1:37
The song fuses Moravian folk with riff-driven folk-rock, hardcore bursts, and new wave punk textures, Verses feature playful cimbalom, violin, and pipes over tight rhythm guitar, Choruses ignite with distorted power chords, double-kick drums, and aggressive gang vocals, layering punk synths for extra edge
2:12
Mogol
v5
traditional Mongolian rhythmic throat singing, underlined by traditional Mongolian musical instruments in combination with hard rock and even metal elements, parrody style
3:56
Sklenice
v5
Opening with atmospheric synths and sparse, jagged guitar riffs, a pulsing bass and experimental drums underpin the spoken word recitation, Angular, dissonant textures and shifting time signatures flow into psychedelic rock and acid jazz segments—freeform sax, warped keys, and explosive crescendos escalate the chaos, before collapsing into moody, avant-garde soundscapes, Chaotic sounds from violin and digeridoo
2:34
2:07
3:57
Japanese folk metal, j-metal, slow overture, brisk 140 BPM, taiko drum ensemble, shakuhachi flutter-tongue, shamisen tremolo, koto glissandi, biwa plucks, bamboo flute ornaments, distorted electric guitars, palm-muted riffing, female belt vocals, harmonized chorus, arena compression, analog tape warmth, tribal 6/8 groove, sectional tempo build, ritual mantra chant, percussive syllables
2:37