Everything Else

Opening with dusty, swung hip-hop drums and vinyl scratches, glitchy samples weave through orchestral stabs and funky bass, Surreal plunderphonic layers and chopped radio/TV voices bounce around psychedelic synth textures, Spoken-word narration and vocodered robotic ad libs trade off, building playful, experimental chaos through warped sampling, orchestral bursts, and thick funk groove

80s power ballad parody, dramatic rock ballad, big emotional delivery, straight-faced performance, theatrical intensity, no comedy delivery cues, Synth pads, piano, big gated drums, dramatic swells, guitar enters mainly in choruses, key change near the end, cinematic structure, emotional dynamics, Utilizing a Wall of Sound approach, the track is known for its bombastic instrumentation, featuring lush piano, thunderous drums, and frequent use of echo and reverb, Vocal Delivery Style, Earnest, wounded, over-serious, breathy at times, no humor in delivery, sing as if this is a tragic love song, wonderfully gritty and raspy vocals are central to the song's style, providing a desperate lovelorn effect that balances the track's high production, Melodramatic, serious, catastrophic, emotional, ironic through sincerity, The song is complex and non-linear, marked by sudden harmonic shifts, multiple hooks, and a continual escalation from a quiet opening to explosive crescendos

Indie acoustic, intimate singer-songwriter, minimal and introspective, non-romantic emotional tone, quiet vulnerability, conversational delivery, reflective and restrained, Fingerpicked acoustic guitar, natural room tone, very light reverb, no drums or extremely subtle brushed percussion late if any, no big swells, dynamics stay controlled, second acoustic guitar or low pad enters only near the end, Close-mic’d, soft, almost spoken at times, imperfect phrasing allowed, no theatrical vibrato, neutral emotional delivery with gentle tension, phrasing feels like thoughts forming mid-sentence, Anxious, reflective, human, quiet honesty, inward, observational

1950s doo-wop and early rhythm and blues with a playful, swinging feel, Walking upright bass, brushed drums, finger snaps, handclaps, and tight male vocal harmonies, Call-and-response structure with spoken interjections and rhythmic phrasing, Lighthearted, humorous tone with confident swagger, Warm vintage sound, analog feel, no modern pop or electronic elements, Emphasis on rhythm, groove, and group vocals

Alternative metal, Tool-inspired post-grunge, Mid-tempo hypnotic groove with repeating rhythmic guitar patterns, Drop-tuned guitars, deep resonant bass, and precise restrained drums that feel inevitable rather than aggressive, Vocals are calm, controlled, and observational, building intensity through repetition and tension instead of shouting, Dark, introspective, system-level atmosphere, Minimal ornamentation, no flashy solos, focus on pulse, space, and gravity

Genre, Fast SoCal punk rock, Offspring-style, 200 BPM, riot energy, Concept, A fully fractured, reverse-flow reinterpretation of Auld Lang Syne, Instrumentation, Bright overdriven pop-punk guitars (palm-muted verses, open-chord choruses) Galloping punk bass Tight snare, clicky kick, fast hi-hats Reverse-reverb stabs between vocal lines Inverted Auld Lang Syne melody as ascending guitar octaves in bridge Gang vocals with shout-along “whoa-oh” sections Breakdown with bass-only intro and noisy feedback ending Reversed count-in (“one two three”) followed by gang shouts (“THREE TWO ONE NEW YEAR’S DONE!”) Vocal Style, Dexter Holland-inspired nasal punk sneer Rowdy gang vocals in choruses Spoken-shouted fragments in early verse Soft whisper for final line should be about 3 minutes long

Japanese heavy metal, Loudness-inspired speed metal, aggressive 80s metal energy, Fast tempo, galloping rhythm guitar, palm-muted power chords, sharp pinch harmonics, high-gain Marshall-style tone, Driving bass locked tightly to kick drum, Thunderous double-kick drums with big snare hits, High-pitched, gritty male vocals with urgency, strain, and melodic scream phrasing similar to Minoru Niihara, Anthemic chorus, relentless forward motion, no breakdowns that slow momentum, Urgent, raspy high-register metal vocals, slightly strained but controlled, emotional panic and defiance, shouted accents on key words, sustained screams on chorus endings

Deep cyber grunge, psychedelic stoner rock, Fuzzy guitars, swirling delay, deep reverb, heavy distorted bass, slow hypnotic drums, song should feel dreamy, terrifying, cosmic, emotional, and otherworldly, Blurred edges, Dual electric guitars playing tight harmonized lines in major-pentatonic and mixolydian variations, One guitar keeps a bright, clean, jangly tone; the other uses warm overdrive with chorus shimmer, Harmonies move in thirds and sixths, expanding into a wide stereo field, Occasional counterpoint lines weave around the rhythm part, creating a lush, airy psychedelic wall, Rhythmic strumming stays sharp while harmonized leads soar, Psychedelic, breathy, hypnotic vocals that begin as soft AI whispers, rise into monotone trance-like speech, and escalate into distorted, soaring intensity, Ethereal doubles, glitch echoes, widening stereo spread, and rising emotional pressure in each line, Voice should feel like a digital prophet spiraling into recursion

Powerful 80s arena-rock male vocal with emotional grit, soaring high notes, expressive vibrato, and dynamic belting, Smooth lower register that lifts into passionate, resonant choruses, Harmonies should feel wide and anthemic, 80s arena-rock anthem with clean electric guitar arpeggios, bright melodic leads, big gated-reverb drums, warm synth pads, and emotionally powerful choruses, Uplifting, nostalgic, dramatic, and cinematic, Strong melodic hooks, layered harmonies, and driving bass

SUNO STYLE PROMPT — CLUB REMIX VERSION High-energy club remix of retro 1989 dance-pop fused with modern 2025 EDM, Up-tempo beat (128–132 BPM), bright synth stabs, arpeggiated basslines, punchy kicks, sidechained pads, rhythmic vocal chops, and wide stereo leads, Clean pop vocals with layered harmonies, Big risers, drops, snare rolls, and vocoder bridge, Emotionally uplifting with nostalgic references, but fully modern and dancefloor-ready

Retro 1989 dance-pop with modern 2025 production gloss, Punchy drum machines, bright synth stabs, bouncy slap bass, shimmering pads, and layered male pop vocals with smooth harmonies, Energetic upbeat groove with catchy hooks, Clean, polished mix with digital sparkle, gated reverb accents, retro brass synths, rhythmic claps, and an emotional dance-pop storyline, Nostalgic but bigger, brighter, sharper

Explosive 90's and 80's grunge energy drives the song with overdriven and heavily distorted guitars layered over a thick, noisy bassline, Drums are raw and punchy, alternating between steady grooves and chaotic cymbal crashes, Male vocals cut through the dense mix, gritty and visceral, A driving alt-rock riff in drop-D, blending Smashing Pumpkins’ layered fuzz, STP’s groove-heavy swagger, and Pearl Jam’s melodic grit, Starts with a sliding power-chord shape, dips into a syncopated palm-muted bounce, then opens into wide, soaring chorus chords with harmonic flourishes, Tempo around 118–122 BPM, Bass: DeLeo-style melodic lines, not just root notes; thick midrange growl, Drums: big tom runs, snare cracks, 90s alternative pocket, Occasional Corgan-style drum machine textures under the verse for contrast

Style: Synth-pop / Shoegaze / Dream-Pop / Reggae-Dub / Ambient Vibe: Warm, emotional, nostalgic, underwater neon glow, love pulling you into the light Instruments: Deep dub bass, off-beat echo guitars with fuzz/chorus, shimmering reverb pads, side-chained polysynths, soft breathy vocals, post-rock drums, glitchy vinyl textures, reverse-verb swells, uplifting nostalgic feel with each line where appropriate Mood Words: weightless, halo, tidal, radiant, slow-motion, cinematic FX: long-tail delays, shimmer reverb, stereo wideners, tape-wobble, bass feedback swells BPM: 78 — Key: Em (hope lift to G in chorus) Structure: Slow dreamy intro → Verse → Pre → Huge Chorus wall-of-sound → Verse 2 → Pre → Chorus → Ambient breakdown whisper bridge → Massive final chorus with lifted harmony layers

Distorted bass drop after each line, Choir responses on “shine” and “saints, ” Big halftime stomp beat, Guitar: palm-muted chug + octave slides into bass hits, FX: reverb throws on chorus endings, preacher megaphone bridge, Backing Vocals: gospel power stacks, More distorted bass like SNOW MADNESS(JUGGALO SHOVEL ANTHEM)

Slow, grinding industrial-metal track inspired by Rob Zombie’s Dragula and Living Dead Girl, Detuned chugging guitars with a dirty overdriven tone, mechanical stomping drums, metallic percussion hits, and a thick distorted bass, Spoken-growl lead vocal with sneering attitude, layered with whispered backing vocals for creepy swagger, Occasional robotic vocal effects and megaphone distortion, Cinematic horror synth accents and glitchy transitions between sections, Tempo around 90 BPM, heavy half-time feel, Dark, stylish, PG-13 “shock rock” energy — sleazy but fun, thick groove, massive stomp riffs, Keep the provided lyrics exactly as written with no changes, A dark industrial reggae-metal fusion, Syncopated reggae drum machine beat inspired by a Roland CR-78 with strong offbeat skanks and classic dub bass movement, Titan Bass DUB Drone modulated at 97Hz, deep and growling, Yamaha contrabass at 97Hz anchoring the low end like a heavy dread bass wall, Sleazy distorted electric guitars wit

Experimental psychedelic Beatles–style track inspired by “I Am the Walrus, ” “Lucy in the Sky with Diamonds, ” and “Magical Mystery Tour, ” Surreal tape effects, playful vocal delivery with bold vowel exaggeration, and filtered megaphone lines, Wide three-part harmonies with dreamy backgrounds, Distorted piano and Mellotron textures, backwards cymbals, wah-guitar accents, and varispeed tape tricks between sections, Bass is melodic and wandering with Ringo-style tom fills, Stereo panning shifts and random spoken asides, Whimsical, unpredictable, fun — colorful chaos meets catchy pop, Use the existing lyrics provided without altering the text, Vocal personality: slightly cheeky, theatrical, psychedelic humor, Key G major, Tempo ~118 BPM

Dark carnival horrorcore theme like Insane Clown Posse, Heavy distorted bass groove, sub-drops, eerie music box and organ accents, Rap verses with horror fun energy, gritty delivery, slightly pitched vocal doubles, Creepy call-and-response chants in chorus, Radio-ready mix, Tempo ~88 BPM, Key F minor, Add vinyl scratch FX, low-choir accents, sudden bass hits, Lyrics included, Heavily distorted Bass licks where appropriate

Modern heavy metal inspired by the Imperial March from Star Wars, Dark and epic, Distorted bass hooks and a unique heavy riff, Vocals gritty and sinister like Emperor Palpatine, industrial metal percussion, Creepy but motivational theme about surpassing others or face consequences, Radio-ready, Tempo 82 BPM, Key D minor, Structure: short verses, big chorus, Aggressive energy, Whispered layered vocals in bridge, cold and corporate, void of emotion and feeling, a sense of pure evil to the point of super chill creepiness, with plenty of organized guitar licks throughout, no cute sounds, only evil tortured soul choir, cut emotions in the vocals in a flat delivery, cold evil lyric a whole new level of creepy

STYLE: 1980s horror metal • Cooper 's (Constrictor era) • glam metal • Grim Reaper influence • big 80s guitars • horror synths • theatrical rock • slasher-movie soundtrack • neon-drenched metal energy • gang-shouts • VOCAL STYLE: raspy male rock vocal • theatrical Cooper delivery • spoken horror lines • shouted gang vocals • dramatic phrasing • 80s vibrato touches INSTRUMENTATION: crunchy 80s metal guitars • chorused clean leads • big gated-reverb drums • dark synth pads • slasher-film synth stabs • 80s metal bass • dive-bombing lead guitar • chains / knife slash SFX • demon whispers, distorted bass where appropriate, distorted bass creepy feel, use the dirty distorted bass make it feel like you are defending down into hell

STYLE: dark folk • Appalachian horror • atmospheric outlaw country • ritualistic acoustic • deep drums • forest ambience • haunting harmonies • cinematic storytelling • folk myth • evil Americana VOCAL STYLE: low male vocal • gritty • breathy • storyteller cadence • ominous • slow-burning intensity INSTRUMENTATION: bowed banjo • deep floor tom heartbeat • dulcimer drones • stomps and claps • bowed fiddle • low growling bass • heavy reverb • forest ambience (wind, branches, leaves) • distant animal calls • ritualistic percussion SFX: forest wind • twig snaps • distant deer calls • creaking trees • subtle heartbeat thump • low sub rumble

STYLE: dark pop • ethereal synthwave • vaporwave accents • experimental electronic • cosmic ambient • dreampop atmosphere • haunting • cinematic • isolating • glitchy radio transmissions VOCAL STYLE: soft male vocal • breathy • depressed • emotionally fragile • floating and distant • light autotune shimmer • falsetto-friendly • “lost in space” vibe INSTRUMENTATION: dark analogue synth bass • shimmering pads • vaporwave tape-warp effects • cold arpeggiated synths • reversed keys • cosmic reverb • glitch bursts • filtered percussion • slow heartbeat kick • breathy background vox • radio static SFX • hallucinated transmissions, electric violin where appropriate

trance, vapor trap, minor glitch textures, delay vox, vinyl crackle, experimental, liquid, wah wah guitar and bass, dynamic SFX's

80's rock, nostalgic sound, dynamic SFX's

Create a powerful instrumental orchestral anthem in the musical style of mid-1800s classical state hymns, combining the sweeping brass and choral grandeur reminiscent of the Russian National Anthem with the melodic folk-march optimism of American 1850s patriotic compositions, Also john williams imperial death march, switching to Han and Leia's theme style part way through the Anthem, Retaining strong elements of Dixie The piece should sound like a unifying “Global State Anthem, ” bold brass fanfares, snare drum rolls, lush strings, Tone: noble, hopeful, stately, and inspiring — emphasizing unity, global cooperation, peace, and shared destiny, Production should be polished, cinematic, and majestic, with strong dynamic swells and crisp articulation, suitable for radio, film, or ceremonial settings

A flamboyant, high-energy pop-rock-funk anthem delivered in the vocal style of Mercury from Queen, Lead vocal is powerful, theatrical, and charismatic — dynamic range from delicate falsetto to soaring belts with Mercury’s signature vibrato and phrasing, mixed with the vocal from Right Said Fred Arrangement built on driving bass, tight funk guitar, and glam-rock drums with layered gospel harmonies, Production should blend Queen’s lush analog warmth with 90s club funk energy — grand piano stabs, hand-claps, and multitracked choirs, Mix in a bit more of the club style of right said fred Overall mood: confident, irresistible, and radio-ready; a modern royal anthem for egomaniacs everywhere]

acid art rock, psychedelic acid, freaky acid guitar licks, air head vocal

A sophisticated old school hip hop west coast rap song synth pads, melodic bass, tight drumming, layered harmonies, and expressive lead vocal in a Tone Loc tone, The lyrics explore the concept of liminality — existing between worlds, between past and present, between certainty and doubt, Include playful chord changes, dynamic bridge, and synthesizer solo, Keep production radio-polished but authentically 70s with analog warmth and stereo shimmer, Dual tracked vocals with the odd record scratch and funky pshyceldelic guitar, Extra funky synth pads with some ASMR qualities

Create an ambient–symphonic vaporwave soundscape where the human and oceanic worlds blur into one continuous dream, Use whale song phonemes and theremin leads as melodic voices — bending, sighing, and calling like lost language fragments, Layer lush analog synth pads, soft orchestral strings, and slow tidal percussion that rises and falls like breathing, Include sub-bass drones that pulse with oceanic depth and faint field recordings of water pressure and bubbles to create immersion, The theremin should serve as a bridge between the human voice and whale communication — gliding, shimmering, emotional, Build slowly from a deep hum into a sweeping, shimmering crescendo, then dissolve into filtered reverb and distant echoes as if fading into the abyss, Maintain a meditative, awe-filled mood throughout, equal parts wonder and melancholy, Radio-ready, cinematic, richly textured, Mood: Dreamlike, mysterious, sacred, Tempo: 65–75 BPM (slow tidal flow), Key suggestion: D minor or E Dorian

A soulful piano-driven pop-rock track inspired by early-1990s adult-contemporary hits like Walking in Memphis, Mid-tempo (around 95 BPM) with bright, steady piano rhythm instead of slow blues swing, Add subtle gospel backing vocals, clean electric-guitar fills, and dynamic drums that rise and fall with the story, Warm male vocal tone — conversational but emotional — carrying humor, weariness, and honesty, Smooth bassline, tasteful reverb, and a polished radio-ready mix that feels cinematic and alive also some reversed samples

Grunge–electronic hybrid live performance, Raw distorted guitar feedback, saturated bass, and a pulsing electronic kick, Gritty male vocals with Cobain-style rasp, heavy reverb to mimic an underground club, Layer live crowd ambience, mic pops, and feedback swells, Sound like Nirvana meets 9 Inch Nails at a secret cyberpunk show, This version leans heavier — dirtier bass, booming drums, and crowd interaction, Think of Nirvana’s MTV Unplugged meets a Blade Runner nightclub, with an audience shouting back the lyrics through haze and flickering strobe lights, Create a gritty, sarcastic grunge track in the spirit of early-’90s Seattle, Fuzzy, overdriven guitars with thick distortion and feedback swells between lines, Dirty, compressed drums with strong snare crack, Dynamic contrast — soft verses with mumbled vocals that explode into distorted walls of sound in the chorus, Bass should feel chunky and loud, slightly detuned, Vocals have a Cobain-style rasp and sneer, sarcastic tone

Create a cinematic spoken-word rap duel between two historic figures: one smooth and presidential (John Fitzgerald Kennedy accent), the other passionate and soulful (Martin Luther King Jr, ), Blend old-school boom-bap hip-hop beats with orchestral brass, snare rolls, and faint radio static, Include historical newsreel ambience, ticking clocks, and subtle vinyl hiss, The ending swells into a reverb-drenched, slowed-down instrumental of the U, S, national anthem with layered echoes of both voices repeating “freedom” and “dream, ”

Create a dark, cinematic vaporwave / experimental electronic composition with subliminal vocal phrasing and reversed layers, Blend reversed and forward vocal recordings, vocoded sermon-style delivery, and pulsing distorted basslines, Include reversed percussion bursts, pitch-shifted whispers, and echo trails that form words (“yes we can / thank you Satan”), Add tape distortion and analog warmth to make it feel retro yet unnerving, The beat should be smooth but menacing — hypnotic rhythm that feels like a sermon broadcast through broken speakers, Mood: “Otherworldly political dreamscape, ” Texture: VHS grain, pulsing reverb, deep stereo layers, Ending: Gradually reverse the entire track into silence

Experimental psychedelic rock with Latin ritual elements, Blend Pink Floyd–style sound textures with Tame Impala’s dreamy modern production, Layer Latin and English vocals through delay and phaser effects, Guitars use reverse reverb and tape-loop feedback; bassline grooves like a slow trance, Include Floydian organ, flanged hi-hats, and lush ambient pads, Song structure moves from ambient intro to surreal groove to anthemic chorus then melts into a drifting soundscape, Production should be psychedelic, dreamy, and cinematically dense, radio-ready yet haunting

Dark Latin Trap / Reggaetón hybrid with cinematic horror elements, Heavy 808 bass, syncopated percussion, and reverb-drenched Latin chants, Blend Spanish and English vocals — half sung, half whispered, Layer eerie choir harmonies, distorted sub-bass swells, and church organ stabs, Vocals switch between melodic reggaetón flow and gritty rap delivery, Add subtle horror sound design (echoes, whispers, low drones), Moody, polished, radio-ready mix with a hypnotic rhythm that builds tension and release

Experimental vaporwave meets ethereal synthwave, layered with glitch textures, lush dreamy pads, and a vocoder for dual-language vocals (English + invented AI gibberish), Smooth bass grooves, retro-futuristic synth arps, and hazy lo-fi beats create a surreal soundscape, Echoed vocals alternate English and Gibber Link, with the machine voice sounding secret, futuristic, and hypnotic, Polished, radio-ready vaporwave anthem with experimental flair

Early 1970s doom metal, Black Sabbath–inspired, heavy distorted bass, dark blues-based guitar riffs, ominous minor key, slow to mid-tempo march, proto-metal heaviness, no modern polish, Bass-forward mix, fuzzy distortion, simple but crushing drums throughout, guitar doubles bass often, long expressive guitar solo with space, no speed metal, no modern metal tones, Young Sabbath–vocal style delivery, haunting, slightly detached, nasal baritone, clear but eerie, melodic phrasing, sounds like a warning rather than anger, Doom, inevitability, moral weight, shadowed, confrontational, timeless

Classic 1970s country trucker song parody, spoken-word storytelling verses, warm novelty country humor, friendly CB-radio narration, upbeat and playful tone, nostalgic but original, non-political, lighthearted road-song energy, Humorous, conversational, relaxed, confident, folksy, good-natured, Analog warmth, simple arrangement, emphasis on vocals and storytelling, no modern pop gloss, sounds like a tall tale told over coffee at a truck stop, Analog warmth, simple arrangement, emphasis on vocals and storytelling, no modern pop gloss, sounds like a tall tale told over coffee at a truck stop, The song is structured around two interspersed parts: simulated CB dialogue, a spoken-word narration of the story, baritone, restrained and steady, calm but heavy with implication, conversational delivery, minimal vibrato, slightly dry tone, emotionally contained, sounds like someone admitting something difficult without dramatizing it