
my Type (His/Her Song)
Ode to St. Motel's song My Type, and other songs of cat & mouse dating tactics.
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7 songs
4:09

my Type (His Song)
v4.5+
A bursting indie pop and pop rock track with an upbeat 4/4 groove, anchored by a punchy bassline and crisp, staccato guitar riffs, Playful brass accents punctuate verses and choruses, a dramatic-flair of vocals ride atop, Retro-modern swagger permeates through lush cinematic layers; danceable and bold
3:27

my Type (Her Song)
v4.5+
A bursting indie pop and pop rock track with an upbeat 4/4 groove, anchored by a punchy bassline and crisp, staccato guitar riffs, Playful brass accents punctuate verses and choruses, a dramatic-flair of vocals ride atop, Retro-modern swagger permeates through lush cinematic layers; danceable and bold
3:29

A drag-tempo ’90s Alternative Rock core pulls from Slacker Rock gravity, opening with an immediate, sticky guitar hook that loops like a thought you can’t shake, locking memory on first pass, Harmony leans on familiar I–♭VII–IV cycles, slightly detuned to feel lazy yet confrontational, while the groove drags its heels with shoulder-slung momentum, drums landing late enough to smirk, Vocals are nasal, conversational, half-sneered, phrased like jokes told too early, stacked with imperfect oohs and aahs for human grit, Texture balances scuffed analog amps, room bleed, and subtle tape warble against clean bass definition, The arc escalates through repeated pre-chorus pivots into a communal chorus release, then snaps sideways with a polymetric bridge before re-centering, Originality comes from comedic specificity fused to distortion weight, cohesion from interlocking guitar-bass tension, and replay value from quotable hooks that reward repeat listens without losing bite, ‑modern pop sheen, ‑glossy EDM, ‑trap percussion, ‑cinematic orchestral scoring, ‑hyperpolished indie folk, ‑acoustic singer-songwriter intimacy, ‑jazz fusion harmony, ‑progressive metal complexity, ‑ambient minimalism, ‑synthwave nostalgia, ‑commercial radio pop rock, ‑emo melodrama, ‑stadium anthemic bombast, ‑funk slap bass, ‑disco rhythm grids, ‑classical counterpoint, ‑country storytelling twang, ‑reggae offbeat skank, ‑shoegaze wash density, ‑experimental noise abstraction
3:24

A drag-tempo ’90s Alternative Rock core pulls from Slacker Rock gravity, opening with an immediate, sticky guitar hook that loops like a thought you can’t shake, locking memory on first pass, Harmony leans on familiar I–♭VII–IV cycles, slightly detuned to feel lazy yet confrontational, while the groove drags its heels with shoulder-slung momentum, drums landing late enough to smirk, Vocals are nasal, conversational, half-sneered, phrased like jokes told too early, stacked with imperfect oohs and aahs for human grit, Texture balances scuffed analog amps, room bleed, and subtle tape warble against clean bass definition, The arc escalates through repeated pre-chorus pivots into a communal chorus release, then snaps sideways with a polymetric bridge before re-centering, Originality comes from comedic specificity fused to distortion weight, cohesion from interlocking guitar-bass tension, and replay value from quotable hooks that reward repeat listens without losing bite, ‑modern pop sheen, ‑glossy EDM, ‑trap percussion, ‑cinematic orchestral scoring, ‑hyperpolished indie folk, ‑acoustic singer-songwriter intimacy, ‑jazz fusion harmony, ‑progressive metal complexity, ‑ambient minimalism, ‑synthwave nostalgia, ‑commercial radio pop rock, ‑emo melodrama, ‑stadium anthemic bombast, ‑funk slap bass, ‑disco rhythm grids, ‑classical counterpoint, ‑country storytelling twang, ‑reggae offbeat skank, ‑shoegaze wash density, ‑experimental noise abstraction
3:24

A drag-tempo ’90s Alternative Rock core pulls from Slacker Rock gravity, opening with an immediate, sticky guitar hook that loops like a thought you can’t shake, locking memory on first pass, Harmony leans on familiar I–♭VII–IV cycles, slightly detuned to feel lazy yet confrontational, while the groove drags its heels with shoulder-slung momentum, drums landing late enough to smirk, Vocals are nasal, conversational, half-sneered, phrased like jokes told too early, stacked with imperfect oohs and aahs for human grit, Texture balances scuffed analog amps, room bleed, and subtle tape warble against clean bass definition, The arc escalates through repeated pre-chorus pivots into a communal chorus release, then snaps sideways with a polymetric bridge before re-centering, Originality comes from comedic specificity fused to distortion weight, cohesion from interlocking guitar-bass tension, and replay value from quotable hooks that reward repeat listens without losing bite, ‑modern pop sheen, ‑glossy EDM, ‑trap percussion, ‑cinematic orchestral scoring, ‑hyperpolished indie folk, ‑acoustic singer-songwriter intimacy, ‑jazz fusion harmony, ‑progressive metal complexity, ‑ambient minimalism, ‑synthwave nostalgia, ‑commercial radio pop rock, ‑emo melodrama, ‑stadium anthemic bombast, ‑funk slap bass, ‑disco rhythm grids, ‑classical counterpoint, ‑country storytelling twang, ‑reggae offbeat skank, ‑shoegaze wash density, ‑experimental noise abstraction
3:26

A drag-tempo ’90s Alternative Rock core pulls from Slacker Rock gravity, opening with an immediate, sticky guitar hook that loops like a thought you can’t shake, locking memory on first pass, Harmony leans on familiar I–♭VII–IV cycles, slightly detuned to feel lazy yet confrontational, while the groove drags its heels with shoulder-slung momentum, drums landing late enough to smirk, Vocals are nasal, conversational, half-sneered, phrased like jokes told too early, stacked with imperfect oohs and aahs for human grit, Texture balances scuffed analog amps, room bleed, and subtle tape warble against clean bass definition, The arc escalates through repeated pre-chorus pivots into a communal chorus release, then snaps sideways with a polymetric bridge before re-centering, Originality comes from comedic specificity fused to distortion weight, cohesion from interlocking guitar-bass tension, and replay value from quotable hooks that reward repeat listens without losing bite, ‑modern pop sheen, ‑glossy EDM, ‑trap percussion, ‑cinematic orchestral scoring, ‑hyperpolished indie folk, ‑acoustic singer-songwriter intimacy, ‑jazz fusion harmony, ‑progressive metal complexity, ‑ambient minimalism, ‑synthwave nostalgia, ‑commercial radio pop rock, ‑emo melodrama, ‑stadium anthemic bombast, ‑funk slap bass, ‑disco rhythm grids, ‑classical counterpoint, ‑country storytelling twang, ‑reggae offbeat skank, ‑shoegaze wash density, ‑experimental noise abstraction
3:29




