4:52
Tribal witch house pulses begin with industrial darkwave percussion, distorted kicks, and metallic clatter, Swamp rock guitars weave with menacing synths, The chorus bursts with buzzing synths and a guttural growl hook, as foghorn drones anchor the tension beneath ethereal female vocals
4:47
80s glam metal / hard rock, Think Winger, Steel Panther, Europe, High energy, bright guitars, big gated snares, soaring tenor vocals, Verses: swagger chest voice, Pre-chorus: tension lift, harmonies, Chorus: explosive, lead hits high G5 on “BITE”, backing shouts “BITE BITE BITE”, Slick studio production, no crowd noise, Drop D or E standard, Tempo around 146 BPM, Double-tracked rhythm guitars hard L/R, lead guitar with delay, bold bass, wide reverb on snare, Massive guitar solo, tapping and whammy dives, 24 bars before bridge, Key change up for final chorus, Whispered intro: “Love at first bite…” Final chorus biggest energy, Add plate reverb on vocals in chorus, slapback in verse, Keep drums punchy, vocals upfront, Copy full lyrics as written with cues, Focus on fun, seductive, powerful attitude: dangerous romance with a vampire queen, sexy and unstoppable, Stadium anthem, huge sing-along chorus
4:27
4:14
A gritty, emotionally distorted, dissonant desolate dark indie rock song with lo-fi analog textures and brokenhearted intensity, Opens with soft tremolo guitar and a haunting, weary female vocal – crushed, regretful, confessional, A steady, mid-tempo beat enters, driven by dusty drums and overdriven bass, Verse builds with swelling ambient noise, distorted tremolo guitars and creeping harmonies, Chorus explodes with layered, shouted backing vocals, fuzzy
guitar riffs and emotionally shattered delivery ("even ghosts don’t die alone"), Bridge slows and stretches, voice nearly breaking, over a pulsing single-note drone and crackling static, Outro deconstructs into just
vocals and feedback — vulnerable and unresolved, Feels like falling apart in slow motion — volatile, aching, hypnotic