3:51

Create a high-energy 1990s girl-group dance-pop anthem titled “Step Through My Door”, capturing the raw, chaotic spirit of mid-90s British pop, Tempo 110 BPM, key F# major, Signature syncopated synth riff — bright, punchy, playful — over a driving MPC3000-style beat with snappy snare and claps, Add knees-up pop piano chords and a funky bassline (B–D–E–A–A♯ loop) for bounce, All vocals female: five distinct voices trading lines, overlapping ad-libs, spontaneous chatter, laughter, and shout-outs (“Hey!”, “Slam!”, “Zigazig-ah!”), Spoken/rap sections delivered by a second, sassier female tone — rhythmic, confident, cheeky, Include call-and-response pre-chorus, explosive group-chorus hooks, and a tongue-twisting rap bridge leading into a dance break, Final chorus: layered harmonies, laughter, chaos, crowd feel, Mix: slightly rough, one-take energy — no autotune, no polish, just friendship, fire, and pure 1996 London pop fun
5:07

Melodic EDM, pulsing tropical house, euphoric dance breaks, BPM 126, Opens with 30-second atmospheric intro: ethereal pads, granular textures, child voice sample, and whispered mantra, Evolving arpeggiated synth threads through every section, transforming via filters and tempo shifts, Verses feature androgynous, breathy vocals — intimate, fragile, human, First drop: emotional melodic section → tribal/vocoder chant, Deep sidechained bass and djembe/udu percussion pulse beneath reverb-smeared synths, Breakdown: half-tempo ambient space with child/adult dialogue and soft Rhodes piano, Final drop modulates to major with orchestral strings, massive melodic resolution, and crowd chants, Outro: fading ambient wash → 5s silence → single heartbeat kick, Vibe: a ritual of release — dance or disappear
5:39

Feel
v5
Create an original 1980s-style melodic hard rock / arena rock anthem, Key: E minor, tempo 80 BPM (power ballad) or 120 BPM (anthemic rock), Begin with clean electric guitar arpeggios drenched in delay and chorus, then build into wide, overdriven twin-guitar harmonies through tube amps — thick rhythm layers, melodic leads with long sustaining bends and emotional vibrato, Add deep fingered bass, live acoustic drums with gated reverb snare, big tom fills, and shimmering cymbals, Vocals: male tenor, slightly raspy and bright, full of emotion and vibrato, Verses intimate and restrained; choruses soaring and powerful with high sustained notes and layered harmonies, Include a dynamic bridge that drops to voice and clean guitar before a lyrical guitar solo leading into a climactic final chorus, Production warm, analog, and live — full of reverb, passion, and guitar-driven drama, A timeless 80s rock ballad that feels cinematic and electrifying
6:39

Create an epic emotional rock ballad titled “Golden Skies”, in the exact 1980s analog style of soulful arena rock, Key B♭ major, tempo 72 BPM, Long atmospheric intro with clean electric guitar arpeggios drenched in delay and reverb, Yamaha CP-70 electric piano chords, deep melodic bass, and spacious live drums with gated reverb, Verses intimate and vulnerable — male lead vocal soft and trembling, slowly rising to powerful falsetto and raw ad-libs (“Woo-ooh!”, “Shine!”), Chorus expands with gospel-choir harmonies chanting “Golden skies” in call-and-response, lush string pads, and cymbal swells, Bridge: vocal ad-libs over soaring chords and emotional tension, Final coda: 2-minute lyrical guitar solo — bluesy bends, singing sustain, crying tone through a vintage tube amp, Mood: melancholic, spiritual, redemptive — a prayer for love and light beneath the rain, No autotune, no synth pop — just analog soul, guitar passion, and pure feeling
6:56

Create a 7-minute melodic EDM / progressive techno anthem titled “Drop It or Drown”, Key D minor, modulating to F major in the final drop, BPM 126, Opens with 60-second atmospheric intro: ethereal pads, granular textures, child voice sample, and whispered mantra, Evolving arpeggiated synth (D–F–A–C) threads through every section, transforming via filters and tempo shifts, Verses feature androgynous, breathy vocals — intimate, fragile, human, First drop: emotional melodic section → tribal/vocoder chant (“DROP IT! DROP IT! DROP IT OR DROWN!”), Deep sidechained bass and djembe/udu percussion pulse beneath reverb-smeared synths, Breakdown: half-tempo ambient space with child/adult dialogue and soft Rhodes piano, Final drop modulates to F major with orchestral strings, massive melodic resolution, and crowd chants, Outro: fading ambient wash → 5s silence → single heartbeat kick, Vibe: a ritual of release — dance or disappear
5:26

Sweeping orchestral pop ballad with cinematic 1990s grandeur, Tempo 76 BPM, key A major with emotional modulations to C# minor in the bridge, Begins with tender piano arpeggios and soft flute, building into lush strings and warm French horns, Orchestral percussion—timpani rolls, cymbal swells, airy toms—adds majestic lift without heaviness, Ethereal synth pads create depth behind the orchestra, Lead female vocal is powerful and radiant: intimate, breathy verses bloom into soaring, resonant choruses with crystal diction and heartfelt vibrato, Subtle choir harmonies enrich the choruses, swelling into a cathedral-like final climax, Bridge drops to piano and voice, then erupts into the last chorus where strings, brass, and timpani reach full intensity, Outro fades with piano, flute, and strings like a memory dissolving into light, Production lush yet clear, reverb warm, voice always central, Vibe: heart-wrenching but empowering—sorrow transformed into awakening
5:29

Traditional American country ballad with a pure, roots-inspired sound, Tempo 74 BPM, key G major, slow 4/4 feel, Opens with fingerpicked acoustic guitar and soft fiddle, joined by upright bass, brushed snare, and gentle pedal steel guitar, Warm electric guitar adds twangy accents with vintage amp tone, Lead male vocal is honest, slightly rough-edged, and heartfelt — telling a simple, emotional story of love, loss, or redemption, Harmonies appear in the chorus, blending natural male-female voices in close, classic country style, Arrangement grows organically: quiet verses → fuller, emotional chorus → fiddle or steel solo → tender, fading outro, Production is warm and analog, recorded as if live in a wooden room, No synths, no polish — just guitars, fiddle, and voice, Vibe: authentic Nashville storytelling, dusty roads, old bars, heartache, and home, ‑Pop, ‑rock
3:39

An explosive 80s hard rock anthem with crunchy distorted electric guitar riffs, soaring lead guitar licks, and a driving rhythm section, The drums are punchy and reverberant, with powerful snares and crashing cymbals that push the groove forward, Bass is tight and supportive, locking in with the kick to create a solid foundation, Lead vocals are male, gritty, powerful, and full of attitude, shifting from tense, dramatic verses to explosive, anthemic choruses that feel rebellious and unforgettable, Backing gang-style vocals reinforce the chorus, creating a stadium-ready call-and-response effect, The arrangement balances raw guitar energy with melodic hooks, featuring a fiery guitar solo that heightens the drama, Dynamics rise from stripped verses into huge, hook-driven choruses, embodying the defiant, larger-than-life sound of classic 80s rock, The overall vibe is bold, rebellious, and electrifying, perfect for a stadium crowd with fists in the air
3:27

An energetic electro-pop dance anthem with a steady 128 BPM four-on-the-floor kick, pulsating bass, and bright synth stabs that build anticipation, The track opens with filtered synth chords and rhythmic claps, gradually layering in driving drums, shimmering arpeggios, and crowd-like vocal shouts, Male and female vocals trade catchy, feel-good lines, blending into chant-style group choruses designed for a euphoric, collective sing-along, The arrangement rises through risers and snare rolls into explosive drops, filled with sidechained synth leads, heavy bass hits, and festival-style dynamics, Percussion is crisp and relentless, pushing the groove forward with hi-hats, claps, and electronic fills, The atmosphere is uplifting, carefree, and celebratory, evoking the unstoppable energy of a night out, The final chorus repeats with stacked harmonies, crowd chants, and layered synth textures, ending in a euphoric, anthemic finale that feels both timeless and electrifying
4:29

Neo-80s Fusion: 118 BPM, F# minor, Female lead vocal—rhythmic, spoken-sung, Grace Jones attitude, dry and centered, Lyrics in English, one Spanish line in bridge: “Arde en la piel… nunca se apaga, ” Rhythm section: live disco-funk groove—Bernard Edwards-style slap bass (Fender Precision), Nile Rodgers-style staccato guitar, live drums with open hi-hats, dry claps on 2 and 4, Melodic layer: Juno-60 stabs, Prophet-5 pads, Disruptive element: distorted Les Paul—The Edge texture meets Slash phrasing—short staccato chords in choruses, acidic 4-bar solo in bridge with analog delay and feedback, Backing vocals: slap delay only, no harmonies, rhythmic echoes, Structure: intro groove → verses → explosive choruses → guitar bridge → instrumental drop, Production: bass and claps centered, guitar wide and tight, synths subtle, vocals cutting through, Emotion: physical electricity as dance—sensual, powerful, bailable, Inspired by late-20th-century masters
4:39

Neo-80s Fusion: dynamic tempo shifts—60 BPM (industrial slow-burn) → 120 BPM (techno-rock) → 170 BPM (breakbeat) → 60 BPM (outro), Male lead vocal—whispered with subtle bitcrusher in verses, raw shouted delivery in choruses, Rhythm section: hybrid—live drums + 909 kick in choruses, Amen-style breakbeat in bridge, no drums in verses, Bass: sub-bass drone (verses), distorted funk bass (choruses), Disruptive element: electric guitar played with violin bow—controlled feedback in verses, chaotic solo with distortion in bridge, Melodic layer: Juno-60 stabs in choruses only, Structure non-linear: no pre-chorus, no traditional verse-chorus symmetry, Outro features 120 BPM hi-hats under 60 BPM vocal—heart racing beneath calm, Production: dry vocals, bass centered, guitar wide with room reverb, synths tight, Emotion: creative rage transformed into rhythm—intense, bailable, cathartic, No ballad elements; pure kinetic energy with structural innovation
4:30

Neo-80s Fusion: 98 BPM, A minor, Female lead vocal only—intimate, breathy, Sade-style, dry and centered, no backing vocals, Lyrics in English, final line in Spanish: “un sabor que no se olvida, ” Rhythm section: live trip-hop soul groove—brushed acoustic drums, fretless bass with sliding warmth, no electronic percussion, Melodic layer: slightly detuned toy piano with infinite reverb, used harmonically and texturally, Disruptive element: Brian May-style electric guitar—Les Paul through Marshall, harmonized in thirds, analog delay, melodic solo in bridge, no distortion, pure emotional sustain, Chord progression: Am9–F#m7–Dmaj7–E7sus4, unresolved, evoking lingering farewell, Structure builds from sparse (bass + toy piano) to full live groove, then strips for guitar bridge, Production: vocal dry, bass fluid and wide, toy piano slightly left, guitar dynamically panned, Emotion: sensory farewell—bitter-sweet, embodied, timeless, No synths, no EDM elements; organic instrumentation with emotion
4:59

Neo-80s Fusion: 116 BPM, G minor, Dual lead vocals—male (warm, introspective) and female (gentle, inviting), alternating in verses, unified in choruses, Lyrics in English, one Spanish line in bridge: “Los fantasmas no son cadenas… son danzas, ” Rhythm section: French touch house groove—filtered Moog bass with auto-wah, 909 kick, LinnDrum hi-hats with swing, live claps, Melodic layer: Rhodes piano with chorus and compression, vintage warmth, Disruptive element: real violin processed with granular delay and sidechained to kick—enters in choruses, solo in bridge, lyrical not ornamental, No backing vocals; vocal layers only in choruses via doubling, Structure builds from sparse (bass + Rhodes) to full dance energy, then strips for emotional bridge, Production: dry vocals, wide bass, Rhodes centered, violin dynamically panned, Emotion: reconciliation with memory through dance—bailable, poetic, ancestral, No EDM drops; energy driven by filter sweeps and rhythmic interplay
4:21

Neo-80s Fusion: 76 BPM, C major, Male lead vocal only—warm, intimate, dry, no backing vocals, Lyrics in English, ending with wordless hum, Rhythm section: live acoustic drums (felt kick, brushed snare, toms), no electronic percussion, Emotional core: real cello used melodically and texturally—low drones in verses, lyrical lines in choruses, memory motifs in bridge, Disruptive element: glass slide guitar (bottleneck) with no distortion, producing rain-like harmonics and rhythmic pulses—enters only in choruses and bridge, Synths: atmospheric analog pads (Prophet-5 style), warm, slow-moving, no arpeggios, Structure builds from sparse (cello + kick) to full (drums + cello + slide + pads), then strips back to hum, Production: vocal dry and centered, cello wide with natural room, slide guitar panned dynamically, zero reverb on voice, minimal plate on cello, Emotion: bodily memory as music—intimate, ancestral, resilient, No EDM drops; tension resolved through organic swell and release
5:36

Neo-80s Fusion: 108 BPM, E minor, Dual lead vocals—male and female, never harmonizing, only overlapping in final outro, Verses alternate between voices; choruses feature call-and-response phrasing, Lyrics in English, final lines in Spanish for emotional intimacy, Rhythm section: sequenced Moog bass, LinnDrum with gated reverb snare, syncopated hi-hats, Melodic layer: granular-processed nylon-string guitar used rhythmically (no melody), Emotional climax: distorted tenor saxophone with analog delay—raw, bluesy, non-melodic—enters only in bridge as disruptive human element, Synths: DX7 infinite-reverb pads, Juno-60 arpeggios, Oberheim tension layers, No backing vocals, Structure avoids traditional chorus repetition; tension built through vocal separation and rhythmic syncopation, Production: dry vocals, wide synths, bass centered, sax panned dynamically, Emotion: near-miss destiny, parallel lives, love as unsynchronized signal—elegant, bittersweet, sonically precise
5:24

Neo-80s Fusion: 94 BPM, A minor, Female lead vocal only—whispered, melodic, in French, dry in verses, tripled in choruses (center dry, left analog delay, right +10 cents pitch-shifted), no harmonies, Rhythm section: deep house sub-bass (mono, 909-style), hi-hats from pitch-shifted rain-on-metal sample, fluid swing, No acoustic drums, Melodic layer: Fender guitar with chorus, sparse arpeggios, Emotional core: real string quartet (violins, viola, cello) sidechained to kick, used rhythmically and atmospherically—not decorative, Synths: Juno-60 pads only in pre-chorus, No backing vocals, Structure avoids traditional chorus repetition; tension builds through string dynamics and vocal fragmentation, Drop is atmospheric, not explosive: strings dominate, beat becomes subliminal, Production dry, analog warmth, zero reverb on voice, minimal plate on strings, Emotion: unresolved magnetic pull, desire as signal without resolution—elegant, restrained, sonically immersive
4:27

Neo-80s Fusion: organic blend of 80s synth-pop, classic rock, and modern EDM pulse, 92 BPM, F# minor key modulating to A major, Hybrid drums: acoustic kick with wood slap + 909, snare with short room reverb, LinnDrum hi-hats with swing, Bass is central: Fender Precision and Moog in octaves, melodic syncopated funk-rock line, Dual guitars: clean Strat with analog delay in verses, distorted Les Paul staccato in choruses, raw feedback-driven solo in bridge, Vintage synths: DX7 pads, Juno-60 harmonic stabs, Oberheim tense arpeggios, Prophet-5 warm resolution, Male vocals: warm, expressive, Queen-style harmonies with one subtle vocoder layer, Dry analog production—no reverb in verses, only in choruses, Emotional dynamics: sparse intimate verses, explosive choruses, chaotic instrumental bridge, human-centered drop, Zero filler, zero clichés—maximum emotion through rhythmic and instrumental precision
4:51

Celestia
v5
Electronic dance-pop anthem with a cinematic, euphoric atmosphere, Tone A major, It begins with airy female vocals over spacious synth pads, soft piano, and a pulsing low beat, evoking intimacy and anticipation, Layers of shimmering arpeggiated synths, ethereal textures, and risers build tension toward a soaring pre-chorus, The chorus erupts with a driving four-on-the-floor rhythm, sidechained synth leads, reverb-soaked vocals, and deep bass, creating freedom and transcendence, Percussion is crisp and modern, with syncopated hi-hats, claps, and explosive fills that heighten the energy, The female lead remains central, moving from tender verses to powerful, expansive choruses, supported by lush harmonies, Breakdowns strip back to voice and filtered synths before surging into massive drops, filled with layered pads, swelling strings, and radiant electronic textures, The song balances delicate emotion with explosive energy, closing with a climactic finale that feels timeless and ecstatic
4:48

An uplifting 80s-inspired soulful pop filled with shimmering synth layers, radiant organ chords, and delicate harp glissandos that create a dreamy, celestial atmosphere, Key: C major, 112-125 BPM, Expressive and powerful female vocals lead the track, shifting from intimate and tender verses to soaring, euphoric choruses, supported by lush gospel-style backing harmonies that add warmth and grandeur, The arrangement builds in waves, with dramatic crescendos and sparkling instrumental textures that elevate the emotional journey, A heartfelt harmonica solo with a bright, soulful tone becomes the centerpiece of the bridge, blending seamlessly with orchestral pads and glittering synths to heighten the sense of wonder, The overall production balances intimacy and expansiveness, combining gospel energy, orchestral depth, and radiant pop polish, culminating in a euphoric, timeless climax that feels both heartfelt and heavenly
3:56

Compose a 90s-inspired pop-rock ballad with powerful emotional energy, fully original, Tempo: 96 BPM, key: A major, Instrumentation should feature clean electric guitar arpeggios in the verses, expanding into bright strums and soaring riffs in the choruses, Add steady drums with punchy snare and driving rhythm, supported by a round, defined bassline, Lead vocal must be female, strong and emotive, with clear pop-rock tone, capable of intimate verses and explosive choruses, Layer subtle backing harmonies in the choruses to enhance depth and intensity, Verses should feel tender and spacious, while choruses bloom into dramatic, uplifting soundscapes, Production should be polished, wide, and dynamic, with reverb creating space around vocals and guitars, The overall sound must be heartfelt, powerful, and timeless — a definitive 90s pop-rock anthem blending intimacy and soaring emotion
5:48

Energetic 80s synth-pop in F minor at 118 BPM with a relentless, driving pulse, Deep Moog-style analog bass locks tightly with a punchy LinnDrum groove (dry kick, snappy snare, syncopated hi-hats), Verses stay minimal with bass, drums, and tense Oberheim-style arpeggios, creating a hypnotic, moody atmosphere, Choruses explode with bright, rhythmic Juno-60 synth stabs, harmonized in thirds, and shimmering counter-melodies for lift, Female lead vocals in an Alison Moyet style — dark, soulful, smoky — urgent and commanding, short punchy phrases with dramatic pauses, Backing harmonies appear only in choruses, tight and dry, with subtle slap delay, Bridge drops suddenly to just bass and hi-hats, whispered vocals, then a sharp drum hit launches the final full chorus, Production is dry and upfront, bass and kick centered, synths wide but controlled, Vibe: shadowy, sensual, urgent — like 3 AM in a Berlin club, 1983
4:36

An energetic 80s-inspired synth-pop track built on a pulsing analog bassline, sharp drum machine patterns, and syncopated hi-hats, Dark, soulful female vocals cut through the mix with urgency and attitude, Verses maintain tight, minimal textures, while choruses explode with layered synth stabs and brighter melodic lines, The interplay of bass drive and crisp electronic percussion creates an intense, danceable groove with a shadowy yet irresistible energy
3:59

Slip away
v4.5+
Compose a 90s-inspired pop-rock ballad with powerful emotional energy, fully original, Tempo: 96 BPM, key: A major, Instrumentation should feature clean electric guitar arpeggios in the verses, expanding into bright strums and soaring riffs in the choruses, Add steady drums with punchy snare and driving rhythm, supported by a round, defined bassline, Lead vocal must be female, strong and emotive, with clear pop-rock tone, capable of intimate verses and explosive choruses, Layer subtle backing harmonies in the choruses to enhance depth and intensity, Verses should feel tender and spacious, while choruses bloom into dramatic, uplifting soundscapes, Production should be polished, wide, and dynamic, with reverb creating space around vocals and guitars, The overall sound must be heartfelt, powerful, and timeless — a definitive 90s pop-rock anthem blending intimacy and soaring emotion
5:09

Walk Away
v4.5+
Pop, disco, and funk fusion with glossy production and irresistible groove, Tight 4/4 beat built on synthetic clap/snare, warm kick, syncopated hi-hats, and percussive accents, Melodic, driving bassline at the center, funky and playful, locking with rhythm guitar stabs and palm-muted riffs, Guitars are clean, funky, and syncopated, occasionally crunchy for dramatic flair, Analog synths and string-like pads add warmth, depth, and vintage 80s atmosphere, Vocals: youthful, bright, agile—mix of belting, falsetto, twang, and iconic hiccups, grunts, and staccato phrasing, Urgent yet smooth delivery, alternating between soft intimacy and powerful high notes, Backing vocals in rich layers, call-and-response, with reverb-treated harmonies that expand choruses, Production is polished, radio-ready, balancing soul, funk, and pop energy, with a bass-driven groove and unmistakable dance-floor pull
4:31

Underlined
v4.5+
A polished 90s boyband pop ballad with exclusively male vocals, Emotional male lead vocal in the verses, smooth, intimate, and upfront in the mix, The pre-chorus builds with layered male backing vocals for tension, The chorus explodes into rich, powerful 3–4 part male vocal harmonies, all male voices blending together in unison and harmony to create the iconic “wall of sound” boyband effect, Backing ad-libs and echoing male falsettos add emotional depth, Instrumentation features smooth R&B-influenced beats with soft punchy snares, warm rounded bass, clean acoustic guitars, gentle electric piano chords, glossy reverb, subtle strings, and atmospheric synth pads, Production is polished and radio-ready, with wide stereo spread on the harmonies, lush 90s-style reverb, and a dynamic arrangement: intimate verses, soaring choruses, and a dramatic vocal bridge, Romantic, nostalgic, and unmistakably boyband
3:43

Test me
v5
An authentic 1980s English techno-pop, synth-pop track built on warm analog basslines, crisp drum machine beats, and arpeggiated synth layers with bright, evolving textures, Tight electronic percussion drives a dark yet melodic groove, blending mechanical precision with human emotion, The female lead vocal is expressive but restrained—clear diction, emotional undercurrent, subtle reverb for space, The verses pulse with minimal bass and drum patterns; the chorus blooms with layered synth pads and melodic counterlines; the bridge introduces a filtered breakdown before the final euphoric hook, Production uses vintage-style synths (Juno, Prophet, DX-type), gated reverb snares, and analog tape warmth to capture the UK synth-pop sound of cold romanticism and electronic intimacy—moody, nostalgic, and irresistibly human
4:04

“Todo Vale” opens with an intimate English verse: clean chorus electric guitar, acoustic strums, melodic bass, spacious Juno-60 pads, light drums, and tambourine, Verse 2 shifts to energetic Japanese, adding a punchy live band groove and Prophet-5 arpeggios, Anthemic Spanish choruses explode—full drums, FX-laden DX7 brass stabs, enriched harmonies, urban percussion, call-and-response ad-libs (“¡Ki-ra!”, “¡Vale!”), The Spanish bridge uses vocal FX, thinning to pads, arpeggios, and tambourine before an exuberant finale; dynamic drops spotlight vocals before cinematic, urban crescendos
3:51

4:32

3:23

Create a high-energy anthem titled “Dance With My Ghosts”, performed by a female lead vocalist with a male rapper delivering a percussive, Anderson, Paak-style bridge, Mood: cathartic, bailable, nocturnal, empowering, Structure:
Verses: intimate, breathy, minimal beat
Choruses: big room drop with supersaw synths, sidechain bass, vocal chops
Bridge: rap section — dry vocal, tight snare/kick, conversational but rhythmic flow
Final chorus: maximalist with live drums and electric guitar texture
Instrumentation: four-on-the-floor kick, distorted sub-bass, Prophet-6 synths, clap/snare on 2 and 4, filtered breath SFX, vinyl crackle, Tempo: 126 BPM, Key: E minor, Voice: emotive (verses/chorus), punchy and rhythmic (bridge), End with whispered Spanish line: “Soy yo, Y ya basta, ”
4:44

A hypnotic tribal dance and Afro-EDM fusion in D minor at 124 BPM, driven by deep tribal drums, syncopated percussive synths, and analog bass grooves with warm saturation, Chopped Nualo vocal samples are used rhythmically, layered with pitched vocal FX and dynamic call-and-response patterns, Filtered loops and melodic stabs pulse in and out of the mix, creating movement and tension throughout the arrangement, The vocal delivery is energetic and percussive, enhanced with stereo panning, delay, and modulation for a multidimensional effect, Designed as a seductive dancefloor anthem, the track blends primal rhythm with club-focused precision—perfect for a midnight ritual in a packed, euphoric atmosphere
4:40

An EDM trance track featuring uplifting builds, driving deep basslines, catchy, expansive synth melodies, and emotional male lead vocals, Tempo: 136 BPM (verses/chorus 1–2) → 140 BPM (final chorus), Key: A minor → C major (final chorus for emotional lift), Instrumentation:
Bass: sequenced analog synth (Moog-style), relentless pulse, distorted in choruses, Drums: live rock kit — tight snare, deep kick, reverb-heavy toms, tambourine in choruses, Piano: grand piano, open voicings, melodic in choruses (octave lines), atmospheric in verses, Synths: Juno-60 pads (cold, wide), Prophet-6 supersaws (choruses), granular textures (bridge), No orchestral strings — only synth strings (Juno/Prophet), Structure: dynamic shifts — intimate → explosive → suspended → triumphant, FX: filter sweeps, long reverb, wind textures, heartbeat pulse, Mood: epic, resilient, human — not sad, but defiantly hopeful, Like explorers who know they’re the last… and still sing
5:54

Create a modern Southern rock anthem titled “Face Him Down”, Vocal: male, raw, soulful — weathered baritone, with gospel grit in choruses, Instrumentation:
Slide guitar: open E tuning, spring reverb, tremolo — mournful in verses, soaring in choruses, Hammond B3: Leslie slow/fast, soulful pads (verses), driving chords (chorus), solo in bridge, Rhythm section: live drums (brush + stick snare, deep kick), melodic bass (P-Bass tone), Backing vocals: female gospel trio in choruses (à la “Starting Over”), Tempo: 80 BPM (4/4), with slight push in choruses, Key: E major (verses) → A major (chorus for lift), Mood: defiant, soulful, cinematic — not angry, but unbreakable, Production: warm analog tape saturation, room reverb, no autotune, Voice should sound human: breaths, cracks, smiles, Outro: slide guitar fade + footsteps + distant church bell
6:02

A melodic soft rock, blending blues-infused guitar storytelling with a laid-back groove, Features clean fingerpicked Stratocaster tones with light compression and spring reverb, warm fretless bass, and subtle, dynamic drumming using brushes and soft cymbal work, The male vocal is intimate, reflective, and slightly raspy, delivering lyrical storytelling with emotional restraint, Verses flow over spacious, minimal textures, while choruses open with layered guitars and melodic solos reminiscent of Mark Knopfler’s phrasing, Occasional organ and slide guitar accents add depth without overpowering the mix, Mood: nostalgic, elegant, and quietly powerful, evoking late-night highways, faded neon lights, and stories told through six strings
3:48

An energetic EDM anthem (128 BPM, F# minor), male vocal, festival-ready, Instrumentation: Bass: dominant, distorted Moog-style sub-bass with heavy sidechain to kick (duck everything on every beat), Add LFO wobble and light saturation in drops, Drums: punchy 4-on-the-floor kick, tight clap on 2 and 4, 16th-note hi-hats (stutter in drops), glitch percussion in verses, Synths: Prophet-6 supersaws in choruses, Juno-60 pads in verses, rhythmic synth stabs on “where/when”, Vocal: intimate in verses (dry, center), powerful in choruses (parallel compression), filtered in bridge, Include vocal chops: “come on… lift me… lift me…” (stutter, delay, pitch-shift) and “tell me where… tell me when…” (call & response with stabs), Mood: euphoric, cinematic, bailable, Mood: euphoric, cinematic, bailable, Key elements: Bass is the heartbeat —never masked, Choruses explosive, verses spacious, Final chorus: add live toms, cymbal crashes, layered harmonies
3:48

A high-BPM Eurodance track featuring bold 90s-style synth stabs, powerfull male voice, a pounding four-on-the-floor kick, and bright arpeggiated leads layered with trance pads, Deep male vocals deliver confident, catchy lines with rhythmic intensity, supported by choral backing in the chorus, Verses keep a tight melodic pulse, while the choruses burst with euphoric club energy, evoking the feel of a late-90s dancefloor hit, The mood is seductive, arrogant, and infectious — the sound of the ultimate nightclub heartthrob
4:27

A pulsing House EDM track anchored by a deep, driving bass groove, Crisp hi-hats and snare rolls energize the beat, while lively Latin-inspired percussion—congas, timbales, and shakers—adds rhythmic flair, Euphoric synth builds rise to explosive drops, maximizing dancefloor intensity
4:01

An 80s pop-funk groove inspired by the rhythmic attitude, but with a more melodic, accessible pop energy, 114 BPM, swung 16th-note feel, Pop-funk production: clean staccato funk guitars, warm electric bass with slides, crisp snare with ghost-notes, tight kick, bright horn stabs (trumpet/trombone), occasional handclaps, and light analog keyboards (Fender Rhodes + subtle 80s bell keys), No harsh thriller noir mood; instead, a catchy, dance-friendly vibe, Vocals: expressive male tenor with rhythmic phrasing, clear hooks, light vibrato; female backing vocals adding airy harmonies and short pop-style responses (“ah-ah”, “oh-yeah”), Choruses: more melodic and open, with layered harmonies and brighter horn lines, Breakdown: short Rhodes + bass moment before re-entering the pop-funk groove, Outro: energetic funk fade with guitar pops and horn ad-libs, Mood: danceable, stylish, playful, catchy pop-funk with a hint of 80s suspense but focused on melody and hookiness, not on thriller tension
4:29

An 80s-inspired pop track at 114 BPM with a lightly swung 16th-note feel, The foundation is a powerful, melodic electric bassline—dominant, expressive, and present throughout—interacting closely with an energetic lead vocal in a call-and-response feel, The overall groove has only a hint of funk, mostly in the rhythmic tightness, while the harmonic drive comes from metal-influenced electric guitars: crunchy rhythm riffs, brighter accent lines in pre-choruses, and soaring supporting lines in the chorus, Drums are tight and punchy (crisp snare, solid kick, minimal claps), Subtle analog keys (soft Rhodes + gentle 80s bell keys) add shimmer without taking focus from bass and guitars, Choruses expand with layered harmonies and open melodic phrasing, A short bass-driven breakdown precedes the final chorus, Mood: catchy, bold, bass-centered 80s pop with strong
5:19

3:54

Produce a high-energy dance-pop anthem with a powerful club feel, fully original, Female lead vocals should be bright, sensual, and melodic, carrying the main hook and soaring chorus with catchy phrasing, Male vocals should contrast with rhythmic, semi-rapped verses delivered with charisma, attitude, and percussive flow, The instrumental should feature a driving four-on-the-floor beat, deep punchy kick, crisp claps, and layered percussion, Add a hypnotic synth hook and a rolling bassline that keeps the track moving with urgency, Use Latin-inspired rhythmic accents and dynamic builds that drop into explosive choruses, Incorporate shimmering synths, atmospheric risers, and crowd-lifting effects to maximize club energy, Final mix should be polished, modern, and floor-filling: a perfect fusion of melodic female vocals, rhythmic male verses, and electrifying dance production designed for peak-time celebration
6:36

[Classic 80s–90s stadium rock anthem, 124 BPM, Male lead vocal: powerful, slightly raspy, emotive (Bon Jovi-style delivery), clear Spanish lyrics, Instrumentation: warm tube-distorted electric guitars (rhythmic riffs in verses, melodic solo in bridge), driving melodic bass, live acoustic drums (strong snare/kick, dynamic fills in pre-choruses/choruses), Structure: [Intro: clean guitars + groove], [Verse: intimate, space for vocal], [Pre-Chorus: tension build, drums intensify], [Chorus: explosive — layered harmonies, gang shouts on “¡Hey! ¡Hey! ¡Hey!”, massive energy], [Bridge: emotional guitar solo + spoken-word moment], [Final Chorus: epic, choir-like backing], Atmosphere: road, freedom, resilient love, bittersweet hope, Outro: clean arpeggiated guitars + drum fade (empty highway vibe), Avoid: synths, electronic, modern pop, autotune, ]
4:42

Lost
v5
[Upbeat Latin-infused Dance-Pop, BPM 118, Recorded live with full band: male lead vocal (warm, expressive, no vocal tuning, natural breath audible), female backing harmonies, Instruments: nylon guitar, Fender Rhodes, live cajón, Warwick slap bass, clean Stratocaster, güiro, tambourine, live palmas, Crowd ambience throughout (distant cheers, claps on chorus), slight room reverb, single-take energy, raw vocal delivery with stage presence, Mood: euphoric, intimate yet powerful — like a late-night festival main stage, No studio polish, no autotune, dynamic performance feel, ]
4:03

Latin-electro pop/Dance with soca bass energy, reggaetón rhythm (processed dembow), and post-hardcore grit — reimagined for mainstage EDM, Female vocal: tender in verses (close-mic, breathy, rhythmic), explosive in choruses (layered harmonies, K-pop brightness, ), Key sounds: deep sine-wave sub + distorted mid-bass (soca-inspired), chopped West Coast vocal samples (glitched, pitch-shifted), supersaw leads with formant filters, granular atmospheric pads, reverse guitar swells (textural, not melodic), tight electronic percussion (dembow + shaker + clave, sidechained hard), Builds: smooth, tension-driven (rising white noise, snare rolls, vocal chops), Drops: warm but punchy — no harsh EDM distortion, Mood: defiant, radiant, unstoppable self-love, Vocals must swing slightly (reggaetón DNA), with rapid-fire confidence in verses, chant-like euphoria in hook, Production: wide, polished, but with organic grit — vinyl crackle, tape saturation on drums, analog warmth on bass
5:59

Soul-pop-rock, 124 BPM, live band, high energy but warm, Driving groove: live drums with strong backbeat (snare crisp on 2 & 4, kick punchy), warm rolling bassline (Fender Precision, fingerstyle, syncopated), rhythm electric guitar (clean Fender Strat, muted 16th-note groove), sparse bluesy lead licks (slide or Strat, light overdrive), Hammond B3 organ (Leslie medium speed) — pads in verses, swells in choruses, Male lead vocal: powerful, raspy-but-controlled, intimate in verses → soaring in choruses, Light male backing vocals only in choruses/post-chorus (tight unison or 3rds, gospel-tinged, no female voices), Strings: real, used for accents (stabs in chorus, swells in bridge), not constant, NO piano, NO acoustic guitar, NO ballad tempo, NO autotune, NO EDM/synths, NO trap hi-hats, Mood: confident, sensual, uplifting — like dancing barefoot in the kitchen at 2AM, Production: analog warmth, dynamic range, vocal upfront, drum
6:47

A modern soul-pop ballad built around warm piano chords and a restrained, intimate groove, Soft drums and deep bass enter gradually, supporting a raspy, expressive male vocal that grows in intensity, Emotional build from quiet verses to a powerful, gospel-tinged chorus with layered harmonies, cinematic swells, and raw vulnerability throughout
4:01

An ultra-danceable instrumental EDM track, Fusion of 80s disco-dance and modern bass house, Mood: euphoric, nostalgic, energetic, summer-night drive, Structure: intro with Juno-60 arpeggio, Moog-style bass, vinyl crackle; verse with tight groove, gated snare, syncopated bass; pre-chorus build with supersaw swell and riser; massive chorus — distorted FM bass growl, bright DX7-style bell lead, wide supersaws, handclaps; second verse with added brass stabs and congas for swing; identical second chorus with vocal chops; half-time bridge with drone and slowed arp; intense build-up; final chorus with crowd shouts; festival hook break (arp solo); outro with low-pass fade and vinyl run-out, Key elements: infectious 16th-note arpeggio throughout, sidechain pumping, analog warmth, modern bass weight, Spanish singer, Production: clean but punchy, club-optimized, with vintage sheen and contemporary low-end, Designed for mainstage and open-air festivals — 100%




