
la gente de mi curso no es real
Una playlist enumerando a todos mis compañeros que no existen
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18 songs
4:18

Sergio Muñoz no es real
v4.5-all
Upbeat Latin urban pop track featuring a blend of reggaeton rhythms and contemporary synth-pop elements, The arrangement is driven by a crisp dembow drum pattern with a prominent kick and sharp snare hits, A bright, rhythmic acoustic guitar provides harmonic foundation alongside a pulsing synth bassline, The lead vocals are male, delivered with a melodic flow that bridges the gap between singing and rhythmic rapping, characterized by clear diction and a slight electronic polish, The production features a clean, modern mix with subtle reverb on the vocals and a dynamic build-up leading into a catchy, high-energy chorus, The tempo is approximately 95 BPM in a minor key, utilizing a repetitive four-chord progression common in modern Latin pop
2:15

Victor no existe
v4.5-all
This high-energy Latin pop track pulses with a driving reggaeton groove—synth bass leads, four-on-the-floor kick, crisp snare backbeat, and energetic hi-hats, A bright synth motif loops throughout, Male lead vocals trade calls with backing responses; dynamic builds and spatial effects create excitement in a fast major-key verse-chorus form, A standout instrumental break spotlights the synth melody amid clean, punchy production with vocal reverb and compressed drums
1:15

Pablo Sanz no existe
v4.5-all
An upbeat pop summer hit driven by brisk, sunny percussion and infectious synth chords, Verses cycle around ultra-catchy, concise melodies with punchy claps and snaps, Repetitive hooks anchor the chorus, lifted by layered short vocal harmonies, letting the energetic lead voice shine throughout, Instrumentation remains minimal—bass, tight drums, and sparkling accents—letting every melody and harmony pop, fueling nonstop singalong energy
2:52

A high-energy Latin pop track with a driving reggaeton beat, The instrumentation features a prominent synth bass line, a clean electric guitar playing rhythmic chords, and a simple but effective drum machine providing the reggaeton rhythm, A bright, arpeggiated synth melody plays throughout the song, adding a playful and uplifting feel, The male lead vocal is clear and energetic, with occasional ad-libs and a call-and-response feel in the chorus, The song is in a major key, with a fast tempo, Production is clean and modern, with a focus on clarity and punchiness, The song structure is verse-chorus with a bridge, and the overall mood is joyful and danceable, positive, dynamic transitions, catchy music, melodic, catchy accordion melodies, 110 bpm, steady kick drum beat repeating during all the song
2:11

2:53

Alejandra no existe
v4.5-all
Upbeat and energetic pop-rock track featuring a prominent electric guitar riff and driving drum kit, The song is set in a major key with a tempo of approximately 128 BPM, The arrangement features a bright, overdriven electric guitar playing a rhythmic power chord progression, supported by a punchy bass guitar and a standard rock drum kit with crisp snare hits and shimmering cymbals, The vocals are delivered by a high-energy male singer with a clear, melodic tone and slight grit during the more intense sections, The production is clean and modern, with a wide stereo field and subtle reverb on the vocals to create a sense of space, The structure follows a standard verse-chorus format with a bridge that builds tension before a final explosive chorus
2:18

Aitor no existe
v4.5-all
An upbeat pop summer hit driven by brisk, sunny percussion and infectious synth chords, Verses cycle around ultra-catchy, concise melodies with punchy claps and snaps, Repetitive hooks anchor the chorus, lifted by layered short vocal harmonies, letting the energetic lead voice shine throughout, Instrumentation remains minimal—bass, tight drums, and sparkling accents—letting every melody and harmony pop, fueling nonstop singalong energy
2:12

Pablo Adiego no es real
v4.5-all
Upbeat and energetic Latin pop track featuring a prominent acoustic guitar lead playing rhythmic strumming patterns and melodic flourishes, The arrangement is driven by a crisp percussion section including bongos, shakers, and a steady kick drum providing a danceable groove, A bright, syncopated brass section adds dynamic accents throughout the song, The male vocals are clear and melodic, delivered with a rhythmic flow characteristic of contemporary reggaeton-influenced pop, The production is polished and modern, with a wide stereo field and subtle reverb on the vocals to create a sense of space, The song follows a standard pop structure with a catchy, repetitive chorus and rhythmic verses, maintaining a high-energy feel at a tempo of approximately 105 BPM
2:23

Andrew no existe
v4.5-all
This is a Spanish language pop rock song with a driving tempo of 120 beats per minute, The key is A minor, The instrumentation includes a prominent acoustic drum kit providing a steady rock beat, a bass guitar laying down a foundational groove, and electric guitars playing both rhythmic chords and melodic lines, A synthesizer provides atmospheric pads and occasional arpeggiated figures, The lead male vocal is clear and slightly melancholic, delivered in a mid-range tenor, The song features a clear verse-chorus structure with a bridge, Production elements include a clean mix with a slight reverb on the vocals and guitars, giving a sense of space without being overly ambient, The chord progression in the verse is Am-G-C-F, transitioning to a more energetic Am-G-Dm-F in the chorus, The melody is memorable and singable, characterized by stepwise motion and occasional leaps for emphasis
1:48

Pablo Rabal no existe
v4.5-all
A high-energy Latin pop track with a driving reggaeton rhythm, The instrumentation features a prominent synth melody, a strong kick drum, a snare drum with a sharp attack, and a shaker providing a consistent eighth-note pulse, The bassline is synthesized and plays a simple, repetitive pattern, The chord progression is a four-chord loop, creating a bright and uplifting feel, The lead vocal is a male tenor, delivered with a clear, enthusiastic tone, The production is clean and modern, with a focus on clarity and punchiness, The song structure is verse-chorus, with a clear build-up to the chorus, The tempo is upbeat, around 120-130 BPM, The melody is catchy and memorable, designed for sing-alongs, There are no complex vocal harmonies, keeping the focus on the lead vocal, The overall mix is bright and forward, with the drums and synth melody prominent
1:15

Miguel Morer no es real
v4.5-all
Upbeat Latin pop track with a strong reggaeton influence, characterized by a driving dembow rhythm at approximately 95 BPM, The arrangement features a prominent acoustic guitar playing rhythmic, syncopated strumming patterns alongside a deep, melodic sub-bass, The percussion is crisp, with a sharp snare on the backbeat and a tight kick drum providing a steady pulse, Male vocals are energetic and melodic, utilizing subtle pitch correction and rhythmic phrasing that borders on melodic rap, The production is polished and modern, with bright high-end clarity and a wide stereo field for the background vocal harmonies and atmospheric synth pads that swell during the chorus, The song structure follows a standard pop format with a clear build-up into a high-energy, anthemic chorus
1:37

Adriana Soto no existe
v4.5-all
A high-energy Latin pop track with a driving reggaeton beat, The instrumentation features a prominent synth bass line, a clean electric guitar playing rhythmic chords, and a simple but effective drum machine providing the reggaeton rhythm, A bright, arpeggiated synth melody plays throughout the song, adding a playful and uplifting feel, The male lead vocal is clear and energetic, with occasional ad-libs and a call-and-response feel in the chorus, The song is in a major key, with a fast tempo, Production is clean and modern, with a focus on clarity and punchiness, The song structure is verse-chorus with a bridge, and the overall mood is joyful and danceable
2:02

Alejandro Galindo no existe
v4.5-all
A high-energy Latin pop track with a driving reggaeton rhythm, The song features a male lead vocalist with a clear, melodic delivery, Instrumentation includes a prominent synth melody, a strong bassline, and a drum machine providing the reggaeton beat, The production is clean and modern, with a focus on danceability, The song structure follows a typical verse-chorus format, with an instrumental break, The key is major, and the tempo is upbeat, The synth melody is catchy and repetitive, contributing to the song's infectious feel, There are also backing vocals providing harmonies and ad-libs
1:56

Pinrui no existe
v4.5-all
A reggaeton track with a moderate tempo and a melancholic, romantic mood, The instrumentation features a prominent synth melody, a driving reggaeton drum beat, and a deep, resonant bassline, The male vocalist sings in Spanish with a smooth, slightly melancholic tone, utilizing some autotune for a polished sound, The song structure is verse-chorus based, The melody is catchy and memorable, with a clear, simple harmonic progression, Production elements include reverb on the vocals and a clean mix that emphasizes the synth and vocals
1:20

Jorge Lou no existe
v4.5-all
The track is a hip-hop instrumental with a prominent brass sample, The tempo is moderate, The key is minor, The primary instruments are a sampled brass section, likely trumpets and trombones, providing a melodic and rhythmic hook, There is a simple, consistent drum beat featuring a kick drum, snare, and closed hi-hats, A bassline provides a foundational rhythm and harmonic support, The production is clean with the brass sample mixed prominently, There are no vocals in the provided audio segment
2:17

Cristina Dolz no existe
v4.5-all
Upbeat Latin pop track with a high-energy dance feel, characterized by a driving 4/4 rhythm at 128 BPM, The arrangement features a prominent, bright acoustic guitar strumming rhythmic patterns, layered with a punchy electronic kick drum and crisp percussion, A melodic brass section provides energetic staccato stabs and a catchy hook during the instrumental breaks, The male vocals are clear, enthusiastic, and melodic, delivered with a bright pop timbre, The harmonic structure follows a major key progression with a focus on tonic and dominant movements, Production is polished and modern, utilizing light reverb on the vocals and a wide stereo image for the synth-brass and guitars
3:06

Samuel Sotelo no es real
v4.5-all
Uplifting Latin pop anthem characterized by a driving 4/4 rhythm and a bright, celebratory atmosphere, The arrangement features a prominent acoustic guitar strumming rhythmic patterns, layered with a punchy electric bass and a crisp drum kit with a strong snare presence, A soaring male lead vocal delivers a powerful, emotive performance with a wide dynamic range, supported by lush group backing vocals that create a communal, anthemic feel during the chorus, The harmonic structure follows a diatonic progression in a major key, maintaining a high-energy tempo around 124 BPM, Production is polished with modern compression, subtle reverb on the vocals for depth, and a clear, balanced mix that emphasizes the vocal melody and the driving acoustic rhythm
1:29

Vanesa no existe
v4.5-all
An upbeat pop summer hit driven by brisk, sunny percussion and infectious synth chords, Verses cycle around ultra-catchy, concise melodies with punchy claps and snaps, Repetitive hooks anchor the chorus, lifted by layered short vocal harmonies, letting the energetic lead voice shine throughout, Instrumentation remains minimal—bass, tight drums, and sparkling accents—letting every melody and harmony pop, fueling nonstop singalong energy
