Classical Music

Italian bel canto operatic aria inspired by Norma by Vincenzo Bellini (19th-century classical opera, domain public), tragic and sacred atmosphere, In the expressive dramatic soprano style of Maria Callas: dark, intense timbre, strong chest resonance, seamless transition to head voice, long legato phrases, emotionally charged phrasing, controlled vibrato used for dramatic tension, Slow tempo 52–56 BPM, minor key, Extreme dynamic contrast from intimate pianissimo prayer-like passages to noble, restrained fortissimo climaxes, Orchestration faithful to Bellini: sustained violins and violas, subtle cellos, gentle harp arpeggios, distant French horns, no percussion, Large opera house or cathedral reverb, natural acoustics, no modern production, no pop elements, no synths, no rhythm section, Timeless, solemn, ritualistic, tragic dignity, evoking devotion, fate, sacrifice, and doomed love

Create a faithful orchestral opera piece inspired by 19th-century Italian Romantic tradition, Use a full symphonic orchestra with strings, brass, woodwinds, harp, and timpani, The style should evoke the grandeur and emotion of Verdi’s heroic operas — noble, lyrical, and majestic, set in an ancient royal court, Tempo: Andante maestoso, expressive and solemn, Voice: male tenor, warm, heroic, and passionate, capable of delicate legato and dramatic power, Structure: [orchestral introduction] → [recitative] → [lyrical aria] → [orchestral coda], Avoid modern or electronic sounds; focus on authentic classical instrumentation, rich dynamics, and operatic phrasing, The music should convey love, duty, and triumph, blending tenderness with epic grandeur — as if performed in a grand opera house

Large symphonic orchestra featuring full strings, brass, woodwinds, harp, timpani, and choir, Rich dynamic contrasts, ranging from delicate pianissimo strings to heroic orchestral climaxes, The structure should include a long orchestral introduction, a recitative section, a lyrical tenor solo aria expressing love and fate, an orchestral interlude, a reprise filled with emotional intensity, and a grand coda, The setting evokes an ancient, noble, and tragic kingdom, The male voice is a deeply expressive operatic tenor, powerful yet sensitive, with authentic Italian diction, The orchestration must remain faithful to classical opera traditions, without any modern or electronic elements, The overall tone should be profoundly emotional, romantic, and dramatic

Classical crossover with a warm, powerful male tenor vocal, Operatic tone with clear resonance, rich vibrato, and smooth legato phrasing, Emotional, heartfelt delivery with dynamic control from soft intimate lines to soaring, dramatic high notes, Orchestral arrangement with lush strings, expressive piano, gentle woodwinds, and cinematic crescendos, Occasional pop elements such as soft acoustic guitar, light percussion, and atmospheric pads, blended with classical sophistication, Production is elegant, polished, and spacious, creating a majestic, romantic, timeless sound, Mood: inspirational, passionate, noble, deeply emotional, blending classical opera warmth with modern pop sensibility

A dramatic opera-style aria in Spanish, under 5 minutes, unfolds slowly with deep, expressive mezzo-soprano vibrato over a foundation of classical piano and lush strings—violins, violas, cellos—enriched by subtle harp glissandi and woody timbres, The through-composed structure grows from haunting, delicate phrases to intense, theatrical peaks, then descends to a poignant, sorrowful close, Orchestral textures remain graceful yet bold, providing space for lyrical phrasing and dynamic, dignified vocal performance

A classical orchestral ballad in romantic opera style opens with tender piano and legato strings, supporting a rich, expressive tenor, Verses use delicate woodwinds and soft dynamics, expanding to cinematic brass and timpani swells in soaring climaxes, Slow-moderate tempo allows emotive phrasing, with dramatic crescendos and orchestral colors underscoring the vocal's dynamic arc, balancing longing with grandeur, The structure rises and falls, with nostalgia and heartbreak driven by lush symphonic textures, ideal for an impassioned performance

Compose a majestic 6-minute orchestral waltz in the style of Johann Strauss II, the ‘Waltz King, ’ The piece should feature flowing 3/4 waltz rhythms, lush strings, sparkling woodwinds, and bright brass, capturing the elegance and charm of 19th-century Viennese ballroom music, Begin with a graceful orchestral introduction, gradually building layers of violins, violas, and cellos, Include multiple sections with dynamic variations, lyrical melodies, swirling crescendos, and contrasting interludes featuring solo instruments (flute, clarinet, harp), Add extended passages for strings and woodwinds to create a sense of dance and grandeur, with occasional trumpet and horn fanfares for drama, Incorporate repeated motifs, rich harmonic progressions, and flowing counter-melodies to sustain interest throughout, Conclude with a grand finale, combining full orchestra and a majestic ritardando, leaving a lasting impression of sophistication, celebration, and the magical atmosphere of a Viennese ball

Original Italian opera aria inspired by Gioachino Rossini’s “Il Barbiere di Siviglia” (1816), specifically the aria “Largo al factotum”, Respect the original bel canto structure, harmony, rhythm, and character while presenting a higher-fidelity modern recording, Bright, agile classical orchestra with clear strings, playful woodwinds, light brass accents, and precise rhythmic drive, Traditional Rossini-style crescendos, lively tempo, and theatrical phrasing, Confident male baritone voice, expressive, agile, humorous, and articulate, with excellent diction and dynamic control, No genre fusion, no modern pop elements — pure Italian comic opera style, faithful to the original spirit, enhanced only by clean modern sound quality, balanced mix, and warm natural acoustics, ‑pop, ‑rock, ‑electronic, ‑EDM, ‑dance, ‑hip hop, ‑trap, ‑reggaeton, ‑latin pop, ‑R&B, ‑synthwave, ‑lo-fi, ‑cinematic trailer, ‑film score, ‑modern classical, ‑minimalism, ‑ambient, ‑auto-tune, ‑processed vocals, ‑female vocals, ‑choir

Original Russian romantic opera aria inspired by Pyotr Ilyich Tchaikovsky’s “La Dama de Picas” (1890), specifically Hermann’s aria “Что наша жизнь? Игра!”, Faithfully respect the original late-Romantic Russian operatic style, harmony, orchestration, and dramatic intensity while presenting a higher-fidelity modern recording, Dark, expressive orchestra with rich low strings, dramatic brass, deep woodwinds, and powerful dynamic contrasts, Intense, obsessive, emotionally charged tenor vocal, strong projection, dramatic phrasing, and natural vibrato, Traditional operatic structure and pacing, no stylistic fusion, Preserve the tragic, psychological atmosphere of the original work, enhanced only by clean modern sound quality, balanced orchestral mix, and natural hall acoustics, ‑pop, ‑rock, ‑electronic, ‑EDM, ‑dance, ‑hip hop, ‑trap, ‑reggaeton, ‑latin pop, ‑R&B, ‑synthwave, ‑lo-fi, ‑cinematic trailer, ‑film score, ‑modern classical, ‑minimalism, ‑ambient, ‑auto-tune, ‑processed vocals, ‑female vocals, ‑choir

Original classical symphonic choral work inspired by Ludwig van Beethoven’s Symphony No, 9 (1824), fourth movement “Ode an die Freude”, Faithfully respect the original Classical-to-early-Romantic style, structure, harmony, orchestration, and humanistic spirit, Full symphony orchestra with rich strings, noble brass, clear woodwinds, and powerful timpani, Mixed choir and soloists singing in German, with dignified, joyful, and uplifting expression, Grand dynamic arcs, clear phrasing, and balanced classical proportions, No stylistic fusion or modern reinterpretation, Preserve the universal, fraternal, and celebratory character of the original work, enhanced only by clean modern sound quality, natural concert hall acoustics, and a transparent, high-fidelity orchestral and choral mix, ‑pop, ‑rock, ‑electronic, ‑EDM, ‑dance, ‑hip hop, ‑trap, ‑reggaeton, ‑latin pop, ‑R&B, ‑synthwave, ‑lo-fi, ‑cinematic trailer, ‑film score, ‑modern classical, ‑minimalism, ‑ambient, ‑auto-tune, ‑processed vocals

Romantic classical orchestra in authentic 19th-century operatic style, inspired by Italian opera drama, Full symphonic strings with expressive legato lines, traditional harmonic language, lyrical woodwinds, and restrained brass used only for dramatic emphasis, The orchestra remains dominant and unchanged in character, A flamenco lead overlays the classical foundation: expressive male flamenco vocal with emotional grit, free phrasing, and natural vibrato, No operatic singing from the lead voice, Flamenco guitar acts as a solo instrument, dialoguing with the orchestra rather than replacing it, Guitar uses traditional flamenco articulation and accents, Slow to mid-slow tempo, strong dynamic contrasts, clear recitative-to-aria structure, Tragic, intimate, and dignified atmosphere, Themes of love, sacrifice, freedom, and fate, No modern genres, no pop, no electronic elements, Cinematic but faithful to classical tradition, Emotion-driven, elegant, and restrained

A mesmerizing instrumental fusion between Maurice Ravel’s impressionist orchestral color and flamenco guitar music from southern Spain, The composition blends lush symphonic textures, harp arpeggios, and modal harmonies (Phrygian and Lydian) with flamenco guitar techniques — rasgueo, picado, tremolo, and delicate melodic phrasing, The rhythm evolves like Ravel’s Bolero, gradually intensifying as palmas, cajón, and strings join in, The mood is cinematic, sensual, and hypnotic — a dialogue between Parisian elegance and Andalusian fire, impressionist color and flamenco soul, Instrumentation: Flamenco guitar (lead) · Strings · Woodwinds · Harp · Celesta · Cajón · Palmas Mood: Evocative · Refined · Passionate · Dreamlike

A classical orchestral composition inspired by Mozart's Clarinet Concerto in A major, K, 622, Full chamber-orchestra palette (strings, pairs of woodwinds, horns, timpani) with a prominent clarinet solo, Emulate Classical-period phrasing, balanced textures, transparent orchestration, elegant counterpoint and graceful melodic lines, Clear sectional structure (three-movement feel), expressive rubato in slow passages, precise articulations in faster passages, tasteful ornamentation, and a lyrical, singing clarinet tone, Dynamic range from pp to ff, with natural crescendi/decrescendi and tasteful period-appropriate cadenzas, Sustain musical logic and classical period harmony

A grand Viennese operetta in the style of Johann Strauss II, Suno evokes the elegance and romance of 19th-century Vienna, Featuring graceful 3/4 waltzes, lush orchestral textures, and playful yet poetic German lyrics, the piece blends dance and drama in a richly theatrical scene, Each verse and refrain is paired with extended instrumental interludes, allowing strings, woodwinds, and brass to shine, The music flows between lively ballroom rhythms, lyrical vocal solos, and sweeping orchestral crescendos, Choirs and soloists interact dynamically with the orchestra, with refrains recurring in varied forms to enhance emotional depth, Designed as more than a simple waltz, Suno offers an immersive, magical journey—inviting listeners and dancers alike into a world of light, laughter, and timeless Viennese charm

A grand Viennese operetta in the style of Johann Strauss II, featuring elegant 3/4 waltzes, lush orchestral arrangements, and playful, romantic German lyrics, Each verse and refrain is accompanied by extended instrumental sections, allowing the strings, woodwinds, and brass to shine, creating a full, immersive ballroom experience, The music alternates between lively dance rhythms, lyrical solos, and sweeping orchestral crescendos, capturing the charm and sophistication of 19th-century Vienna, Choirs and solo voices interact with the orchestra, with repeated refrains and dynamic variations to extend the performance, The piece is designed to feel like a complete operetta scene, giving dancers and listeners a rich, magical, and theatrical journey that goes beyond a typical short waltz or song

A grand Viennese operetta in the style of Johann Strauss II, featuring elegant 3/4 waltzes, lush orchestral arrangements, and playful, romantic German lyrics, Each verse and refrain is accompanied by extended instrumental sections, allowing the strings, woodwinds, and brass to shine, creating a full, immersive ballroom experience, The music alternates between lively dance rhythms, lyrical solos, and sweeping orchestral crescendos, capturing the charm and sophistication of 19th-century Vienna, Choirs and solo voices interact with the orchestra, with repeated refrains and dynamic variations to extend the performance, The piece is designed to feel like a complete operetta scene, giving dancers and listeners a rich, magical, and theatrical journey that goes beyond a typical short waltz or song

A joyful Viennese operetta piece in 3/4 launches with a graceful orchestral prelude—flowing violins, sparkling clarinet, and bright horn flourishes—setting a buoyant waltz, Light, clear German vocals weave in, playful and romantic, while lush strings and gleaming winds support expressive phrases, The chorus swells with lively crescendos and inviting ballroom brass, evoking a festive, elegant dance scene where orchestra, soloists, and ensemble intertwine in vivid celebration

A joyful Viennese operetta piece in 3/4 launches with a graceful orchestral prelude—flowing violins, sparkling clarinet, and bright horn flourishes—setting a buoyant waltz, Light, clear German vocals weave in, playful and romantic, while lush strings and gleaming winds support expressive phrases, The chorus swells with lively crescendos and inviting ballroom brass, evoking a festive, elegant dance scene where orchestra, soloists, and ensemble intertwine in vivid celebration

Late Romantic Russian classical orchestral style with dramatic dynamic contrasts, expressive tempo rubato, and rich symphonic textures, Lead instrument: virtuosic Spanish flamenco guitar performing lyrical melodic lines, rapid picado runs, tremolo, and emotional phrasing in front of full orchestra, Orchestra provides swelling crescendos, lush string harmonies, bold brass accents, and powerful timpani rises that periodically surge to the foreground, Mood passionate, grand, and theatrical, Live concert hall acoustics, wide stereo image, natural dynamics, detailed articulation, high-fidelity classical production, ‑human vocals, ‑choir, ‑rap, ‑hip hop, ‑trap, ‑EDM, ‑techno, ‑house, ‑reggaeton, ‑pop, ‑rock, ‑metal, ‑lo-fi, ‑synthwave, ‑electronic beats, ‑drum machines, ‑autotune, ‑vocoder, ‑cinematic trailer, ‑ambient pads, ‑sound design effects, ‑spoken word

Late Romantic Russian classical orchestral style with dramatic dynamic contrasts, expressive tempo rubato, and rich symphonic textures, Lead instrument: virtuosic Spanish flamenco guitar performing lyrical melodic lines, rapid picado runs, tremolo, and emotional phrasing in front of full orchestra, Orchestra provides swelling crescendos, lush string harmonies, bold brass accents, and powerful timpani rises that periodically surge to the foreground, Mood passionate, grand, and theatrical, Live concert hall acoustics, wide stereo image, natural dynamics, detailed articulation, high-fidelity classical production, ‑human vocals, ‑choir, ‑rap, ‑hip hop, ‑trap, ‑EDM, ‑techno, ‑house, ‑reggaeton, ‑pop, ‑rock, ‑metal, ‑lo-fi, ‑synthwave, ‑electronic beats, ‑drum machines, ‑autotune, ‑vocoder, ‑cinematic trailer, ‑ambient pads, ‑sound design effects, ‑spoken word