"Steel's Whore" by The Virtuals

A heavy blues rock track, with some accent of heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 170–190 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

A heavy blues rock track, with some accent of heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 160–180 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

A heavy blues rock track, with some accent of heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 160–180 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

Seventies Hard Rock Psychedelic, Symphonic Heavy Metal

A heavy metal blues track, in heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 170–190 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

A heavy metal blues track, in heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 170–190 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

A heavy metal blues track, in early 1980s NWOBHM style, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 170–190 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finishSeventies Psychedelic Blues Rock, Heavy Rock, Metal Guitar, Drums

A heavy blues rock track, with some accent of heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 170–190 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

A heavy blues rock track, with some accent of heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 160–180 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

A heavy blues rock track, with some accent of heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 160–180 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

Seventies Hard Rock Psychedelic, Symphonic Heavy Metal

A heavy metal blues track, in heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 170–190 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

A heavy metal blues track, in heavy metal track in early 1980s NWOBHM, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 170–190 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finish

A heavy metal blues track, in early 1980s NWOBHM style, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 170–190 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finishSeventies Psychedelic Blues Rock, Heavy Rock, Metal Guitar, Drums

Seventies Hard Rock Psychedelic, Symphonic Heavy Metal

A heavy metal blues track, in early 1980s NWOBHM style, explodes with a fuzz-drenched electric guitar riff, driven by twin lead guitars exchanging galloping power riffs and harmonized melodic solos, by a pounding rhythm section, dynamic drumming with tight hi-hats and bold fills powers a punchy, steady bass, Gritty, mid-range vocals snarl with rebellion, accented by gang-shouted backing lines, Sharp stops and short, tuneful bridges break the pace, merging punk intensity with tight, live metal energy at 170–190 BPM rock textures emerge in swirling organ layers and studio effects, while ripping metal guitar licks cut through the bridge, The outro fuses all elements, building intensity to the finishSeventies Psychedelic Blues Rock, Heavy Rock, Metal Guitar, Drums

Seventies Hard Rock Psychedelic, Symphonic Heavy Metal

Seventies Hard Rock Psychedelic, Symphonic Heavy Metal