
Triple meter
このアルバムは、前へ進むための記録ではない。
立ち止まり、回り、揺れながら、それでも生きている感触を確かめるための10篇だ。
正しさや答えは置いたまま、風、温度、気配だけを手に取る。
三拍子は時間を刻まず、呼吸の輪郭をなぞる。
あなたの中で何かが静かに回り続けたなら、それでいい。Written by Eira Noin
·
11 songs
2:22

かほり
v5
Style
gentle 3/4 time, intimate winter night, quiet and minimal, not waltz-like
Vocal
whispered young female vocal, airy, breathy, close-mic’d, emotionally sincere, no cute tone
Arrangement
minimal acoustic guitar or piano
soft pico synth accents, very light and sparse, simple sine or bell-like tone
wide silence, warm reverb
very subtle bell accents, distant and sparse (not festive)
Feel
soft domestic warmth, calm and steady, phrases flow naturally across bars
Tempo
tempo natural from the poem’s breathing rhythm
3:11

月が落ちるまで
v5
waltz, 3/4 time, pico-infused blues (very subtle), night atmosphere, minimal arrangement, soft acoustic guitar, light pico electronic textures, simple upright bass, very light brushed percussion, whispered young female vocal, airy, breathy, youthful tone, emotionally sincere, close-mic’d and intimate, no cute tone, no idol style, no anime, tempo natural from the poem’s breathing rhythm
2:36

風を待つ
v5
Slacker Rock, loose and lazy 3/4 waltz feel, collapsed triple meter, uneven but steady, one heavy downbeat followed by drifting beats, lo-fi indie rock texture, slightly detuned electric guitar, minimal bass, simple brushed drums, dry and intimate mix, Whispered young female vocal, airy, breathy, emotionally sincere, slightly off-beat vocal phrasing, not cute, not idol, not anime, spoken-sung delivery, tired but warm tone, tempo natural from the poem’s breathing rhythm
3:29

maigo
v5
whispered young female vocal, airy, breathy, emotionally sincere, spoken-word style, almost no melody, 3/4 feeling without clear counting, very minimal arrangement, unstable balance, forward-leaning motion, close-mic’d and intimate, tempo natural from the poem’s breathing rhythm, no rap, no strong melody, no chorus emphasis
2:17

-1 × -1
v5
3/4 time, soft rap delivery, spoken-word and melodic rap hybrid, minimal beat with subtle triple-meter pulse, low-key piano or synth motif, tight, dry rhythm, no swing, no dance feel, whispered young female vocal, calm and close, emotionally restrained, thoughtful, human, tempo natural from the poem’s breathing rhythm
3:23

憂鬱
v5
quiet 3/4 waltz, minimal felt piano, very sparse arrangement, soft bass only on first beat, subtle brush percussion or no drums, intimate airy young female vocal, close-mic, breathy and restrained, night-time bedroom mood, no climax, no dramatic build, tempo natural from the poem’s breathing rhythm
4:21

ひとつ
v5
Pico Chill Country, acoustic folk country, **three-beat feel**, gentle sway
whispered young female vocal, airy, breathy, emotionally sincere, close-mic, natural (not cute, not idol)
acoustic guitar (soft three-beat strumming), upright bass, brushed drums, soft pico synth blips, subtle chiptune pulses
quietly bright, warm, gentle, reflective but not dark, small light, human softness
three-beat feel, tempo natural from the poem’s breathing rhythm
no waltz feeling, no dramatic swing
keep rhythm subtle and straight
electronic elements very minimal and supportive
no emotional push, no climax
2:29

風景のいちぶ
v5
gentle waltz (3/4 time), light and warm atmosphere, soft indie pop with acoustic guitar and subtle piano, airy young female vocal, calm and neutral tone, minimal pico synth accents, soft chiptune texture, very subtle, not cute, not game-like, no dramatic climax, steady flow, everyday scenery feeling, tempo natural from the poem’s breathing rhythm
4:01

triple meter (3/4) waltz, minimal acoustic ambient folk with soft pico electronic texture, whispered young female vocal, airy and breathy, emotionally sincere, youthful tone, gentle circular motion, cold air atmosphere, acoustic guitar and piano, subtle strings, restrained dynamics, cinematic but intimate, tempo natural from the poem’s breathing rhythm

