4:08

Lost In The Late Night Thoughts
v4.5-all
male singer only, male vocals ranging a2 to a4[bpm:99], [theme:Punk Rock ], [main genre: punk rock, [sub-genre: alternative rock, ], [tuning: punk rock sound], [insturments, punk rock electric guitar, punk rock drums, ][sfx :punk rock]
3:31

Post-hardcore with swancore guitars (sparkly cleans, funky staccato riffs, constant off-beat chugs), emo-rap screamed verses, silky high-register clean male vocals in chorus, huge sugary hooks with gang vocals, sudden chaotic breakdowns, absurd catchy nonsense screams, mathy drum fills, warm synth undertones, theatrical dynamics (quiet/loud swings), slightly lo-fi crunch mixed with glossy pop production, Tempo ~165 BPM, fun but emotionally raw
2:55

3:40

1:59

Magnolia
v5
Indiewave aggressive lo-fi trap track, tempo ~138 BPM, 4/4 in D minor, Instrumentation: distorted 808 bass dominating mix, clipped and overdriven, often detuned for grit, Kick punches in sync with 808 root (D–F oscillation), snare/clap on 3, hi-hats rapid 1/16ths with irregular stutters and triplet rolls, Melody: minimal, built around dissonant atonal synth stab repeating motif rhythmically, no extended harmonic progression, only pedal D with noise layers, Vocals: raw male baritone/tenor hybrid, range A2–A4, delivered with extreme distortion from both throat technique and bit-crushed overdrive, Accent is South Florida American, harsh and percussive consonant attack, Delivery: shouted and screamed rap, phrasing clipped into syncopated bursts, aggressive plosives saturating mic preamp, Flow: highly syncopated, heavy use of rests between short bursts to maximize impact, Timbre intentionally lo-fi, nasal resonance pushed, throat constriction for a growl edge, Key element: sunwave drift
2:22

Energetic Pop Punk, early 2000s Alt-Rock anthem, The song kicks off with a lone, sarcastic female vocal over a clean, jangly guitar, before exploding into a full-band assault with driving, distorted power chords, a punchy, fast drum beat, and a melodic, driving bassline, The female lead vocal is full of attitude and sass; her verses are delivered with a half-spoken, cynical snarl, while the chorus soars into a powerful, anthemic, and incredibly catchy pop-punk melody, The song is a rollercoaster of dynamics, from quiet, sarcastic verses to explosive, sing-along choruses, The mood is rebellious, funny, and refreshingly honest
3:25

minimalist Japanese Trap, hip-hop, clapping as driving beat, chants, prominent background vocal samples as melodic element, breathy vocal, technical female rapper, confrontational tone, perfect articulation of complex wordplay, breath control mastery, moaning ad-libs, female rapper, clean production, 140 bpm, clean production
4:23

Spectator
v4.5-all
Male Vocals, create a song that is like a garage rock revival, but also blends elements of blues rock, alternative rock, and proto-punk, characterized by its iconic, distorted, bass-like guitar riff (guitar is an octave down), simple yet powerful drumming, and raw, minimalist production, creating a sound that feels both vintage and distinctively modern
2:33

Moonlight
v4.5-all
female singer only, female vocals ranging a3 to c6, [bpm:150], [theme:Hip Hop], [main genre:hip hop], [sub-genre: Lo-fi dark gangster trap, hip hop, rap], [tuning:Lo-fi hip hop, dark gangster sound], [insturments:Lo-fi hip hop, dark gangster guitars and keys], [sfxLo-fi :hip hop ]
2:27

3:23

🖤 I’m Not Okay 🖤
v4.5-all
rap, Moody 124 BPM sad-rap loop, deep kick and crisp snare under warm pads and distant piano, Verses: intimate breathy female vocals with melodic rap phrasing, light delays, subtle ad-libs, Chorus: angelic stacked harmonies with wide reverb and echo tails, bass swells for lift, Sparse ear-candy (reverse swells, filtered delays) between sections; keep vocal front and raw, emotional, female vocals, steady, sad, breathy
1:31

2:40

3:15

Out Of Worries
v4.5-all
female singer only, female vocals ranging a3 to c6, [bpm:150], [theme:Hip Hop], [main genre:hip hop], [sub-genre: lo-fi dark gothic gangster trap, hip hop, rap], [tuning:dark gothic hip hop, dark gangster sound], [insturments:dark gothic hip hop, dark gangster guitars and keys], [sfx:dark gothic hip hop ]
2:59

3:23

4:20

female vocals, english, alternative rock, dark alternative, post-hardcore influence, modern rock, mid-tempo, 95 bpm, minor key, distorted rhythm guitar, palm-muted guitar riffs, aggressive basslines, bass forward mix, tight drum groove, snare heavy mix, dynamic loud-soft contrast, tense verses, explosive chorus, strong melodic hook, aggressive but clean vocals, gritty vocal tone, attitude driven delivery, no acoustic, no ambient, no cinematic, no spoken word
2:25

The intro layers dusty lo-fi samples and minimalist trap beats, gradually building with dark Atlanta-inspired 808s, Memphian hi-hat rolls and New Orleans swing join as energy rises, Midway, chopped and screwed textures distort the groove, while a warm, deep, melodic gangsta vocal glides above
2:59

A High-Energy Pop-Punk Track With A Driving Beat And Prominent Female Vocals, The Instrumentation Features A Synth Bass Providing A Strong Rhythmic Foundation, Electric Guitars Playing Power Chords And Melodic Lines, And A Drum Kit With A Consistent Kick-Snare Pattern And Occasional Cymbal Crashes, The Tempo Is Fast, Around 160 Bpm, The Song Is In A Minor Key, Contributing To Its Slightly Aggressive Yet Catchy Feel, The Lead Female Vocalist Delivers The Lyrics With A Clear, Slightly Edgy Tone, Utilizing Some Vocal Effects Like Delay And Reverb, The Song Structure Includes Verses, A Pre-Chorus, And A Chorus, With A Bridge Section That Introduces A Slight Dynamic Shift Before Returning To The Main Chorus, Production Is Clean And Punchy, With The Vocals Mixed Prominently Over The Instrumental Backing, The Guitar Riffs Are Memorable And Contribute Significantly To The Song's Identity
2:34

4:01

Emotional heavy rock track inspired by early 2000s alternative rock, Tempo ~170 BPM, Dark, restrained, and intense atmosphere, Start with a minimal, repeating intro motif:
a single-note distorted guitar or cold synth pulse, slowly pulsing with deep sub-bass underneath, no drums at first, creating tension and numbness, After the intro, heavy down-tuned guitars enter with palm-muted riffs, tight live-style drums with strong kick and dry snare, Heavy low-end presence throughout the entire song, constant pressure rather than EDM-style drops, Female lead vocals with emotional high tone, clear pronunciation, powerful but controlled, not screaming, Verses feel restrained and internal, chorus explodes with soaring high notes and long sustained tones, Include short breaks where instruments briefly drop out, then slam back in for impact, Mood: numbness breaking into emotion, suppressed feelings turning into release, Full length about 3 minutes, Artist: Shinogi-chan
3:35

Dear Little Blue Rose
v4.5-all
female singer only, female vocals ranging a3 to c6, [bpm:140-150], [theme:Hip Hop], [main genre:lo-fi hip hop], [sub-genre: lo-fi, hip hop, rap], [tuning:dark gothic lo-fi hip hop, ], [insturments: lo-fi hip hop drums, gentle lo-fi piano], [sfx:dark gothic hip hop ]
2:00

2:42

Sad boy emo rap, 130–145 BPM, dark melodic trap beat, emotional piano + soft guitar, subtle distortion, heavy 808s, slow bounce, vulnerable male vocals, chorus layered with harmonies, raw heartbreak energy, Male vocals
2:55

female singer only, female vocals ranging a3 to c6, [bpm:135], [theme:Hyperpop/breakcore], [main genre: hyper pop, breakcore], [sub-genre:pop, gothic metal, hyper pop, hyper pop meets breakcore, ], [tuning: dynamic, ethereal harmonies, heavy bass drops, beats, fast-paced and chaotic energy, breakcore sound], [instruments, hyper pop keytar, hyperpop electric keys, ], [sfx:glitchy synths, blending with distorted screams, ], [influence:gothic metal, phonk]
4:16

Survive
v5
[Style]
(Death Metal, Melodic Metalcore; Guitar riffs, emotional, heavy, and powerful with strong melodic focus)
[Vocal duet] (soaring female clean with feral fry scream accents, male growl backing)
[Guitar 1]
(Piercing melodic lead; bends, vibrato, emotional phrasing, rapid-pick accents)
[Guitar 2]
(Palm-muted rhythmic guitar; clean/light drive; sharp accents, hypnotic groove)
[Bass]
(Punchy bassline layered with gabber-style low-end pressure; dark, relentless groove tightly locked with the kick drum)
[Drums]
(185–205 BPM double-kick patterns with blast flourishes; halftime breakdown sections; powerful tom runs and dynamic transitions)
[Arrangement]
(Contrast between fast, intense sections and slower, emotional breakdowns; cinematic build-ups and impactful drops)
[Mood]
(claustrophobic, unsettling yet danceable; cyberpunk underground club with creepy carnival edge, cute-but-deadly)
2:46

2:27

3:13

4:16

A dense fusion track opens with mechanical industrial beats, distorted guitar stabs, and experimental synth textures, Art rock-inspired shifts bring in angular rhythms and unpredictable time changes, Verses layer processed vocals over grinding electronic elements, while hard-hitting alt-metal choruses explode with heavy guitars and driving bass, Mid-song, an atmospheric electronic break adds depth before returning to a powerful, riff-driven finale
3:53

A melancholic and atmospheric indie pop ballad featuring a blend of acoustic and electronic elements, The track opens with a haunting, wordless vocal melody layered over a simple, rhythmic acoustic guitar strumming pattern in a minor key, The tempo is a steady 80 BPM, The male lead vocal is breathy, intimate, and emotionally raw, utilizing a wide range from a low baritone in the verses to a powerful, soaring head voice in the choruses, The arrangement builds with the introduction of a deep, pulsing synth bass and a minimalist drum kit featuring a crisp snare and a resonant kick, Reverb and delay are used extensively on the vocals to create a sense of vast, empty space, The song structure follows a Verse-Chorus-Verse-Chorus-Bridge-Chorus-Outro format, with the bridge introducing a more intense, distorted guitar texture and layered vocal harmonies that create a wall of sound before returning to the final, climactic chorus
2:47

Emotional EDM, hip-hop confident, Epic Trap, Melodic Rap, alternative pop
2:04

3:07

4:05

female singer only, female vocals ranging a3 to a4], [bpm:112], [theme:mederato punk-pop], [main genre:pop-punk ], [sub-genre: punk-pop], [tuning: punk-pop sound], [insturments:punk pop guitars and keys], [sfx:punk-pop]
3:04

CRIMINAL AND CRIME
v4.5-all
Genre & Style: Primarily Indie-Folk, Bedroom Pop, and Alternative, Sound: Often acoustic-based, featuring heartfelt, intimate, and emotional storytelling, Themes: Girlhood, introspection, love, and personal experiences, female vocals, rap, cute pop
3:19

When Will We Find Home
v4.5-all
duet, rock, pop, punk, breakcore, digicore, hyper, chiptune, melodic, anthem, rhythm, hardcore
2:36

3:52

3:01

6:36

female singer only, female vocals ranging a3 to c6, [bpm:172], [theme:Emo Rock], [main genre:emo rock], [sub-genre: emo rock], [inspiration: my chemical romance][tuning:emo rock sound], [insturments: emo rock guitars and keys, emo rock drums, emo rock deep heavy bass guitar], [sfx:emo rock]
3:03

FVLLING
v4.5-all
emo metaltrap, heavy dark-trap & deep basslines, beat, punchy melancholic drums, constantly evolving and changing rhythms & melodies, quiet detuned electronic guitars, muffled distant creeping melodies, evil, mashed sub-heavy 808s, low reverb, haunting emo-metaltrap rhythm, edgy dark rap vibe, shadowy vibe, humanized imperfections, muted goth-trap drums, tempo & style switch-ups at halfway & at the first drop, hazy heavy production, layered goth trap + industrial hip-hop groove, gloomy horror-movie style FX, choppy bass hits, underground production style, aggressive slasher-movie vibe, slight experimental + vampire core influence, dark ambient intro — low rumble, distant eerie sounds, ghostly whispers, reverb-heavy kicks, & reversed sound effects, After 20 seconds use distorted 808s & goth-metaltrap style kicks, Gradually add horror-themed textures (screams, breathy vocals, metallic echoes), midway the beat drops aggressively, stuttered male vocals, creepy, progressive, & slow-ish
3:04

Drowning in the Flood
v4.5-all
Emo, Female vocals, Technical Math Rock, Jazz-Fusion, Funk guitar scratching











































