layered riff-work reminiscent of Angel Witch and early Hell, The chorus explodes with harmonized guitars and thunderous drums in a triumphant cry to burn religious texts and reclaim power, A virtuosic bridge introduces fret-burning solos and tempo shifts that elevate tension, Final choruses swell with dual guitar harmonies and a defiant chant, Feels like a sermon from the abyss—mythic, heavy, and unholy, ‑[compression][reverb][tinny][shrill][distortion][congested][blaring][background noise]
5:25

[opressive metal][darkened metal][monolithic guitars, guttural male vocals, ] A metal track with clavecimbal and glockenspiel about subtle apocalypse and moral decay, opening with distant thunder, subterranean bass, and slow, tolling guitars that set a bleak, ritualistic tone, Verses feature
deep, guttural male vocals and pointed, poetic lyrics layered over droning, drop-tuned riffs, The chorus shifts into slightly more melodic dissonance, with choral
backing that echoes like a cult’s chant, evoking dread and inevitability, A spoken-word bridge
emerges over ambient collapse and distorted bells, before the final chorus erupts with layered
distortion, tremolo guitars, and demonic whispers, Feels like crawling through ash—massive, menacing, and cursed, ‑[compression][voice distortion][shimmer][background noise][bad instrument][echo][tinny][congested][Pedal Steel][Tinkling][Blaring][Buzzing][Piercing]
5:49

This NWOBHM track launches with harmonized twin-lead guitars in baroque-inspired phrases over powerful, kinetic drums and a pumping bassline, Falsetto virtuoso vocals soar atop intricate, syncopated guitar riffs in the verses, while choruses burst with majestic harmonies and crashing percussion, Two guitar solos contrast—a rapid-fire neoclassical shred and a slow, mournful lament—before the doom-laden bridge with tremolo, diminished runs, and shouted vocals, The final chorus erupts in multi-layered vocals and relentless gallop, delivering a dramatic, cinematic climax, ‑[compression][distortion][muffled][reverb][echo][noise][tinny][shrill][pedal steel][squeaky]
4:39

Early NWOBHM occult metal track opens with clean harmonic minor guitar arpeggios bathed in spring reverb, reverse cymbals rising, Verses ride galloping bass, dual guitars in stark harmony, vocals shifting from baritone to falsetto, Chorus blasts with power chords, double-time snare, gang shouts, Bridge shocks with chromatic leads, tempo collapse, frenetic guitar work, Final chorus erupts—falsetto screams, harmonized leads, wide stereo guitars; relentlessly intense and virtuosic, ‑compressed][shimmer][pedal steel][congested][tinny][reverb][clacking][background noise][voice distortion][muffled][echo]

