3:09
New Jersey Indie Rock, Lo-fi Garage Punk, Neurotic Male Vocals, Upbeat Acoustic Guitar, Gang Vocals, Folk Punk, Raw Production, Spoken Word Verses, Anthemic Chorus
4:21
5:09
OK Computer–inspired modern New York indie rock, High male vocal (Thom Yorke-ish, fragile but powerful) over layered distorted britpop guitars, melodic lead lines, warm bass, tight live drums, and atmospheric synths, Moody, urban, slightly paranoid vibe: late-night subway platforms, glowing phones, climate anxiety, and quiet heartbreak in the city, Verses are tense and minimal with drum loops and glitchy textures, choruses explode into big anthemic chords and soaring vocal hooks, High-end production: roomy drums, fuzzy yet detailed guitars, vocal harmonies, subtle tape delay and reverb, occasional odd meters and dynamic shifts for that OK Computer prog feel, but with Brooklyn-scene energy and a modern loud, polished mix
3:18
French-Russian indie alt ballet waltz in 3/4, dramatic minor key, Female lead vocal, light accent, whispery then powerful, Sparse piano and string quartet with stomping floor tom, fuzzed garage rock guitar hits and toy glockenspiel, Feels like dancing in a snow-dusted theatre between Paris and Saint Petersburg, Tempo medium-fast, lyrical and cinematic, bittersweet but catchy, Big chorus hook on “Romanastasha, spin out the night” with crowd-chant backing vocals
5:24
Indie twee-pop from a Brooklyn band with Jersey roots: warm upright piano and fingerpicked acoustic guitar, subtle drums and bass, small string section and glockenspiel for sparkle, Strong, expressive female lead vocal with a guy singing close harmonies on pre-choruses and big gang-vocal choruses, building a communal, heart-forward feeling, Melodramatic in a good way—intimate verses, big sing-along hooks, all about turning anxiety, autism, and late-night internet spirals into something hopeful and musical
3:11
indie rock shiegazey guitar with melodic chorus distortion high pitched vocals and a lot of drama like a thunderstorm
6:12
TITLE: Sometimes I Go By Terra
STYLE: Bright Eyes–inspired indie folk rock singalong, NJ–NYC soundsphere, male–female duet, anthemic pop-rock ballad with emo edge, jazzy guitar/piano middle-8, crowd “la la” chant
BPM: 124
KEY: G major (last chorus modulates to A)
LANGUAGE: English
INSTRUMENTS: acoustic + clean/edge-of-breakup electric guitars, piano/Rhodes, bass, drums with tight snare, tambourine, analog pad, handclaps, crowd vocals
VOCALS: co-lead male & female in unison on verses/choruses; trade lines in V2; stacked harmonies on lifts; crowd chant in breakdown
STRUCTURE (~3:30): Intro / V1 / Pre / Chorus / V2 / Pre / Chorus / Middle 8 (jazzy) / V3 / Breakdown Chant / Bridge / Solo / V4 / Pre-Lift / Key-Lift Final Chorus / Tag
3:53
Omaha
v5
Suno prompt block (paste-friendly)
Title: Omaha
Style: twee indie folk-pop, chamber pop, J-pop lift, Sufjan-meets-Byrds, big anthemic chorus, glockenspiel & 12-string
Key/BPM: D major, 122 BPM, 4/4
Mood: warm, civic-romantic, winter-bright, communal
Hook: “O-ma-ha” chant; guiding melody motif (D-E-F#-A-B-A-F#-E | D-E-F#-A-B-A-F#-A) in intro & pre-final
Instruments: 12-string acoustic/electric, glockenspiel, handclaps, chamber strings, electric bass, drums, bright synth arps, pad
Structure: Intro (motif) → V1 → Pre → Chorus → V2 → Pre → Chorus → Bridge (drop) → Instrumental Refrain (motif) → Final Chorus → Outro (motif fade)
Lyrics: use the chorded lyrics above
3:02
“My Chemical Romance”-style emo ballad (NJ grit) meets “Saves the Day” urgency; chorus flips to NYC dance-punk ballroom energy (think LCD Soundsystem/The Rapture: four-on-the-floor, claps, cowbell, octave bass), Big indie guitars, live drums with sidechained synth pad, Tambourine+claps on chorus, shout-along gang vocals, Garden State imagery (Turnpike/Asbury vibes), hopeful futurism, spaceflight romance, Radio-friendly, anthemic, Tags: #emo #nj #dancepunk #ballroom #indierock #anthem #malevocal #gangvocals
SUNO “Prompt” (optional single-box)
NJ emo ballad (My Chemical Romance meets Saves the Day) with a NYC dance-punk ballroom chorus (four-on-the-floor, claps, cowbell, octave bass), Big guitars, live drums, sidechained synth pad, crowd shouts, anthemic hook, Garden State imagery, hopeful futurism, spaceflight lines, Key B minor (chorus brightens to D major color), tempo 152 BPM, 4/4, Radio-friendly, shout-along
2:29
Nick Drake–style acoustic fingerpicking; 60s psychedelic pop harmonies (Beach Boys Today!, early brit folk); modern radio chorus with arena singalong; subtle NYC club grit on the drop (808 sub, sidechain pump, vinyl hiss), Warm chamber reverb, tambourine on chorus, glockenspiel sprinkles, Mellotron pad, Intimate verses, soaring choral hook, friendly/outreach vibe, Tags: #folk #indiepop #psychedelic60s #beachboys #beegees #fingerpicking #arena #nyc #malevocal #harmonies