Pain Train Radio

Live folk, 3/4 or slow 6/8, dark, angry, gruff deep male vocalsl and spiritual in tone) Theme: Disappeared sharecropper, Unionizing, Lynch mob justice, His spirit never left the land — and neither did the crows

"Fast-tempo 1930s Juke Joint Noir blues, Gritty vocals, upright bass, slide guitar, honky tonk piano, Joyful, rebellious mood celebrating the end of Prohibition, Swingy, smoky atmosphere with stomping rhythm and danceable groove, Sounds of glasses clinking and crowd cheers layered subtly into the beat, "

Create a dark, swampy Delta blues trap fusion, Blend gritty 808 trap beats with raw Mississippi juke joint energy, Use chopped samples of Howlin’ Wolf vocals and slide guitar riffs, layered over heavy sub-bass, dusty vinyl textures, and haunting gospel choir fragments, Add distorted harmonica loops, minimal piano stabs, and ambient field recordings (like crickets, chains, or train whistles), Vocal tone should be deep, gritty, and soulful—half-rap, half-sung with blues swagger and Southern gothic weight, Think RL Burnside meets Three 6 Mafia, or Robert Johnson through a trap filter, Aim for a smoky, hypnotic late-night vibe with head-nod bounce and spiritual darkness, Tempo: around 92 BPM, Key: minor, Energy: low-simmering but dangerous, Use vocal samples like “All night long” or “pitch a wang dang doodle” warped and looped

**Title:** Voodoo Doll Stomp **Genre:** Gothbilly, Zydeco, Swamp Punk, Dark Folk **Mood:** Upbeat, Frenetic, Playfully Sadistic, Swamp-Groove, Unhinged **Tempo:** Fast (125-130 BPM) - Relentless, galloping rhythm like a possessed Cajun two-step, **Instrumentation:** - **Twangy Banjo (Lead):** Fast, spiky rolls & dissonant plucking, - **Rubboard (Front & Center):** Metallic, frenzied scraping – the song’s spine, - **Slapped Upright Bass:** Driving, percussive, slightly distorted, - **Cajun Accordion

Swampy delta blues fused with sultry female soul vocals, trap percussion, dirty analog bass, slide guitar riffs, old gospel undertones and lo-fi ambiance, Dark cinematic mood with bluesy attitude and a hint of trip-hop, Tempo around 70 BPM, For fans of sultry female voice, and Mississippi blues

“Live Delta blues song with gritty, soulful male vocals, Features bottleneck slide guitar, swampy harmonica, foot-stomping rhythm, and upright bass, Set in a small smoky bar in the Mississippi Delta with crowd noise and clinking glasses, Lyrics tell the story of a rising river and stubborn locals who won’t leave, saying: ‘Takes a lotta rain to wash away the Delta, ’ Southern, raw, defiant, and full of heart, ” Genre: Delta blues, roots rock, live session Mood: Gritty, soulful, defiant, fun Instrument focus: Slide guitar, harmonica, upright bass, stomps

Fast-paced Delta blues with a hopeful tone, Energetic male vocals, slide guitar, foot-stomping rhythm, Themes of migration, freedom, hope, and escape, Bright acoustic style with movement-driven pacing, inspired by cars on the road and dreams in motion

Delta blues, dark southern blues with modern folk and gospel undertones, Gritty male vocals, slide guitar, harmonica, soft rhythm mimicking train wheels, Themes of racial identity, labor, dignity, and legacy, Slow-burning, soulful, and powerful with emotional depth and Southern storytelling

Delta blues song with slide guitar, gritty male vocals, foot stomps and acoustic rawness, Themes of the Green Book during Jim Crow era, Black travel, dignity, and resilience, Reflects the journey of a Black traveler navigating hostile southern towns, finding safe havens, and claiming freedom on the road, Tempo steady but soulful, evokes Robert Johnson and Skip James

### Suno Prompt: **"Thunder Road Runners (Instrumental)"** **Style:** 1920s fast blues chase, boogie-woogie piano, smokey speakeasy band, gritty prohibition instrumental **Tempo:** 130 BPM → 160 BPM (building intensity) **Mood:** Urgent, dangerous, rebellious **Key Elements:** - `Driving boogie-woogie piano` - `Muted trumpet chase theme` - `Wailing blues harmonica` - `Brush snare drums & standup bass` - `1920s vinyl phonograph effect` - `Sound design: car engine revs, police sirens, breaking glass, distant gunshots`

Blues in E, mid-tempo stomp with slide guitar & heavy kick, Gritty Southern blues with foot-stomping rhythm, haunting slide guitar, and deep male vocals, Mid-tempo electric Delta blues with protest soul, Powerful storytelling lyrics about Depression-era Black boycotts against white-owned businesses that refused to hire Black workers, Raw and defiant mood, with themes of economic resistance, pride, and justice, Mix of blues grit and marching intensity, capturing the spirit of “Don’t Buy Where You Can’t Work” campaigns, Sharp guitar licks, punchy drums, and a heavy groove that sounds like boots on pavement and fists on signs

(American folk, male voice, live style, 3/4 waltz, same moody vibe as “Ash in the Wind”) Setting: California during the Dust Bowl Mood: Wistful, ghostly, raw — builds from hope to devastation

Upbeat Delta blues with strong rhythm, driving slide guitar, and powerful male vocals, Themes of labor organization, protest, racial justice, and collective defiance, Raw acoustic energy with emotional grit and hopeful rebellion, Perfect for a work-song-style anthem

**Style:** *Gritty Delta Blues meets Modern Folk (live music in a small setting)* **Tempo:** Sludge-slow (72 BPM) **Atmosphere:** Haunting, raw, with chain-se) - `[12-string guitar: Thumb-slapped bass notes + high-string trembles]` - `[Foot stomps on 2 & 4]` - `[Distant harmonica wail (D minor)

Slow Delta blues with deep emotional storytelling, Gritty male vocals, acoustic guitar, slide guitar with minor key sorrow, harmonica, call and answer, Themes of loss, racial injustice, migration, and historical trauma, Inspired by the Great Mississippi Flood of 1927, Southern Gothic tone with haunting imagery and mournful rhythm

Slow, minor-key Delta blues with dark Southern Gothic tone, Gritty male vocals, haunting slide guitar, and minimal percussion, funeral heavy with single harmonica, Themes of racial violence, injustice, loss, and memory, Emotional storytelling based on the 1921 Tulsa Race Massacre, Deeply reflective and sorrowful

Swampy Delta blues meets Southern gothic rock, Raspy male vocals over fuzzed-out slide guitar, stomping percussion, and ghostly gospel hums, Gritty outlaw sound with apocalyptic energy, Biblical themes of exile and guilt blend with haunting folk melodies and psychedelic blues licks, Dark backwoods atmosphere with reverb-soaked banjo, distorted harmonica, and cinematic flair, Think Southern spirituals fused with raw electric blues and eerie desert rock

“Live classic blues performance featuring a bold, gritty female vocalist in the style of Ma Rainey, Backed by upright bass, honky-tonk piano, muted trumpet, blues guitar, and swinging drums, Recorded in a smoky Southern dive bar with clapping, shouting, and ambient crowd sounds, Lyrics full of attitude and heartache, sung with deep, soulful phrasing and southern swagger, ”

“Live Delta blues performance with a gritty, sorrowful male vocal, Features slide guitar, mournful fiddle, upright bass, and soft drums, Recorded in a smoky Southern dive bar with ambient crowd noise — clinking glasses, murmurs, and applause, Lyrics tell the story of a man left behind by his woman during a flood, singing: ‘Bowstrings and broken hearts, ’ Raw, emotional, and atmospheric, ”

Blues-trap remix of “I Smell a Rat” by Howlin’ Wolf, Dirty funk bass, slow trap drums, blues samples, vinyl textures, wah-wah guitar, swampy harmonica, deep sub-808s, Chopped and pitched Wolf vocals with eerie ambient samples, Suspicious and stylish with a Delta noir vibe

Prompt: Dark Southern Delta blues with haunting bottleneck slide guitar, mournful harmonica, and raw male vocals, Style blends 1930s gospel noir with gritty outlaw blues, Slow to mid-tempo, dusty juke joint energy, Biblical themes of sin, righteousness, and regret, Lyrics from the perspective of a revenuer questioning his morality after destroying moonshiners, Echoes of judgment and sorrow, Influences: Skip James, Son House, Robert Johnson, with a gothic Americana twist, Spiritual undertones with a ghostly edge, Genre Tags: Delta Blues, Gothic Americana, Outlaw Blues, Roots Gospel Instruments: Slide guitar, harmonica, upright bass, stomping percussion, acoustic guitar Mood: Dark, reflective, repentant, gritty Vocal Style: Raw, Southern male, weary but strong, spiritual tension in delivery

Delta blues with modern Southern folk influence, Gritty male vocals, swampy slide guitar, foot-stomping rhythm, emotional storytelling, Raw acoustic energy blended with trap-inspired kick patterns and rural outlaw vibes, Dark Americana, chain gang blues mood with revenge themes

[Style: Outlaw Country, 70 BPM, waltz time] [Instruments: Trigger-style nylon guitar, fiddle, honky-tonk piano] [Vocal: Gritty yet tender, conversational phrasing, slight tremolo] > *"Voice dry and center-panned, fiddle 30% left, piano 30% right, Gunshot: sudden silence then reverb tail, Final guitar note vibrato with amp hum, "*

Gritty Delta blues meets modern outlaw country trap, Swaggering male vocals with raspy tone, Slide guitar, stomping beat, deep Southern basslines, harmonica with hip hop percussion, Storytelling style like Robert Johnson crossed with modern Southern rap-country fusion, Themes of the devil, soul deals, roaming the South, pride and survival

Delta blues guitar loop with trap drums, samples, lo-fi vinyl crackle, deep sub bass, and minimal keys, Inspired by Lightnin’ Hopkins, chopped and screwed with trap-hop textures, Perfect for verses about revenge, heartbreak, or outlaw life, Slow tempo, raw and moody

Dark outlaw blues trap with a deep male vocal in the style of classic Delta Blues with a modern blues-trap flare and trap-hop, Slow groove with dusty slide guitar loop, samples, lo-fi textures, deep sub-bass, trap hats, harmonica fills, and vinyl crackle, Southern Gothic vibe, Inspired by “Bad Like Jesse James” but modernized with cinematic blues-trap tension

🎶 Style Overview for Suno Prompt: • Genre: Gothic Appalachian bluegrass / “Gothgrass” • Tempo: Fast (around 145–160 BPM) • Instruments: Driving fiddle, lead banjo, stomping upright bass, kick drum or heel-stomp percussion, light acoustic guitar rhythm • Vocal: Male lead, urgent and gruff, with brief female ghost-harmony on the bridge • Mood: Adrenaline-fueled, moonshine-running outlaw tale with a dark supernatural story

Genre: Dark Gothgrass / Gothbilly Mood: Boot-stompin’, ominous, tragic Instruments: Clawhammer banjo, upright bass, dirty fiddle, acoustic & resonator guitars, stomps/claps, tambourine, ambient crows Vocals: Male and female leads with gang vocals for chorus, live in a small venue Structure: Classic verse-chorus, with a breakdown and a haunting end Tempo: Driving ~140–160 BPM, pulsing like judgment

🎵 Title: Crows Know My Name Genre: Dark Gothgrass / Punkfolk Mood: Paranoia, guilt, supernatural dread Instruments: Clawhammer banjo, acoustic guitar, fiddle (screechy), upright bass, foot stomps, ambient crow caws Structure: Slow eerie intro → building tension → frantic storm → whisper-drop ending Tempo Shift: Starts slow (~60 BPM), builds to ~160 BPM, drops to nothing

**Title:** One Good Year **Style:** Gothic Americana / Dark Folk / Slow Gothgrass **Tempo:** 58 BPM (very slow, heavy) **Mood:** Bleak, weary, haunting → Anguished crescendo → Hollow resignation **Length:** ~3:45 minutes **Structure & Suno Cues:** *(Include these notes IN your prompt)* 1, **Intro (0:00-0:30):** `[Haunting banjo plucking (minor key), deep droning acoustic bass, distant tremolo fiddle, sparse bass drum heartbeat (every 4 beats), subtle rattlesnake shaker, Wind sound underneath, ]` *(Instrumental only - sets desolate mood)*

Genre: Dark Gothgrass / Punkfolk Mood: Sinister, storytelling, eerie, frantic Instruments: Acoustic guitar, clawhammer banjo, fiddle, upright bass, foot stomps, ambient wind Structure: Slow and eerie → Builds to frantic chaos → Drops to chilling silence Tempo Shift: ~60 BPM beginning → ~160 BPM during climax → End drops to near stillness

Vocal Style: Gritty male vocal, slightly raspy with emotion • Genre Tags: #gothgrass #punkfolk #darkfolk #americana #southerngothic • Mood Tags: #haunting #tragic #frantic #slowbuild #dropoff • Instrumentation Notes: • Start with acoustic guitar & light fiddle • Add clawhammer banjo and foot stomps in Verse 3 • Go full chaos in Verse 4–5 • Cut all instrumentation after last line

**Title:** Rust on the Water Tower **Genre:** Gothic Americana / Slow Burn Bluegrass / Prairie Noir **Mood:** Bleak, Nostalgic, Building Desperation, Hollow Resignation **Tempo Arc:** - **Intro/Verses:** 68 BPM (heartbeat sludge) - **Chorus/Bridge:** 128 BPM (frantic, claustrophobic) - **Outro:** 58 BPM (collapsing time) **Instrumentation:** - **Intro/Verses:** - Upright Bass (isolated, deep bow drones) - Resonator Guitar (sparse, metallic slides) - Whispering Jaw Harp (like wind through cracks) - **Frantic Section:** - Banjo (trembling clawhammer rolls) - Mandolin (nervous tremolos) - Slapped Cello (mimicking rattling pipes) - Distorted Washboard (scraped violently) - **Outro:** - Detuned Piano (single decaying notes) - Distant Harmonica (broken melody) - Bass drone returns (emptier) **Vocal Style:** - **Male Vocal:** - Verses: **Tom Waits-meets-Leonard Cohen** gravel, spoken-poem delivery - Frantic Section:

**Genre:** Gothic Bluegrass / Punk Folk / Murder Ballad **Mood:** Frenetic, Claustrophobic, Sinister, Unhinged **Tempo:** 148 BPM (breakneck speed with stomping rhythm) **Instrumentation:** - **Banjo:** Metallic, relentless rolls (D tuning for darker tone) - **Slapped Cello:** Rhythmic aggression > melody (mimics heartbeat) - **Acoustic Guitar:** Punishing cowboy chords (no fingerpicking) - **Mandolin:** Treble-heavy tremolos (like wasp swarm) - **Percussion:** - Foot stomps on wooden plank - Chain rattles - Washboard scraped with knife **Vocal Style:** - **Male Lead:** Half-sung, half-shouted, Raspy, desperate, and violently conversational (Gordon Gano meets prison work song), - **Treatment:** - Minimal reverb (dry, "basement" sound) - Occasional voice cracks on high notes - Panicked breathing between lines

Genre:** Gothic Bluegrass / Punkbilly / Murder Ballad **Mood:** Vicious, Triumphant, Frenetic, Darkly Comic **Tempo:** 152 BPM (breakneck, chaotic hoedown) **Instrumentation:** - **Banjo:** Aggressive clawhammer rolls in minor key - **Slapped Cello:** Percussive, distorted thumps (mimics crashing metal) - **Acoustic Guitar:** Punishing open chords (no fancy picks) - **Mandolin:** Treble-heavy, dissonant shreds - **Percussion:** - Washboard scraped with screwdriver - Anvil hits (for "crushing" SFX) - Breaking glass samples - Gasoline slosh + match strike SFX **Vocal Style:** - **Female Lead:** Gritty, snarling delivery (Dolly Parton’s evil twin), Starts cold, builds to manic glee

“Live Delta blues performance featuring gritty female vocals, explosive fiddle solos, and stomping crowd energy, Includes slide guitar, harmonica, upright bass, honky-tonk piano, and a wild fiddle showdown, Story-driven lyrics tell of the Devil arriving in the Delta to steal souls but leaving defeated, Performed live in a raucous Southern bar with crowd claps, shouting, and smoky atmosphere, Chorus repeats: ‘The Devil missed the Delta, ’ Fiery, sassy, legendary, ”

Genre: American folk, live setting Mood: Haunting, emotional, slow-burning with building intensity Instrumentation: Acoustic guitar (fingerpicked), upright bass, stomping foot percussion, distant harmonica, occasional fiddle swells Vocals: Raspy male lead vocal with pain and grit, occasional backing harmonies (male/female) in choruses Setting: Performed live in a small wooden room with ambient mic bleed, subtle crowd noise or chair creaks welcome for realism

Modern hip-hop blues remake of Ray Charles’ “I Can’t Stop Loving You, ” gritty and soulful, Slow 88 BPM, minor key, Blend boom-bap drums with deep 808s, live bass, and finger-picked dobro or slide guitar, Add gospel backing vocals on the chorus, chopped Ray Charles vocal samples for intro and transitions, and light vinyl crackle throughout, Verses delivered in blues-rap flow with raw emotion, hook sung soulfully in original style, Include harmonica riff in the bridge, cinematic reverb, and a dusty, warm analog mix

Style: Blues-hop / soul-hop remix with vintage sampling Vibe: Hard-hitting, emotional, raw — dripping with regret and swagger Influence: Ray Charles, (College Dropout sampling era), Instruments: Lo-fi piano sample loop from original "Unchain My Heart" riff, gritty 808s, blues guitar licks, vinyl crackle, organ stabs, deep bass Vocals: Soulful male vocals with emotional delivery, switching between melodic verses and rhythmic flows Intro: Start with vinyl crackle + looped piano riff from "Unchain My Heart" Hook: Use interpolated vocals sampled from the original chorus ("Unchain my heart, you don’t love me no more") and layer modern vocals over it

Reimagine Howlin’ Wolf’s “Evil” as a slow, brooding Delta blues trap track with voodoo energy and dark gospel undertones, Start with a lo-fi sample of Wolf’s original “If you're a long way from home…” line, run it through vinyl crackle and pitch-bend FX, Use minor-key blues guitar slides and analog-sounding harmonica wails, Build the beat with deep sub bass, pitched-down 808s, sparse hi-hats, and trap snares that echo like a gunshot in a church, Add moaning gospel background vocals (sampled or reimagined), eerie ambient FX (crickets, fire crackle, a distant train whistle), Vocals should feel like half-prayer, half-confession, Flow is blues phrasing with hip-hop cadence — sultry and slow, Think: D’Angelo’s Voodoo meets Run the Jewels meets Howlin’ Wolf in a juke joint séance, Tempo: 82 BPM, Key: D minor, Mood: sinful, shadowy, seductive

Reimagine Howlin’ Wolf’s “Moanin’ at Midnight” as a slow, ghost-infused Delta blues trap track, Use slowed and reverbed vocal samples of Wolf’s original moans and lines (“I was moanin’, moanin’ at midnight”) layered over eerie ambient pads and gritty 808 basslines, Incorporate distant harmonica loops, echo-drenched slide guitar, church bell FX, and whispering gospel vocals that sound like spirits in the room, Trap beat should be minimal and heavy, with vinyl crackle, slow hi-hat rolls, and ghostly drops, Vocal delivery should be slow, breathy, emotionally raw—half-confession, half-possession, Think: Sleep paralysis meets the blues, where every moan is a prayer and every beat feels like dusk creeping in, Tempo: ~76 BPM, Key: minor or Phrygian, Build a dark, spiritual atmosphere with deep bass and haunted soul textures

A cinematic fusion of Delta blues and modern Southern trap, Features lo-fi, fingerpicked acoustic blues guitar loops sampled from 1930s-style recordings, layered with deep, slow 808s and minimal, moody trap drums (around 68–72 BPM), Male lead vocal—emotional and soulful—mixes falsetto blues melodies with soft spoken-word rap, Atmospheric production includes gospel vocal samples, reversed laughter, vinyl crackle, ambient wind, and faint church bell overlays, Dark, ghostly, and Southern Gothic, Inspired by Skip James’ “Devil Got My Woman” reimagined with a Shaboozey-style trap twist, Themes of heartbreak, betrayal, and spiritual decay

Vocal Vibe: Laid-back but broken—emotive blues delivery with breathy trap cadence, One foot in 1930s Mississippi, the other in a smoky modern studio, Beat: Slow tempo (70–74 BPM) Dirty acoustic slide guitar loop Melancholy piano or harmonica riff in the background Lo-fi vinyl crackle Sparse 808s and rim clicks—more moody than aggressive Atmosphere: Rain in the background, Woman’s hum sampled like a memory, A bit romantic, A lot haunted

Create a dark, swampy Delta blues trap fusion, Blend gritty 808 trap beats with raw Mississippi juke joint energy, Use chopped samples of Howlin’ Wolf vocals and slide guitar riffs, layered over heavy sub-bass, dusty vinyl textures, and haunting gospel choir fragments, Add distorted harmonica loops, minimal piano stabs, and ambient field recordings (like crickets, chains, or train whistles), Vocal tone should be deep, gritty, and soulful—half-rap, half-sung with blues swagger and Southern gothic weight, Think RL Burnside meets Three 6 Mafia, or Robert Johnson through a trap filter, Aim for a smoky, hypnotic late-night vibe with head-nod bounce and spiritual darkness, Tempo: around 92 BPM, Key: minor, Energy: low-simmering but dangerous, Use vocal samples like “All night long” or “pitch a wang dang doodle” warped and looped

Gritty cinematic blues-hop remix of Ray Charles’ "Busted, " Starts with a dusty vinyl crackle and sampled vocal line: "My bills are all due and the baby needs shoes and I’m busted, " Slow swampy groove with boom-bap drums, upright piano loop, and a mournful slide guitar, Deep 808s, muffled gospel vocal chops in the background, and low brass for tension, Include original vocal samples in hook and outro, Vibe like Black Keys x Delta blues storyteller, Gritty, emotional, cinematic and soulful — full of struggle, soul, and blues-hop swagger

Blues Trap / Blue-Hop | Key of E minor | 88 BPM, samples Mood: Swampy, Supernatural, Swagger-heavy, Vibe: Delta voodoo meets dark trap club, Dark blues trap remix of “I Ain’t Superstitious” by Howlin’ Wolf, Growling Delta guitar, chopped vocal samples, voodoo blues-hop beat with thunder FX, heavy 808s, tremolo organ, dark harmonica licks, Slow, swaggering, and supernatural

Vibe & Production Notes Tempo: ~88 BPM, head-nod groove, Key: Keep the original bright blues key (B♭ major or adjust to A for easier trap bass), Drums: Punchy trap kit with 808 kick thump, crisp clap/snare, rolling hi-hats, and subtle swing for blues feel, Bass: 808 sub locked to the guitar/bass line, occasional slides, Guitar Samples: Original BB King stabs and bends chopped, filtered, and looped as the hook bed, Extras: Vinyl crackle intro, organ stabs on choruses, a horn section sample for flair, Vocals: Gruff, confident, half-sung/half-spoken swagger

"A live performance of a blues-trap fusion ballad titled 'Forty Acres Never Came, ' Male lead vocal with a weathered, soulful tone — deep Delta blues grit meets modern trap cadence, Backed by sparse slide guitar, gospel organ swells, 808s, and a haunting female harmony, The lyrics tell the story of generational betrayal, broken promises of freedom, and the spiritual weight carried through the Jim Crow South, Gospel choir joins the chorus with lines like 'We still waitin’ on that land they swore was ours, ' The vibe is cinematic, mournful, and powerful — recorded in a Southern juke joint before a hushed crowd, "

“Gospel-infused country trap song with gritty male lead vocals and a powerful Southern gospel choir, Layered with 808 beats, live organ, steel guitar, and thunderstorm ambience, Themes of redemption, resisting addiction, and finding salvation in the flood, Blends Southern Gothic blues with church revival intensity, Emotional and cinematic, ”

Dirty Delta blues, sultry female vocals, slow stomping rhythm, bottleneck slide guitar, upright bass, Lyrics full of double entendre, swagger, and defiant sensuality, Inspired by 1930s juke joint grit and Lucille Bogan’s unapologetic voice