
KARVED Japanese style Instrumental Hiphop
New KARVED Album in the making, Titled KIZAMU, soon on Bandcamp (when its ready)
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19 songs
4:18

an epic dark very slow long stretched shakuhachi Japanese flute, 30bmp intro like a japanese ninja crawling in the dark, no other instruments
3:23

Japanese hip-hop beat, old war samples in English with heavy Japanese accent, vinyl crackle, turntablism, shamisen and shakuhachi loops, dark ambient Tokyo street vibe, art of war inspired, MC raps in English with Japanese accent, vinyl scratch FX, old kungfu movie textures, bamboo percussion, glitchy flute, heavy MPC drums, lofi ambient build, taiko-like drum patterns, cut-up dialogue about warfare, sample collage inspired by DJ Krush, DJ Kentaro style, slow-to-mid tempo battle beat, samurai rhythm, shogun swagger, modular synth FX, shadowy triphop groove, Tokyo underground, glitch war samples, chopped bamboo hits, sample layers, vinyl noise, textured beat layers, MC callouts layered with philosophy, haunting ambient shadows, Sample-based beat collage, 130-140bpm, chopped vinyl horn samples, vinyl crackle, scratch fx, MPC live sampling, glitchy tape hiss, sample-based instrumental, detuned Funk loops, deep breakbeat D&B dubstep vibe, drum and bass groove, dark drilling hiphop beats, moody and dark vibes, dark drone, ‑pop, ‑hip pop, ‑chill, ‑lounge, ‑jazz
5:54

A 120bpm dark abstract hiphop/instrumental hip-hop track in the spirit of oldshool abstract turntablism, dark heavy swinging breakbeats, deep restraint, distant wind samples, and breathy shakuhachi flute textures, emphasizing negative space, Sparse taiko and temple bell hits appear like heartbeats, Gradual transition as flute dissolves into granular texture and a deep sub bass slowly fades in, Beat enters hard and deep, aggressive breakbeat drums with woody snare and rounded kick, minimal scratching used sparingly like punctuation, Sampled traditional Japanese instruments koto, shamisen, shakuhachi, temple bells, played with MPC, chopped, stretched, and looped minimally, treated with tape saturation and reverb, old sounding Spoken word poetry samples in Japanese and English with Japanese accent, calm and reflective from an old vinyl record, used as texture, not hooks, Mid-track sections slow down, strip to near silence then the beat hits hard like stone!, ‑pop, ‑rock, ‑metal, ‑folk, ‑boring, ‑slow
6:49

Ghost assembly
v4.5+
Dark cinematic Japanese ritual intro evolving into slow instrumental hiphop, ghostly female Japanese choir inspired by ancient Shinto norito chanting, deep temple reverb, free-time opening with drones and breathing textures, slow awakening atmosphere, choir gradually chopped, stretched, pitch-shifted and reversed into rhythmic fragments, transition into heavy dusty boom-bap beat at 70–75 BPM, DJ Krush style instrumental hiphop, deep sub bass pulses like machinery, sharp dry snare, vinyl crackle, turntable scratches, traditional Japanese instruments sampled and abstracted including shakuhachi, koto harmonics, distant taiko hits, cyberpunk spiritual mood, ghost in the shell inspired but original, choir used as texture not melody, granular glitch transitions, cinematic space, slow hypnotic groove, minimal scratching, meditative darkness, ritual meets machine, atmospheric breakdowns with near silence, emotional restraint, organic to mechanical evolution, haunting, focused, slow-burning instrumental journey
0:59

spoken word, interview, niggasblack-style, background interview noises (moving body parts, blowing air in the microphone), voice: cool-black-negro-man-dude, no music, ‑music, ‑beats, ‑instruments, ‑piano
0:54

spoken word, interview with one person, niggasblack-style, background interview noises (moving body parts, blowing air in the microphone), voice: cool-black-negro-man-dude, no music, one voice only!!!, ‑music, ‑beats, ‑instruments, ‑piano, ‑melancholy, ‑sad, ‑soul, ‑funk, ‑jazz, ‑too happy, ‑women voice, ‑kids voice
0:57

spoken word, cool-interview with one person, niggasblack-style, background interview noises (moving body parts, blowing air in the microphone), voice: cool-black-negro-man-dude, no music, one voice only!!! MTV style interview, ‑music, ‑beats, ‑instruments, ‑piano, ‑melancholy, ‑sad, ‑soul, ‑funk, ‑jazz, ‑sad slow, ‑too happy, ‑women voice, ‑kids voice, ‑duet, ‑sad, ‑sadness
4:29

Dark groovy cinematic Japanese tokyo-electro-Techno sampled into a instrumental abstract hiphop track, with a nocturnal Tokyo atmosphere, with soft vinyl saturation and subtle swing, heavy sub bass that breathes between hits, traditional Japanese instruments woven into the beat including shakuhachi flute with long breathy notes, biwa plucks and tremolo phrases, shamisen textures filtered and looped rhythmically, occasional kokyū-like bowed tones drifting in the background, turntable-style sampling aesthetics with chopped melodic fragments and muted scratches, urban late-night energy, moody minor-key harmony, lo-fi neon-lit soundscape, rain-soaked streets and passing headlights, lyrics delivered J-Pop-style with a close-mic intimate presence: rap hiphop, light tape hiss and analog warmth throughout, slow transitions and breakdowns with near-silence moments where only flute or bass remains, mid-track beat drop stripped percussion and isolated japanese instruments cut & paste style MPC instruments, ‑slow, ‑boom bap beats
3:44

Dark ceremonial Japanese hiphop fusion track starting with an intimate traditional geisha performance from an old 1920s bad quality vinyl recording, Opens with solo female Japanese vocal singing Edo-era kouta-style poetry, breathy restrained delivery, subtle nasal tone, slow vibrato, very close microphone presence, Primary instrument is Kokyū, bowed string with fragile crying tone, slow expressive phrasing, woody resonance, room ambience, ritualistic, as Kokyū phrases are looped, stretched, and granulated, Vinyl crackle, tape hiss, and analog saturation fade in, Heavy cinematic instrumental hiphop beat enters slowly: dusty kicks, muted snares, deep sub-bass, darkness, old 1920s Traditional bad quality recording Geisha vocals are chopped into rhythmic fragments, becoming texture rather than lyrics, heavy dark Japanese style electronic beats, dark synths and dark heavy hiphop style vocals: sample of an old 1920s vinyl recording bad quality vinyl wobble, ‑pop, ‑rock, ‑metal, ‑western music, ‑western rhythm, ‑perfect, ‑new sounding vocals
3:43

dark Japanese instrumental hiphop, Tokyo backstreets, Breakbeats, D&B, loose swing, heavy kick, rim-snare, vinyl crackle, low mono sub, slow glide, minimal movement, Sampling: chopped shamisen stabs, shakuhachi breaths, tape saturation, Atmosphere: narrow alleys, neon reflections, rain on asphalt, Mix: underground, raw, unpolished, analog warmth, SP-1200 feel Vocal texture: low-volume whispers, filtered, distant, like heard through walls, Scratching: minimal, rhythmic, texture not show-off
japanese drum&Bass-hip-hop beat, old manga samples, vinyl crackle, turntablism, shamisen and shakuhachi loops, dark Tokyo street vibe, MC raps ghetto slang, vinyl scratch FX, old 80s b-Movie kungfu movie samples, bamboo percussion, glitchy flute, heavy MPC drums, taiko-like drum patterns, cut-up dialogue about warfare, sample collage, military battle beat, samurai rhythm, Bassgroove, danceable, 808 roland beats and rocky-backbeats, rattle, gritty, dirty heavy ghetto beat, ‑pop, ‑rock, ‑metal, ‑lounge, ‑chill, ‑jazz, ‑funk, ‑western music, ‑western rhythms
3:53

dirty dark acid beat mixed with ghetto style Dark gritty moody cinematic Japanese hip hop and heavy dark drum&Bass D&B midtempo beat, heavy dusty drums, deep sub bass, shamisen as main melodic instrument, shakuhachi breath tones, taiko-style percussion hits, turntable scratching, old vinyl crackle throughout, lofi texture, modular analog synth drones, knob turning movements, avant-garde sound collage, traditional Japanese music fused with DJ Krush DJ Shadow DJ Kentaro aesthetics, spoken word DJ callouts about DJ Karved, (samples in Japanese voices sourced as if from old shellac or early vinyl recordings: sample of an elderly female Japanese vocal tones like geisha or folk singer, English rap by male ghetto mc), warped pitch, flutter tape saturation, ritual hypnotic atmosphere, nighttime Tokyo energy, strong minimal groove, space between hits, cinematic restraint, raw underground feel, deep reverb spaces, apocalyptic scratching, neo-tokyo style, not singing the style prompts!, ‑pop, ‑rock, ‑singing prompts!, ‑boring, ‑slow
5:06

sinister Dark industrial assault hip-hop with retro sci-fi D&B and anime kaiju cartoon textures, chopped Japanese cartoon dialogue samples from 1980s dystopian ADHD anime-manga, campy overacted English dubbed B-movie lines, dusty vinyl textures, shakuhachi flute atmospheres, traditional hard taiko drum hits, analog dark horror drones, menacing synths orchestral stabs, koto string melodies, lo-fi movie reel crackle, cinematic tension layers, underground walloping bass, sci-fi B-movie manga anime cartoon ADHD vibe, japanese anime cartoon 1980s era ambiance, space opera aggressive percussion, 80s vintage manga tv clips, experimental MPC slice loops, deep bass grumble, warped synth atmospheres, East-meets-West film fusion, horror-suspense breakdowns, atmospheric percussion, twisted retro-future beats, cinematic vinyl flips, dark dubstep-hop!! moody, darkest electronic beats, drill 'n' bass textures and drilling beats, gritty 808 drums, frantic anime style samples, Anime manga samples
6:33

Cinematic shakuhachi flute opens with a haunting solo, layered into ninja night sounds sampled FX and vintage kungfu film samples, A taiko-driven tribal hip-hop groove slams in with scratch FX, Japanese male MCs trading Japanese rap and English lines atop shamisen riffs, fast koto loops, glitchy instrumental flourishes, echoed war chants, and battle FX, Percussion-heavy glitch flows fuel a dojo-at-midnight energy, interspersed with call-and-response, VHS and vinyl sample texture, woodblock accents, and ghostly samples, Finale intensifies the fusion of epic taiko, battle-loop rap, and chopped kungfu snippets
3:23

slow intro building to sinister Dark industrial assault hip-hop with retro sci-fi D&B, chopped dystopian cinematic textures, dusty vinyl textures, shakuhachi flute atmospheres, traditional hard taiko drum hits, gritty analog dark synth horror drones, menacing synths orchestral stabs, koto string melodies, lo-fi ambient synth pads, cinematic tension layers, underground walloping bass, sci-scifi dark punk, space opera aggressive percussion, experimental MPC sliced endles-loops, deep bass grumble, electric zipping warped synths, rolling horror-suspense breakdowns, atmospheric percussion, twisted retro-future beats, cinematic vinyl flips, dark dubstep-hop, reversed loops, reversed Japanese vocal samples, moody, rolling drilling dark electronic beats, drill&bass textures and drilling beats, gritty 808 drums, Uillean pipes, trap, cyberpunk, phonk, ‑pop, ‑rock, ‑boring, ‑slow
5:20

Industrial dark hiphop fused with Ainu musical elements, built around hypnotic tonkori plucked string loops creating circular rhythmic patterns, organic mukkuri mouth harp pulses adding buzzing percussive textures, distant reconstructed Ainu vocal textures used atmospherically and nonverbally, dusty vinyl crackle and field ambience opening into deep downtempo groove evolving toward dark melodic drum & bass energy, layered boom bap and modern breakbeats, deep sub bass, gritty MPC slicing, analog tape warmth, evolving ambient pads, reversed textures, subtle shakuhachi atmospheres blending with northern wind soundscapes, minimal koto accents, cinematic tension layers, organic percussion, ritualistic mood without clichés, tribal yet futuristic, underground instrumental hiphop flow, dark ambient transitions, chopped melodic fragments, glitch accents, slow build structure expanding into energetic midsection then drifting back into atmospheric outro, emotional but restrained, experimental, ‑pop, ‑rock
6:06

melodic dark moody Cinematic zen glitchy electro industrial drill&Bass drilling polyrhythmic hip hop heavy repeating beats, slow tempo deep calming atmosphere, warm textures, sparse koto plucks and gentle shamisen harmonics drifting in wide reverb space, breathy shakuhachi flute phrases answering softly, reflective mood, minimal brushed drums and soft dark droning gritty sub bass pulses entering slowly then dissolving, organic wood percussion and loud temple bell, meditative hypnotic pacing with long pauses and space between sounds, lofi warmth and soft saturation, field recordings of quiet nature and birds singing, almost silent breakdown section emphasizing stillness and reflection, peaceful emotional tone, slow harmonic progression suggesting acceptance, Japanese melodic aesthetic blended with cool hip hop sensibility, focus on melodic atmosphere and emotional release, ending with gradual fade of koto echoes, spoken poems and scratching, mpc sampling of instruments and dark gritty synths
3:46

extremely Dark instrumental industrial sinister electro hip-hop with retro sci-fi and kaiju film textures, chopped Japanese dialogue samples from 1950s monster pulp-movies, campy overacted English movie lines, dusty vinyl textures, shakuhachi flute atmospheres, traditional taiko drum hits, analog horror drones, dramatic orchestral stabs, koto string melodies, lo-fi movie reel crackle, cinematic tension layers, underground boom bap groove, sci-fi B-movie panic, atomic era ambiance, space opera suspense energy, vintage radio clips, ambient Godzilla roars, experimental MPC slice loops, deep bass grumble, warped synth atmospheres, East-meets-West film fusion, horror-suspense breakdowns, atmospheric percussion, twisted retro-future beats, cinematic vinyl flips, dark darker darkest!! moody, darkest electronic beats, D&B textures and drilling beats, gritty 808 drums, Kawaii Dubstep, rough and gritty, ‑pop, ‑rock
4:00

remixing a Japanese traditional geisha song by sampling old dusty 1920s bad quality gramophone records, vinyl samples mixed with sampled cut and paste sound collage MPC style loops and snippets of 60s lounge jazz and French chanson, mixed with modern hard electronic instrumental hip hop beats, it Begins with intimate chamber setting, female geisha vocal, Kokyū bowing, wooden room ambience, Gradual transition introduces upright bass, 808 sampled mpc brushed jazz drums, cut Rhodes chords, muted trumpet pads, and soft jazz guitar, electro Beat emerges mid-tempo with dusty dark hip hop kick, brushed snare, chopped Kokyū loops, broken vinyl wobble textures, and rhythmic vocal fragments used as percussion, Groove combines Tokyo night atmosphere with Paris lounge energy, cut up big band brass accents, jazzy bass walking lines, live turntable scratches, dark strings cinematic spy-lounge tension, Instrumental section layers shakuhachi breaths, taiko-style hits, MPC sampled glitch Rhodes solos, ‑pop, ‑rock, ‑metal, ‑boring, ‑sad, ‑lounge
5:26

breakbeat dubstep funk remix Opens with filtered vinyl soul sample, dusty Rhodes chords, tape flutter, soft shakuhachi breaths layered with warm analog pad, Mid-tempo funk breakbeat with heavy swung kick, snappy rim-snare, crisp live hi-hats, and thick rolling sub bass with glide, Groove is danceable, head-nod festival energy, not dark alley but neon skyline optimism, Chopped shamisen stabs processed through granular glitch edits, reversed tails, and rhythmic stutter FX, Brass section enters in chorus: soulful sax riffs, muted trumpet hits, big harmonic lifts, Vocal verses slightly cleaner, more upfront, subtle tape saturation, light delay throws, Chorus expands with layered crowd claps, stereo vinyl scratches, bright synth arps, uplifting chord progression, Bridge drops into half-time wobble bass with shimmering FX, then explosive full-beat return, Mix is wide, warm, cinematic, funky, sample-driven, SP-1200 texture blended with modern punch, crunchy

