6:26

707 kit, slow, tape record, minimal, mallsoft, vinyl, vaporwave, 80s snare, underwater, futuresynth, outrun, funk
3:12

3:04

vaporwave, hypnagogic drift, sampled audio, faux-utopian, nostalgic, melancholic, sad, reminiscent, aesthetic, late-night lo-fi, ambient, surreal, relaxing, reflective
3:26

Female vocalist, deconstructed slowcore, glitch-laced folk drones, tape-decay hymns, existential anti-melodies, amorphous catharsis, textural chaos
3:19

Emo-Pop, Power Pop Ballad, Female Vocal Bursts, Melodic Swells, Dynamic Pacing, Raw Emotion, Lyrical Clarity, Soaring Chorus, Reflective Verses
2:45

2:57

DECREE
v4.5
catchy humming intro, Lap steel guitar, multilayered, IDM, experimental, humming, slowed, ambience, smooth flow, otherworldly, 80s vibes, 80s synths
4:59

The track opens with deep Mongolian throat singing layered over morin khuur and tovshuur, setting a primordial mood, Heavy, detuned guitars and thunderous double-kick drums enter, fusing folk metal with industrial percussion, digital atmospheres, and distorted synth stabs, The chorus intensifies with a rush of traditional Mongolian winds, while metallic textures and rhythmic chants punctuate the breakdown before a ferocious, harmonized instrumental finale, ‑robotic vocals, ‑excessive autotune, ‑vocal clipping, ‑glitch artifacts, ‑muddy lowend, ‑overcompression, ‑overprocessed reverb, ‑delay washout, ‑flat dynamics, ‑stale chorus FX, ‑timing drift, ‑synthetic breath artifacts, ‑mono bleed, ‑harsh highend, ‑vocal phasing, ‑frequency masking, ‑metallic resonance, ‑unnatural tuning transitions, ‑distorted stacking, ‑background noise, ‑room hiss, ‑resonance buildup, ‑phase cancellation, ‑pumping artifacts
3:47

Goodbye Song
v4.5
Duet male & female, Melodic Metalcore, Steampunk, Industrial, Emotional, Sad, Depressive, Gothic Orchestra, Symphony, Haunting violin, Rap, Painful, Electric guitar riffs
3:17

4:00

5:15

Create a neo-soul/jazz ballad with raw, emotional female vocals, Genre: Soul-jazz with retro influences, reminiscent of 1960s Motown and modern neo-soul, Tempo: 70-75 BPM, slow and sultry, Structure: Intro - Verse - Chorus - Verse - Chorus - Bridge - Final Chorus - Outro, Vocal style: Smoky, powerful female vocalist with emotional rawness, vocal breaks, and gospel-influenced runs, Signature vibrato and slight vocal imperfections that convey authenticity, Instrumentation: Upright bass, jazz guitar, piano, brushed drums, muted trumpet, trombone section, subtle strings, Vintage recording aesthetic with slight vinyl warmth, Sound: Retro soul production with modern clarity, analog warmth, room reverb, Think classic Motown meets contemporary neo-soul, Mood: Melancholic, self-destructive themes, raw emotion, confessional lyrics about personal demons and toxic relationships, Special elements: Walking bass lines, jazz chord progressions, horn stabs, vintage microphone sound, emotional vocal del
3:49

3:42

A roaring Celtic-pirate anthem that starts as a brooding sea-shanty under creaking masts, then explodes into a furious reel when the mutiny ignites, Distorted highland bagpipes trade savage leads with haunting Andean pan pipes, creating an impossible clash of Scottish fury and high-altitude sorrow—perfectly capturing the moment desperate sailors from every corner of the empire turn on their tyrant, Gang-shouted choruses beg for live crowds punching the air while siren harmonies ride the wind, Ends with a solitary quena drifting into the night as the new captain takes the wheel, Pure cinematic rebellion on the high seas, ]
4:09

Style (SAFE – no names, non-infringing)
cinematic orchestral pop (Roman-epic inspired) | 72–84 BPM (slow/mid; rubato-friendly intro & outro) | modal minor (D Aeolian/Dorian colors) | instrumentation: large strings (con sordino pads + agile ostinatos), low brass swells, frame/taiko-style war drums (light, not EDM), harp & lyre-like plucks, **double-reed “duduk-like” solo** for color, **wordless female alto vocal (invented phonemes; no real-language lyrics)**, airy synth drones | harmony & motifs: repeating minimalist ostinato that slowly layers; occasional ♭VII–♭VI–i shifts; rare Neapolitan (♭II) swell before V for drama; avoid quoting known themes | structure: intro (ambient drones + duduk-like solo) → verse (low strings + soft ostinato) → pre (choir pad + percussion tremors) → chorus (strings broaden; vocalise “ah/oh” only) → verse → pre → chorus → bridge (battle-like drums + brass pulses; no melody quoting) → final chorus (full but not bombastic) → outro (return to intro motif, ralle





















