実録音 / Based on actual recording

Male vocalist, slightly husky and bright tone, Controlled overall intensity, lower average energy curve, Clear dynamic contrast between sections, springrolls, Verses: Intimate, conversational storytelling, Soft to medium dynamics, relaxed breath attack, Minimal vibrato, warm mid-range focus, Close-mic feeling, calm and reflective, Understated, emotionally controlled, Pre-Chorus: Gentle lift, gradual build, More breath support but still restrained, Chorus & Bridge only: Full emotional expansion, Strong mid-high presence, Increased projection and resonance, Passionate, slightly raspy texture, Sustained high notes with tight vibrato, Powerful but controlled, no shouting, Energy release limited to Chorus & Bridge, Avoid constant intensity plateau, -shout, -scream, -large breath noise, -over-belt, -constant distortion

Pure instrumental, No vocal elements, no humming, no choir, no vocal-like synths, Rock × chamber classical hybrid, Instruments: • Violin (main emotional melody, expressive legato, subtle vibrato) • Cello (deep counter-melody, warm sustained notes, occasional melodic responses) • Electric guitar (clean to light overdrive, melodic arpeggios and restrained riffs) • Piano (minimal, spacious chord voicings, soft broken chords) • Acoustic rock drums (brush-like hi-hats in verses, fuller snare in climax) Mood: bittersweet, lyrical, nostalgic, cinematic, Slow build, Wide dynamics, Use silence and space, Structure: • Intro: solo piano + distant cello motif • A section: violin enters softly with main theme • Build: drums and guitar gradually layer • Climax: soaring violin over half-time drums, emotional swell • Outro: piano and cello fade with unresolved cadence No EDM elements, no pop topline, no heavy distortion walls, Organic live-instrument feel, natural room ambience

fine weather day in winter, snow, my little lover, hello again, evergreen, singable and memorable melody, catchy

夏の爽やかな朝, dream pop, 息継ぎ音控えめ, あまり声を張りすぎない, ethereal

J-rock, SHOEGAZE, synth rock, female twin vocals, female vocal 1 : soothing and dirty, female vocal 2 : emotional and very hard raspy and very hard husky, [808 trap groove dominates, Guitar: sharp slap rhythm, ]

heartfelt vocals, female vocalist, kawaii future bass, sweeping strings, ‑shout, ‑scream, ‑息継ぎ音

Dreamy trance atmosphere with grand cinematic strings, clean acoustic guitar textures, and a youthful, gentle male vocal — strong and resonant, yet subtly innocent and boyish in tone, ‑shout, ‑scream

Create a powerful hybrid track blending Japanese folk metal, modern rap-metal, and cinematic elements, Start with airy bamboo flute, taiko pulses, shamisen, and deep sub-bass textures, Transition into crushing Drop-C djent guitars with palm-muted triplets, syncopated riffs, and a thunderous double-kick groove, Add atmospheric pads, harmonic-minor leads, and subtle choir layers to preserve a divine tone, The chorus should expand into wide stereo guitars with a bright melodic hook, contrasting the aggressive verses, Include a double-time rap section with glitch cuts, stutter FX, and rising synth risers, Finish with a brutal halftime breakdown accented by taiko and a radiant outro, Vocal style: a powerful female voice, sharp, very sultry, decadent, exaggerated vibrato, frequent kobushi turns, Rolled R consonants, sneering phrasing, playful sarcasm, precise rap delivery; and wide dynamic range to match the dramatic shifts of the track, heavy bass line, ‑shout, ‑scream

感情の深さ, rock, twin vocals, violino

Soulful atmospheric dramatic ballad, heartfelt neo-soul × late-night jazz, with ambient R&B pads and cinematic post-rock guitar swells, BPM 72, Key: D minor, Sparse electric piano, warm upright bass, brushed drums, soft Rhodes, distant clean guitar, subtle string pads, very wide reverb, Vocal: close-mic, tender, breathy, restrained, soulful vibrato, long final vowels, never shouting, Verse almost whispered, each phrase has space; Chorus gently opens with layered harmony, emotional but quiet, dynamic tempo changes, lingering vowels, Rubato Phrasing, Mood: life is heavy, reward is far, but a small joy still burns, High clarity vocal, intimate room, dramatic silence, Negative: shout, scream, growl, lo-fi, muddy mix, buried vocals, boxiness, phase issues, hiss, artifacts

[QUALITY: MAX] Casino Lounge Electro × Big Beat × Wa-Yokai Bounce × Jazz-Hop, Arabian motif, BPM 132, Minor verse → Major chorus, Bright percussive shamisen driving upper rhythm (3–8kHz high focus), Stratocaster guitar with phaser effect driving midrange groove (500Hz–3kHz mid focus), funky synth bass, oud-style plucked synth, oriental lead, cinematic brass stabs, breakbeat drums + swing hats + jazz brushes on verses, Casino FX: slot reels, coin drops, jackpot bell, push-notification SE, vinyl crackle, Vocal: playful quirky talk-singing Japanese female, theatrical dopamine-drunk diva, breathy whisper + bratty deadpan + sing-song hook, dry upfront, crisp consonants, Verse=sparse spoken / Hook=big beat drop + gang "ガチャガチャ!" / Bridge=rapid rhyme → micro silence → jackpot drop / Outro=deadpan + vinyl fade, mischievous Vegas-otaku chaos, ‑idol tone, ‑shout, ‑autotune, ‑anime belt, ‑metal, ‑EDM drop, ‑ballad, ‑muddy mix

Duration : about 3 minutes, j-rock, rap-rock, progressive rock, 132 BPM, 7/8 meter, male lead vocals, female harmony hooks, Japanese English code-switching, shouted chorus, spoken break, saxophone accents, piano stabs, distorted rhythm guitars, syncopated basslines, punchy live drums, synth arpeggios, club-ready synth bass, gated snare, chorus delay, 2000s stadium mix, defiant uplift

Duration : about 4 minutes, j-rock, rap-rock, progressive rock, 132 BPM, 7/8 meter, male lead vocals, female harmony hooks, shouted chorus, spoken break, saxophone accents, piano stabs, distorted rhythm guitars, syncopated basslines, punchy live drums, synth arpeggios, club-ready synth bass, gated snare, chorus delay, defiant uplift

Duration: within 4 minutes, Melodic J-rock rap-rock × jazz-rock anthem with progressive edge, BPM 132, 7/8 meter, Minor-tension rap verses into bright major-lift chorus, gritty defiant uplift, live-band energy, Dual lead vocals: male lead and female harmony hooks, No audience singalong, no crowd chants, no gang vocals, Male vocal: dry rapid rap, spoken break, tight rhythm, sharp consonants, raw frustration, Female vocal: fierce melodic counter-lines, agile phrasing, emotional lift, Chorus: shouted male/female harmonized belting with long sustained notes, Distorted rhythm guitars with Les Paul mid-gain crunch, driving riffs, emotional lead, Warm syncopated fingerstyle bass plus club-ready synth bass support, Punchy live drums, tight 16th hats, gated snare accents, wide half-time chorus, Alto sax stabs and soaring counter-melody, Jazz piano stabs and bright arpeggios, Synth arpeggios only, no synth leads, No heavy metal distortion

Instrumental progressive rock guitar track, Strongly inspired by DAITA (SIAM SHADE), Length: about 5 minutes, Tempo: around 165 BPM, Frequent odd time signatures (7/8, 5/4, 9/8), with brief 4/4 grooves, Guitar: Clean, sharp tone, Fast alternate picking, extensive tapping and harmonics, Controlled legato and occasional sweep picking, Highly technical but melodic and refreshing, Strong Japanese-style, singable melody, Structure: Intro with aggressive odd-meter riffs, First mood change into bright, catchy melodic section, Second mood change into technical solo over complex rhythms, Final returns to intro riff with layered melody and epic mood and big finish, Overall mood: Progressive, fast, precise, uplifting, and emotional without excess

Instrumental progressive rock guitar track, Strongly inspired by DAITA (SIAM SHADE), Length: about 4 minutes, Tempo: around 165 BPM, Frequent odd time signatures (7/8, 5/4, 9/8), with brief 4/4 grooves, Guitar: Clean, sharp tone, Fast alternate picking, extensive picking harmonics, Controlled legato and occasional sweep picking, Highly technical but melodic and refreshing, Strong Japanese-style, singable melody, Structure: Intro with aggressive odd-meter riffs, First mood change into bright, catchy melodic section, Second mood change into technical solo over complex rhythms, Final returns to intro riff with layered melody and epic mood and big finish, Overall mood: Progressive, fast, precise, uplifting, and emotional without excess

<Barrows+A-Prompt> [Scene: Progressive guitar instrumental, ominous riffs with sudden bright catchy melodic breaks] [Mood: Dark-unsettling to refreshing contrast; technical, emotional, uplifting] [Genre: Progressive rock, Japanese-style melodic prog, technical guitar] [Key: E minor / E Dorian / E Phrygian] [Tempo: 165 BPM] [TimeSign: 7/8, 5/4, 9/8 primary; brief 4/4 pocket grooves] [Guitar: Inspired by DAITA (SIAM SHADE); clean sharp tone; fast alternate picking, tapping, harmonics, legato, sweep picking] [Length: ~3 minutes] [Voca: NONE] [Use chord progression: Em/C/G/D | A/D/E/C#m | F#m/B/E/Bm | Em/G/D/A], ‑<Exclude> No vocals, ‑No voice, ‑No voice chop, ‑No vocal sample, ‑No shout, ‑No scream, ‑No rap, ‑No spoken phrase, ‑No choir, ‑No synth lead, ‑No heavy distortion, ‑No sloppy inaccurate playing, ‑No electronic drums, ‑No auto-tune ‑</Exclude> </Barrows+A-Prompt>

Instrumental progressive rock guitar track, Strongly inspired by DAITA (SIAM SHADE), Length: about 3 minutes, Tempo: around 165 BPM, Frequent odd time signatures (7/8, 5/4, 9/8), with brief 4/4 grooves, Guitar: Clean, sharp tone, Fast alternate picking, extensive tapping and harmonics, Controlled legato and occasional sweep picking, Highly technical but melodic and refreshing, Strong Japanese-style, singable melody, Structure: Intro with aggressive odd-meter riffs, First mood change into bright, catchy melodic section, Second mood change into technical solo over complex rhythms, Final returns to intro riff with layered melody and epic mood and big finish, Overall mood: Progressive, fast, precise, uplifting, and emotional without excess

Instrumental progressive rock guitar track, Strongly inspired by DAITA (SIAM SHADE), Length: about 4 minutes, Tempo: around 165 BPM, Frequent odd time signatures (7/8, 5/4, 9/8), with brief 4/4 grooves, Guitar: Clean, sharp tone, Fast alternate picking, extensive picking harmonics, Controlled legato and occasional sweep picking, Highly technical but melodic and refreshing, Singable melody, Structure: First mood change into bright, catchy melodic section, Second mood change into technical solo over complex rhythms, Final returns to intro riff with layered melody and epic mood and big finish, Overall mood: Progressive, fast, precise, uplifting, and emotional without excess

Core sound: High-energy Japanese j-rock with progressive, rap-rock, and dramatic melodic shifts, Production: Fast, odd-meter, stage-ready arrangements; synth and club energy; punchy hooks and rapid build sections, Lyrics & mood: Self-worth, pushing through doubt, gratitude, and direct address; defiant, playful, anxious, upbeat, Vocals: Japanese lead vocals with frequent English hooks; expressive male and female leads, Avoids: No screaming vocals, no growled vocals