2:30

3:22

3:23

high-octane shit🔥
[Live Electronics]
- Hardware sequencer swing: 25%
- Stereo width: 150%
- Live sample manipulation
- Tape machine flutter: 0, 2Hz
- Vocal presence: 2-5kHz
[Experimental + Dynamic]
- Granular synthesis + Real-time pitch shifting
- Breakbeat section + Polyrhythmic layer
- Glitch effects + Complete instrumental breakdown
3:09

Cartoon Sound Collage
[Experimental + Dynamic]
- Granular synthesis + Real-time pitch shifting
- Breakbeat section + Polyrhythmic layer
- Glitch effects + Complete instrumental breakdown
[Audio Enhancement + Vintage Character]
- Analog console saturation + Multi-band compression
- Vintage preamp warmth + Tube saturation on bass
- Harmonic exciter on vocals + High-frequency air
3:07

Create an experimental Soul Punk track with aggressive, raw punk sections contrasting explosive soul moments, Male black vocalist for punk verses, female black vocalist for soul choruses, Fast punk tempos shifting to slow soul grooves, Harsh punk guitars meeting warm soul brass, Raw DIY punk production with gospel church reverb, Dramatic genre switches and unpredictable song structure, ‑Avoid polished commercial production, ‑auto-tune vocals, ‑predictable verse-chorus structure, ‑digital reverb, ‑clean guitar tones, ‑mainstream elements, ‑sterile drum programming, ‑uniform tempo throughout, ‑conventional song arrangements, ‑bland vocal delivery, ‑overproduced sound, ‑radio-friendly mixing, ‑formulaic transitions, ‑synthetic instruments, ‑compressed dynamics, ‑artificial drops, ‑slow ballad sections, ‑screaming vocals, ‑operatic vocals, ‑generic arrangements, ‑smooth production
4:44

Broken-pop, hyperactive, Heavily pitch-shifted vocals, British indie rock elements, No harsh compression, glittery



