3rd Album I Am...

Cover the existing “I Am, ” prologue idea and generate a SHORT cinematic prologue instrumental, Total length must be 1:30–1:40 (end around 1:35), Do NOT extend the track, do NOT repeat sections, and do NOT follow the full original song length, Use only the intro atmosphere and the main motif, arranged with piano, soft strings, solo violin/cello, gentle french horns, harp accents, timpani rolls, and cymbal swells, Minimal percussion only, STRICTLY NO VOCALS: no singing, no choir, no humming, no vocal pads, End unresolved but clearly stop at 1:35 with a clean fade or final sustained chord, High quality cinematic mix, wide stereo

Genre: Japanese Rock / Alternative Rock Tempo: Around 120 BPM Key: Minor key Style: Cinematic Japanese rock inspired by ONE OK ROCK “The Beginning”, Begin quietly with clean electric guitar and space, Verses should feel restrained, calm, and slightly tense, Do not rush the song, Build energy naturally toward the chorus, The chorus should feel bigger and more emotional, but still connected to the verses, Chorus Direction: Let the English chorus feel unresolved and slightly suspended, Create a brief pause or drop before the Japanese phrase, When singing 「空の防人」, lift the melody to the highest note and let it feel like the emotional answer, without breaking the overall atmosphere of the song, Vocals: Male vocal, emotional but controlled, Avoid excessive aggression, Avoid: EDM elements, pop polish, heavy synths, When singing 「空の防人」, lift the melody clearly above all previous chorus notes and sustain it longer than any other phrase, After singing 「空の防人」, let the moment breathe slightly

Sexy American blues rock with Aerosmith-style swagger mixed with modern Japanese stadium-rock chorus energy like ONE OK ROCK, BPM 112–118, around 4:10 length, Verses are groovy and seductive with slight swing drums, thick bass, gritty blues guitar riffs, and half-spoken charismatic male vocals, Pre-chorus builds tension with rising chords and tighter drums, Chorus must explode forward with a huge catchy hook, powerful anthem melody, and driving straight rock beat, creating a strong “falling into the chorus” feeling, Add wide distorted guitars in chorus, but keep blues flavor, Include a big emotional blues-rock guitar solo after the second chorus, Bridge drops to minimal groove and whispers, then final chorus hits hardest with extra guitars and bigger drums, Warm analog mix, punchy low end, no EDM

Cover the original track and keep EVERYTHING strictly identical: exact same vocal melody line, lyrics, phrasing, rhythm, tempo, key, song length, song structure, arrangement, and vocal delivery, Do NOT change the melody, do NOT change the timing, do NOT cut or extend any section, The performance must match the original exactly, Only adjust the overall sound and energy to feel more like ONE OK ROCK: modern punchy rock mix, stronger drum impact, tighter low end bass, wider guitars, and more stadium-like dynamics, Keep the same vocal take style but add subtle emotional grit and rock presence, No new harmonies, no ad-libs, no extra breaks, Exact recreation with ONE OK ROCK-inspired tone and mixing

Cover the original generated track and keep EVERYTHING identical: exact same vocal melody line, phrasing, rhythm, tempo, key, chord progression, arrangement, instrumentation, mix, and singing style, Do NOT change the melody, Only fix the mispronounced lyric line(s) while keeping the exact same timing and emotion, IMPORTANT: the total track duration must be exactly the same as the original covered track (strictly identical length), Do NOT shorten or extend the overall song, The final chorus (ラスサビ) must be included and fully sung with all lyrics, do not skip it, Shorten ONLY the long instrumental pause/break right before the final chorus by slightly reducing that gap, but compensate by keeping the rest of the structure intact so the final runtime stays identical, Do NOT cut verses or choruses, No early fade-out, End exactly like the original

Minimal Japanese acoustic ballad, Preserve the original melody strictly without any melodic alteration, Reduce arrangement significantly: acoustic guitar as the main instrument, light fingerstyle or gentle strumming, Add very soft, minimal percussion only (brush, shaker, or light cajón), no full drum kit, No electric guitar, no band-style build, no heavy bass, no orchestral layers, Keep instrumentation sparse and intimate with plenty of space between sounds, Close-mic recording, narrow stereo field, natural room ambience, no cinematic expansion, Vocal should be natural chest voice, sincere and grounded, mostly straight tone with minimal vibrato, A slight whisper texture may be added in softer phrases, especially near the outro, Emotional but restrained, human and warm, Do not increase intensity in the final chorus; keep it controlled and intimate

Minimal piano ballad, male vocal, very intimate and calm, soft and restrained delivery, slow tempo around 80-82 BPM, no big chorus, no dramatic build, almost no drums, light ambient pad only, close microphone sound, gentle emotional tone, reflective and accepting mood, subtle vulnerability, no climax, no powerful high notes, natural breathing audible, cinematic but simple, organic and warm, suitable for live quiet performance

Mid-tempo pop rock, around 96 BPM, major key, steady walking rhythm, kick drum like footsteps, light snare, subtle hi-hats, no big dramatic build, no stadium chorus, grounded and realistic tone, calm but forward-moving energy, male vocal, conversational phrasing in verses, slightly lifted chorus but not explosive, organic band sound, minimal reverb, intimate but not ballad, reflective morning mood, subtle determination, understated confidence, no dramatic climax avoid anthemic style keep grounded no inspirational stadium feel

Mid-tempo pop rock around 92 BPM, major key, airy and open atmosphere, light guitar arpeggios, subtle pad textures, relaxed groove, soft but steady drums, no dramatic climax, no stadium anthem feel, reflective and slightly humorous tone, observational storytelling, male vocal, conversational verses, slightly lifted but not explosive chorus, organic band sound, wide stereo field, natural reverb, gentle emotional arc, understated ending with space before the final line

Cover the original track and keep EVERYTHING strictly identical: exact same vocal melody line, phrasing, rhythm, tempo, key, song length (runtime), song structure, arrangement timing, and vocal delivery, Do NOT change the melody, do NOT change the singing rhythm, do NOT add or remove any sections, and do NOT extend or shorten the track, The performance must match the original exactly, Only refine the overall tone and mix while keeping the Official髭男dism-style J-pop feeling: piano-driven harmony, smooth groove, tight modern drums, warm bass, clean guitars, and polished pop-rock dynamics, Keep the same emotional vocal style and same chorus impact, No new harmonies, no extra ad-libs, no key change, Exact recreation with Official髭男dism-inspired sound and production

Cover the original track “I Am, ” but create a SHORT cinematic prologue version only, Keep the original main melody motif and key, but DO NOT follow the full original length, Total length must be 1:20, Do NOT extend the song, do NOT repeat sections, do NOT add extra verses or choruses, Use only the intro atmosphere and the main hook motif, arranged for piano, soft strings, and light orchestral colors (harp, french horn swells, timpani roll, cymbal swell), Minimal percussion only, STRICTLY no vocals, no choir, no humming, End unresolved at 1:20, like an opening title sequence