In New York

Lennon 1973–1975 Style (Option 1 — Full Paragraph) Soft-rock, mid-70s Lennon sound inspired by Walls and Bridges, Mind Games, and especially #9 Dream: 98–104 BPM, dreamy, floating, piano-led pop-rock with warm analog tape saturation, mellow electric piano, gentle acoustic guitar layers, soft strings rising in emotional moments, subtle Mellotron pads, melodic bass with a round vintage tone, brushed or lightly compressed drums sitting deep in the pocket, occasional reverse-reverb swells and phase-washed textures that feel hallucinatory but gentle, vocals mixed forward and intimate with Lennon-style softness—slightly nasal, breathy, emotionally transparent, with double-tracking on the choruses, light slapback echo, and a drifting, surreal atmosphere; overall production is lush but not dense, glowing with wistful nostalgia, warm analog haze, and a dreamy New York City mid-70s soft-rock melancholy

Lennon 1973–1975 Style (Option 1 — Full Paragraph) Soft-rock, mid-70s Lennon sound inspired by Walls and Bridges, Mind Games, and especially #9 Dream: 98–104 BPM, dreamy, floating, piano-led pop-rock with warm analog tape saturation, mellow electric piano, gentle acoustic guitar layers, soft strings rising in emotional moments, subtle Mellotron pads, melodic bass with a round vintage tone, brushed or lightly compressed drums sitting deep in the pocket, occasional reverse-reverb swells and phase-washed textures that feel hallucinatory but gentle, vocals mixed forward and intimate with Lennon-style softness—slightly nasal, breathy, emotionally transparent, with double-tracking on the choruses, light slapback echo, and a drifting, surreal atmosphere; overall production is lush but not dense, glowing with wistful nostalgia, warm analog haze, and a dreamy New York City mid-70s soft-rock melancholy

112 BPM, Soul-Rock with 70s/80s cinematic emotion and a modern rhythmic pulse, Piano-forward arrangement with big sustained chords and warm organ pads, Add subtle Dua-Lipa-style groove in the drums and syncopated bass (not pop vocals), Warm electric guitar lines and light string swells for lift, Male lead: mid-tenor, expressive, smooth grit, Female backups: soft echoes, delayed harmonies (“wishin’ you were here”), Vintage analog warmth, tight drums, emotional, atmospheric, 112 BPM, 70s/80s soul-rock with a modern rhythmic lift, Piano-forward arrangement with big sustained chords, warm analog feel, subtle Dua-Lipa-style groove energy (tight drums, syncopated bass movement, light rhythmic accents), Cinematic strings swell softly for lift, Warm electric guitar riffs, round melodic bass, punchy but smooth drums, Male mid-tenor lead, soulful and emotional, not sad, Soft female backing vocals with echo lines and delayed harmonies (NOT gospel), Melancholy-cinematic mood with a modern

112 BPM, Soul-Rock with 70s/80s cinematic emotion and a modern rhythmic pulse, Piano-forward arrangement with big sustained chords and warm organ pads, Add subtle Dua-Lipa-style groove in the drums and syncopated bass (not pop vocals), Warm electric guitar lines and light string swells for lift, Male lead: mid-tenor, expressive, smooth grit, Female backups: soft echoes, delayed harmonies (“wishin’ you were here”), Vintage analog warmth, tight drums, emotional, atmospheric, 112 BPM, 70s/80s soul-rock with a modern rhythmic lift, Piano-forward arrangement with big sustained chords, warm analog feel, subtle Dua-Lipa-style groove energy (tight drums, syncopated bass movement, light rhythmic accents), Cinematic strings swell softly for lift, Warm electric guitar riffs, round melodic bass, punchy but smooth drums, Male mid-tenor lead, soulful and emotional, not sad, Soft female backing vocals with echo lines and delayed harmonies (NOT gospel), Melancholy-cinematic mood with a modern

electric, melancholy, light, 112 bpm 70s/80s soul-rock, piano-forward arrangement with big sustained chords, delayed harmonies), light strings swell for lift, cinematic, round bass, mid-tenor male lead with soft female backing vocals (echo lines, punchy, warm, warm electric guitar, soul, tight drums, warm analog feel, soft, rock

electric, melancholy, light, 112 bpm 70s/80s soul-rock, piano-forward arrangement with big sustained chords, delayed harmonies), light strings swell for lift, cinematic, round bass, mid-tenor male lead with soft female backing vocals (echo lines, punchy, warm, warm electric guitar, soul, tight drums, warm analog feel, soft, rock

electric, melancholy, light, 112 bpm 70s/80s soul-rock, piano-forward arrangement with big sustained chords, delayed harmonies), light strings swell for lift, cinematic, round bass, mid-tenor male lead with soft female backing vocals (echo lines, punchy, warm, warm electric guitar, soul, tight drums, warm analog feel, soft, rock

electric, melancholy, light, 112 bpm 70s/80s soul-rock, piano-forward arrangement with big sustained chords, delayed harmonies), light strings swell for lift, cinematic, round bass, mid-tenor male lead with soft female backing vocals (echo lines, punchy, warm, warm electric guitar, soul, tight drums, warm analog feel, soft, rock

116 BPM, 1973–1975 New-York-era rock: gritty electric guitars, jangly 12-string rhythm, slap-back vocals, funky bass, and loose, live drums with a raw room feel, Bright honky-tonk piano stabs and Hammond organ swells, Lennon-style lead vocal: nasally warm, slightly sarcastic, conversational, punchy phrasing, double-tracked in choruses with light tape saturation, Female soul backing vocals (New York “free the people” style) doing call-and-response, long oohs, and occasional gospel-tilt shouts, Production feel: raw analog tape, minimal polish, street-corner swagger, protest-rock energy, claps on 2 & 4, tambourine lift in choruses, New-York-City electricity: horns optional (short stabs), distorted megaphone moments, police-siren-like guitar bends, Mood: triumphant, urban, gritty, gritty hopefulness with Lennon-style humor and emotional truth, “NYC rock-soul anthem” atmosphere

116 BPM, 1973–1975 New-York-era rock: gritty electric guitars, jangly 12-string rhythm, slap-back vocals, funky bass, and loose, live drums with a raw room feel, Bright honky-tonk piano stabs and Hammond organ swells, Lennon-style lead vocal: nasally warm, slightly sarcastic, conversational, punchy phrasing, double-tracked in choruses with light tape saturation, Female soul backing vocals (New York “free the people” style) doing call-and-response, long oohs, and occasional gospel-tilt shouts, Production feel: raw analog tape, minimal polish, street-corner swagger, protest-rock energy, claps on 2 & 4, tambourine lift in choruses, New-York-City electricity: horns optional (short stabs), distorted megaphone moments, police-siren-like guitar bends, Mood: triumphant, urban, gritty, gritty hopefulness with Lennon-style humor and emotional truth, “NYC rock-soul anthem” atmosphere