Boss Bitches #CemeteryKids

Hard-hitting dubstep / EDM / trap-rap anthem fused with metal and bluegrass, Tempo aggressive and commanding, Earth-shaking 808s and punchy trap drums drive the groove, with distorted banjo riffs chopping rhythmically like a weapon, sometimes doubled with gritty metal guitar for extra bite, Drops are brutal and minimal, bass wobbling and growling with sudden stop-downs for impact, Bluegrass banjo runs cut through the chaos between drops, giving a raw, southern outlaw edge, Vocals: deep, gruff southern baritone male, confident and intimidating, half-rapped, half-barked, Delivery is confrontational and authoritative—short, sharp phrases, shouted ad-libs, and menacing call-outs, Lyrics and tone project dominance, control, and zero tolerance: “look here—shut up—I’m the boss, ” Atmosphere is dark, swagger-heavy, and industrial, with metallic hits, crowd-silencing pauses, and explosive bass returns designed to make the listener feel overpowered and in command, ‑mumbling

deathcore, metal guitar, dark trap beat, Scottish, dubstep metal core, metal dubstep and bass boosted glitching metal, hardcore drums

female singer only, female vocals ranging a3 to c6, [bpm:150], [theme:Hip Hop], [main genre:hip hop], [sub-genre: dark gothic gangster trap, hip hop, rap], [tuning:dark gothic hip hop, dark gangster sound], [insturments:dark gothic hip hop, dark gangster guitars and keys], [sfx:dark gothic hip hop ]

Female vocals, gangster rap, intricate percussion, turntables

A dark pop track with a driving beat and a female vocalist, The song is in a minor key, likely A minor, and maintains a moderate tempo throughout, The instrumentation includes a prominent synth bass line, a consistent drum machine beat with a strong kick and snare, and atmospheric synth pads, The vocals are delivered with a confident, almost defiant tone, featuring a mix of sung and spoken word elements, Production includes reverb on the vocals and some subtle delay effects on synth elements, The song structure follows a typical verse-chorus format with a bridge and outro, The melody is catchy and memorable, often featuring a call-and-response between the lead vocal and a layered, slightly distorted vocal harmony, The overall mood is powerful and slightly melancholic

Cinematic dark-pop workout anthem at 132 BPM blending detuned synth melodies, deep house bass, punchy electronic drums, and metal snare, March rhythms and sub-bass power the track beneath staccato strings and orchestral blasts, Vocals are front-mixed and layered: theatrical female lead with a ghostly, expressive tone and swaggering rhythm; male baritone voice is chant-focused, R-driven, clean, and spoken with power, Chorus features multi-voice stack and chant-loop rhythm, Bridge shifts to violin and soft echo, Let vocals overlap, interrupt, finish each other, or clash mid-thought, Build playful tension with reverb claps, cinematic swells, and ADHD energy, The song should feel like a neurodivergent meltdown on a mic, crying while dancing, and loving every overloaded second, filter, Lead voice must sit +6dB above mix, ‑lofi, ‑chillwave, ‑ambient, ‑whispered vocals, ‑autotune, ‑hyperpop, ‑dream pop, ‑soft piano, ‑folk, ‑indie acoustic, ‑cloud rap, ‑ambient pads, ‑synthpop, ‑nightcore, ‑chillhop, ‑reverb-heavy vocals, ‑asmr, ‑bedroom pop, ‑lo-bit, ‑shoegaze, ‑retro funk, ‑jazz fusion, ‑vaporwave, ‑chillstep