Covers

Dark acoustic outlaw-goth country, Slow tempo, dusty bar-room atmosphere, slightly comedic and macabre energy, Dry recording style, intimate vocal delivery, minimal production, Feels like a graveyard serenade mixed with bar-stool storytelling

raw, emotional, violincore, acoustic, raw low and flawed female vocals, Meiva got moved, care for friends, be human, clean production, inspired by beautiful songs, fragile, glass meets steel, echoing, reverberating choir echoing in the background

raw, clean production, sparse piano, full of love

detuned distorted electric guitars, whammy, enjoy the dark riff, heavy dark riffs, low tunes, deep tunes, tunes, dark, horror, eerie, thriller, keep it in your closet, powerful sinister riffs, electric guitars, celesta, emotional and raw as fuck, sinister fusion of grunge grit, J-rock urgency, deathcore brutality, all in film-noir atmosphere, music drags through smoky piano chords and sludgy bass before erupting into distorted riffs, blast beats, and guttural growls, Vocals shift from deep gritty baritone storytelling to low growls and harsh screams, layered with ghostly whispers that haunt the edges of the mix, Sinister piano punctuates the chaos, especially in the intro and outro, where noir suspense lingers over static and silence, a style is cinematic and suffocating like the horror and thriller, weaving between slow, menacing grooves and violent bursts of intensity, like a hidden predator waiting in the dark

voodoo metal, meme metal, voice as an instrument, Smug villainess sultry, raw and flawed vocals, swampy tribal drums and rattles colliding with razor-edged guitars, funny, moody whimsy, and violent all at once, tribal voodoo meets metal, Rhythmic

in this cauldron there is a bit of voodoo metal, bit of medieval, bit of shanty and, some choral chanting, because why not? clean, raw, unapologetic production, raw vocals from sings to screams

beautiful melody entwined with a raw black metal growls interwoven with big folk-metal, almost singalong-style chants, savage, ballerina's anthem quality, raw natural ritualistic vocals, sinister fusion of grunge grit, wild ballerina dance, melodic deathcore brutality, female flawed yet clear gritty vocals

beautiful melody entwined with a raw black metal growls interwoven with big folk-metal, almost singalong-style chants, savage, ballerina's anthem quality, raw natural ritualistic vocals, sinister fusion of grunge grit, wild ballerina dance, melodic deathcore brutality, female raw yet clear gritty vocals

Meiva's tribute, viola, raw vocals, sorry i am flawed, acoustic and slaps and vocals as the instruments

Theremin, sacred yet eerie, infused with ancient egyptian music, crystal clear vocals: sopranos, altos, tenors and baritones, clean production, breathy answers

viking metal, vocoder, indie pop, j-punk

intimate, clean production, emotional, hopeful, viola, raw, natural, flawed vocals affected by emotions, warm, clean production, duet, emotional, viola

raw, sang-screaming anti-theft anthem, flawed emotional vocals, raw, energy, metal, grunge, chainsaw-like distorted guitars and earth-shaking, thunderous drums, vocals (male and female) are raw, cracked, and flawed —mic of parts fury and pain — bleeding emotion through every scream and wail, double metal, violent, with subtle pre choruses

clean production, emotional, hopeful, viola, raw, natural, flawed vocals affected by emotions

bass, opera, deep tenor, male, vibrato, random meowing, cats rule the world

Acoustic folk-pop song in 4/4 time at approximately 80 BPM, featuring a male vocalist, acoustic guitar, The song is in the key of C major, The acoustic guitar provides a steady rhythm and chord progression, primarily using open chords, Thorchestral, smoky, intimate, Mood: heavy, cold, aching, soft, Intro: crystal piano, drones, sub-bass, space, Verses: fragile, drifting, lyrical, numb, Beats: lo-fi, broken, minimal, pulsing, Guitar: distant, bent, crying, ghostlike, Chorus: swelling, emotional, echoing, desperate, Lyrics: poetic, personal, bleak, hopeful, Bridge: rising, questioning, string-laced, gentle, Outro: breath, piano, silence, still, Theme: forgotten, fading following the chord changes, The song structure includes verses and a chorus, with instrumental breaks featuring the ukulele, Production is clean and natural, with a focus on the acoustic instruments and vocals, minimal reverb, and a balanced mix

acapella, Vocal: male, Gravelly, deep, and timeworn—sound of stone turning to dust, A low baritone, nearly bass, it never booms; instead, it vibrates just above a whisper, intimate and haunting, The texture is dry, papery, dust-laced—like breath moving through crumbling parchment, Every word feels etched rather than spoken, delivered with slow, deliberate weight, each syllable clipped like a closing door, Silence stretches between phrases, letting stillness carry as much meaning as sound, His tone is ritualistic, never theatrical—emotion rests in quiet knowing, not pleading, Melody folds into speech, phrasing sits between chant and eulogy, Breath becomes part of the rhythm, cracked and sacred, No vibrancy—only gravity, No strain—just surrender, A voice stripped bare, weathered by time, whispering like ash over a dying fire, It's not performance—it’s final testament, Voice of ruin, reverence, and unflinching truth

symphonic, rock, metal, natural, fusion of symphonic metal and cinematic dark pop with operatic drama and guttural edge, orchestral strings and choirs, distorted guitars, thunderous drums, and ambient textures, melodic lines draw from Middle Eastern modes, blending sacred elegance with raw intensity, It’s both aria and scream—ethereal, wrathful, and epic

Oriental, Egyptian, guiqin, nen anban, choir, female vocal, emotional, guzheng, erhu, shakuhachi, old-time, oriental, koto, shamisen, fast paced